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The creation of poetry flourished in the two Song Dynasties. There have been many anthologies of Song poetry in the past dynasties. The "Three Hundred Song Poems" compiled by Mr. Zhu Qiangcun (a villager in Shangqiang) in the late Qing Dynasty has become a classic among them because of its large quantity, wide range, and incisiveness. This book is the annotation of "Three Hundred Song Poems" by Mr. Tang Guizhang, a master of modern poetry. The annotations in the book are detailed, solid and clear; the commentaries are a collection of past ci reviews, comprehensive and extensive; it also includes biographies and relevant reviews of each ci writer. These contents not only allow readers to understand and appreciate Song Ci, but also appreciate Mr. Tang Guizhang's unique insights into Song Ci and feel the cultural style of this master of Ci.

WeChat Zhihu, the master of history, Wen Boling, shatters the stereotypes of Tang Dynasty poets, takes you to fully understand the Tang Dynasty poets, and tells the stories hidden behind Tang poetry. Many people believe that the thoughts and emotions expressed in poetry represent the author himself, but in fact this understanding is not accurate. For example, Li Bai, the "Poetry Immortal" in our impression of being bold and free-spirited, was actually burdened by fame; Du Fu, the "Poetry Saint", was a playboy when he was young, and later he gradually became more popular after repeated setbacks; Wang Wei, a modest gentleman known as the "Poetry Buddha", also wrote poems praising virtues to flatter the emperor; landscape pastoral poets Meng Haoran was actually keen on fame, but he kept running into obstacles because of his lack of emotional intelligence. Everyone said that Gao Shi was a poet. In fact, leading troops to fight, making achievements, and governing the place were Gao Shi's main occupation. Writing poems was just casual. Yuan Zhen, the seed, also abandoned many women he had fallen in love with for his own fame and fortune; Song Zhiwen, a talented man from a poor family, did whatever it took to climb up, and she would be a mother if she had breasts... Tang poetry is the Weibo of the people of the Tang Dynasty, which carries the ecstasy of the people of the Tang Dynasty that "the spring breeze is so exciting that the horseshoes are so bad that they can see all the flowers in Chang'an in one day". The leisure of "the bright moon shines among the pines, the clear spring and the stone", the compassion of "the flowers splash with tears when feeling the time, and the fear of the other birds", the pride of "why don't men bring Wu hooks and collect the fifty states in Guanshan"... Tang poetry is a tool for people in the Tang Dynasty to express their thoughts and emotions, and reading Tang poetry is a convenient way to understand the poets of the Tang Dynasty, and even the Tang Dynasty.

Lakes are important geographical units and are widely praised in ancient and modern times. Ancient Chinese literati traveled by the lake and left behind countless poems and poems. These cultural treasures created by the lake show us the landscapes, historical evolution, anecdotes, legends, cultural customs, etc. Over thousands of years. Interpret lakes from a poetic perspective, appreciate the beauty of poetry through lakes, experience my country's unique lake culture, and understand relevant scientific knowledge about my country's lakes.

"Commentary on the Collection of Flowers" "Collection of Flowers" was compiled by Zhao Chongzuo of the Later Shu Dynasty. It is the earliest collection of literati poetry in my country. It contains a total of 500 poetry poems by Wen Tingyun, Wei Zhuang and others. The commentator, Li Bingruo, is a disciple of Wu Mei, the master of poetry. He was impressed by his classmate Tang Guizhang's comments on "Three Hundred Song Ci Poems", so he traced the origin of poetry to the beginning of poetry and wrote notes for "Huajian". This book collects comments from famous writers such as Tang Xianzu and Chen Tingzhuo, as well as biographies of the poets and brief editing notes. The commentator even wrote 196 comments under the name "Xuzhuang Manji". These comments were all included in the later book "Ci of the Tang Dynasty and Five Dynasties", which shows its profound and thoroughness. This book is an important work in the study of "Huajian Collection" with its annotation and commentary, and is highly praised by lyricists Tang Guizhang and Ye Jiaying. "Three Hundred Tang Poems Annotated by Jin Xingyao" Tang poetry is the pinnacle of Chinese classical poetry. It not only symbolizes the maturity of classical poetry and inherits the folk songs and Yuefu traditions of the Han and Wei dynasties; it also creates a new look and develops the art form of classical poetry to a new height. There have always been many anthologies of Tang poems, among which "Three Hundred Tang Poems" compiled by Hengtang retired scholars is the most outstanding. There are more than seventy authors included, including emperors, monks, singers, and anonymous people. There are more than 300 selected works, with a moderate number of chapters, a wide range of genres, and rich and diverse content. Since its selection, "Three Hundred Tang Poems" has had a profound and widespread impact on Chinese literature. "Three Hundred Tang Poems Annotated by Jin Xingyao" is the masterpiece of the famous classical literature and history master Jin Xingyao in his later years. His annotations are "broad but capable of generalization, shallow but capable of cutting through, and clear yet clear." The easy-to-understand nature of this book has led to numerous reprints and a circulation of more than three million copies since its first edition. Jin Xingyao brought Tang poetry into the eyes of today's people again, allowing contemporary readers to appreciate the artistry, thought and true value of Tang poetry. This book "Three Hundred Song Poems Selected by Jin Xingyao" is based on the selection and consists of four parts: a preface, a selection, a biography of the author, and notes. Based on Mr. Jin Xingyao's understanding of the creative characteristics and status of the poets in the Song Dynasty, as well as his grasp of the development process of Song poetry, 327 poems were extracted from the vast sea of ​​Song poetry. Emphasis is placed on Su Shi and Lu You, whose selections are at the top of the book, and serve as a fulcrum to form the basic pattern of the author team in the Northern and Southern Song Dynasties. This book is fair, well-explained, rigorous in research, distinctive in personality, and well-equipped with both theory and interest. Read and interpret familiar classics, and discover rare masterpieces that have been overlooked. The evaluation of poets and poems focuses on their "attitudes towards society and life", while also trying to reflect the Song people's "ability to drive words" and explore the inner meaning and artistic form of poetry. It is a humanistic reading book for appreciating the style and atmosphere of Song poetry and understanding the development context of Song poetry. "Complete Translation of Chu Ci" Chu Ci is the crystallization of Chu culture in the Spring and Autumn Period and the Warring States Period in my country. It is another collection of poems with far-reaching influence in ancient my country after the "Book of Songs". The Songs of Chu are not only the ancestor of the Fu style literature of the Han Dynasty, but also dominated the literary and artistic trends of the Han Dynasty for more than 400 years, giving great influence to Chinese literature and art. The earliest annotated version of "Chu Ci" that we can see now is Wang Yi's "Chapter of Chu Ci". This book, "Complete Translation of Chu Ci", is based on "Chapter of Chu Ci" and annotates all his works. In addition, it also adds two famous poems by Jia Yi, "Ode to Song Bird" and "Ode to Diao Qu Yuan". For the sake of accuracy, the translation of this book mostly uses literal translation; the annotations are based on reasonable interpretations by ancient and modern scholars, and their words are well-founded.

Poetry English translation is an elegant literary translation practice and a bridge that showcases the long-standing Chinese culture and the glorious ancient culture. This book selects more than 100 Chinese classical poems that are highly representative, widely influential, and of various styles. The translations adopt various English metrical forms. Most poems have various rhyming forms and have strong musical beauty. The translation strives to be concise and smooth, and does not compromise the meaning due to the pursuit of formal beauty. It strives to reproduce the ethereal beauty of Chinese poetry and strives to be perfect in the categories of poetic aesthetics such as "righteousness", "reason", "spirit" and "rhyme".

Poets in the Tang Dynasty were loved by everyone, and metrical poetry was especially popular, so it has been able to last for a long time. However, due to historical reasons, many people lack understanding of poetry rhythm; and due to the great changes in pronunciation between ancient and modern times, the poetry rhythm created by the ancients makes it difficult for many people who like metrical poetry to master it. Based on the new teaching ideas and teaching requirements of "turning theory into skills and theory into abilities" advocated by the Ministry of Education, and combined with his many years of teaching experience and writing experience, the author of this book compiled his experience and materials in teaching poetry and rhythm, and compiled this book. The purpose is to adapt to this social need and contribute to the inheritance and development of traditional culture.

Mr. Lu Xun has done a lot of research work on Chinese classical literature and historical works. His collection and arrangement of classical literary and historical works probably took place in the years before and after the Revolution of 1911. The compilation of "Collection of Legends of the Tang and Song Dynasties" took more than ten years. Among them, the authors of the signed chapters, such as Wang Du, Chen Xuanyou, Shen Jiji, Li Gongzuo, and Bai Xingjian, are mostly known for their beautiful writing styles and good rhetoric.

The editor was Hengtang Tuishi (1711~1778), a scholar of the Qing Dynasty. His original name was Sun Zhu, with the courtesy name Linxi and Daxi, his nickname was Juetang, and his later nickname was Tuishi. His ancestral home is Xiuning, Anhui, and he was born in Wuxi, Jiangsu. The translators and annotators are Shi Liangzhao, Cao Minggang, and Wang Genglin, all of whom are editors and reviewers of Shanghai Ancient Books Publishing House.

Zhang Boxing (1651-1725), whose courtesy name was Xiaoxian, whose late name was Jing'an, and whose posthumous title was Qingke, was born in Yifeng, Henan. A famous official in Neo-Confucianism in the early Qing Dynasty, he was a Jinshi in the 34th year of Kangxi reign (1685). He served as a minister of the Ministry of Rites and was known for his integrity and uprightness. His life story can be found in "Manuscript of the History of the Qing Dynasty" (Volume 265), "Biography of the History of the Qing Dynasty" (Volume 12), etc. There are "Collected Works of Zhengyi Tang" (twelve volumes), eight volumes of "Sequel", as well as "Ju Ji Yide", "Collected Works of Primary School", "Er Cheng Quotations", "Xingli Zhengzong", "Guangjin Si Lu" and so on. Xiao Ruifeng, a native of Nantong, Jiangsu, is a professor at the School of Humanities at Zhejiang University of Technology and a doctoral supervisor at the Chinese Department of Zhejiang University. He concurrently serves as the vice president of the Chinese Rhythm Society and the vice president of the Chinese Song Dynasty Literature Society. He has published works such as "Selected Poems of Liu Yuxi and Bai Juyi", "History of the Development of Japanese Chinese Poetry", "Politics and Literature of the Late Tang Dynasty", "Biography of Liu Yuxi's Poems" and more than 100 papers. In recent years, he has been engaged in literary creation, and his pen name is "Xiaofeng". His works include "String Song", "Return", "Moss Traces of Green Years", etc.

Zhou Mi (1232-1298), named Gongjin, also known as Caochuang and Pingzhou, also known as Bianyang Old Man and Sishui Qianfu. Poet and writer of the Southern Song Dynasty. Good at poetry, calligraphy and painting. As famous as Wu Wenying (named Mengchuang), people at the time called him "Second Window". Deng Qiaobin worked in the Chinese Department of East China Normal University from 1981 to 2002. In 1996, he received a special government subsidy certificate issued by the State Council. In 2002, he was transferred to the School of Liberal Arts of Jinan University and served as the leader of the ancient literature discipline. He was appointed as a distinguished professor (first level). In 2012, he was rated as a second level professor by the Overseas Chinese Affairs Office of the State Council. Peng Guozhong is a professor in the Chinese Department of East China Normal University, a master's student, and a doctoral supervisor. Liu Rongping is an associate professor in the Chinese Department of Xiamen University, a master's tutor, and the editorial director of "Xiamen University Chinese Literature Journal".

When the soul of literature has been tempered by the mist and rain of the Song Dynasty, it has formed a unique rhythm. Sometimes it is heroic and majestic, sometimes it is gentle and affectionate... Inadvertently, it slips into people's hearts, leaving a long aftertaste. Song poetry is the sustenance of an era. Whether it was the once prosperous Northern Song Dynasty or the Southern Song Dynasty, which was more settled in the south of the Yangtze River, this low-pitched singing was indispensable. Whether they are noble like Li Yu or poor like Jiang Kui, sensitive and delicate literati cannot do without the expression and nourishment of Song poetry. It condenses the dreams and frustrations of countless poets, and condenses the joy and loneliness of emperors and common people... And after thousands of years, the curtain of the times has changed, it is still flowing vividly in our blood, igniting the fireworks of the soul, and lighting up the beautiful moments in life.

Wang Wei's poetry is a specialty of Chinese culture, the crystallization of oriental wisdom culture, and the authentic poetry of the Tang Dynasty. Wang Wei's poems have profound and illusory imagery, clear and ethereal artistic conception, extremely high technical content, full of Zen suggestiveness, and clever wisdom and beauty. This selection contains over a hundred poems, accounting for only a quarter of the remaining poems. One sand and one world, one flower and one paradise. The poem selection takes into account the various genres, styles and styles of the poems, as well as the various creative periods. With a copy in hand, one can understand the whole poem and the whole person.

Xin Qiji is a hero with both civil and military skills, wisdom and courage. He is a roaring tiger, heroic and bold, and dreams of being able to support thousands of men, kill enemies with force, regain lost territory, and unify the Central Plains. It's a pity that he was born at the wrong time and was repeatedly devalued. His ambitions have not been fully realized and his ambitions have been difficult to reach. His poems may be grand and intense, or may be melancholy and tragic, or may be elegant and leisurely. They are both strong and soft, solemn and harmonious, full of nobility and humor. This book aims to show the hero's personality, mentality and emotions, daily life and artistic world, so it is divided into volumes according to the content of his Ci works, and each volume shows a different aspect of Xin's Ci world. The annotations on the poems focus on the elucidation of special sentence patterns and syntax, the confirmation of ancient "classics" and modern "things", and the elucidation of the mood and mood of the words.

Liu Yong is a person who writes lyrics with his life. In Liu Ci, you cannot see talent, wit, and elegance. After all these colorful decorations are shaken off, Liu Ci presents the most authentic life posture: only gatherings and partings, a fragile and lonely life continuing in the entanglement and tearing of each other. Every warmth and every landscape is painted with melancholy by Liu Yong. This melancholy is shocking and intoxicating; it is a beautiful flower growing out of the shortcomings of life. What this book focuses on revealing is the profundity and sincerity of his life experience, the richness and depth of his emotional connotations, and the clarity and timelessness of his artistic realm. Readers may be able to read themselves more or less from the poet, and taste the innocence, sincerity, struggle, and emotion from the distant sadness, and finally gain a sense of present tranquility.

Du Fu (712-770), whose courtesy name was Zimei and whose nickname was Shaoling Yelao, was born in Gong County, Henan Province. He was an outstanding poet in the poetry world of the prosperous Tang Dynasty, and was called "Li Du" together with Li Bai. Du Fu has a strong concern for reality and a spirit of caring for the people, so he is respected as the "Sage of Poetry" by the world. Many of his works touch on important historical events, so they are also called "poetic history". This book selects about 260 poems by Du Fu, and is collectively written by the Classical Literature Teaching and Research Section of the Chinese Department of Shandong University, an important place for Du Fu's research. It has accurate annotations, easy-to-understand explanations, and high quality, making it very suitable for general readers.

"Biography of Su Dongpo's Ci - Taste in the World is Joy" Su Dongpo integrated Confucianism, Buddhism, and Taoism throughout his life. Poetry, poetry, essays, calligraphy, and painting all reached their peak in the Song Dynasty when talents abounded. He had more versatility, richness, and sense of humor than other Chinese poets. The enterprising, upright, compassionate, and broad-mindedness embodied in his personality and spirit have always shone in the starry sky of Chinese history for thousands of years. "Li Yu's Ci Biography - I Didn't Know I Was a Guest in a Dream" uses his Ci as a sutra to describe the ups and downs of Li Yu's life, the later master of the Southern Tang Dynasty, and shows readers Li Yu's person, his Ci, his nature and his emotions. Li Yu was the subjugated king of the Southern Tang Dynasty. He struggled throughout his life between bondage and freedom, innocence and power. The book goes straight to the heart of the characters, using a sensual and gentle writing style to present the empress's graceful melancholy and indulgent indulgence in the early period, the strange fate of the world and heaven after the Song Dynasty, and the unpredictable changes in the world. It is a biography that combines words and characters' lives...

This book is a collection of articles on the study of Tang poetry by the famous poet and scholar Wen Yiduo. It compiles seven of Mr. Wen Yiduo's essays on Tang poetry, including his evaluation and interpretation of great poets such as the "Four Heroes of the Early Tang Dynasty", Meng Haoran, Jia Dao, and Du Fu, as well as his analysis of Lei Shu, Gong style poems, and English translations of Li Bai's poems. Mr. Wen Yiduo expresses his unique views with detailed textual research and beautiful language, from which we can learn Explore the poetry creation scene in the Tang Dynasty; in addition, it specially selects relevant poems from the "Tang Poetry Series" compiled by Wen Yiduo, the English translation of Li Bai's poems by the famous British sinologist Arthur Waley, and three appendices, "The Rhythm of Poetry", "Poetry and Criticism", and "Examples of Tang Poetry's School Reading Methods", so that readers can have a more comprehensive understanding of the style of Tang poetry from different perspectives and a deeper understanding of the true meaning of Mr. Wen Yiduo's books.

This book contains the ancient poems that middle school students must memorize as stipulated in the new curriculum standards, plus necessary annotations, translations and appreciations. Let students absorb the essence of these precious cultural heritages while studying, reading and reciting a certain number of famous works in ancient poetry. This book selects 80 works from the history of Chinese poetry from the Book of Songs to the late Qing Dynasty in accordance with the middle school Chinese teaching standards, as ancient poems that middle school students must memorize.

The collection of art essays by the famous contemporary artist Leng Bingchuan is a collection of ideological sparks that have been recorded over more than 20 years. It is also his only written work so far. It includes short sentences, essays, and long articles. It can be regarded as a literary theory, a book of prose poems, some kind of artistic manifesto, or a bunch of aphorisms. The book contains specially created sketches by Leng Bingchuan, mixed horizontally and vertically, and lightly printed. Both content and form are like lightning, cutting through the curtain of the mind and touching the soul.

This book selects classic poets and their works for discussion, and introduces Li Bai and Du Fu as outstanding representatives of Tang poetry, and Su Shi and Xin Qiji as poets with high achievements in Song Dynasty. On this basis, relevant explanations are also given to famous works by Wang Wei, Meng Haoran, Liu Yong, Zhou Bangyan and other famous writers. The writers discussed in the book are all famous, and their works are all classics. Readers may have known about them before. In "Tang Poems and Song Ci", the author is more concerned about their "surpassing the actual environment with their lofty pursuits, and their poems contain rich spiritual power." Inspired by this idea, readers will have a new reading experience of these classics.

This work is mainly Huang Wenhuan's annotations and comments on "Chu Ci". The book begins with a parallel interpretation model of commentary, which has distinctive characteristics of literary analysis. It also revise old annotations and create new theories, which is innovative for Qu Yuan's life and understanding of Chu Ci. The whole thing has a strong personal emotional color, with a clear purpose of praising loyalty and directly criticizing cowardly and sycophantic.

This study uses the poetry of Wang Wei and Nobel Prize winner Heaney, two poets who represent Chinese and Western cultures, as corpus to conduct a multi-level cognitive comparative study, from which a conceptual synthesis model of poetry is constructed, and the poetic meaning is interpreted from the perspective of cognitive stylistics. This book strives to build on Fauconnier Turner's concept synthesis theory to expand its conceptual synthesis theoretical model of dual-domain and multi-domain networks in the fields of narrative, pragmatics, and translation.

This book takes the development history of poetry as a line, eras as an aspect, and famous names as points, trying to show the development clues of ancient poetry, highlight model writers and model works, and reflect the highest artistic achievements of each era. The author of this book is Zhang Haohan, Secretary of the Party Leadership Group and Executive Vice Chairman of Jiangsu Federation of Social Science and Technology. Professor, doctoral supervisor. He is rated as the chief young and middle-aged scientist of Jiangsu Province by the Jiangsu Provincial Party Committee and the Provincial Government, an expert who enjoys special allowances from the State Council, a young and middle-aged expert with outstanding contributions in Jiangsu Province; a decision-making advisory expert of the Provincial Party Committee, a distinguished expert of the Provincial Governor in the 12th Five-Year Plan of the Provincial Government; a member of the Standing Committee of the Jiangsu Provincial Committee of the Chinese People's Political Consultative Conference; the president of the Jiangsu Provincial Regional Development Research Association; a part-time professor at Nanjing University, Nanjing Normal University, Southeast University, and Nanjing Aerospace University.

Qin Guan, also known as Shaoyou, was a student of Su Dongpo, a great writer in the Northern Song Dynasty. He is good at writing soft and beautiful lyrics, and has the "correct pronunciation of a lyricist". His poetry is not as famous as his lyrics, and his writing method of using words as poetry is often criticized by critics, but it is still worth reading. Zhao Yejun, male, born in 1984, is a doctoral candidate in the History Department of Peking University. He was the president of the Song Ci Association of National Taiwan University, a member of the Peking University North Society, and a member of the Chinese Ming Society. He won the second place in the Ci Department of the 2016 Beijing-Tianjin-Hebei College Poetry Competition.

Ancient poetry interprets the value of life and displays the charm of nature. It is a harmonious unity of content beauty and form beauty, and has high aesthetic value. There is no shortage of beauty in our lives. Maybe we just forget to feel and realize. "A Complete Guide to the Most Beautiful Ancient Poems (Collector's Edition)" allows us to cultivate our mind, improve our humanistic accomplishments, appreciate the beauty of life, and appreciate the true meaning of life through the appreciation and singing of ancient poems.

Tang poetry and Song poetry are precious heritage of Chinese traditional culture and two unsurpassed monuments in the history of Chinese literature. "A Complete Guide to Tang Poetry and Song Ci (Collector's Edition)" selects the most representative chapters of Tang poetry and Song Ci that are still popular after thousands of years. It explains the aesthetic connotation of Tang poetry and Song Ci in the order of author introduction, poems, annotations, and appreciation, allowing readers to appreciate the eternal masterpieces of Tang poetry and Song Ci with both pictures and texts.

Tao Yuanming, a Qian with a courtesy name of Yuanliang, was a great poet in the Eastern Jin Dynasty. He once served as Jiangzhou Jijiu, Zhenjun Joining the Army, Peng Zeling, etc. Later, he resigned and returned to seclusion, abandoning his official career. He was a noble and life-loving literati who created a large number of landscape and pastoral poems with a plain and natural style that gave people a sense of intimacy. His poems often embody his perceptions and thoughts about society and life. This kind of thinking is far-reaching and profound, and resonates with the hearts of ancient and modern poets. Ji Tuo, born in January 1988, studied at Nankai University and East China Normal University, and now works as a translator.

"Yuan Sanqu" is one of the series of books on the beauty of traditional Chinese poetry. It is edited by Xu Zhongyu, a well-known scholar and the founder of "university Chinese", and edited by Professor Tan Fan of East China Normal University. It includes works by Yuan Haowen, Ma Zhiyuan, Guan Yunshi, Guan Hanqing, Wang Shifu and others. The edited content of this book not only includes famous works by well-known authors, but also takes into account the diversity of modern literature and includes as many aspects as possible. Each article includes an introduction to the author, selected works, and is followed by the author's explanation of the work and a collection of reviews. It is also accompanied by detailed annotations and phonetic annotations for rare words. It is suitable for literature lovers as a popular reading book, and is also suitable as a supplementary teaching material for middle school and undergraduate students, which can improve literary literacy and enhance their ideological realm. This book is divided into five parts for selected examples of articles: (1) Introduction to the author (only listed in the first article of all selected works by the author, and will not be reprinted in the future); (2) Main text; (3) Notes; (4) Explanation; (5) Collection review (depending on the specific circumstances of the work). The "annotations" are mainly to clarify the words and sentences and explain the allusions, and generally do not conduct detailed research. Different explanations should be followed, and they should be made popular, simple, clear and straightforward. The "Explanation" provides a brief appreciation of the article and a brief reminder of the creative background and main artistic features. The "Collected Comments" section does not take the author's overall comments, but only the evaluation text of a single work. If there are many comments, the most outstanding ones will be selected and recorded. The text of the chapters included in this book is basically based on "Quan Yuan San Qu" compiled by Sui Shusen. Any obvious errors will be corrected and explained in the notes.

"Tang and Song Ci" is one of the series of books on the beauty of traditional Chinese poetry. It is edited by Xu Zhongyu, a well-known scholar and the founder of "university Chinese", and edited by Professor Gao Jianzhong of East China Normal University. It includes the works of Tang and Song Ci poets including Li Bai, Wen Tingyun, Li Yu, Liu Yong, Yan Shu, Ouyang Xiu, Wang Anshi, Su Shi, Qin Guan, Li Qingzhao, etc. The edited content of this book not only includes famous works by well-known authors, but also takes into account the diversity of modern literature and includes as many aspects as possible. Each article includes an introduction to the author, selected works, and is followed by the author's explanation of the work and a collection of reviews. It is also accompanied by detailed annotations and phonetic annotations for rare words. It is suitable for literature lovers as a popular reading book, and is also suitable as a supplementary teaching material for middle school and undergraduate students, which can improve literary literacy and enhance their ideological realm.

The book "Reading Poems in Four Seasons" presented before you is a reading book of ancient poems with novel arrangement and rich pictures and texts. From the "Book of Songs" in the pre-Qin Dynasty to "Butterflies in Love with Flowers" by the great scholar Wang Guowei in modern times, this book contains more than 160 classic poems mainly composed of Tang and Song Dynasty poems. Different from common poetry annotations, we weave ancient poetry into the flow of the four seasons of spring, summer, autumn and winter according to the timing, phenology and other characteristics reflected in the work itself. Spring flowers, autumn moon, scenery and people, all have their own appropriate arrangements. Tao Yuanming, Du Fu, Li Bai, Su Shi, Liu Yong, Shen Zhou, Shi Tao... These great poets, lyricists and painters will use their wonderful artistic creations to accompany us into the scenery of the four seasons, to get close to flowers and trees, and to meet mountains and rivers...

The "Collected Poems of Wang Changling", a collection of Chinese classics, was revised on the basis of "Annotations on Wang Changling's Poems" by Li Yunyi, an older scholar. Wang Changling was a famous poet in the prosperous Tang Dynasty. He wrote many famous poems and poems on themes such as frontier fortress, friendship, and farewell. His creative achievements in Qijue were particularly outstanding, and he was known as the "Sage of Qijue". The book is divided into four volumes and contains nearly 180 complete poems and several fragments of Wang Changling's extant poems. The manuscript is based on Wang Changling's poems collected in "The Complete Poems of the Tang Dynasty" and also uses other extant editions of Wang Changling's poetry collections to carefully collate and screen the original poems. He also compiled and supplemented the poems and made precise annotations on the characters and stories involved in the poems. He also collected nearly a hundred commentaries on Wang Changling's poems from previous generations and attached them to the end of the poems.

This book is divided into nine units: "Caring for the world," "Benevolent people love others," "Continuous self-improvement," "Respect the elderly and the family," "Cherish friendships," "Love to learn and reflect," "Caring for the homeland," "Indifferent to one's ambitions," and "Natural harmony." Recite it to cultivate your character, practice it to cultivate your virtue. I hope that the Chinese virtues immersed in ancient poetry can be passed down from generation to generation and move you, me and others.

The selection of "Myths and Stories" refers to and draws on a variety of related treatises and selected works. In particular, I was inspired by the "Selected Folk Literature Works" compiled by Mr. Zhong Jingwen in 1980, and selected a small number of chapters from it. In order to reflect the characteristics of folk literature, the editors try their best to maintain the original flavor of these works in terms of content and style. These representative works of folk literature are the literary achievements of the oral writers, collectors and editors of related books and periodicals.

"Li Yu's Ci" is a representative work of Wanyue's Ci. Together with Li Qingzhao's Ci, it is known as "Double Li". In the history of Ci, it has enjoyed many evaluations such as "the emperor of the Southern Dynasties loved romance, but it was a pity that he had to be a king" and "it is unfortunate for historians to be poets". His poems and poems became a hot topic in the literary circles of later generations. His works such as "When are the Spring Flowers and Autumn Moon", "How Much Sorrow Can You Have", "Life is Long and Hate the Water to the East", "Cars are Like Flowing Water and Horses Are Like Dragons", "Departure from Hatred is Like Spring Grass, Traveling Further and Resurrection", "Flowing Water and Falling Flowers, Spring Leaves", "Heaven and Earth", "Infinite Rivers and Mountains", etc. Are all works that are appreciated by both refined and popular tastes and have been passed down for generations. This book contains the complete lyrics of Li Yu's life, with appendices of his doubtful lyrics, a chronology of major life events, a biography written by Zhou Xinglu, a professor of the Chinese Department of Peking University, and the lyrics of his father Li Jing. The works of many painters in Chinese history, represented by Qiu Ying, are selected. The themes include works from the Qing Painting Academy that reflect court life, meticulous flower-and-bird paintings that contain the atmosphere of flowers, and freehand paintings of the infinite mountains and rivers, unifying the emotions of words with the emotions of paintings.

The book is divided into 10 volumes: "In the Spring, in the Autumn Wind, Outside the Frontier, When Parting, in the Melancholy, in the Strong Love, In the Red Dust, Between the Mountains and Rivers, In the Zen Heart, and Aspirations Are Hard to Reward". Through the appreciation of 59 well-known Tang poems and the narration of the poet's legendary experience, it depicts the images of many vivid poets and reveals the silent and rich emotional world behind the words. In our long life, we have lingering love words like "On July 7th in the Palace of Eternal Life, when no one is whispering in the middle of the night.", But we also remember the years, "The mirror in the high hall has sad white hair, and the morning is like blue silk and turns to snow at dusk." Romance is like Tang poetry, which allows us to taste red beans and experience love. It is as wild as a Tang poem, but it allows us to read about a lonely young man in a prosperous age.

When I was young, I always thought that Song poetry was full of soft beauties with graceful figures, expressing the resentment of a boudoir. The dewdrops on the petals of flowers in the morning could also lead to a lengthy rebuke and nostalgia for a thin lover; or the effeminate condolences of a literary male poet or the lingering love poems of a brothel. Only when you are older can you understand that whether it is the melancholy of the boudoir or the lingering love poems, which one is not a profound mark on the present. Only when you can freely understand your feelings and remember the joys and sorrows of every moment can your life become full. When it comes to Song Ci, Su Shi, Li Qingzhao, Lu You, Xin Qiji... The names of poets come to mind; when it comes to Song Ci, Shuidiao Ge Tou, Nian Nujiao, Man Jianghong... The names of popular Ci poets come into view. Following in the footsteps of Tang poetry, Song poetry has opened up new territories for development and brought a completely different reading experience to its admirers. The whole book is divided into ten volumes, which describe the parting sentiments in Song poetry from ten aspects: separation sorrow, lovesickness, history chanting, spring sorrow, optimism, leisurely travel, mourning for death, and human feelings.

"Three Hundred Tang Poems" was compiled during the Qianlong period. The whole book contains a total of 310 ancient and modern poems of 57 characters selected into eight volumes, or six volumes. The appendix contains a biography of the author and the original preface. The compilation and selection focus on popularization, and the selected poems are all well-known and famous poems. These famous poems have harmonious phonology, are easy to read, are close to the subject and are thought-provoking, and the diction is clear and beautiful, making it easy to understand. They are especially suitable for teaching children. In the more than two hundred years since its publication, it has become one of the most widely published and widely circulated books, with multiple annotated editions being popular. This book is based on the Hengtang retired scholar's edition, with reference to other books. The works are still organized in the same order, with notes and comments on each work. A new biography of the poet is written under the author's name, and an index of the author's works is attached for the convenience of readers.

The famous scholar Wang Guowei once said, "The style of Chu, the poetry of Han, the parallelism of the Six Dynasties, the poetry of the Tang, the lyrics of the Song, and the music of the Yuan are all the so-called literature of a generation." As a representative of the literature of the Yuan Dynasty, Yuan music is often called together with Tang poetry and Song poetry. "Three Hundred Yuan Operas" (Illustrated Edition) is one of the "Supporting Readers for the Chinese Classics Recitation Project" and is specially written for children aged 4-12. We collect "Three Hundred Yuan Operas" based on the authoritative version, with pinyin, and provide concise, accurate and easy-to-understand annotations for difficult characters, words and sentences. At the same time, it is equipped with a large number of pictures that are closely related to the text, allowing readers to appreciate the charm of the classics in a pleasant aesthetic.

"Three Hundred Poems of the Song Dynasty" is the most popular anthology of Song lyrics in the past 100 years. It was written by Zhu Xiaozang (a villager in Shangqiang), one of the four great poets of the late Qing Dynasty, who spent more than 10 years working on it. It includes the classic lyrics of more than 80 writers such as Su Shi, Xin Qiji, Liu Yong, Li Qingzhao, and Yan Shu. "Three Hundred Poems of the Song Dynasty" (Illustrated Edition) is one of the "Supporting Readers for the Chinese Classics Recitation Project" and is specially written for children aged 4-12 years old. We have included "Three Hundred Poems of the Song Dynasty" based on the authoritative version, with pinyin. It provides concise, accurate and easy-to-understand annotations for difficult characters, words and sentences. At the same time, it is equipped with a large number of pictures that are closely related to the text, allowing readers to appreciate the charm of the classics in a pleasant aesthetic.

It is an ancient chant, but it echoes deep in our memory; it is a simple song, but it resonates with our hearts. The coriander by the water, the hazelnuts on the mountain, the beauty who misses constantly, the world of "The Book of Songs" are narrated in "Fengya Rantan". This book also focuses on poetry appreciation as an introduction, and eloquently talks about the history behind it. The language is not obscure, making the characters and stories of more than 2,000 years ago vividly appear on the page.

This book is one of the "Belt and Road" rail transit planning textbook series. It mainly introduces the principles and typical systems of power unit traction transmission and control technology. The whole book is divided into 7 chapters. Chapter 1 introduces the composition and basic concepts of the traction transmission system of the EMU; Chapter 2 introduces the basic working principles and basic issues in use of the traction transformer and current transformer, the main components of the EMU; Chapter 3 introduces the working principle, structure, operating characteristics and speed regulation of the DC motor; Chapter 4 introduces the working principle of the AC motor, Structure, working characteristics and basic issues in use; Chapter 5 builds on the previous chapter and describes the basics of variable frequency and voltage speed regulation of AC motors, title speed regulation systems, vector control and direct torque control; Chapter 6 introduces the transmission and control system of a typical EMU; Chapter 7 introduces the working principles of typical electrical components in the EMU system. This book is a professional textbook for vehicle engineering and railway rolling stock in colleges and universities. It can also be used as a learning reference for teachers and students in railway higher vocational and secondary vocational schools, as well as engineering and technical personnel engaged in related majors of rolling stock, EMU, and urban rail vehicles.

This book is based on the latest technical specifications, standards, and testing procedures. It mainly introduces the main content, principles, and methods of railway engineering inspection, focusing on the mature and widely used testing equipment, technology, and applications in engineering practice. The main contents include track static inspection technology, track geometric state and stiffness dynamic detection technology, rail damage detection technology, comprehensive line inspection trains, switch and seamless line detection and monitoring systems, track structure parameters and dynamic testing technology, and foreign high-speed railway engineering inspection technology. This book is a textbook for railway engineering majors in colleges and universities, and can also be used as a training and reference book for relevant professional and technical personnel.

This book is a practical textbook compiled by full-time teachers with many years of experience in vocational education based on the training objectives and basic requirements of contemporary higher vocational education. The content includes basics of commonly used digital circuits, combinational logic circuits, sequential logic circuits, pulse waveform generation and conversion circuits, digital-to-analog and analog-to-digital conversion, semiconductor memories and programmable logic devices.

Using popular language and detailed illustrations, it focuses on the usage of commonly used technical indicators in the stock market in actual operations, and how to seize market opportunities in various technical forms; how retail investors understand top and bottom forms, and how to escape from tops and bottoms in advance in actual operations; several reasons why retail investors always lose money in actual combat and how to overcome these problems; gaming positions in various forms; several classic buying methods to find the starting point of bull stocks; how retail investors learn to improve their judgment in the market. Some aspects of mentality are explained based on the experience of retail investors in the market. Suitable for new investors who have just entered the market. Many things in the stock market cannot be said to be able to let you sit back and relax in the stock market with just one or a few books, but require continuous precipitation and accumulation in actual combat.

This book starts from the introduction of foreign trade for novices, and takes the order of knowledge that novices entering the foreign trade industry need to master as the main line. It explains step by step the process of newbies getting familiar with foreign trade operations in chapters. The content includes familiarity with the basics of foreign trade, understanding foreign trade terminology, recognizing transaction documents, mastering foreign trade operation procedures, learning cross-border e-commerce, targeting profitable markets, doing a good job in publicity and promotion, preventing transaction risks, and payment procedures. When explaining the content, it focuses on providing appropriate cases and experiences, and attaches a large amount of valuable information and specific operation steps to help readers guide practical operations and strive to avoid risks in every link. This book is rich in cases, contrasts pictures and texts, and emphasizes processes and practical practices. It is an introductory guide for all novices entering the foreign trade industry, and is also suitable for reference by foreign trade practitioners with a certain foundation.

This book is an example tutorial book, divided into 9 chapters, including the basic knowledge of Photoshop CC2015, tools and drawing, word processing, layers, channels and masks, image color and tone adjustment, paths and vector graphics, filters, etc. This book is accurately positioned, written completely in accordance with the syllabus, and is suitable for practical teaching. This book is written with clear layers, fluent language, rich pictures and texts, and incorporates a large amount of practical teaching experience. It combines theory with practice and has strong practicality. It also provides all the materials and final renderings used in the book to facilitate readers' learning and operation. This book is suitable as a teaching material for computer majors in colleges and universities, as well as a teaching material for social training classes and a reference book for graphic design enthusiasts.

This book is a supporting experimental tutorial for the book "Multimedia Teaching Software Design and Production (2nd Edition)". It can be used as an expanded experimental content of the former, and can also be used as a separate practical training tutorial for teaching software design and production. The book is divided into 7 chapters, and introduces preparatory knowledge, multimedia teaching material processing, courseware production based on PowerPoint2013 platform, micro-course video production based on CamtasiaStudio8 platform, integrated software design based on FlashCS6 platform, courseware production based on Authorware7 platform, and network teaching software design based on DreamweaverCS6 platform through 38 experiments. This book is rich in content, illustrated and text-based, focusing on steps to solve practical problems and inspiring readers to design. Each experiment is relatively independent in form, but interconnected and progressive in content, making it highly readable and operable. By studying this book, readers will be able to design and develop multimedia teaching software with complete functions and various types. This book is suitable as an experimental teaching material for courses such as multimedia computer-assisted teaching or multimedia courseware production for undergraduates and junior college teachers. It can also be used as a training tutorial for the application of multimedia technology and the design and production of multimedia teaching software. It can also be used as a reference book for teachers in primary and secondary schools to learn and master multimedia technology and assist in subject teaching.

This book explains in detail the methods and strategies of futures real trading operations, futures market analysis techniques, and also provides in-depth explanations of various technical indicators. This book is a desk book for futures investors and professional traders, and can be checked and used at any time.

"If you want to catch fish, you have to think like a fish." Sellers are no exception. If they want to achieve good sales results, they must know what consumers need. Therefore, sellers must consider issues from the perspective of consumers, understand consumers' psychological needs, and take appropriate measures based on their consumption motivations and preferences, so as to better convince consumers, stimulate consumption behavior, and ultimately gradually improve their sales performance. As the saying goes: "A successful salesman must be a great psychologist." This sentence clearly expresses the important role of sellers in mastering psychological skills in sales activities. Through 170 vivid and typical cases, this book deeply analyzes the psychological techniques used by sellers to capture consumer needs and communicate with consumers in depth, allowing you to master efficient and practical sales secrets in a short period of time, thereby increasing your sales performance.

In order to help readers who are interested in operations research understand operations research, this book is divided into 10 chapters, which details the application of operations research in various aspects. It basically covers various application fields of operations research, including not only economic fields such as logistics and transportation, production and sales, but also life fields such as interpersonal communication and family life. Among them, each chapter has 3 to 4 typical application cases, and each case is explained in a simple and in-depth manner. For an operations research application case, the explanation is divided into two parts. The first part describes the application background of the case and the problems that need to be solved. The description is concrete but not abstract. The second part is the focus of the case. It carefully analyzes the essence of the problem from the perspective of operations research, finds a solution, and finally gets inspiration that can help readers plan and make decisions.