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The author stopped writing for 20 years and started writing again. Before "Jianghan Ballads" was published, it won the first Xinmang Literary Project Award and was called by the media "a literary version of "Along the River During the Qingming Festival"" and "a banner of custom novels." The seven chapters in the book are not only unique The novel is a complete chapter, with different perspectives, techniques, persons, language rhythms, etc. Zhao Zhaochuan combines realism, absurd magic, stream of consciousness technique, prose style, and field investigation. This is actually the result of his 20 years of in-depth thinking on novel innovation. Crystallization. The novel incorporates the traditional culture of the Jianghan Plain such as funeral drums, mourning, Dragon Boat Festival, dragon boats, ghost festivals, wedding customs, funerals, and banquets. It is very much like a chronicle of customs and culture. The folk songs, folk songs, drum lyrics, chants, and unique flavor foods are also integrated into the book. It is also like a collection of intangible cultural heritage. An independent and unique author, this novel is a work of exploration and innovation, and it is also worth reading by famous writers.

This is the latest novel by writer Sun Huifen. The story of the first volume took place in 1992. In a village called Xiaoyugou in the northern mountainous area of ​​southern Liaoning, Tang Lisheng, a migrant worker who was very ambitious and had never married a wife in his thirties, suddenly brought a woman named Leng Xiaohuan home from the city to get married. Because his brother occupied the house and refused to let her in, he took his daughter-in-law to her cousin Tang Li's house. But three months after getting married, something unfortunate happened. Tang Lisheng came home in the middle of the night and found his wife and cousin in the shed of the carpenter's shop. He drank pesticide in excitement and was taken home to wait for death after being rescued in the hospital for half a month. The story focuses on and presents the emotional collapse and human entanglement experienced by the three people in three days. The story in the second volume tells the story of Tang Lifu and Leng Xiaohuan, who were once deeply in love but had experienced moral trials and conscience questioning after Tang Lisheng's death. They walked out of the dark hut and faced the long days and boundless countryside and cities. How they were exposed to the rolling torrent in the years when rural urbanization was advancing by leaps and bounds. This is a rural-themed novel that starts from people's moral dilemmas and spiritual dilemmas and explores how human spiritual transcendence occurs. The work describes in detail and in-depth how farmers with "clean souls" in rural China complete their spiritual salvation in the process of urbanization and soul torture.

In the old city, Mr. Wu is considered an anomaly. It's not about how weird he looks, it's just about the frightening cigarette held in Master Wu's hand. Smoking is famous, otherwise how could it make people frightened? Even the children playing in the mud beside Lu Shiqiao could blurt out a few words, bandits, bandits! Smoking is famous, and the name is bandits. This is a bit meaningful. To outsiders, they really think that bandits are coming. They shake their heads and see that under the bright blue sky and white sun, there is no shadow of bandits. Only the muddy water beside the Lushi Bridge shines with turbid light in the reflection of the setting sun.

This is a witty, humorous and elegant country-style novel. The protagonist Zhang Chacha is a down-and-out rural scholar similar to Afanti and Kong Yiji. He is richer than Afanti and more intelligent than Kong Yiji. He has been a bohemian and free-spirited person all his life, but he is greasy by nature and does not do his job properly, so it is difficult for him to become a great person.

An inspirational autobiographical novel based on the struggle story of a disabled peasant woman in the West. The heroine was disabled and did not go to college. She learned the tailoring trade and was self-reliant. Unfortunately, her child was deaf. She was caught off guard by the successive changes and suffered all kinds of hardships and humiliations. However, she did not give up her confidence in life and accompanied her child to grow up hard. The heroine struggles desperately in a poor and disabled family, constantly making various efforts to change her destiny, but she has to be busy with the present and constantly falls into the "poverty trap". And she proves time and time again that she must struggle to live a better life.

"Fu Shouchun" is set in the countryside of eastern Fujian, focusing on the ups and downs of the family of Li Furen, the Chang couple and their four sons - An Chun, Er Chun, San Chun and Xi Chun. The story begins with a brief period of prosperity when Erchun got married, but gradually declined due to the intertwining of economic pressure and human weakness. The eldest son, Anchun, was indolent and in debt; in the second spring, he went south to Guangzhou, but was in crisis due to misappropriation of family savings; in the third spring, he was idle and became a gangster in the countryside; while the youngest son, Xichun, tried to break free from the shackles of the land, but fell into deeper confusion. As the breadwinner of the family, Chang struggled with livelihood and ethics with the tenacity and shrewdness of a traditional peasant woman, but she gradually became unable to do so under the pressure of the times. The novel describes the "eternity" of rural life in a delicate way: from the superstitious rituals of asking gods for divination to the interest entanglements caused by land expropriation, from the anxiety of inheriting family blood to the absurd impact of the family planning policy, every detail reflects the fierce collision between tradition and modernity. The book has neither the pastoral filter nor the condescending criticism, but uses an almost line drawing method to present the struggle and compromise of rural people in the torrent of destiny. Just like Chang's contradictory behavior when fighting for compensation, it not only reveals the selfishness of human nature, but also contains the helplessness of survival, allowing readers to get a glimpse of the true background of the countryside in the blurred zone of "right and wrong." "Fu Shou Chun" ends with Li Furen finally converting to Buddhism, which is a metaphor for the dissolution and rebirth of the traditional rural spirit. This work is not only an elegy for the disappearing rural life, but also uses the unique writing style of "Eastern Soul and Western Skill" to integrate the readability of genre novels with the philosophy of pure literature. The book depicts the fate of three generations of the Chang family, which not only shows the warmth and shackles of traditional ethics, but also reveals the dual dilemmas of rural economy and faith under the wave of modernization.

"Once Upon a Time in Coal City: Golden Years in the Northeast" is a novel set in the coal city of Northeast China. It mainly tells the life story of Song Houcheng and Fengzhen's family. They grew up together, went to school together, and worked in the same coal washing plant after graduation. At work, they face financial difficulties and life pressure, but they still work hard and try their best to solve the medical expenses of the elderly workers, while also buying holiday clothes and food for their families. After that, they decided to go to the northeastern coal city to dig coal to make a living. They worked hard and kept sending money home to help their families tide over the difficulties. Eventually, they decided to open a bookkeeping company and restaurant. They experienced various difficulties and challenges, but ultimately succeeded.

This book is another surprise that Jia Pingwa has brought to the literary world and readers. The work not only maintains the author's previous artistic characteristics, but also reaches a new literary height. The protagonist of the novel is a female township cadre named "Dai Deng". Her original name is "Ying", which means firefly, and she looks like carrying a lamp patrolling in the dark night. This name also shows the fate of the lamp, which burns and illuminates desperately, but is destined to be weak and powerless and eventually return to dust. Dai Deng is the director of the town's Comprehensive Management Office. She is beautiful, solitary and a bit out of place. She is mainly responsible for handling all disputes and petitions in the countryside. Every day, she faces trivial matters and troubles from farmers. The trivial matters in the countryside are both annoying and sympathetic. Dai Deng fulfills her duties as a township cadre amidst contradictions. She is unwilling to harm the people but also wants to maintain the stability of the grassroots society. From the moment she appeared on the stage, Dai Deng showed a unique detachment. She has a rich heart and rich emotions. She prefers to find peace in the mountains, wind, trees and valleys in the countryside. In 2014, "With Lamp" was awarded "2013 Chinese Good Book".

The novel tells a series of local stories about the "marriage exchange" of Zhang, Zhuang, Yang and other families in several villages at the junction of Tai, Lin and Ji. These primitive, chaotic and wild marriages slowly unfolded in the hometown of Lin Fang, a master of etiquette. They were like a picture of rural customs in Qilu, giving readers a strong impact.

Write a story about a woman who cannot see the world, my grandmother, and a small town hero. The first half is about my grandmother who cannot see the world, a story that happened in a time before I was born, and the story hears the world through the eyes of a small town hero. The second half was created through my eyes, and the changes of this era were passed on to my grandmother through me. The story starts from a place of fierce struggle in the old society. Facing unavoidable difficulties, my grandfather, a loyal and virtuous old man, has established a flesh-and-blood image in the novel. Through the shaping of the characters' fate, the novel shows the fate of the town and the people living in the town. By showing the changes in folk customs, folk customs, and villagers, it reflects the great changes in the mountains and villages.

"Deep Mountain" is a novel depicting life in the Taihang Mountains in northern Shanxi. "Mouse", a boy as skinny as a bean sprout, Wu Deng, a young man who is brooding over his brother's death, "she" who married far away and was strictly guarded by her parents-in-law, Du Lin, a literary young man who uses his writing to expose the absurdity of the world, Gu Zhenglou, who uses his power to perform banal evil, and another People who suddenly broke in, unidentified people, people who carried coffins while eating melon seeds, people who rushed to buy yellow cloth to make clothes to seek protection from the gods... Everyone has their own way of survival, and they are resisting fate in their own way, trying to break through the surrounding mountains.

The Sixth Patriarch Huineng pointed to the flag fluttering in the wind at Faxing Temple and explained the world to the monks: "It is not the wind that moves, nor the flags that move, but the hearts of benevolent people." When Gua Laowu summed up the world at the end of his life, he only used two words. These two words were actually just a sound made by him. The small stool he had been sitting on for many years made a slight sound when it fell down - "click". "The original 'prototype' of "The Windless Tree" was a short story "Funeral" in the "Thick Soil" series. This short story only has more than 4,000 words, from 4,000 words to 110,000 words. This is not only a quantitative change, but more importantly, a qualitative change, which is a different perspective and expression. A re-telling of the story will give you a completely different world." "The carnage of class struggle before our eyes, The wars and massacres in the past, poverty, labor, death, human numbness, alienation, inability to communicate, the mutual deprivation between man and nature, the entanglement of good and evil, etc., Etc., All these constituted the miserable situation that the dwarves of Dwarf Ping could not escape. "In the 1970s, Dwarf Ping under the high loess slopes was barren and isolated from the world, and the villagers had their own rules and stories. Nuan Yu, a woman who fled to Dwarenping due to hunger, became the fantasy of all the single men in Dwarenping; director Liu Changsheng came to the village to start work and would stay in Nuanyu's kiln every time; Ku Gen'er, a martyr orphan, honed his extraordinary perseverance in his faith and tried to survive It took one person twenty-four years to manage all the ditches in Dwarenping; the production captain Cao Tianzhu struggled to balance the folk customs and political requirements; the uncle Cao Yongfu was criticized and tortured because he was a rich farmer, and finally hanged himself... The people of Dwarenping are naturally crooked. They have lived a miserable life, being oppressed and at the same time doing evil to the more vulnerable people. "This is a story about me. This is a story about Chinese people. Finally, and most importantly, this is a story about people."

Zhao Shuli's novel "Exercise" tells a story about rural social governance and individual behavior transformation. The story takes place in an agricultural cooperative and mainly revolves around two rural women with distinctive personalities and lazy behaviors - "Calf Pain" and "Not Enough to Eat". These two women used physical pain or hunger as an excuse to avoid collective labor, but in fact they were doing it to satisfy their personal interests. Faced with this phenomenon, Yang Xiaosi, the young deputy director of the cooperative, decided to take action and use clever methods to expose and correct their bad behaviors. The novel vividly depicts their cunning and self-deceptive images through a series of dramatic plot designs, such as "calf pain" who pretends to have leg pain during labor but moves forward in private affairs; "not full" who always complains about insufficient food but steals in private. At the same time, it also reflects the conciliatory attitude of some cadres in rural society at that time towards such issues, and how to promote positive changes in farmers' ideological awareness and behavioral habits through education and appropriate "exercise" (that is, tests and corrections in actual labor). "Exercise" is not only a work full of humor and satire, but also profoundly reveals the practical problems in rural social governance, and how to guide and educate the peasant masses through collective wisdom and strength, and promote the development of rural society in a healthier and positive direction.

The book "The Changes of Lijiazhuang" takes Lijiazhuang in rural Shanxi as the background and shows the great changes in Lijiazhuang before and after the Anti-Japanese War through the experience of carpenter Zhang Tiesuo. Zhang Tiesuo's family suffered cruel oppression from the feudal landlord class in the countryside. Warlords and landlords colluded with each other to prey on the common people. The fifteen acres of land that Zhang Tiesuo's grandfather and father had worked hard to buy for two lifetimes was occupied by village chief Li Ruzhen and others. He had no right to seek justice, so he had to leave his hometown and go out to work. In the field, he was hungry and cold, and unexpectedly met his enemy Xiaoxi. In order to survive, he had to work under him. Later, when the situation was turbulent, Xiaoxi's Forty-Eighth Division left behind was disbanded, and Tie Suo had no choice but to return to his hometown...

"Sanliwan" depicts the conflicts and entanglements in the agricultural cooperative movement in Sanliwan Village in the Liberated Area of ​​North China in the early 1950s, showing the conflict between advanced and backward rural forces, the arduousness of social change, and the important role of outstanding cadres of rural grassroots party organizations in promoting the cooperative movement.

This book is a masterpiece of novels by the powerful contemporary writer Fu Xiuying. It has won the Shi Naian Literary Award and was selected into the top five novels of the year by "Contemporary" and the "Harvest" literary ranking. Fangcun, how should I put it, is just the most ordinary small village on the North China Plain. In the village, there are men and women. There are also old people and children. There are also cocks crowing and dogs barking, and there are also right and wrong, grievances and grudges. Some of the crop fields are still planted, while others have stopped growing long ago. There are times when the moon is full and there are times when it is waning. ... As time passes, some things change.

Taking the life of primary school teachers in rural Huaibei as the main line, it unfolds a colorful picture of rural campus life, and uses ordinary language to create a series of vivid characters such as Zheng Guosheng, Ji Haiming, Ji Fangliang, Zhao Yurong, Li Wenqing, and Wei Guangming. It narrates the difficult and broad life of these people under the influence of each movement, and outlines one sketch after another of the human world in a sad tone.

"Yibei Plain" is a chronicle of the 80-year changes in Qilu land in the 20th century, paying tribute to the Mao Dun Literature Award-winning work "White Deer Plain". Based on the folk life of Shandong Yibei Plain during the Republic of China and the ups and downs of characters in various periods after the Anti-Japanese War, the War of Liberation, and the founding of New China as the background, it outlines a small spring and autumn period, small history, small characters, small narratives, and small rivers and lakes. It writes about the suffering of Shandong and Greater China at that time and place, the tenacity and unyielding, bravery and heroism of the people... It is a long historical novel that combines realism, romanticism, and the unique magical color of Yibei Plain.

This is a long novel integrating love, inspiration, country, humanity, and great love. Chen Sinong, a rural youth from a poor family, failed the college entrance examination and felt that his future was bleak. His old classmate Guo Hongxiu loved him desperately, like a bright moonlight shining on his heart. When people are poor, they want to change. Chen Sinong decided to take out a loan to start a business, and Guo Hongxiu fully supported it. When he became successful, he did not forget his roots and helped the villagers sell agricultural and sideline products, becoming a local celebrity. The works reflect the earth-shaking changes in the new countryside, people's pursuit of truth, goodness and beauty, and their yearning for a happy life. Revitalizing the countryside, achieving common prosperity, and creating a harmonious and beautiful home is everyone's wish and the strongest voice of the times. People with dreams can succeed anywhere. They choose to fight against fate and realize the value of life in their hometown, which has far-reaching positive significance.

[Female Growth + Youth Inspiration + Rural Pastoral] The popular writer Jiang Ailu writes the pastoral struggle history of three girls, Ji Xiaoqing, Shen Jing, and Tong Xue. The three girls stepped into Jinhua Township at the same time and completed their own and foreign growth on the barren land! There are two trees in front of my house, one is a cherry tree and the other is also a cherry tree. Three girls with different dreams never imagined that they would have a common goal in Jinhua Township. Shen Jing, a carefree and cute girl, is actually a bold and courageous person who goes to the countryside to work tirelessly for her ideals. Ji Xiaoqing, a calm and rational girl, returned to her hometown to start a business after a breakup. Although she was controversial, she still risked everything to start from scratch. Tong Xue, a lazy and casual sexy beauty, is deeply involved in emotional choices. She escapes from her family and comes to Jinhua Township in order to gain inner peace. Once the symphony of fate plays, you will no longer be alone. Is the future really that simple? Are they really ready to face the challenge?

This book is a mythological novel that combines myths and legends with real life. The narrative language is beyond the ordinary, and the content is between elegance and vulgarity. Through dozens of folk tales, it reproduces the geographical features, folk customs, rich history and culture, rich local flavor, and the simplicity and innocence of the mountain people in the Jiaoding Mountain area. In particular, by analyzing the ancient people's naming of the mountains, rivers and land, it demonstrates the local people's longing for dignitaries and talented people from the depths of their souls. This reveals the essence of the excellent traditional culture that is extensive and profound, as well as the embodiment and application of these cultural essences in people's daily lives.

"Voices from the Earth" is a new collection of novels by Chen Jiyi, winner of the "October" Emerging Character Award. It tells three stories that happened in Wucun, Zhejiang: the talented hunchback and the Wu Opera troupe experienced rise and fall in the mountain villages and cities; the young people from the mountain village went to the small town to go to the market and got into conflicts and entanglements with the castration; and the adopted orphans illuminated the world and lives of others. Chen Jiyi puts the characters in a dark situation, and uses a calm, smooth and powerful narrative to write about the love and pain, persistence and persistence of ordinary people in rural areas in the changing times, reflecting from one side the agitation and changes in the social transformation of southern China's rural areas. The entire collection of novels has a distinct southern tone, and the establishment of this tone does not only come from the Jiangnan sentiment in the traditional sense. The author embeds the heterogeneous sense of avant-garde literature in realism techniques, giving this southern narrative a different weight.

"In this small land, the four seasons change, rain and snow fall, and people are like insects and ants, running around for their lives, but in the end they are empty-handed." "A Land Wide and an Inch of Wood" is a new masterpiece by the writer Wei Sixiao, and the title of the book is a decomposition of the word "village". Village is an adjective that reflects the situation of everyone who is faced with an overwhelming life. The living beings and daily life of "Xinliu Village" unfold slowly like documentary footage. There are more than a hundred characters, age, sickness and death, joys and sorrows, each face has endless stories. The writing method of "A Wisdom of Land and an Inch of Trees" eliminates the boundaries between fiction and non-fiction, and challenges the traditional imaginative writing of the countryside. The first part, "Partial", focuses on people, things, places and time, thus linking up the character pedigree and various world affairs in Xinliu Village; the second part, "One Year", takes the daily life of mother and son, Lao Fu and "I" as the main line, describing the village's major and minor affairs in one year, involving agricultural production, weddings and funerals, grassroots politics, etc., And panoramically depicts the real landscape of the current countryside. "A Lot of Ground and an Inch of Trees" is like a written documentary about contemporary rural areas, full of close and detailed observations and profound and specific concerns. The life picture of Xinliu Village hides the ghost of history and also reveals the confusion of the times.

Along the Huolin River, a virgin land that has never been written down is barren and desolate. However, in this land, there is a story about persistence, choice and love. The work started in the late 1990s, with Hu Laizao as the protagonist and three other girls as the background. By describing their family changes, personal hardships, emotional experiences, and village changes, it shows the strength and bravery of rural women in adversity, as well as their persistent pursuit of a better life. At the same time, it also expresses the persistence and courage of the people along the Huolin River in improving saline-alkali land and building a new countryside in the new era. This work has a strong northeastern atmosphere, a unique perspective, many characters, and a twists and turns in the plot. It is exciting. It is not only a novel, but also a portrayal of the real life of the people in western Jilin. It is also a long narrative poem that shows the great changes and revitalization of China's rural areas.

"Human Grass" mainly focuses on the growth of the male protagonist Lu Zigui and three women, and tells the story of the 40-year rural reform process in Qingluo Town, Anhui. Qingluo Town was originally a remote village. Lu Zigui, who was born here, felt the poverty and hardship in rural areas before the large-scale contract work since his childhood. Going to college and leaving the countryside was the motivation for him to study hard. Lu Zigui experienced two ambiguous loves in middle school. One was his first love, the good girl Yu Ruyan. During school, the two supported each other and fell in love with each other. Later, they parted ways due to a misunderstanding by their "sister" Sun Qian; the other was the paranoid rich girl Gu Hongying, who fell in love with the poor boy Lu Zigui despite her family's objections and gave Lu a lot of help in the later period. A few years later, several people went to different destinies, but were intertwined under the pull of fate...

The novel is set in Tiancun, an ancient Hakka town in southern Gansu, Jiangxi, and spans the 1970s, 1980s and 1990s. Through the encounters and experiences of four generations of a family, the novel integrates Hakka culture, customs, fantasy stories, etc. To unfold the narrative. It reflects the changes of the times and the development of society. It is a local novel full of Hakka flavor.

This book tells the story of photographer Xie Yi who actively requested to go deep into the grassroots. In fact, he was taking advantage of poverty alleviation to obtain richer photographic materials. Unexpectedly, the poverty situation in the countryside did not satisfy her wish, so she had to cope with the assistance work and was moved by her constant contact with the hard-working and kind-hearted villagers. She was determined to do her best to help them, but was almost kidnapped in the process of securing investment. Xie Yi's fearlessness and kindness made the villagers willing to get close to her, which made Xie Yi accidentally discover the business opportunities that existed among the villagers, and took advantage of the advantage of her best friend being an art dealer to dig deeper, and finally developed a variety of art markets...

The protagonist Liu Jin was born with incomplete fingers and was forced to live in her grandmother's house in the countryside since she was a child. She suffered a lot of unfair treatment due to poverty, worldly prejudice and alienation from family. But under the loving education of her grandma, she quietly planted the dream of "Viola" and learned to live and embroider with her disabled hands. She has also encountered setbacks, experienced pain, and wandered at the critical line of morality; she has also stayed away from the pursuit of true people for the sake of dignity; she even almost died in an accident... After more than 40 years of love and hatred, Liu Jin gritted her teeth and weaved a beautiful world in the countryside, innovated and started businesses with new market concepts, and led many women to realize their colorful dreams. The whole book takes rural revitalization as the main line, with delicate emotions, and creates many vivid characters. The local customs and customs with regional characteristics are the epitome of the great changes in rural areas in the new era. Witness the changes of the times in the stories of ordinary people, and show the persistence of human nature in the fireworks of the world.

"Cherrys on the Pomegranate Tree" is Li Er's masterpiece novel. "A person, as long as he is not blind or deaf, will see and hear a series of "tragedies and comedies" happening in rural China. They do not happen "elsewhere", and they are not just "rural stories." Whether you live in the city or in the countryside, as long as you do not live on the moon, those "tragedies and comedies" will greatly affect your life, your current and future life, unless you think you have no future." "Cherrys on the Pomegranate Tree" is Li Er's work on contemporary rural themes. The novel's language is as diverse as flowers and trees, vivid and humorous, and the characters have distinctive personalities. It is known as an allegory of Chinese rural society. It won the first "Chinese Book Media Award" and the film of the same name adapted from this work was shortlisted for the main competition unit of the 34th Moscow International Film Festival. German Chancellor Merkel sent the German version of "Cherrys on the Pomegranate Tree" to Chinese leaders, and talked to Li Er by name.

This is a story for young people. Ten Northeastern boys, ten stories, ten kinds of memories. This is Shuangyashan City in Heilongjiang Province. It produces coal. It is an out-and-out "coal city". It is also a northeastern city with mining areas, trains, cold winters, wine and blood. There are young people here who never lose when playing cards; young people who have a date at school; young people who go to the game hall and billiard room; young people who take the train to the Songhua River without saying a word and lie on the ice; and young people who want to be knights. Many, many years later, the teenagers were trapped in different places by reality. A taxi driver who travels from Shuangyashan to Beijing, but can only drive around the community; an old man who wants to rush back to his hometown before the end of his life to listen to a song sung by his lost youth to prove that he has never forgotten it. Some realities, some little people, some inseparable fragments in memory, and some phantoms of our past selves are slowly ground and kneaded by life, shaped into distant and unfamiliar shapes, standing in front of us.

"The Last Gun King" is comparable to the epic story structure of "White Deer Plain". It is a must-read masterpiece after "Wolf Totem" and "Tibetan Mastiff"! The legendary life of a Tibetan hunter at the foot of the Qilian Mountains, the novel stories of grasslands and forests in the Northwest, and the organic integration and combination of many elements of wild animals such as bears, wolves, Tibetan antelopes, etc., Have opened up a new visual field for readers, especially urban readers. Reading this book is like watching a movie. It took eight years and nine drafts to complete this book.

This book is a new novel by the Japanese, one of the famous "Three Musketeers of Guangxi". The novel takes the protagonist Liu Er's experience of returning to his hometown to settle down in old age as the main line, telling the current situation of the countryside and the changes in nostalgia and ethics. At the same time, it uses flashbacks and interludes to trace his mental journey after accidentally becoming a city dweller, and the secret moments in his life, including fruitless love, loveless marriage, hopeless career, and the silent pain hidden in them. The novel not only has the characteristics of the Japanese who are good at finding bridges and gaps between the realist spirit and modernist techniques, but also has a more stable aesthetic style and a deeper understanding of human nature and destiny that have been accumulated over the years after years of immersion. The structure of the novel is exquisite, and the language has the restraint and implication of poetry, as well as the elegance and sharpness of a short essay. Of course, the background is the insight and sophistication of history and human nature in the full-length novel.

A young author who was in love with the magnificent scenery and free style of northern Xinjiang came to Kanas alone to find creative inspiration, and accidentally met a group of friends who were also free and uninhibited. Among them were professional outdoor photographers, young Kazakh drivers, urban female white-collar workers who had quit their jobs and traveled, a rich second generation who was about to study abroad, and a local teenager who was engaged in horse rental business. After establishing a "base" in the small town of Burqin, he began to explore like children with his friends. Lakes, forests, wilderness, and deserts, these mysterious and vast border landscapes, shook people's hearts with their majestic beauty. The interesting and fantastic experiences during the journey also made his imagination flow, and he wrote stories that were bizarre, romantic, dreamy, or sad. They were colorful, about love, beauty, and the dream of freedom. There are times when we get together and disperse, but he will always remember the time when he was young, the life in the distance, the pure friends, the vast land full of love and hatred, the eternal holy land in his life.

"The Big Wolf" tells a legendary, interesting, thrilling and suspenseful humanistic and ecological story from the battle between man and wolf to the harmonious coexistence. The positive significance of this story lies in the interrogation and understanding of the meaning of life, humanistic care and ecological care, and arouses the deep thinking of the whole society to love life and cherish home. The ancient plateau village deep in the Loess Plateau had always been peaceful and peaceful. The invasion of a group of wild wolves made it panic, and a life-and-death battle between man and wolf began. The plot is bizarre, dangerous, and unimaginable suspense makes the story twists and turns. Humans and wolves put themselves in the shoes of humans and wolves, hunt for self-defense, protect their homes, care for survival and life, three-dimensional diversity, all-round display... "The Big Wolf" is the first work to present the story of the Loess Plateau wolf in an all-round, multi-angle, and multi-side three-dimensional manner. This story is written for college and middle school students and the majority of urban and rural youth. Young people like new things or even hunt for novelties. This book caters to their tastes. The popular but charming literary expression and suspenseful plot setting make it more immersive. This work richly and fully describes a series of complex and thrilling legendary stories about humans and wolves on the Loess Plateau. It is different from the prairie wolves written by past writers, and it is also completely different from the western wolf. It is a legend about the living conditions and life and death experiences of the big gray wolf on the vast and rolling loess land. It is little known, mysterious and strange.

This is a novel with a clever structure and stories within stories. "The Soul of the River" has a total of five chapters and is divided into three parts. It tells the story of "I", a new farmer in the new era, who established a professional apple cooperative to lead the villagers out of poverty and become prosperous, and traces back to the organization of Zhang Hongye, a middle-aged man, along the river during the Kangxi period of the Qing Dynasty. The six villages established the prototype of a joint-stock enterprise "Liu Gutou" by combining the old stories of dry land boating, thereby condensing the consistent spirit of the Yellow River and the soul of the river, and demonstrating the spiritual power of the people of Hukou who are "simple, pure, tolerant and tolerant, tenacious and innovative". The novel contains stories within stories, breaks the traditional linear narrative, and adopts expression methods such as the interlacing of time and space, changing of persons, and the flow of consciousness. The stories within stories include excerpts from "Hukou Chronicles", award-winning lyrics, folk tunes, and other colorful expressions to organically integrate the old and new stories. It writes about the emotional ups and downs of the old and new generations of the Yellow River children, and the two clues advance in parallel, fully presenting the endless spiritual power of the loess land, recreating the scene of the Hukou children unyielding to their fate and breaking through the difficulties of survival, and singing the endless Yellow River Hukou spirit of "simplicity and purity, observance and tolerance, tenacity and innovation".

The novels collected in "Village Passed" all take rural areas as their writing subjects. "The Craftsman", "The Flat Nose of the Eagle", "Brother Brings the Knife to the Door", "Inn in the Mountains", "Grand Childhood" and "Death in the Village", write about different but interrelated people in rural areas - craftsmen, strangers, farmers, village cadres, nouveau riche, etc. The views are rational, the techniques are changeable, the layout and concepts are unconventional, the pattern is generous, and the momentum is extraordinary.

The novel describes a story that took place in a rural area in Taiyue Mountain during the early days of reform and opening up. Land is the main resource that rural farmers rely on for survival. At the critical juncture of social change, when facing the land that is closely related to farmers, characters with various personalities showed a variety of different attitudes, which also constituted a panoramic custom painting of the village's joint production contract. The novel attempts to present a panoramic view of rural social conditions and life in the early 1980s. Taking the rural society in the era of change as the background, the author focuses on Huayan Village in the hinterland of Taiyue Mountain. Through the games and struggles, advances and compromises, confusion and sobriety of all strata in the countryside, the author shows a magnificent picture of the times. The author's exploration of the subtleties of human nature and the presentation of the rural humanistic atmosphere make the text appear rich and full.

This is a novel with realistic themes. The story is indexed by the twenty-four solar terms. The "reincarnation of grass and trees" not only represents the prosperity and decline of nature, but also the living conditions and spiritual world of the people living at the lowest level. People can always welcome the coming of another spring with full hope. In Huangliu Village in Beili, Qinling Mountains, all the villagers have gone away from home to work. Except for some old, weak, sick and disabled people who stayed in the village, Huang Anan, who is in his fifties, has become a scarce strong labor force. With a kind-hearted, optimistic and honest nature, he almost became a "volunteer" for those left behind. With his courage and perseverance to never bow down in the face of hardship, he helped the villagers get out of poverty, and also out of spiritual loneliness and life barriers. The author has profound writing skills, and the plot of the novel is compact and gripping. It directly faces the current social problems of "hollowness" in rural areas, with lofty intentions and positive themes. This book is a key literary and artistic creation funding project of the Provincial Party Committee Propaganda Department in 2021.

It describes that a group of Communists, under the leadership of Liu Xin, the party branch secretary who pursues dreams, have spent decades to transform Shanchong, build Shanchong, and make Shanchong rich. They have poured their youthful blood into this Shanchong, and composed a touching hymn worthy of the times! They have eliminated the interference of "left" and "right" and have insisted on focusing on two things for decades: on the one hand, they focus on the construction of ideological civilization of cadres and the masses, and on the other hand, they focus on the construction of economic development. In the end, they built an ignorant and backward Shanchong into a prosperous, powerful and civilized "No. 1 In the world".

In the beautiful coastal city of Yangjiang, there is a village nestled among mountains and rivers, called Dongcun. In this place, there are many people and little cultivated land. A family like Liang Youdi can only be allocated more than four acres of cultivated land and more than one acre of private land. The grain output at that time was not high, and there was very little left after paying it to the public and purchasing grain. In addition, her younger siblings were young, her grandmother was old, and she had a bedridden mother. The family's financial resources were only supported by her father.

Suzuko, a young and beautiful woman, is a "fool" who has suffered from meningitis and cannot take care of herself. "Old bachelor" Jia Baoqing married him back from western Sichuan, which caused a sensation among his neighbors and became a "big shot" that everyone often talked about after dinner. Baoqingli Village is a famously poor mountain village. Many men cannot marry wives. Seeing the beautiful Lingzi, some people have their own thoughts... A few years later, the "idiot" Lingzi gave birth to three children for the "old bachelor" Jia Baoqing, who are not stupid but are very healthy and smart. , When they grew up, they thought of many ways to get rid of poverty in Baoqingli and embark on the road to prosperity. In the end, Baoqingli got rid of poverty and became rich, becoming a model for the region and even the province in building a new socialist countryside in the new era. The villagers lived a happy life. His son, Jia Guisheng, the village party secretary who led the villagers out of poverty and became rich, became a real "big shot" praised by his neighbors...

"Pingle County Chronicles" is the latest novel by the writer Yan Ge, and it is also the finale of his "Pingle Town Series". The book has a total of fourteen chapters. The story takes place on the East Street of Pingle Town. Fu Qihong, the deputy director of the County Chronicle Office who is about to retire, and his daughter-in-law Chen Diju are the two protagonists. They connect the growth and separation of a young man and woman and the ups and downs of small town life. This is a literary archive of Pingle Town written in the form of a virtual local chronicle, and it is also a postmodern "three words and two shots". Yan Ge made a conscious modern transformation of the three-character and two-part script novel, unfolding the narrative in the tone of a storyteller, and cleverly used various old-style poems and rhymes as well as Sichuan dialect, blending classical and modern senses, making the novel text rich in layers and space, showing a strong ability to reshape modern Chinese and contemporary stories.

"Tassel" is a realistic novel. The author condenses the historical change process of rural areas in the hilly areas of central Shandong and panoramicly reproduces the social life in remote rural areas in the 1980s and 1990s. Against the broad background of reform and opening up, the novel takes Zhang Liusu, a peasant woman, as the main line, and depicts the images of many ordinary people through the conflicts and entanglements of various characters in the small mountain village. Betrayal and watchfulness, tears and smiles, frustration and pursuit, conservatism and resistance, daily life and social development and changes, many conflicts are intertwined, profoundly showing the tortuous path that remote rural areas have taken under the impact of the tide of social development, and showing the arduous struggle of ordinary little people in the melting pot of society as their spiritual concepts are constantly tempered and reborn.

"Grass and Trees" is a novel with realistic themes written by the famous writer Lao Teng. This book focuses on the revitalization and development of Xuli Village, a village that evolved from a post station in the Qing Dynasty. It tells the story of how cadres "I", Shao Zhentian and others led the villagers under the guidance of the Party's rural revitalization strategy to develop industries according to local conditions, promote the creative transformation and innovative development of the post station culture in China's excellent traditional culture, and create the Post Road·Meet Culture and Tourism integration project, which finally brought about earth-shaking changes in the village and put it on the road to health and prosperity. The novel has strong characteristics of the Northeastern border region. It explores new artistic qualities and updates narrative experience in the profound tradition of local literature, and embodies "the enterprising spirit of the Chinese nation that is upright rather than conservative, and respects the past rather than retrospecting."

It describes a family fleeing from famine in Shandong, with its fathers Liu Shichang, Liu Changhe, Guan Laowu, and Ding Dazhuang as representatives of an era; Liu Zhenzhen, Liu Zhuzhu, Zhou Lina, etc., And the working team in the village as representatives of an era. Their sense of self-responsibility and perseverance for the rural areas to get rid of poverty and become rich, for the revitalization and development of the countryside, are a force of this era and a powerful attack on the impetuosity and profit supremacy of some people today.

This is a novel. Adopting a realistic creative method, it tells the history of entrepreneurship of the generation born in the 1970s who adhered to the land and amidst the magnificent tide of the times. The author Wu Shengzhi is from Songtao Miao Autonomous County, Tongren City, Guizhou Province. In the manuscript, the author incorporates strong local customs and manuscripts to create the image of rural entrepreneurs represented by Jin Gui. It describes in detail the tortuous journey they took when they failed to start a business for the first time, then went out to work, found new entrepreneurial opportunities, and finally broke out into a new world through difficult management. The manuscript expresses this generation's deep love and devotion to the land, and shows the image and pursuit of a new generation of farmer entrepreneurs.

The story begins with a special interview with a well-known female writer in a small town in western Guangdong. It is divided into chapters and tells the struggles, ups and downs, loves, hates, joys and sorrows, and life legends of five generations of a peasant family. The time span of the novel is from 1920 to 2020, and the geographical span is from northwestern Hunan to southwestern Guangdong. The content covers the suffering and glory of China's rural areas during the Republic of China, the fate of individuals in special historical periods, the phoenix nirvana of farmers before and after reform and opening up, and the inspirational lives of a generation of rural youth across the century...

Zhang Yun, an outstanding young woman from Liushulin Village on the banks of the Wei River Basin, known as Sister Yun, is smart and dexterous, and is good at farm work and housework. Because of her good voice, she learned to sing folk tunes and local operas, joined a literary and art propaganda team, and learned to sing, dance and perform. Her good looks, bright voice, and constant touring performances made her a hit in the local area, attracting the enthusiastic pursuit of many cadres' children. But she fell in love with Wang Xiaofeng, a farmer's son from the same village who was studying in high school in the county town. She fell in love sincerely and persistently, and her dream finally came true with the help of her best friend and Wang Xiaofeng's classmate Li Liuying. In the long years that followed, for the sake of love, she reluctantly gave up her favorite literary and artistic activities and devoted herself to family and farming. She endured the burden, overcame many difficulties, tolerated her husband's mistakes, fully supported and helped him succeed in starting a business, and the couple became famous local farmers and entrepreneurs, finally achieving a happy marriage in her life.

In the early days of rural reform and opening up, while farmers' lives continued to improve, there were still problems such as expensive and difficult medical treatment for serious and serious illnesses. The book describes a young rural couple, Wang Dasheng and Zheng Xiaomei. Their son was diagnosed with leukemia and needed a bone marrow transplant, which required huge operating fees. The family sold all their belongings and borrowed money from relatives and friends, but they still couldn't raise the funds. When her family suffered a major disaster, in order to quickly obtain financial assistance and cure her son's illness, Zheng Xiaomei listened to gossip and unfortunately went astray and was treated illegally. When she discovered the truth, she fought tenaciously and with all her strength. With the help of her husband, she escaped from the devil's cave. She also got out of the predicament with the help of the state's legal system, so that the evildoers were punished. They also recognized their mistakes and learned lessons in the face of facts; they also recognized the current good situation, saw the direction, and together with the whole family, adapted measures to local conditions and worked hard to start a business, and finally achieved success, which not only made their family rich quickly, but also promoted the economic development of the people in their hometown and made them rich together, and they were widely praised.

The novel uses the two heroines who accidentally marry each other's husbands as the plot line, and arranges the plot based on the two families' diverse thoughts on life, policy, and children. It describes the background of the beginning of reform and opening up, from different angles, different mentality, different characters, etc. It comprehensively reflects the hardships of rural life and the process of farmers going from poverty to wealth through suffering and pain through reform and opening up.