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The snow-capped mountains have always nourished the creatures on the earth with the great power of motherhood. Writer Yang Zhijun, who was born and raised here, looks back fondly on the arduous explorations of his father, mother and generations of grassland builders, and writes about the great changes of the times in high-altitude areas and the spiritual path of grassland herders. The novel not only has a strong sense of urgency in facing grassland problems, but also the unconcealed passion and optimism in the text that truly reflects the grassland people's solution to problems and the construction of a new grassland. The poetic language forms a unique narrative style. The work not only truly presents the harshness of grassland life, but also is full of poetic flavor.

In the early 1980s, the male protagonist Jiang Jinfeng graduated from high school and became a private teacher in the school. He went into work with full enthusiasm and the ideal of educating future generations, but after working, he felt the gap between ideal and reality, the intertwining of pride and vanity, which often made him fall into confusion and contemplation about life. However, his conscience as a teacher and his pursuit of a better life made him quickly get out of his emotional trough, treat his students well, value education, and embrace the future with poetic passion. In the process of striving to pursue his dreams, he gained sweet love and strengthened his educational ideals.

This novel tells the story of a rural grassroots cadre of the party who leads the villagers to collectively get rich and move toward rural revitalization. Lan Yingni, a girl from the rural She ethnic group, was born with a good voice. Under the influence of her music teacher, she dreamed of becoming an actress. Because of the national construction of the Xin'anjiang Hydropower Station, she and her fellow villagers moved from western Zhejiang to a place called Huwan in Hecheng County, eastern Jiangxi. Two music teachers who were kind to her left her one after another, and her father also sacrificed himself to save others in the flood. It was difficult to realize her dream of being an actress, and she was full of confusion about the future. Inspired by the spirit of her father and fellow villagers who worked hard to build a new life, she devoted herself to the struggle to build her hometown. She joined the party, gained love, and basked in the spring breeze of rural reform and opening up. She became a rich person in Hecheng County. She served as the village committee director and branch secretary, leading the villagers on the road to collective wealth. However, the road ahead is not smooth... After untold hardships, we finally led the villagers to achieve collective wealth and embark on the road of rural revitalization, realizing the dreams of all the villagers.

"The Passenger on the Shoulder" is a novel with the theme of Hakkas in southern Jiangxi. The novel has a strong regional color and humanistic flavor. This is a work that pays homage to the Hakka sages who endured hardships and hardships. In ancient times, there were many mountains and few fields in southern Jiangxi. Under the exploitation of landlords, the working people had "no roof, no earth, no place to stand on their homes." At that time, many young and middle-aged people had no choice but to travel far away and make a living by carrying shoulder loads. The team of shoulder loaders was very large, and shoulder load carrying became the main method of goods circulation in mountainous areas. But carrying a shoulder load is also difficult and full of dangers, and you may even lose your life. The object of the novel is such a man who earns a living by selling coolies. The author conducted a large number of interviews and collected information. This ancient professional picture is restored. The shoulder-carrying passengers are people who walk on the road all year round. Through their experiences and knowledge, they connect the customs, culture, mountains and scenery of southern Gansu. This is an unfolding picture of the Hakka people in southern Jiangxi, and it is also a rich history.

"Building Dreams" is a novel that the author has polished for more than 20 years. By deeply exploring the cultural resources of the Hakka people in southern Jiangxi and using the left-behind rural groups as an entry point, it creates a typical image of Qiu Qi, a young man working outside, who overcomes difficulties and returns to his hometown to start a mountainous ecological ranch, striving towards his dream.

She was born with the death of her biological mother. After being told by a fortune teller that her fortune was incompatible with her parents and relatives, she was deemed unknown by her family... Although her fate was unfortunate, she still lived a serious life and won her own happiness in the ups and downs of her life.

The author Li Zhizhan is a cutting-edge writer from Henan who was born in 1988. His collection of works "Dusk at Gubuyan" was included in the 21st Century Literary Star Series. This book is his debut novel and has been serialized in the 2022 Issues 5 and 6 of "Novel Monthly·Original Edition". "Red Moon in Pinglefang" has distinctive Lingnan characteristics, with night markets, streets, snacks... Full of fireworks. The upper part of the work is about the present, about the life changes and joys and sorrows of a group of locals who live in the market and make snacks as a profession; the lower part is about the past, when a girl of low status fell in love with the son of a rich man. They struggled to find their own destiny, and eventually became separated on both sides of the Taiwan Strait and could not see each other again. Later, with the reform and opening up, the two people reunited, but they were already running on their own life paths and had no chance to renew their relationship. The fates of the characters in the upper and lower parts are intertwined, but the writing methods are different. The upper part focuses on a vigorous and vigorous love-hate relationship, while the lower part is quiet and affectionate.

The novel is set in the social life of a remote rural area in Sichuan in the winter of 1979. Through the life stories of the old farmer Xu Mao and his daughters, it profoundly reflects the changing social landscape of the late 1970s and foreshadows the bright and beautiful prospects that will emerge after the turmoil ends. The novel won the Mao Dun Literature Award.

"Qinqiang" focuses on a village in southern Shaanxi and tells the story of the relationship between farmers and their land and the living conditions of farmers. Through the eyes of a "madman" named Yinsheng, it writes about the deep worries and deep sympathy for the heavy burden on farmers and the loss of rural culture. The work interprets the 20-year history of China's rural areas with solemn brushstrokes, focusing on the huge and profound changes in rural values ​​​​and traditional patterns, as well as the profound changes in interpersonal relationships in the traditional patterns. It is "an epic volume of contemporary Chinese rural areas." This book took nearly two years to complete and the draft was revised four times. It is the work that the author took the longest, revised the most, and took the most painstaking efforts. Won the 7th Mao Dun Literature Award.

"Skywalker" is an excellent novel based on the life of rural private teachers. It is set in a rural primary school deep in the mountains. It tells the bitter story of a group of private teachers who selflessly contributed to rural education in a poor life and sought to become regular teachers. It also reflects the long-forgotten hardships of rural private teachers. The novel vividly and truly depicts the collective image of rural private teachers, describes multiple aspects of their inner world, and gives people a strong ideological and artistic impact. Anyone who has read this novel will be deeply moved by the simple, perseverance, selfless and selfless survival perseverance and spiritual quality of the rural private teachers described by the author. The book adheres to the author's consistent style of realism and focuses on a corner of Chinese society with delicate brushstrokes and simple words.

"The Turbulent Autumn" is Liu Yumin's masterpiece. It is a novel that reflects the tremendous changes in rural appearance and interpersonal relationships under the impact of the commodity economy. It won the 4th Mao Dun Literature Award. "The Autumn of Turmoil" not only describes the various commotions aroused by Yue Pengcheng, a "peasant reformer" in reforming the appearance of his hometown: from the attention of provincial, municipal and county party committee leaders to the publicity of national and provincial public opinion on marriage registration, from the ancient legend of Li Longshan to the inscriptions on the tablets in the back hall of King Li Temple The names of Yue Pengcheng and Dasangyuan are written down... But at the same time, it also focuses on the various turmoils in Yue Pengcheng's heart, the father-son conflict caused by the conflict between his and his son's different opinions on the reform; his relationship with Qiuling led to the conflict with his wife and the intensification of family conflicts...

This is a majestic epic of fifty years of changes in the Weihe Plain, a colorful and thrilling long picture of China's rural villages. Two generations of descendants of a family have been fighting for the dominance of Bailuyuan from generation to generation: they exploit feng shui, use beauty tricks, a filial son becomes a bandit, a father-in-law kills his daughter-in-law, brothers love each other, lovers turn against each other... The Great Revolution, the Japanese invasion, and three years of civil war, Bailuyuan is ups and downs, the king's flag changes, family feuds and national hatreds are intertwined, and grievances are repaid from generation to generation... The ancient land is shaking in the throes of new life. The novel takes Bailu Village on Bailuyuan in the Guanzhong region of Shaanxi Province as a microcosm. By telling the grievances and disputes between three generations of two families named Bai and Lu, it shows the historical changes that lasted for more than half a century from the late Qing Dynasty to the 1970s and 1980s.

"Furong Town" is a full-length novel written by Gu Hua. The author has included and condensed the people and things he is familiar with in the southern villages into this book, describing the social customs of southern China's rural areas from 1963 to 1979. The novel combines historical events with pictures of customs and folk customs, uses the fate of the characters to play out the changes in rural life, and depicts the color and mood of life in rural southern China. The novel was published in "Contemporary" in 1981 and won the first Mao Dun Literature Award the following year.

"Lake Lights and Mountains" is a novel by Zhou Daxin that won the Mao Dun Literature Award. The book takes as the protagonist an ordinary Henan woman who returned to the countryside from the city, tells the story of the struggle of rural entrepreneurial youth, and reflects the various social and ecological issues that rural areas need to face in the process of China's reform and opening up, such as conceptual changes, cultural transformation, and adjustments to interpersonal relationships. The novel has vivid characters, touching love, and tight-paced contradictions. It is a rare and important work of rural literature in the new era. The book has been adapted into a TV series and has a good reputation among readers.

The novel takes as its main line the family story of the last two generations of chieftains Wei Songyuan and Wei Caiwen, father and son, in a certain place in Guangxi. It reflects the rise, fall and decline of the feudal chieftain system. After extensive monograph research and several field interviews, the author has written a tragic elegy about the last chieftain of the Zhuang ethnic group, trying to reflect the decline of the entire chieftain system from the perspective of Yunnan, Guizhou and Guangxi and even all ethnic minority areas that once implemented the chieftain system.

This is a true story about the relationship between an old hunter and animals. The story is full of fantasy and twists and turns. The story reveals the dangers of human nature, the self-reliance and untrustworthiness of humans, as well as the tolerance and self-confidence of animals that make humans feel ashamed, the alternative kindness, the kind of noble souls that exist in the animal world that are difficult for the world to understand, and the unique noble qualities of animals. This book brings people thinking about human nature, how humans and the animal world can get along better, and the kind of trust and kindness in the animal world.

Under the correct leadership of the local party committee, and under the leadership of team leader Li Weimin, the village work team thought about what the people were thinking and worried about their concerns, and was determined to work with the two committees of Zoujiazhai Village to rectify the source, rectify the rural order, and eradicate the stubborn land diseases in the past. However, some people reacted fiercely and became tense, and some cadres went out of their way to cope with the situation passively, resulting in complicated conflicts and problems one after another... The novel realistically depicts the entire process of the battle that took place in Zoujiazhai during the fight against poverty, and truly reflects all aspects of the work in the countryside. The work is close to life and the language is plain and easy to read. It is a masterpiece that reflects the frontline work of poverty alleviation.

This book is a full-length novel that shows the development of Oroqen in the past hundred years. The novel shows the magnificent jungle life of Oroqen from an objective perspective and in a panoramic manner. It especially eulogizes the Oroqen nation's national righteousness from being forced to consciously resisting Japan after being invaded by Japanese invaders. Oroqen loves the big forest, is close to the big forest, and makes the forest their home. They are worthy of being the hunting gods of the Xing'an Mountains! The novel also objectively displays Oroqen's confusion, contradiction and helplessness when he put down his shotgun and walked out of the forest.

In the form of memories, the novel tells the story of husband An Dacheng and his wife Qin Xiao'e's past lives in Guhe Village, which is northeast of "Escape from Deer City", such as the death of their children, their sister's escape from marriage, and the death of their father. The stories of "doctor", "midwife", "barber" and others serve as branches of the novel, which embody the spirit of self-improvement and hard work of the people of Furukawa village headed by An Dacheng, and the theme of "happiness is achieved through struggle" hidden in the novel.

During the democratic election of the village director in Baishu Village, Li Lianchun, who left the village and owned a construction company in the city, resolutely gave up his career and returned to his hometown to compete for the position. In the contest with Liu Tun, the leading figure in the village, he relied on his wisdom and integrity to fight with him. Although he was always cunning and despicable, he was always waiting for opportunities, but in the end justice defeated evil. This novel is a true portrayal of China's contemporary rural democratization process and the construction of a new countryside.

This is a film set in the countryside of eastern Hebei Province, describing the rise and fall of the Wu family in Wudaizhuang Village after the Tangshan earthquake. In the land of eastern Hebei, there is a small village named Wudaizhuang, which was awarded to the ancestor Wu Fan by the emperor of the Qing Dynasty. At the end of the Qing Dynasty, my great-grandfather Wu Tongmao falsely conveyed an imperial edict, claiming that he had won the first prize in the examination. When the emperor found out, he wanted to kill all the people in the village. Later, the father of the great-grandfather who taught in Liu Shige Village and all the villagers in Liu Shige Village jointly signed a letter, and the lives of all the villagers were saved. However, the emperor decreed that from now on, no one from Wudaizhuang Village could be an official for the fourth generation, and the author happened to be the fourth generation. The author experienced the Tangshan Earthquake when she was born, and her parents rebuilt their home on the ruins. The forty years of reform and opening up that she experienced were also the forty years of the rise and fall of the entire family and village. The rise and fall of a family is also the rise and fall of a village, or even the entire countryside. Finally, after four generations of hard work, the curse was finally broken, and the author walked out of this barren land and realized the dream that his ancestors had always dreamed of.

The novel is based on the Kang Wanwan family on the banks of Heluo River. It reflects how several generations of the Zheng family followed the trend for nearly a hundred years from 1840 to the 1920s, accumulating wealth and becoming the richest people in the Central Plains. Later, with the turmoil of the times, the family business plummeted, and the younger generation participated in the revolution to seek new life, and the historical process of ups and downs of destiny. The novel uses the fate of characters and the rise and fall of families as bright lines, and social changes and national peril as dark lines. It expresses deep feelings about family and country and human compassion. It also focuses on the natural features and cultural landscapes on the banks of the Yellow River, and has a strong cultural flavor of the Yellow River. The author internalizes his understanding and interpretation of traditional Chinese culture into the words and deeds of the characters, such as Confucianism's self-cultivation and family governance, self-restraint and restoration of rituals, internal sainthood and external kingship, as well as ways to conduct oneself in the world, business strategies, etc., Which demonstrates the profoundness and inner light of traditional Chinese culture.

"The Singing Apple Tree" is a full-length novel that adopts a child's perspective and shows the Shanxi countryside in the 1980s and 1990s. The story is simple, fluent, and fast-paced. It is a hearty and high-paced fruit country pastoral. The story begins when a couple is separated due to poverty. Aunt Cuicui gets married in tears, and Uncle Junlai bids farewell to each other on a high hill with a trumpet. Uncle Junlai's comrade-in-arms Yan Zilong came to the mountain village and brought hope to the young farmers who were poor and wanted to change. Uncle Junlai and Jinwa's father were resolute and followed Yan Zilong to plant apple trees and also plant hope trees. Many hardships have plagued people who are bent on getting rich. They have gone through setbacks and never changed their original aspirations. They carefully tend and maintain fruit trees and implement new technologies. Eventually, the apple industry became a pillar industry for local farmers to get rid of poverty and become rich. The diligent efforts of the parents provide good influence and good guidance to the next generation, and the children also use their own efforts to repay their relatives and society.

"Great Changes in Mountains and Villages" is a novel written by Zhou Libo, a people's writer in the 1950s, who went deep into Yiyang and took root among the people. It reflects the agricultural cooperative movement in our country. It has been loved by readers for more than 60 years since its publication. The phrase "great changes in mountains and villages" has also become a spiritual resource for us today, inspiring us to write "great changes in mountains and villages" in the new era. "Great Changes in Mountains and Villages" uses a large number of dialects and common sayings in Yiyang, central Hunan, and is rich in local color. In order to enable today's readers, especially young readers, to overcome reading difficulties, stimulate their interest in reading, and fully appreciate the unique language, style and artistic realm of the work, experts from the Zhou Libo Research Center of Central South University made detailed annotations on the folk customs and dialects of Yiyang (approximately 200 places) chapter by chapter based on the first edition of "Great Changes in Mountain Villages" (the first volume was published in 1958 and the second volume in 1960 by Writers Press).

"Looking for Signals" is a new collection of novels by Lu Xun Literature Prize winner Suo Nan Cairang, which shows the real living conditions and spiritual imprints of grassland people in the wave of the times. Suonan Cairang describes life in alpine grassland pastoral areas, showing the rough and real natural environment and the details of herdsmen's lives in an appropriate and nuanced way. He has a unique ability to capture the herdsmen's spiritual world, such as the "mutual support" relationship between humans and animals, and the changes in herdsmen's life attitudes when nomadic culture faces the impact of modern civilization.

The novel describes a southern village called Shawan and its surrounding areas, and the various changes people have experienced in the world over the past eighty years from the 1920s to the new century. It focuses on the stories of three and four generations of several families, including the former Qing Dynasty official Yigong and his three sons, the entanglement between the "Master Zhigen" who was in charge of the land bookkeeping in each township and his bastard son, the story of the village chief and the son of an underground party member of the Chinese Communist Party, the story of the "township master" Taoxiang who went to the county Yamen to win the lawsuit and her family; and the soul The character is Duke Youde. He speaks for the interests of the villagers, upholds justice in the countryside, provides relief to the poor, and speaks out for justice. He protects the families of the Red Army from massacre. He supports the second generation of promising young people, including his only son, to establish new schools in the countryside. He supports Yangqing, the third son of Yigong who studied in Japan, to build water conservancy. He is a respected figure in the village. The novel has a strong local flavor and is an excellent work depicting the scenery and people in rural China.

Through the description of the relevant experiences, mutual interactions and knowledge of a rural family member, this book intuitively and truly shows the customs and customs of a remote mountain village in western Liaoning in the 1970s and 1980s, as well as the human fireworks of a group of ordinary people. Through the seemingly ordinary things experienced by the protagonist Xinping, this book leads readers to touch the blood of a family and triggers readers to think about the fate of the characters. Through Xinping's journey out of the countryside, every detail in the process of working and starting a business in the city, and finally decisively returning to his family to find the original appearance of life, it triggers readers to think more deeply about life ideals, human nature and life.

"The Story of Leaving Liangzhuang" and "China in Liangzhuang" are novels written by Liang Hong. A Christian elder, a foreign military attaché, an IT elite, a girl who knows all plants well... Four characters, four appearances, their life experiences are closely intertwined, linking together the long and tortuous story of a village. They came with the secrets of Liangzhuang, full of urgency, passion and ups and downs. They were familiar with human wisdom and all desires, and their vision was to build an utopia in the reality of Liangzhuang. Unexpectedly, differences had already been quietly buried... Living and dead, above and below ground, history and present... They are still a part of us, and their stories continue.

This book is the fourth rural novel written by the author. Based on what Zhao Shunhe saw, heard and felt as a child, this book originally reproduces the people, stories, natural environment and social features of Houhangzhuang, Shanmiao Commune, Runshui County, northern Jiangsu in the 1970s and 1980s. In the book, the author skillfully selects five ordinary families from the three families of Zhao, Han, and Gao, and spares no effort to show the intricate interpersonal relationships and conflicts and grievances between different families in detail. He praises the generation of young people represented by Zhao Lianfu who did not choose to give up on themselves in the midst of suffering, but fought bravely in the wave of the development of the times, composing a hymn to life with confidence and kindness.

The twists and turns and rewards of changing to rice, the hardship and vulgarity of retting hemp, the struggle and helplessness to save the bay horse, all represent the hardship, simplicity and persistence of rural and farmer life. Affected by the special time and space environment, Nie Ping, who didn't like rough things at all, went against the norm and "farmed" with ordinary farmers, sowing the land and sowing dreams... "I" and "you", "I" and "Nie Ping", "I" and myself are one person and "other" to each other. In the process of in-depth listening and telling, each other recalled, visited and asked: "What have we done?" "What should we do?" "What is reality?" A university professor who stood on the salt flat and wrote, through the shining moments of a girl conquering the salt flat, showed the original beauty and creation of human beings in the mysterious and profound rotation movement, and frankly presented this truth: "Time gives far more than it deprives."

Yuer, a rogue in Youcun, welcomed children with congenital anal atresia one after another. After examination, there may be a genetic factor. On the doctor's advice, You Er gritted his teeth and spent 20,000 yuan. He took his wife Hongmei, who was pregnant for the third time, to the provincial hospital for gene correction treatment. This time, Hongmei gave birth to a healthy baby - You Gang. However, the good times did not last long. When You Gang was six years old, a rumor with a "scientific theoretical basis" began to spread in the village: Due to the gene therapy he received before birth, You Gang was not You Er's "purebred" son, and his body was mixed with the blood of other men. Six-year-old You Gang was nicknamed a "bastard" and "bastard". He faced his tragic fate at a loss until his other biological father appeared...

The author started writing in 2003 and ended in 2018. The writing spans as long as fifteen years, recording and narrating the vicissitudes of two generations from the mainland to Xinjiang in more than fifty years. The book has a polyphonic structure. One main line tells about the vicissitudes of the past generation who blindly fled to Xinjiang to escape suffering; the other main line tells about "I" who persisted in traveling back and forth between Xinjiang and Guangxi for fifteen years in order to realize his literary dream, accompany his wife to visit relatives, and escape the pain caused by life in the south, and finally completed the "transition" of his soul. This book is a work selected for the 2016 fixed-point in-depth life project of the Chinese Writers Association.

A masterpiece that connects the umbilical cord of life with real life. "Rural Secretary" tells the story of Secretary Bai Lang leading the cadres and the masses to solve problems one after another down-to-earth, protecting green waters and mountains, and building a beautiful homeland. It depicts the new look of rural areas with cultural revitalization and economic prosperity, performs a typical live drama with ups and downs, and composes a wonderful chapter of rural revitalization. Raise the ideal sail high and inspire the spirit of the times. The protagonist Bai Lang's practice and thinking demonstrate the responsibility and style of contemporary youth. The work is down-to-earth and thought-provoking, and has textbook significance for pioneering grassroots work and guiding the growth of cadres. "Village Secretary", a "History of Entrepreneurship" in the new era.

The 2021 China Good Book Award-winning book, "Ping An Piao" depicts a history of the struggle of overseas Chinese merchants in Chaoshan and "going to Nanyang". Zheng Mengmei shoulders the mission of reviving her family business. As she approaches middle age, she travels alone in Southeast Asia. In a foreign country, "Safety batch" unexpectedly became his life's work. The "foreign-style" contracts and credits, written down with a brush, will beat the "Chinese heart" that attaches great importance to love and justice. During the Anti-Japanese War, Mengmei and her relatives and friends understood deeply the righteousness of their family and country, and resolutely devoted themselves to the torrent of serving the motherland... Using the Ping An batch as a medium, the novel integrates the changes of a century of world affairs, profoundly describes the spiritual world of the people, and writes a "Chinese heart" that values ​​love, justice, patriotism and hometown.

"Patience" tells the story of the tortuous fate of Yang Zhenxiu's family after they fled from Sichuan to Pijiagou in northern Shaanxi in the early 1970s. It depicts the historical changes of rural areas in northern Shaanxi over more than 50 years, with rich and broad content. The protagonist Zhenxiu is a typical image of traditional Chinese rural working women, who is tolerant, strong and capable. For the sake of her family, she sacrificed her love and went through hardships. Her character is plump and positive, and her hard spiritual core gives people strength. The language is appropriate and flavorful, just like the crops that grow vigorously in the land in season, and are full of regional color.

Singing folk songs and wearing straw sandals is Yu Erbo's specialty, but he can only sing loudly when he is wearing straw sandals. After being scolded by You Erniang for poor performance at the singing concert, he fell into despair. Later, two painters who went to the mountains to sketch were attracted by Yu Erbo's singing. With the encouragement of the two painters, he let go of his singing voice again. At night, the two painters encountered a flash flood while camping by the pool. They survived after the efforts of Uncle You Er's family. The two painters persuaded Uncle You to take advantage of the resources in the mountains to start a "Water Mill Manor" and use the Internet to introduce the mountainous landscape to the outside world. Painter Li also persuaded the company's upper-level organization's outstanding employees to spend the weekend at Shuimo Manor as a reward, which gradually helped Yu Erbo get rid of the days of "begging for food from a golden bowl" and set a good example. Since this article runs through the melody of the folk song "Che Yaomei" from beginning to end, the liner word "Lotus and Begonia" is used as the title.

An incense maker from Singapore, a young man who sells sesame seed cakes at home, and a teahouse owner who is full of publicity. Their lives have no intersection at all, but they are closely connected by a gorgeous ancient Shanshan-Gan guild hall with more than 200 years of history, a dilapidated Sanjin courtyard, and a legendary incense book from the Song Dynasty. The inheritance of skills of "incense making" and "brick carving, wood carving, and stone carving" links the love and hate between them, as well as their deep feelings for traditional skills, their hometown, and the old city.

"Records of the Qinling Mountains" is Jia Pingwa's new work. Different from the long-form "Shanben", "Records of the Qinling Mountains" adopts the form of short notes. It starts from ancient times and focuses on small details. It records the mountains, rivers, people and events of the Qinling Mountains in a micro-historical way, and writes about its chaotic majesty. , Grand and subtle, written about its birds and beasts, and realistic worries. It has the two free and mixed attributes of "ambitious people" and "ambitious monsters" in notebook novels. At the same time, it has a distinctive Jia style. It can be said to be Jia's Classic of Mountains and Seas, Jia's Strange Tales from a Liaozhai Studio, and even more so, Jia's "Historical Records of the Qinling Mountains". In addition to the main body of "Qinling Records", there are 17 new chapters of "Taibai Mountain" written by the author in 1990, and six essays written around 2000 as "external compilations". These two parts are intrinsically related to the main body of "Qinling Records". As a writer rooted in the rich soil of Shaanxi and even the northwest, the author has been writing about the Qinling Mountains for decades, first focusing on Shangzhou in the Qinling Mountains, and then zooming in on the entire Qinling Mountains. This 150,000-word Qinling Chronicles can be said to be the author's accumulated years of life experience, and he has written "the details of life and the flavor of life deep in the mountains."

This is a life history of the people in southern Hunan that spans 70 years. One day in the late autumn of 1949, in the courtyard of the Li family in Hecang, southern Hunan, a singing ceremony was taking place for Manchu girls to get married. The singing hall lasted for three days and three nights. The bride was supposed to get on the sedan chair at dawn, but there was a roar at dawn, the cannonball fell into the Bailu River, and the bullet hit the bride's hand. For a moment, everyone was panicked, and the tide of history has changed its direction...

"Wang Neng Hao" is Wei Sixiao's latest novel. It uses a farmer's departure, return and unexpected death as clues to weave an ukiyo-e of contemporary rural life. This is a rural novel that is truly profound and compassionate. It depicts a rough and powerful picture of rural life with a unique minimalist style. The capture and perspective of rural life and the fate of people in the countryside make the work full of pathos and a kind of power. In terms of overall style, Wei Sixiao successfully constructed his observation and understanding of rural life, that is, the more common rural characters are helpless in the face of fate. They try to establish contact with life again and again, but they all suffer from life's tricks. The plight of these characters is not only manifested in material life but also in spiritual life.

The structure is clever, and the novel is written in the form of a short story. The 21 characters and 21 chapters are all unfolded in the first person's self-narration, which is equivalent to 21 self-portraits. It can also be called another multi-voice narrative. It can be entered from any story or character or from any location in the book. In the wind, it will still turn. It crunched, crunched, crunched as I moved away. This mottled, crunching, whirling heart. Ireland's "falling sky", the financial system collapsed, social crises are everywhere, everyone is facing the struggle with their inner desires... Bobby, Josie, Lily, Vasya, Leo Ting... 21 Hearts are crunching and spinning. 21 People, with different experiences and identities, struggle to tell their own truths, and each true and intertwined story gradually unfolds. Ryan uses a unique narrative voice to show the complexity of human nature and express the thoughts of a generation with incredible perception. This novel about Irish rural life is bold in approach and the story is witty, dark, sweet and spicy.

This book describes the historical changes of a remote village on the shore of Honghu Lake in Hubei Province in the twenty years after liberation. Honghu is the author's hometown. The author is familiar with the life and people there, and the novel has the nature of a family history. The story written by the author is vivid and the characters are vivid. It is a rural custom painting in the middle of the 20th century in my country.

This book describes the historical changes of a remote village on the shore of Honghu Lake in Hubei Province in the twenty years after liberation. Honghu is the author's hometown. The author is familiar with the life and people there, and the novel has the nature of a family history. The story written by the author is vivid and the characters are vivid. It is a rural custom painting in the middle of the 20th century in my country.

"Three Mile Bay" is a novel published in 1955 by Zhao Shuli, my country's modern novelist and people's artist. It was completed in 1955. It is the first excellent work reflecting the agricultural cooperative movement in our country. Sanliwan, a model village in the North China Liberated Area, is undergoing a vigorous agricultural socialist transformation. Autumn harvest, party consolidation, cooperative expansion, and canal opening... The cooperative movement has brought a new atmosphere to the countryside, but it has also triggered various contradictions about two roads, two ideas, and two ways of life. Sanliwan is undergoing great changes. It describes the mental outlook of people from all walks of life in rural areas and is the first outstanding work in my country to reflect the agricultural co-operative movement. This book is good at choosing the language and actions that best express the character's personality to depict the characters. The characters are complete with just a few strokes. The structure inherits the traditional techniques of Chinese classical novels. The plot is coherent but not jumpy, and the language is vivid, simple, humorous and interesting.

How did the decent and docile Miss Chen become the powerful Liu family? How did the farce of snatching a bride turn into a lifetime of no regrets? What kind of legend is told by the peddler, the rattle and a large spotted snake? Liu Dajiao's son, who has been away for twenty years, returns again. How does he look at Tang Qiao? Love and hatred, elegance and vulgarity, hope and despair, are intertwined and extended in Tangqiao Township, Tongcheng, Anhui. As a partial narrative of rural China spanning fifty years, the past events recounted from the author's memory are honest and warm, ancient and vulgar. They represent rural China from the 1930s to the 1980s.

By describing the thrilling and tortuous life experience of the protagonist Liu Dangui, the novel shows the psychological process of people's ideological struggle, confusion, and resistance in today's cities and villages in the transition period between the old and the new. The author takes Guihuaping, his hometown of Liujiaqiao, as a literary landmark, and uses traditional realism artistic techniques to depict typical characters in typical environments. He focuses on describing Dangui, who was forced into the city to survive by the bad luck of life, and then returned to her hometown to start a business and build a new female image in her hometown after many setbacks.

This book is composed of two works: "Dangui" and "Land". "Dangui" describes the thrilling and tortuous life experience of the protagonist Liu Dangui, showing the psychological process of people's ideological struggle, confusion and resistance in today's cities and villages in the transition period between the old and the new. The author takes Guihuaping, his hometown of Liujiaqiao, as a literary landmark, and uses traditional realism artistic techniques to depict typical characters in typical environments. He focuses on describing Dangui, who was forced into the city to survive by the bad luck of life, and then returned to her hometown to start a business and build a new female image in her hometown after many setbacks. "Land" takes southern Hubei as the background and panoramicly shows the evolution of China's rural "land" policy and the ups and downs of farmers from the eve of "land reform" to the present. It depicts the struggling soul on the land. Take Bengke Ridge as the background and farmers as the perspective. It outlines a panoramic view of the historical changes in rural areas in New China. It uses the first person perspective to show the misfortunes of farming experts and long-term workers of Xu Land at various critical periods in the historical process, as well as the difficult journey of survival and development. The protagonist treats historical grievances with great tolerance and lives tenaciously through hardships, demonstrating his ability to withstand suffering and his tenacious vitality. At the same time, he reflects the farmers' desire and helplessness for land autonomy.

With Southern Hubei as the background, this book panoramicly presents the evolution of China's rural "land" policy and the ups and downs of farmers from the eve of "Land Reform" to the present. It depicts the struggling soul on the land. Take Bengke Ridge as the background and farmers as the perspective. It outlines a panoramic view of the historical changes in rural areas in New China. It uses the first person perspective to show the misfortunes of farming experts and long-term workers of Xu Land at various critical periods in the historical process, as well as the difficult journey of survival and development. The protagonist treats historical grievances with great tolerance and lives tenaciously through hardships, demonstrating his ability to withstand suffering and his tenacious vitality. At the same time, he reflects the farmers' desire and helplessness for land autonomy. The novel combines the political situation with pictures of customs and sentiments, and interprets the changes of the times through the fate of the characters. It has both a sense of historical depth and a strong sense of reality. The novel outlines the changes in the history of our nation with the story of the "land" of Bengkeling, making it a microcosm expression of the fate of Chinese farmers. The novel uses a realistic style to grasp the rhythm of contemporary rural changes. Through the tortuous and tragic story of the separation and reunion of farmers and the land, the novel reveals an unbreakable truth: treat the land well, cherish the land, and let farmers truly own the land.

This is a picture of the migration of the Wang family under the influence of Feng Shui culture. The Wang family, who moved from Qianshan County, Anqing Prefecture to Jiangshan County, Quzhou Prefecture, unexpectedly failed in their tomb robbing plan under the guidance of a Feng Shui master. They were forced to flee Jiangshan with their in-laws, the Xu family, and moved to Jiande County, Yanzhou Prefecture. Two Feng Shui masters, Yan and Xie, traveled three hundred miles to Jiande to claim their reward. From then on, the Yan family and the Wang family, the Xie family, lived in Wangjiawu, Jiande, and began a century-old feud. Wang's grandfather had good Feng Shui and dug a vat of gold and silver when expanding his new house. This brought about wealth and glory in the next thirty years, as well as disaster after the founding of the People's Republic of China. Behind the family's ups and downs, each has its own wonderful cultural elements, turning this southern cultural novel into a beautiful classic of China's centuries-old folk customs and historical changes.

The past is like smoke, but the past is not like smoke. A "Farmer's Notes" truly reflects every detail of an ordinary farmer and his family's rise from poverty to prosperity, objectively reproduces the ups and downs that Guanzhong's rural areas have experienced since the 1940s, and profoundly expresses all aspects of the development and changes of the Weibei Plateau over the past 60 years. Between the lines, there are stories about daily necessities, family affairs, family ties, family reunions, political turmoil, changing times, people's sufferings and voices, and records of local customs and folk customs. Perhaps, it is the epitome of this magnificent historical stage in modern Chinese history.