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"The Tang Poetry Lesson Not to Be Missed" is a set of Tang poetry enlightenment books specially created for children and teenagers. This book takes the life stories of 25 Tang Dynasty poets as the main line and connects their representative poems, allowing readers to naturally understand the artistic conception and emotions of the poems while understanding the ups and downs of their lives. The author uses relaxed and humorous modern language to narrate the stories of "poetry immortals" and "poetry sages", making Tang poetry no longer difficult to understand, but becoming a cultural treasure within reach of children. Through this book, young readers can not only easily learn to memorize Tang poetry, but also feel the warmth and power of Tang poetry from the poet's life experiences, and cultivate a lasting interest in traditional culture.

"Three Caos" refers to Cao Cao, his sons Cao Pi and Cao Zhi during the Three Kingdoms period in Chinese history. Due to their political status and remarkable achievements in literature, they had great influence on the literary world at that time, so they were collectively called the "Three Cao" by later generations; the three of them were also collectively known as the "Three Cao of Jian'an" or the "Three Cao and the Seven Sons of Jian'an" together with the "Seven Sons of Jian'an" at the same time. This book is a collection of three famous poems by Cao Cao.

Bao Zhao was a famous writer and poet in the Southern Song Dynasty. His poems had neat counterpoints and gorgeous diction, and were as refined as picturesque mountains and rivers. Later generations called him "Southern Zhao and Northern Letter" together with Northern Zhou poet Yu Xin. This book is a collection of the best works of Bao and Yu.

The Three Great Masters of Yuanjia are the collective names of the three poets Xie Lingyun, Yan Yanzhi and Bao Zhao who were active in the literary world during the Yuanjia period of Emperor Wen of the Southern Song Dynasty. The three people have different literary styles. They respectively created the landscape poetry school, the temple poetry style and the seven-character song style, and jointly promoted the development of poetry art in the Southern Dynasties. Xie Lingyun was born into a prominent Xie family in the Eastern Jin Dynasty. His landscape poems broke the tradition of metaphysical poetry and focused on the description of natural scenery. Yan Yanzhi was an official until Jin Ziguanglu, and his poetry was famous for its dense use of allusions. He was as famous as Xie Lingyun and was known as "Yan Xie". Bao Zhao came from a poor family. He served as King of Linhai and joined the army. He was good at composing Yuefu poems and innovating the rhyme structure of seven-character poems. He was later killed due to involvement in a rebellion. He was a famous writer and poet with high achievements. This book is a collection of poems by three people.

This book selects thirty-six ancient poems about flowers and pastoral poetry, and integrates culture, customs, folk customs, etc. Into the poems for appreciation. It is accompanied by a large number of exquisite pictures to show the style and charm of flowers written by literati and poets, express the unique beauty of flowers, and popularize basic knowledge about flowers, allowing readers to understand the knowledge about flowers and the charm of Chinese flower culture.

"Three Hundred Tang Poems" is the most widely circulated anthology of Tang poems in the past two hundred years. Many people have taken it as an enlightenment reading since childhood. Its influence is far greater than other anthologies of Tang poetry. This anthology has such popularity because it can more accurately and generally reflect the overall development of poetry in the Tang Dynasty. This collection of poems is divided into eight volumes according to the genre of poetry, and each volume contains different numbers of poems. And many poets wrote not only ancient poems, but also Yuefu, rhyme or quatrains. We can focus on the poet and read the works of a certain poet to see what he wrote and how he wrote it. Each poem is carefully annotated and accompanied by a concise commentary. In the "Author Introduction" section, a short biography is also written for each poet, briefly introducing the author's life and creative style. Use the words in "Author Introduction", "Comments" and "Analysis" to understand the meaning of each line of the poem, and then grasp the ideological content of the entire poem, and closely combine it with the test points of the high school entrance examination.

This book is a classical poetry reading book targeting children aged 6 to 12 years old. It has columns such as author introduction, creative background, original phonetic text, word appreciation, animation class, memory map, etc. It also adds music reading and recitation assessment systems, which can automatically generate learning reports to help parents promptly grasp their children's understanding and mastery of the content, determine whether their children have achieved their learning goals, and achieve intelligent online and offline interactions. The book is highly practical and its format is designed with full consideration of the learning characteristics of children. Among them, interesting animations help understanding, memory maps help memorization, reading audios help recitation, full-color and full explanations help aesthetic education, and memorization assessments help improve abilities. It fully reflects that technology empowers education and improves learning effects.

Han Yuefu hymns are poems collected by the Yuefu official office established by the rulers of the Han Dynasty, and their contents reflect the social life at that time. In addition to recording production and life, they also exposed the cruelty of the ruling class and the cruelty of war, and praised true love and friendship. These poems have simple language, catchy words, rich emotions, and strong narrative. They are an important part of the history of ancient Chinese poetry.

Xie Lingyun was a famous poet in the Southern and Northern Dynasties. His literary achievement lies in landscape poetry. Beginning with Xie Lingyun, "landscape poetry" has become a major genre of Chinese literature. This book is a collection of selected works.

Tao Yuanming's poems are simple in style, elegant in language, and do not pursue gorgeous rhetoric. As Zhu Xi commented, "Everyone says that Tao Yuanming's poems are mediocre." There are 125 Tao poems in existence today, among which the five-character poems are the most outstanding. This book is a collection of selected works.

When vernacular meets ancient poetry, you enter the world of beautiful and romantic poetry. Ancient poetry is the essence and precious treasure of traditional Chinese culture. Starting from the "Ode to Fengya" in "The Book of Songs", we have experienced the character of Han and Wei Dynasties, the atmosphere of Tang poetry, the charming lyrics of Song Dynasty, the romantic poetry of Yuan Dynasty, as well as the theory of poetry of Ming Dynasty and the emotion of Qing poetry... These ancient poems not only contain the warmth of human nature, but also carry the beauty of the Orient for thousands of years in words.

Prisoners of History dismantles Xin Qiji's poems with full-on cute comics and hilarious historical stories! It's easy to understand and makes the poems in the textbook "come alive"! This book provides a complete picture of Xin Qiji's life and understands his patriotic emotions and graceful heart. As a doctor of history, the author is good at telling historical stories in a vivid way, and his words are lively and humorous. This book restores a lively and interesting Xin Qiji, allowing his poems to be reproduced in a modern context, breaking the reading barrier of ancient Chinese and making it easier to understand and recite. ... Why must we read Xin Qiji? In the Chinese literary world, there are several people who have their own halo and idol qualities. One is Li Bai from Sichuan, one is Su Shi from Sichuan, and the other is Xin Qiji from Shandong. Xin Qiji is a person worthy of our admiration. His most important background in life is passion and patriotism. His works are full of concerns about the rise and fall of the country, the destiny of the nation, and the pursuit of personal ideals and ambitions. His style of writing is bold and passionate. Its joyful grudges keep us ignited and guided in our ordinary life. Xin Qiji's poems are a true portrayal of his life's emotions and ideals, sometimes bold and passionate, sometimes affectionate. This book uses vivid historical stories, lively and humorous writing, and a combination of comics and text to tell the life of Xin Qiji, who had a true understanding of true feelings and was not afraid of taking the wrong path, and interprets Xin Qiji's important poetic creations in the context of the story.

This book selects thirty-six ancient poems about flowers, and integrates culture, customs, folk customs, etc. Into the poetry appreciation, showing the style and charm of flowers written by literati and poets, expressing the unique beauty of flowers, and popularizing basic knowledge about flowers, allowing readers to understand the knowledge about flowers and the charm of Chinese flower culture.

This book selects thirty-six ancient poems about flowers and pastoral poetry, and integrates culture, customs, folk customs, etc. Into the poems for appreciation. It is accompanied by a large number of exquisite pictures to show the style and charm of flowers written by literati and poets, express the unique beauty of flowers, and popularize basic knowledge about flowers, allowing readers to understand the knowledge about flowers and the charm of Chinese flower culture.

"Chu Ci" is a collection of works by Chu poet Qu Yuan and his disciples such as Song Yu, Jing Chai, Jia Yi and others during the Warring States Period. When he became emperor in the Western Han Dynasty, Liu Xiang compiled ancient books and compiled their works into a book called "Chu Ci". From then on, "Chu Ci" became the name of a collection. This is the first personal monograph collection of poems in the history of our country, and is listed as the two major sources of Chinese poetry along with the Book of Songs. Qu Yuan has the largest number of works in "Chu Ci", and the most representative works are Qu Yuan's "Li Sao", "Nine Songs", "Heavenly Questions", etc. Song Yu's "Nine Debates" is also a work that has a great influence on later generations. "Selected Songs of Chu" selects the representative works of Qu Yuan and Song Yu. The annotations are concise and the translation is clear, making it suitable for general readers.

Wang Wei, also known as Mojie, was a poet and painter of the Tang Dynasty. Wang Wei not only studied Zen and learned Taoism, he was also proficient in poetry, calligraphy, painting, music, etc. The name of the poem flourished in the Kaiyuan and Tianbao years, especially in five words. Most of his poems praise landscapes and pastoral areas. Together with Meng Haoran, he is known as "Wang Meng" and is known as the "Poetry Buddha". His calligraphy and painting were so exquisite that later generations regarded him as the "ancestor of Nanzong landscape painting". Wang Wei is a representative of pastoral landscape poetry in the prosperous Tang Dynasty. His poems are "elegant in words, new and comfortable in meaning, pearls in the spring, and painted on the wall. Every word and every sentence is out of the ordinary." He has been praised by all generations and has had a profound influence on future generations. This book is condensed on the basis of the "Collection and Annotations of Wang Wei" by researcher Chen Tiemin, an expert on Wang Wei. The annotations are detailed and clear, making it a good popular reading book.

Wang Guowei once said that every generation has its own literature, such as the poetry of Chu, the poetry of Han, the parallelism of the Six Dynasties, the poetry of Tang, the lyrics of Song, and the music of Yuan. As a representative of the literature of the Yuan Dynasty, Yuan Opera includes two parts: Zaju and Sanqu. The subject matter of Sanqu in the Yuan Dynasty is diverse and broad, with a mixture of elegance and vulgarity, beauty and ugliness, and the works that focus on retreat from the world and secular tastes best reflect the characteristics of its content; the language is popular and simple, close to spoken language, and it is the most natural literature with natural qualities. This book selects 318 Sanqu from the Yuan Dynasty, including both suites and small songs, with diverse themes and styles. The annotations are clear, rigorous and accurate. By reading this compilation, one can get a glimpse of the whole Sanqu of the Yuan Dynasty and appreciate the style of "quweier".

This book picks out the best poems about Luoyang in the past dynasties and extracts 106 excellent works by 79 poets, from Zhou to Yuan and Ming dynasties, highlighting the themes of nature and humanities. The poems are brilliant and popular throughout the ages. Because of his poetic mind and insight, he can understand the subtle details of the text and gain deep samadhi.

The poetry of the Liang Dynasty is beautiful and diverse. The prosperity of the palace style poetry, the new changes in frontier fortresses and landscapes, the criticism of ethical priorities, and the beauty of form all constitute the specific historical status of the poetry of the Liang Dynasty. Usually, Qi and Liang poems are reviewed together. Shen Deqian integrated the style, rhythm, and poetry into a unified system by selecting and commenting on Qi and Liang poems: affirming the innovation of rhythm and criticizing Qi Mi's style of writing; he praised Xie Tiao and He Xun's "Qing Qi" and denounced Xiao Gang and Xu Ling's "obscene beauty", thus constructing a "retrospective Ming Dao" poetic path. Qi and Liang poems were also preserved in the long history due to Shen Deqian's selection, and there are no more scattered anecdotes. It has been passed down to this day and has become a precious historical material.

"The Essence of Nalan Rongruo's Ci" contains several classic poems by Nalan Rongruo, a famous poet in the Qing Dynasty. Among them are "Golden Thread Song: Thoughts on the Anniversary of the Wife's Death", "Qinyuan Chun: Mourning for the Death", "Breaking Through the Sands of Huanxi" and "Green Shirt Wet All over - Mourning for the Death" written by him in memory of his late wife Lu. These poems are sincere and sincere, and are known as models of mourning poems. In addition, this collection also collects excellent works such as "Long Love", which reflects the poet's homesickness while traveling, "Huanxisha·Outing Couplet" and "Huanxisha·Send a Friend to Yansun", which are sung with friends, as well as "Jiangchengzi·Ode to History" and "Taicheng Road·Washing Table Nostalgic for the Past". Through these poems of different styles, readers can appreciate the depth and elegance, elegance and desolation, glitz and loneliness of Nalan Rongruo's words, and feel the various aspects of life and emotional ups and downs in his writings, as well as his unique temperament and charm as an aristocratic poet. The waves wash away the sand for hundreds of years, and everything will eventually become immortal.

Qi Poems mainly includes poems from the Qi Dynasty in the Southern Dynasties. For Qi poetry, Shen Deqian's criterion for selecting poems is still to implement his "style theory". He believes that compared with the previous dynasties, the style of Qi Dynasty poetry gradually tends to be "Qiyi" (gorgeous and complex) and "Qingyan" (frivolous and showy). Despite this, he still believes that these poems are one of the sources of Tang poetry and an indispensable part of understanding the development of poetry. In the Qi poetry selection, the most prominent and famous poet, who was considered by Shen Deqian to be "unique in his generation", was Xie Tiao. His poetry style was fresh and beautiful, and he was especially good at describing landscapes, which had a profound influence on the development of landscape poetry in later generations. When reading this article, you can focus on Xie Gong's poems.

The Sui Dynasty, which began in 581 AD and ended in 618 AD, was an important transitional period in Chinese history that succeeded the Southern and Northern Dynasties and ushered in the Tang Dynasty. In the history of poetry, the poetry of the Sui Dynasty is also a link between the past and the future. It not only carries the legacy of the poetry of the late Southern and Northern Dynasties, but also heralds the rise of Tang poetry. Shen Deqian's original intention in compiling "Origins of Ancient Poetry" was precisely to trace back to the "source" of Tang poetry - he believed that Tang poetry did not come out of thin air, but had its own long development path. Therefore, Sui poetry, as the eve of Tang poetry, occupies a key position in the original version of "The Source of Ancient Poetry". Xue Daoheng, Yang Guang, Wang Zhou and Yu Shiji are important representatives in Sui poetry.

Shen Deqian's selection and evaluation of the "Wei Poems" constructs a framework of Cao Wei poetry that is "based on style and teaching of poetry." He affirmed the artistic value of Wei poetry's "quality but not slang, straightness but not wildness" and incorporated it into the Confucian ethical framework. These standards deeply influenced the development of poetics in the Qing Dynasty. From a contemporary perspective, Wei poetry is not only the source of Tang poetry, but also an important source of "realism" and "humanistic spirit" in Chinese poetry. Its value goes beyond Shen Deqian's own comments and is an important hub for understanding the tradition of Chinese poetry. In a word, Wei poetry has completed the transformation of five-character poetry from narrative to lyrical poetry, and has an important status.

Shen Deqian built a poetry pedigree with "character as the foundation and poetry as the teaching" by selecting and commenting on the poetry of the Southern Dynasty and Song Dynasty. From a contemporary perspective, Song poetry is not only the source of Tang poetry, but also an important source of natural aesthetics and social criticism of Chinese poetry, and its aesthetic influence is far-reaching. "Tang poems are implicit, while Song poems are explicit; implicit means the rhyme is beyond the meaning, and revealing means the meaning is in the words." Shen believes that compared with later Tang poetry, Song poetry is more straightforward in emotional expression and emphasizes "the meaning is in the words." The appreciation is beyond words.

This book is a collection of essays on classical poetry written by Mr. Yin Changlong. The classic poetry of the Tang and Song Dynasties wanders in his writing, and the sensibility of the literati and the rigor of the scholar, as well as the modern stance and classical feelings, are all well integrated into it. The book is divided into ten parts, focusing on aspects such as seasons, geography, cities, literature and history, life, humanities, life, temperament, women, poets, etc. Such classification may not have academic considerations, but it is convenient for readers to review. In each part, the author selects a poem or several related poems, uses about 2,000 words of text, combines with real situations and feelings, and goes deep into the souls of the ancients to explore what the ancients thought. Classical poems and life situations are in harmony.

This book is an important achievement of Professor Zhao Minli's many years of research on Han Dynasty poetry. "Song poetry" refers to poetry that can be sung. In early China, poetry and music were integrated, and songs were accompanied by music. This was the basic form of early Chinese poetry. Later, poetry and music gradually separated, and only then did poetry have an independent form of poetic language separated from music. Since the Han Dynasty, it has become two different poetry schools and developed in parallel. The author creatively applies the theory of artistic production to the study of ancient Chinese poetry, combined with the changes in the Yuefu system in the Han Dynasty, to systematically explore the evolution of the special artistic form of "poetry" in the Han Dynasty, revealing its complex generation mechanism, rich content, unique artistic expression, and its special status and huge influence in the history of Chinese poetry.

Tang poetry is not only the peak of the development of Chinese classical poetry, but also exerts a sustained and far-reaching influence in East Asian countries, especially Japan. This book conducts research on the text form of Japanese Tang poetry documents, and collects, authenticates and proofreads the precious Tang poetry documents collected in Japan. It mainly starts from three aspects: the first is the study of the text of the old banknote version of "Bai's Collected Works"; the second is the examination of the text form and musical attributes of "New Yuefu" and so on; the third is the lost collection of Sui and Tang Yi poems found in Japan and the identification of forgeries. Through these three special studies, new materials on Tang poetry discovered in recent years and new conclusions obtained by using new methods are presented to the academic world.

This book draws on the theories and research ideas of Western reception aesthetics to comprehensively sort out and discuss readers' acceptance, theoretical interpretation, and effects and influences of Wang Wei's poems and paintings in the Tang, Song, Jin, and Yuan dynasties. It reveals the outstanding characteristics of Wang Wei's poems and paintings, and establishes the influence and status of Wang Wei's poems and paintings in the history of the reception of Tang poetry and the development of literati paintings. It can be seen that the reception effect of Wang Wei's poems and paintings is closely related to factors such as social and political conditions, the aesthetic fashion of the times, readers' expectations and acceptance psychology, and the development and evolution of the poetry and painting art itself.

This book is a poetry appreciation book written by Professor Li Dingguang, the academic director of CCTV's "Chinese Poetry Conference". The book selects approximately 600 classic poems from the ten seasons of the program, each of which is accurately annotated and deeply appreciated by Professor Li Dingguang. The content covers poetry, lyrics, and music, arranged chronologically according to the time of creation, and indexed by popular famous sentences, with a clear system. This book not only provides readers with accurate text, pronunciation and background knowledge, corrects many popular fallacies, but also focuses on improving readers' aesthetic appreciation ability. It is an essential guide for learning and reading famous Chinese poems.

This book selects 300 poems by Du Fu in various styles, integrates the essence of Du Fu's annotations in the past dynasties, absorbs the achievements of today's treatment of Du Fu, strives for new ideas, and makes clear statements. Taking Chinese classical poetry as the foothold and Western modern poetics as the frame of reference, the art of Du Shi's poetry is evaluated. In the intertextual context and comparative perspective, it enriches our feelings and understanding of Du's poetry, and proves that people's hearts are the same in modern and ancient times, and that Chinese and Western literature and theory are the same.

This book is a poetry appreciation book written by Professor Li Dingguang, the academic director of CCTV's "Chinese Poetry Conference". The book selects approximately 600 classic poems from the ten seasons of the program, each of which is accurately annotated and deeply appreciated by Professor Li Dingguang. The content covers poetry, lyrics, and music, arranged chronologically according to the time of creation, and indexed by popular famous sentences, with a clear system. This book not only provides readers with accurate text, pronunciation and background knowledge, corrects many popular fallacies, but also focuses on improving readers' aesthetic appreciation ability. It is an essential guide for learning and reading famous Chinese poems.

This book is a poetry appreciation book written by Professor Li Dingguang, the academic director of CCTV's "Chinese Poetry Conference". The book selects approximately 600 classic poems from the ten seasons of the program, each of which is accurately annotated and deeply appreciated by Professor Li Dingguang. The content covers poetry, lyrics, and music, arranged chronologically according to the time of creation, and indexed by popular famous sentences, with a clear system. This book not only provides readers with accurate text, pronunciation and background knowledge, corrects many popular fallacies, but also focuses on improving readers' aesthetic appreciation ability. It is an essential guide for learning and reading famous Chinese poems.

The Song Dynasty was a critical period for establishing Tang poetry, and Song Poetry is the main carrier for discussing Tang poetry. This book focuses on the specific relationship between Song Shihua and Tang poetics. It uses statistics, induction, text reading, reception aesthetics and other methods to carefully outline relevant historical materials. It constructs the Tang poetic system in Song Shihua from five aspects: nature, category, genre, poetic method, and writer. It explores the basic connotation of Tang poetics and specifically explains the specific contribution and performance of Song Shihua to the study of Tang poetry. It is of enlightening significance for further understanding the status of Song Shihua in the history of Tang poetics and the study of modern Tang poetry.

The selection of Jin poems is based on the purpose of "tracing the origins of Tang style and identifying changes in styles", systematically combing the development of poetry from the Western Jin Dynasty to the Eastern Jin Dynasty. It not only presents the gorgeous carvings of "Taikang Style" and the philosophical speculation of "Xuanyan Poetry", but also conveys its literary concepts of style-based and poetic education through sharp comments. Shen Deqian's anthology is an edition that is difficult to surpass among all the anthologies of the past. The blending of philosophy and landscape, the contradiction between rational interest and temperament, and the poeticization of reclusive spirit have far-reaching sustenance. Shen Deqian himself commented that the expansion of themes "laid the foundation for the overall prosperity of Tang poetry." The importance of Jin poetry is self-evident.

"Han Poems" selected by Shen Deqian aims at "tracing the roots of Tang poetry" and systematically combs the development of poetry in the Han Dynasty. It not only presents the dual peaks of "Yuefu narrative" and "literati lyricism", but also conveys his literary concept of "poetry as the foundation and style as the sect" through comments. The political lyricism of emperors and heroes, the political and religious function of court poetry, the social picture of Yuefu poetry, the artistic breakthroughs of literati's five-character poetry and narrative poetry, and the true records of folk suffering are all presented in extremely rich ways.

This is a selected poem by Shen Deqian, a cultural giant who was a poet, poetic critic, and chronicler in the mid-Qing Dynasty. "Guyi" is the opening chapter of the selected poem, which focuses on the original form of poetry before the Tang Dynasty. It mainly includes four categories: ancient ballads, inscriptions and proverbs from the Zhou Dynasty, lyric poems from the Spring and Autumn Period and the Warring States Period, and poems from myths and legends. Mythological elements, political elements, the spiritual dilemma of working people, and the poet's concern for people's livelihood are all reflected in "Gu Yi". Reading it today, it is still catchy.

Shen Deqian's "Chen Poetry" section tries to include the works of major Chen poets in the Southern Dynasties, and more comprehensively demonstrates the characteristics of the poetic style of this period that tended to be extravagant and gaudy. Although Shen had reservations about this style of judgment, he still regarded it as an important link in the development chain of poetry and believed that it was helpful in understanding the evolution of poetry before the rise of Tang poetry. The poets Xu Ling and Yu Xin can be read carefully. The poetry of the Northern Wei Dynasty mainly embodies simplicity and vigor, loyalty, filial piety, justice, and the collision of grassland culture and Central Plains culture. The "Poetry of Mulan" that readers are familiar with is one of the best works.

Shen Deqian selected Northern Qi poetry in order to present the diversity and regional differences in the development of poetry during the Southern and Northern Dynasties. He believes that although the poetry of the Northern Dynasties is not as delicate and refined as the poetry of the Southern Dynasty, it has its own unique simple style, which is indispensable for tracing the origin of poetry and understanding the evolution of poetry style. At the same time, he may also intend to show how poets in the Northern Dynasties carried out literary creation in a relatively harsh environment. The poems of Wen Zisheng, Xu Ling, Lu Sidao and Yang Min are all collected in high quality. They were the most important poets at that time and you can focus on reading them. Northern Zhou poetry is actually an independent volume, and Shen Deqian's starting point for selecting and editing it is also to present the overall picture of poetry in the Southern and Northern Dynasties more completely. Wang Bao and Qu Zizhi are important representatives.

Young poet and writer Li Rangmei's new masterpiece! Between the two ends of life and poetry, we can truly see Wang Wei. "Red beans grow in the south, and when spring comes, they will sprout a few branches." "Walking to a waterless place, sitting and watching the clouds rise." Wang Wei is a great poet who we have read and recited since childhood, but if we think about it carefully, we still can't seem to say what is good about his poems. And Wang Wei himself seems to be solidified in the image of a young man from an aristocratic family, a beautiful young man, good at playing the pipa, "paintings in poems, poems in paintings", poetry and Buddha... Behind the labels, what is the real Wang Wei like? Li Rangmei, a young writer and poet, uses his rich and solid education, insight and keen perception to unfold the exquisite world of "Wang Wei" in fifteen essays, step by step analyzing Wang Wei's life, times, relatives, Buddhism, music, painting, poetry, etc., Breaking away from the existing labels, truly understanding Wang Wei as a person and his poems, and understanding Wang Wei's helplessness, struggle, and his ultimate freedom in facing difficulties.

Tiantai Mountain (tiān tāi shān) is located in the north of Tiantai County, Zhejiang Province, China. It has been a famous mountain since ancient times and is favored by practitioners. By sorting out the poems related to Tiantai Mountain in "The Complete Poems of the Tang Dynasty", the author found that there are more than 400 poems by more than 150 poets involving this mountain. The authors of the poems have either been there personally, such as Meng Haoran, Li Bai, Yuan Zhen, etc., Or they have been famous for their poems, such as Li Qiao, Zhang Shuo, Du Fu and others. This book explores the reasons why literati in the Tang Dynasty loved Tiantai Mountain, and sorts out Tang poems involving humanistic and natural images of Tiantai Mountain.

Su Dongpo has always been one of the Chinese people's favorite literati. From "Nian Nujiao" to "Shui Diao Ge Tou" to "Ding Feng Bo" and so on, his wonderful lyrics have been recited by people. This book selects more than a hundred of Dongpo's poems, allowing readers to once again appreciate the pride, meditation, joy, tranquility, sadness and sighs of this "student and heavenly man". This book has word selection, annotations, and detailed interpretation comments. The book's word selection is comprehensive and thoughtful, the annotations are clear and easy to understand, the literature is rich and solid, and the interpretation is exquisite and appropriate; the preface briefly and concisely introduces Su Shi's basic life and poetry creation, allowing readers to have a concise understanding of Su Shi's poetry.

The author of this book provides a systematic and popular modern interpretation of Tang poetry, a treasure of traditional Chinese culture, from a professional standpoint and a humanistic perspective: he outlines the basic development of Tang poetry, introduces important poets and major schools in the history of Tang poetry development, analyzes the overall artistic characteristics of Tang poetry, and appreciates the famous Tang poetry that has been recited through the ages. It involves more than 100 poets of the Tang Dynasty and nearly 500 works. It can be regarded as a concise collection of the development history of Tang poetry, the history of Tang poetry art and the appreciation of Tang poetry. This book is compiled from TV speeches. It has a unique style, vivid and humorous language, and is suitable for both refined and popular tastes. It is suitable for reading and collecting by friends from all walks of life who love Tang poetry. It can be used as a teaching reference book for universities, middle schools and primary schools.

The book takes "Three Hundred Poems" and "Three Hundred Tang Poems" as examples. It is an appreciation collection of Bayu poetry. In order from ancient times to the present, from pre-Qin to modern times, it selects and includes 300 works in the history of Bayu poetry. They are works created by historical celebrities from Chongqing and overseas when they were in the Bayu area. These works cover multiple fields and present themes related to Chongqing in different eras in an all-round and multi-dimensional way. These poems are full of literary talent, lively and interesting, and have strong appeal and appeal. The works included in the book are mainly literati poems, with a moderate amount of folk songs. The poets and works included are representative and reputable. Each poem is followed by a brief introduction of the poet and detailed notes on the poem. The detailed notes mainly include word notes, word explanations, sentence explanations and couplets. The annotations in the book have been verified by many versions, and the interpretation is accurate. The whole book has high academic and literary value.

This book is compiled from the lecture notes on ancient poetry taught by Mr. Qi Gong at Beijing Normal University, and is divided into upper and lower parts. The first part is Mr. Qi Gong's explanation of Tang Dynasty poetry. With his profound literary and historical literacy and plain and clear language, he sorted out the development of poetry in the Tang Dynasty, deeply analyzed the stylistic characteristics of poetry in the early Tang, prosperous Tang, and late Tang periods, and made unique comments on the characteristics of the works of representative poets such as Li Bai and Du Fu, which were profound and inspiring. The second volume contains 58 lyrics by 26 people from the Tang and Song dynasties selected by Mr. Qi Gong, supplemented by relevant historical facts and poetic materials for annotation and explanation. Mr. Qigong has a unique vision for the selection of words, and his annotations are concise and concise, which helps readers to understand the original words more thoroughly and appreciate his scholarship.

Due to its exemplary significance in terms of ideological connotation and artistic form, Du Fu's poetry has been widely welcomed by readers of all levels since the Song Dynasty, and has also aroused great interest among annotators and researchers. Many of his annotations have had a wide impact on ordinary readers. The compilation and selection of this book refers to the annotated editions of the Qing Dynasty and modern times. The selection strives to include Du Fu's most widely read and representative famous works. The annotations are relatively simple, but also strive to be reliable and reliable, which will help readers understand the original works. Among the selected and annotated volumes, "Selected Poems of Du Fu" by Feng Zhi, Pu Jiangqing and others, and "Selected Annotations of Du Fu's Poems" by Mr. Xiao Difei have had a great influence. This book refers to these annotated editions, and absorbs modern and contemporary achievements in the selection of chapters and annotations, not only explaining the original work, but also clarifying its own meaning.

Tang poetry is a monument in the history of Chinese classical poetry, attracting generations of readers for thousands of years. "Three Hundred Tang Poems" compiled by Sun Zhu (a retired scholar from Hengtang) in the Qing Dynasty was widely praised by readers because most of the selected poems were well-known poems. This book is an annotated version, and the annotations are collectively completed by senior comrades in the editorial department. It adopts the "simple annotation" method, focusing on concise annotations of difficult words to eliminate reading obstacles for ordinary readers. It has a detailed introduction to the poetry author, which is helpful for understanding his poetry works. The manuscript has an excellent manuscript and accurate annotations. It is a popular book suitable for the general public.

Ci, which emerged in the Tang Dynasty and flourished in the Song Dynasty, is a new style of lyric poetry that can be sung with music. It is a literary style that is loved by people and is also a representative style of Song Dynasty literature. Selected editions of Song poetry existed in the Song Dynasty. However, the most influential one is "Three Hundred Song Ci Poems" written in the late Qing Dynasty. The book was written in the late Qing Dynasty. Initially, Zhu Zumou selected 87 poets and 300 poems from many Song poems and compiled it. After several revisions and deletions, it was determined to be 82 poets and 285 poems. This time, different versions of "Three Hundred Song Ci" are compiled into one volume, with 88 poets and 313 poems. Please make brief annotations. The focus is on the explanation of difficult words, explanations of classics, and explanations of poetry and poetry. It absorbs the annotation results of sages and current sages to facilitate readers' use.

The Book of Songs is the earliest extant poetry collection in my country, and contains 305 poems written between the early Western Zhou Dynasty and the mid-Spring and Autumn Period. It is the glorious beginning of Chinese literature and the first peak of classical poetry creation. For thousands of years, the Book of Songs has been regarded as an important classic by Confucianism and has had a profound impact on the culture and education of later generations. This book is annotated by Professor Chu Binjie of the Department of Chinese at Peking University, and selected by Professor Fang Ming of Beijing Language and Culture University. This book selects 152 works from the "Book of Songs", with detailed chanting and detailed explanations of the writing background and theme of each poem, and annotations on important words and key chapters. It is a classic selection of the "Book of Songs".

This picture book is adapted from the original texts of 10 poems in "The Book of Songs: Guofeng", namely: "Guan Ju", "Jian Jia", "A Girl in the Car", "Jing Nu", "Zi Jin", "Han Guang", "Drumming", "Peach Yao", "Out of the East Gate" and "Nv Yue Rooster Crow". They have a common theme - "love", and were created by 10 young illustrators. The authors drew their own "Book of Songs stories" through their own interpretations of the Book of Songs, describing the unrequited love and passionate pursuit before falling in love, the romantic dates and the pain of separation after falling in love, and the daily happiness after marriage... These beautiful feelings and stories can still resonate with us after thousands of years. This book is composed of original poems and texts paired with exquisite storyboard compositions, allowing readers of all ages to learn and feel in the same way, from poetry to painting, which is brilliant! In addition, 10 original text interpretations and creative interviews are added to present the story of the Book of Songs in depth!

Fan Chengda is an important poet in the Southern Song Dynasty. Together with Yang Wanli, Lu You and You Miao, he is known as the four great poets of the Southern Song Dynasty. His poems inherit the realism spirit of the New Yuefu in the mid-late Tang Dynasty, with a fresh style and full of changes. The artistic value of pastoral poetry is particularly outstanding. This book selects more than 320 poems from Fan Chengda's existing 1,900 poems and provides detailed annotations. The poem selection takes into account the various forms and styles of model poems, with detailed annotations and dictionary explanations. Some chapters are also accompanied by the annotator's research on poetry-related issues. This book is one of the resources in our high-quality series "Chinese Classical Literature Reading Series". It was first published in 1959 and revised and reprinted in 1984.