I Really Didn't Mean to Become a Big Shot?

If you're going to write about gangsters, just stick to the gangster stuff. A Nobel Prize? A sugar daddy who's the Commissioner of Police? This is the typical overpowered protagonist trope—can't you stop this ridiculous?! It's a complete flop.

Cordyceps, why don't you go back to writing Japanese light novels and mystery novels? These days, every book you write flops.

You go be a gangster then, we're off!

Could you write something like Tokyo Police Affairs? That kind of thing would suit you better.

This continuous abandonment of projects isn't sustainable! You should try writing Japanese crime dramas instead. People really should focus on what they're good at first.

What exactly am I trying to write? It's all a jumbled mess.

Just tell me directly whether or not you'll be castrated.

I've read about ten chapters. There's no clear protagonist goal, nor a clear main plot. The gangster and computer themes don't match in style at all. This disconnect is very obvious when the plots switch. It should either be pure gangster or pure computer business empire, otherwise it won't be well written. The title is just riding on the coattails of gangsters, but once readers see that the content isn't the same, they'll all leave. No one will read something that's neither fish nor fowl.

A story of gangsters and programmers starting a business, with the latest chapters even including TVB and university storylines—it's quite imaginative. But to write a good story like this requires a vast amount of knowledge. The most interesting book about early software I read over twenty years ago was *Cyber ​​Life*, which dealt with software products from the distant past.

Readers who like Hong Kong-style fantasy novels probably don't know what CSS is... Old Bug used it as a fun opening, but I bet a lot of people will drop the book by the second chapter. I wonder what the completion rate is like on the back end.