I Train the Big Shots Behind the Scenes

Original introduction That story that no one knows has become a myth and legend. The distant myth eventually disappeared into the earth and became history. Strange things emerged, the first gods walked into the sky, Xiangliu spit out poisonous fire in the sky, Lei Ze's God of Thunder beat the war drum that shook the world, and human warriors crossed the sky and smashed into Mount Buzhou in anger. The rocket rain burned the entire night sky, and the arrows containing spiritual energy shattered in the air, forming a trajectory that could be seen from thousands of miles away. This is the golden age of spiritual practice. People, demons and spirits walk on the earth, the dead ones form strange ghosts, and the inborn gods stand high in the sky, overlooking the mountains, rivers and earth. All practitioners are competing for the authority of the seven realms and nine states. 'Taichu' opened his eyes.

Heretics meet the deity. GIF

As for Jiuli, he should have some tattoos.

It looks a little awkward. . . It's not popular probably because of writing and setting issues.

I originally wanted to run away, but after seeing your reply I might as well say it again. What I'm talking about is Yunying's perspective. The word limit for this chapter is too high, so I said it in the comments. Li Yili Yunying's line, she has waited for more than 13,000 years, and fought against the rules of heaven and earth to continue waiting. 1. The ancient ruins of Miaofa Valley begin, and the mountain gate is opened to entertain guests. Then when the mountain gate was about to close, I wanted to go out for a walk, having not been out of the courtyard for nearly three hundred years. (Note that the following behavior here tells the price of her leaving the courtyard from the perspective of a disciple - the consumption of her short life span, as well as the whim instincts of ordinary immortals regarding their own important matters and crises, and the master's cultivation). 2. I happened to meet Zhao Li who was late in front of the mountain gate formation. Seeing Zhao Li's blue and white Taoist robes and the sword that obviously had a long history, Zhao Li slightly nodded in greeting. Pay attention to the reaction of the ancestor in the article, "My eyes were slightly widened, and I looked at Zhao Li, as if I didn't expect to see any guests here, and my breathing seemed to stop slightly." With Yunying having lived for thirteen thousand years and looking down on the world, what made her lose her composure was definitely not that there was a guest in front of the mountain gate, but the identity of this guest. Looking at her return gift, Zhao Li just nodded slightly, while Yunying said "the old man returned the gift with a slight smile, raised his hands, and bowed." It means that here we have already determined that this is what Master said back then that we will meet again one day. Although it has been more than ten thousand years, we finally met in this valley and determined that the person in front of us is Master. This is the expectation of the agreement made back then and the trust in one's own instinct. Otherwise, who is worthy of Yunying, the ancestor, to be so generous when the other person only slightly lowers his head? 3. Looking at the dialogue again, the sentence "Xianzhang, why did you come so late?" This is a kind of temptation, stemming from the recognition of identity, so she is very polite in her words, but the emotions contained are really complex. She is looking forward to the arrival of the master. Master, why did you come? Are you here for me or for the Gu you raised? The uninformed Zhao Li replied like this in order to show off, "If I hadn't come here at this time, how could I have seen this moment? The destiny is destined, everything is just like a sword." Yunying's reaction was "his eyes were lowered, he was silent for a moment, then smiled slightly and said, 'What the immortal said makes sense.'" No matter what your purpose is, no matter why you came so late, after 13,000 years of waiting, you are finally here. So the author said that Yunying recognized his identity as soon as they met, and she never had any doubts after she recognized him. This is an objective description. I say this is a perceptual identification, and I explain it from the reader's perspective, because this identification is her subjective identification. Apart from the coincidence of time, Taoist clothing and her instinct, there is actually no support for her. 3. After the disciples in the valley noticed the abnormality and came to respond, Yunying's reaction was written from a third-person perspective, "Zhao Li nodded and stepped forward. The old woman was a step slower than him and followed him. Her steps were not hurried or slow, just about the same speed as Zhao Li, but Following him, her eyes were quietly looking at the hem of the clothes, and she was in a daze at the blue and white Taoist robe that was exposed as she walked around. "If it was respectful before, it can be said to be submissive here. He followed step by step, staring at the blue Taoist robe in trance, and his emotions were simply beyond the sky. 4. When the disciple wanted to show off and comment on the founder, "the old woman didn't answer and looked at Zhao Li with a pair of brown eyes." The emotions here are very complicated, but there should be a sense of expectation. While most people would even find the wrong target, Zhao Li accurately found the target and sighed slightly due to his complicated mood. He subconsciously said what the old man said when he taught Yunying the swordsmanship, "The old man next to him was stunned for a long time, with his light brown eyes lowered." This place was a qualitative change. If the previous identification was Yunying's wishful thinking, even if she had never doubted her own thoughts, it was ultimately Yunying's unilateral decision. This sigh and the same words were equivalent to the master giving him a response, in response to her identification, in response to her thirteen thousand years of waiting. At this point, both parties were in harmony. (On the surface, Zhao Li did not know the identity of the person in front of him, but he was feeling complicated and trying to show off). 5. Then, that disciple acted as a plot propeller. He wanted to show off all the way, but unfortunately Zhao Li broke through all the way and didn't give him a chance to show off, so he started to want to tell a story again. So we know that 13,000 years have passed, and the world has changed dramatically. Even the meeting with the immortal to teach and teach has become a legend among the ordinary disciples in the valley. The waiting time does not even have an accurate large number, or it is subconsciously denied (some people say that they waited for hundreds of years, some said that they waited for thousands of years, and some said that they waited for ten thousand years). And that reply that she admired but didn't understand made her subconsciously, that sentence was worth it. It was a reply to the disciple, to herself, and even more to the master. In that chapter, a book friend expressed this feeling very well, "Even if it is a calculation, but the teachings and the grace of saving my life, everything I have is given by you, and I am willing to give it back to you." Because Zhao Li was too clear about the truth, he broke this unilateral willingness with a cold comment that it was not worth it. If commenting on the sword was a response to waiting, explaining that it was not worth it was to clear up his doubts. Knock on the blackboard to pay attention, treating his disciples as legends, things that are unclear about time, and ask Zhao Li to accurately say "three months" when he opens his mouth. Then he tells the details of the year and the immortal's feelings from the perspective of an immortal, and then tells her that the immortal has also received her own reward in those three months. She should do what she likes. Three months is not worth her lifetime, which completely negates Yunying's thirteen thousand years of waiting. (Zhao Li used it subconsciously because he had seen the old monster's memory. He didn't realize that he shouldn't know these things. The same goes for commenting on sword skills). From Yunying's perspective, it is like this. I went out for a walk and met the master with something in mind. I struck up a conversation with him. He greeted me with courtesy and followed step by step. I was looking forward to the master's response. Then the master responded to the wait with the same evaluation as when he first taught me the teaching, and denied the wait by saying it was not worth it. From Zhao Li's point of view, 1 I was late for the meeting and was depressed and helpless when I met an old man. Well, let's say hello. 2 Damn, such an embarrassing thing is actually brought to the heart by a question. No, I can't lose my temper, so hurry up and pretend to be awesome. 3. If someone comes to pick you up, take the first step. If you are locked up, you will lose all your strength. 4. You actually want to trick me into making a fool of yourself. I know the details of your ancestor's beginnings better than you. I actually met such a person. It's a pity that I feel envious. I sigh, alas, and continue to show off. 5. That guy has such a vicious mind and is not worthy of your attachment. No, why did you say it out? They can't pretend to be coercive because they think they can't tell the truth even if they slander the teacher. Therefore, Zhao Li explained that it was not worth it, and said that growing up was lonely and wandering with no one to rely on. Asked her, "Fellow Taoist, do you think so?" Then the perspective switched back to Yunying, Taoist? Master, you said it's not worth it. Did you not even acknowledge my status? Did you ask me about my wishes? Then he asked, "Do you think so, Master?"

I was sorting out my notebook and found a character relationship diagram I made when I was in my senior year of high school... It started with just a few lines and then ended up filling a whole page. When Lao Yan finishes writing "Suppressing Demons", I must sort out the unfinished pitfalls behind the scenes... My favorite novel is "Behind the Scenes" (word ugly, face covering)

Tens of thousands of people die every second. How will Po Meng feed her soup? Move at super high speed and fill a bowl in one microsecond? Recruiting a thousand Po Meng, coming right away? Thousands of clones? Or a fully automatic soup filling machine?

Tonight, a grand prize for poems written in the group "Qilu·Taiyi of the Eastern Emperor" The nine-layered palace is locked in smoke, and the south wind blows in the purple light at five nights The flowers have fallen with the sky, and the fragrant cold has begun to fly away from the imperial furnace The yellow gate plays a whisper to the prince, and the white snow sings a poem with a gift But there is no compensation for laughing at this body, and I can't bear to shake my head to the dragon's door "Qilu·Yuanhuang" Where is the harp without strings, the lonely crane is flying in the autumn? The moon is born outside the cold mountains of Nanpu, the wind falls by the far water of the rivers and lakes Who has white hair is as pitiful as jade, and the clear bottles are compared to the guests.

​Actually, I feel that the author advanced the plot too quickly. First is the theme of this book. The original theme is that the protagonist cultivates various geniuses behind the scenes, and through the progress of the geniuses, he feeds himself back and gradually becomes stronger. After that, the geniuses emerged in their respective spheres of influence, stirring up troubles and composing their own life epics. Among them, they got to know each other through the protagonist Zhao Li and joined forces, causing a storm in the great era that followed. This is a microscopic description, and it is also the starting point of the story. However, starting from Yin Gun Jue Yun, the progress of the story has obviously accelerated significantly. After preaching in the cave, Zhao Li's strength began to increase by leaps and bounds. He no longer needed the support of the geniuses at all. All he needed was a little extrapolated spiritual material. The frequent appearance of gods and demons reduces the strength of the bosses in the early and mid-term, and the emergence of innate gods causes ordinary gods and demons to be reduced to mere soldiers. There is an obvious cliff in the strength of the novel. At this time, the characters developed in the early stage such as Ji Xin, You, Tanlang, etc. Obviously cannot keep up with the evolution of the plot, and have been completely marginalized and become background boards. Even including the various forces at the beginning, such as the Dynasty, Jiuli, Yaoting... Not even gods and demons can resist, let alone the innate gods? So they all become background boards and foils. The descriptive perspective of the novel has also changed from microscopic to macroscopic, and the writing and ink focus on the protagonist Zhao Li. The plot has been describing Zhao Li's layout, the game with the mastermind behind the scenes, and the intersection with various forces (actually the forces represented by the Innate God). It was obvious by this point that the story had long strayed from its original intention. This is the result of the collapse of strength, and also the result of the plot advancing too quickly. The combat power system is broken, the growth of small characters cannot keep up with the progress of the plot, and they cannot reach the level of strength required to participate in the plot. The story has developed to this point, and the lord of Fengdu supported by gods and demons can subvert the nine continents and make the world tremble. And this, in Donghuang's eyes, was just a trivial matter, not worth mentioning. So, with the innate gods appearing one after another, how can small figures such as Ji Xin Tanlang, Jixia Academy, and the Tianxia Human Race reasonably cheat and stir up the storm? All living beings in the world are like grass and mustard. Because they have no time to develop and have no ability to participate in the situation, because the plot advances too fast and their strength collapses too seriously. When writing this post, the only solution I thought of was for the protagonist to plan and use the layout of other positive innate gods to disrupt the chessboard and restrict the villain's innate gods, making both parties and even the protagonist temporarily unable to enter. The protagonist, Shenyin, returns to the background to make arrangements and cultivate the power of his subordinates. When the age of great conflict comes, your own forces have gained sufficient strength, and only then can you influence the battle situation and participate in the plot. Otherwise, it would just be the protagonist's solo show, a game between the innate gods. I hope the author can control the direction of the plot and not collapse. I hope my opinion is just a blind man trying to grasp the elephant, and my worries are just unfounded worries😶

I said, Lao Yan, you can do less or even less updates in the past two days. Hurry up and reverse the time. Your schedule is too scary. People collapsed halfway through the book. Back then, Brother Yi collapsed in the middle of writing "Heroic Prison" and recuperated for two years. I remember that although I continued to write, it didn't feel like it did back then. You must never let something like this happen. I don't want to experience what happened to Brother Yi again.