Tokyo Police Files

The author's romance plot is excellent; it could stand alone as a romance novel. The crime-solving plot is even better, it's the central theme. Mixing the two together caused readers to criticize a perfectly good female lead relentlessly. This is why people dislike Akemi. No, they don't. People find various reasons why she's unsuitable, simply because the author's control is slightly lacking.

I saw the scene with Keiko's back stab a few days ago and said the author really challenged himself by writing it that way, but I can't believe it turned out so badly! Although there were a few abrupt developments in the relationship (such as the sudden confirmation of a romantic relationship between Kamakura Futari and Akemi, the release of Sakurako from prison, and the conflict caused by…

Keiko, Akemi and Sakurako. Keiko: A powerful woman who graduated from a prestigious university and entered politics. She has squandered Shuichi's affections through her repeated schemes and is currently trying to finish her studies early and return to Japan to make a comeback. Mingmei: A gentle and cute little starlet who holds the position of the official girlfriend.

This book is really good, quite rare on the Qidian platform. The author must have put in a lot of effort, as the details are remarkable. The character of Jingzi is extremely well-developed, perfectly expressing the complex inner world of a political woman who adheres to her political ideals while also yearning for love. Although she is not popular with readers, she feels very real.

Honestly, Mingmei is really not suitable. The entertainment industry and the police force are basically not connected. Everyone says that matters of the heart have nothing to do with career, but that's just talk. Although the idea of ​​marrying someone of equal social standing is old-fashioned, it has its reasons.

The novel is truly well-written, with both the crime-solving and romance scenes having their own merits. However, the latest chapter was particularly heart-wrenching. So far, it's clear the author aimed for a well-rounded approach, making both aspects compelling. But I don't think making them compelling necessitates writing the romance like in *White Album*.

Low subscriptions lately? Author, you can continue to flirt with disaster for a few more days. First, you forcibly added scenes to whitewash Keiko, who is highly disliked, and then these past few days you've written incoherent nonsense. The protagonist is Hosokawa, the general affairs manager, right? The plot is about striving to save the company, right? This is completely off-topic... Is the author just trying to abandon the story and start a new one with a different theme?

The writing is very good. But the author really can't write a book. Compared to the previously popular "Crazy Detective," that book was actually worthless except for its well-written cases; in fact, the reasoning in the cases was not as good as this one. But why is it that others become popular, while yours is constantly criticized and only achieves mediocre results?

Let me share my understanding of Lin Xiuyi from the book. In his previous life, right after graduating and joining the police force, he volunteered to infiltrate a drug trafficking gang as an undercover agent. I don't understand what he or his superiors were thinking. How could a greenhorn fresh out of police academy be qualified and capable of being an undercover agent?

Honestly, this book is really well written, but the protagonist is really weak. He's been weak ever since the bombing incident. Keiko dragged the protagonist into such a big vortex, and he forgave her with just a little bit of coquetry and cuteness. Later, when he lured Kuroda to ask Keiko for help, the protagonist hesitated even though she agreed. Come on, she's helping herself too.