A Beginning and an End

1 逆 Reverse Travel Liang ChanDanmei (BL)494k WordsCompleted 46.1kFavorites66.7kClicks/ch31.3kGifts

Curator note

This book fully meets the "recommended book description" and is more suitable for intensive reading at the beginning, climax and end. The author has also listed the reasons in the text: in the middle and later stages of the story, the main line of the narrative deviated from "looking for clues to cultural relics" and instead focused on exploring the relationship between characters. It might be better if it were written according to the original main line, but the story presented now, I can only say that it is probably the peak of the author's writing power at that time. At least it seems that the author is quite satisfied with the completion of the words. After reading "Wandering Planet" by the same author first and then reading this book, I can feel that the author's ability to build frameworks has improved rapidly in a short period of time. "Wandering Planet" is driven by obstacles, with three stages and multiple climaxes, and the main narrative line is very clear; "Reverse Travel", which was written a few months ago, is much more confusing. It starts with a normal rabbit hole-style advancement mode, and then you think about where it is. There was a long plot in the middle period that I found to be bland and unattractive. However, many mysteries in the early period will inevitably have a climax to be explained in the later period. Therefore, the reading experience in the middle period seemed quite tasteless. It would not be a pity to abandon it if it is tasteless. Next let's talk about the advantages. The author designs a worldview that is not consistent with the real world, but does not deliberately emphasize its mystery and differences. Instead, he focuses on shaping it to be close to reality. This way of writing will make the work more approachable and more realistic, which I find very interesting. In the essay, the author also mentioned "□□□□" by □□□□, but I think that although the two are both fantasy works, their cores are different: □□□□ emphasizes the mystery and power of special institutions (organizations), while "Reverse Travel" emphasizes the sense of reality and grassroots of special institutions (organizations). Corresponding to the world view, the author often designs cross-server chat conversations between characters, which also makes the characters more real and natural. The writing style is described in terms of taste. I think it is like a mint candy. It feels light at first, but it has a kind of magic that attracts people to read on. At the same time, some people do not like the taste of mint, so they are not even willing to accept the combination of candy and mint. Finally, let's talk about the emotional line. This is the author's advantage. Although the author says that his taste is not good at controlling the sweet and salty ratio, I still think that the author has a very solid foundation in "integrating the emotional line into the plot line and using the plot line to assist the emotional line." When I watch the emotional flow, I don't like the plot line to hinder the advancement of the relationship, and when I watch the plot flow, I don't like the emotional line to disrupt the development of the plot, but the author's approach perfectly avoids these two points. The relationship between the two protagonists in this book develops along the lines of "the desire of the soul is the prophet of destiny". First, there is physical love, then they work together, and then they fall intellectually. It can be regarded as another type of marriage first, love later (hey). What must be said in particular is that the author is very good at describing the emotional progression bit by bit. The relationship between the two gradually deepens and is very delicate. After reading it, I feel that even if I don't criticize this couple, I have to admit that they are really destined to be together. In short, there are many improvements in this book, but the good news is that these have been seen in the author's new book a few months later, and the already good aspects have been further developed in the new book. This can be regarded as a "reverse journey" for me to witness the author's youthful past (laughing).

2 [ [Concave-Convex World] the Bright Moon Shines on Me Beichuan Is WarmRomance108k WordsCompleted 1.2kFavorites4.1kClicks/ch21Gifts

Curator note

This collection of Otome's short stories can be used as a refreshment for reading "Study Stories from the Otome World" by the same author. I personally like the first twenty chapters more. The author's work lives up to its name, the writing is gentle, and the characters are also gentle. I remember that the author once said many years ago that he used this pen name in the hope that his stories could bring warmth to people, and he has indeed achieved this. I think this is a very magical magic: Kitagawa Younuan's writing is as familiar and cordial as a neighbor's playmate. Every story you read gives you the feeling of being surrounded by happiness. You forget all the disputes and disputes. You don't need to judge at all. Just feel this atmosphere. It completely describes the meaning of the original birth of the otome genre: to tell you that you are worthy of being loved and that you are loved. The world is so beautiful, and the person who loves you and the person you love happen to be the same.

3 咱 Are We Exes? Candle FiveDanmei (BL)84k WordsCompleted 4.9kFavorites5.5kClicks/ch2.9kGifts

Curator note

[This book is from a dual perspective, and the author's classification setting incorrectly selected it as main and recipient (recipient's perspective). But the focus of the narrative is indeed feeling. The emotional novel adopts the shell of a criminal investigation background, and the usual sense of ex-partners getting back together is written, and it is well executed. There were battle damage situations, and I came here because of the battle damage. I have a strange insistence on reading love-oriented novels. The character must first be established and basically shaped, and then I can get into the emotional line (or feel the emotional atmosphere of the two people and understand the basis of the relationship). This book gave me the feeling that the author was so familiar with the characters that the two of them got on the bumper car before even setting up the characters. It gave me a subtle feeling like two strangers next to me suddenly applauding when I was studying in the library. This kind of writing is common among fans. Although this book is not a fan, considering that the author also said that it is a product of self-interest, it is understandable. There are quite a lot of battle damage scenes, but they didn't reach the point where I enjoyed them. I accidentally searched for this book from the "Sick but Not Weak, Beautiful, Strong and Miserable" book list. However, the relevant descriptions in the book did not give me a clear sense of "sick/war-damaged but not weak". The writing was not exciting enough, that is, there was insufficient tension. It may also be because the whole book is in the sour atmosphere often found in emotional novels, and the sense of war damage is weakened as a modifier. I originally planned to get the "Fleeting Cloud", but after thinking about the battle damage in the book, I decided to get it here.

4 沉 Silent Skylark Heng ShiRomance20k WordsCompleted 795Favorites1.3kClicks/ch680Gifts

Curator note

It is a suspenseful short story, and the first person begins to be wary of the subsequent ending. Sure enough, it can allow a reasoning fool like me to guess the development of the plot. The reasoning difficulty of this book is not too high. The writing style is unified, but a little dull in the middle. It is essentially a book in another completed novel by the author. But I read this one first, and it did not affect the perception. By the way, I like both the Chinese and English titles and the cover of this book.

5 [ [Sultan's Game] If I Throw Myself into the Fire Lemon DropMulti-Orientation38k WordsCompleted 817Favorites928Clicks/ch506Gifts

Curator note

I have never played "Sultan's Game", I have only watched some live gameplay. I'm not sure whether the portrayal of other characters fits the original work, but I can only feel that the portrayal of Sudan hasn't deviated too much. I actually read this book to satisfy my sudden illness and wanted to take a bite of the King's XP. I didn't read the plot and emotions in detail, and only briefly watched the Sudan-related clips.

6 奸 The Traitor Account Is Dead, I Will Reopen It [Rebirth] Riding a Whale SouthDanmei (BL)1.5M WordsOngoing 112kFavorites119.7kClicks/ch331.2kGifts

Curator note

In a novel about rebirth and upgrading, the career line is more brilliant than the emotional line. The author is more comfortable writing the protagonist, but he still relies on interspersed memories to shape the characters and provide information, and the memory plot in this article somewhat interrupts the narrative rhythm, which is not as natural as the author's "Don't Pick Up Your Boyfriend in the Trash Can". The emotional line does not have the level and emotional tension that Shura Field should have at all. Several supporting characters have no distinction between the emotional performance of the protagonist. The way they appear is to queue up like clocking in to work. The occasional gatherings do not reflect the emotional difference. They are more like NPCs who provide auxiliary gifts to the career line. Due to the author's need to be realistic, the supporting characters' roles in Shoshou Festival appear to be vain and idealistic, and the characters are all common templates, with nothing new. Although the recollection of the episode did not reach the level of thumping and stomachache, it was too frequent. The character design of the protagonist Gong is not particularly outstanding. The emotional interaction between Gong and Shou gives way to the career line. The main content is that the protagonist Shou shines. The BOSS is a classic dull and ruthless old emperor, with a fixed template setting and ending, which is expected but not amazing. In terms of plot, the Machiavellian scenes are worth mentioning. There is no overly rigid golden finger, only the smoothness of watching a fish enter the water. The several plots of solving crimes and plots were brilliantly written, leaving many impressions. In addition, I have rarely seen the writing method of the time traveler and the original owner fighting monsters and upgrading together, so it was refreshing when I read this book.

7 进 The Evil God Who Keeps Getting Sent to Prison When the Lips Are Gone, the Teeth Grow Cold0Danmei (BL)1.2M WordsCompleted 31.7kFavorites22.4kClicks/ch99.8kGifts

Curator note

Does the exorcist master also have a "Book of Evil Gods" that can evolve his own extraordinary abilities? The kind that can be superimposed and evolved every time he writes a web article? The unique elements of the previous work will be randomly superimposed in the next book like Easter eggs. It is really like "old friends are resurrected one after another, like mushrooms after a rain." The same is true for the book "The Evil God". The ingenious ideas and elements in "The Blood Tribe", "The Silent Gentleman" and "The Mystic" are repeated many times in the book. The difference is that compared to the previous book, which "presents the story that the author wants to express", this book has a lot more "presents the story that the reader wants to see". It is considered a good commercial work. Of course, the author's XP is still well known to everyone on the road. After reading the previous books and reading this one, I can't help but sigh that the master has not changed his mind since he wrote the article ten years ago, and still can't forget the white hair, the mask and the abolitionist movement! The author seems to have a special liking for themes such as building a grand world view based on real history and giving the story mystery from the perspective of a mysterious and powerful organization. To be honest, I was surprised that this book chose the mysterious genre as its topic. Mystery style is an emerging genre in recent years, and all books within the genre will inevitably be shadowed, looking up to the shadow of its pioneering work "□□□□". This phenomenon exists objectively and is not dependent on human will. Many of the settings, descriptions, and even word preferences at the beginning of this book also remind me of that book. I think the author must have read it and was influenced to a certain extent when writing the book. However, I am also very happy that this book got rid of the shackles of shadow in the middle and late stages, and wrote a story that is full of appeal, pictures, passion and touching. The theme of "The Evil God" is "revolution", and the character configuration is "behind-the-scenes protagonist + growing supporting role". The plot line and the emotional line run in parallel, each with a clear context. The author's writing skills and application ability are also improved compared to the previous work, and the look and feel is more relaxed and natural, making it very comfortable to read. I think "The Mystic" is my favorite of the author's completed novels, and it is also the pinnacle of the novels that generate power for everyone's love (yes, although this book is a paid work, it is obvious that the author's XP expression content is higher than the commercial expression content); and "The Evil God" is a commercial work that combines the advantages of "The Mystic". The setting and shaping of many characters are in line with the templates that a commercial work should have. In other words, this book is more "good" in terms of setting, but more mature in terms of expression. The final effect is: in the early stages of the story, readers will feel that this book is a template theme, template characters, and template plot. As the main line continues to advance, readers will feel the charm of this book and become deeply immersed in it. In addition, the author's ability to write emotional lines and render emotions has been enhanced again. No one can say "I can't relate" after reading the entire book. Regardless of the situation, let's just say whether this pair is true or not! So true! Flaws: 1. Perhaps it was because the book had just been finished when I read it, and the author had not yet had time to revise the text. The number of typos was much higher than in the previous text, which made me exhausted; 2. When the author says "the early data of this book is very poor", does this include comments in paragraphs and comments that belittle the protagonist, ridicule the supporting characters, dislike others, provide guidance on writing, etc.? When I posted a comment, it was as if I was receiving supplies for a blacklist, and I couldn't hold back.

8 灵 Soul Wanderer [Quick Travel] Heyin TowerDanmei (BL)333k WordsCompleted 9.2kFavorites21.7kClicks/ch4.2kGifts

Curator note

The setting is pretty good, but the shaping can't keep up. When I read the first chapter, I was still confused as to why it was less than Wanshou, but after reading the first four chapters, I suddenly understood. This book gives me the feeling that the author started writing a proposition composition with a bunch of golden quality settings. The writing is tight and timid without telling the plot direction. He dryly pushes the plot line without mentioning the emotional line. There is almost no time to create a sense of atmosphere and no breathing space for the readers. The result is: the plot line is dry and the emotional line has a blunt transition. The characters of the two protagonists, the changes in the relationship between the characters, and the direction of the plot line are all things that can be roughly grasped by reading the introduction and the first chapter. The difficulty lies in how to write new content in the subsequent chapters to attract readers to read on. The author's courage in designing the plot seems to have faded away after writing the first chapter. The rest of the content just revolves around the known framework, and the writing lacks appeal. However, authors with "clear skeletons but not good at filling in flesh and blood" often make faster and more obvious progress than authors with "full flesh and blood but not good at building skeletons", but they just lack some aura, courage and time. I look forward to seeing the author go further and further on the road of writing, and I hope the author can write better and better.

9 这 I've Contracted This Live Broadcast White Day Porridge, WhiteNo CP303k WordsCompleted 25.3kFavorites38.5kClicks/ch34.6kGifts

Curator note

The author seemed to have made a wish to the devil and sacrificed his other writing skills in exchange for his Dihua-liu writing talent. As soon as he wrote the highlight points (the appearance of the vest, the appearance of the vest, and the disification of the vest), his writing style was astonishing. He had to have a sense of picture and image and a sense of atmosphere and atmosphere. When he wrote non-splendid highlights, his writing style was astonishing to a primary school student. The first sentence of the first paragraph of the first chapter had a language problem of missing the subject. I couldn't hold back. It feels very suitable for the fast-paced text content. When you see the short part, you will automatically relax your nerves and fast forward. When you see the exciting plot, you will read carefully. In this way, all that remains in your mind are the small climax and the big climax. However, when I saw the author reminding me that I was illiterate and had no distinction between income and wealth, my brain instantly played "The Song of Guan Yu" and I was completely relieved. This book has a heavy fantasy background, and Jiang Miaomiao's character is very different from the protagonists of the other two books. Perhaps it is also because the fantasy plot is too deep. This book gave me the feeling that the atmosphere is a bit too atmospheric, and it is just a splicing of fragmented scenes. Although the overall plot is smooth, the plot connection is not natural enough. But fortunately, the author has good control over the rhythm and the length is very short. There is no extreme weakness in the later period like a long novel. Now that we have finished following the author's trilogy of "Majiawen + Dihualiu + Forum Style", let's make some simple comparisons here: Comprehensive perception: "Popularity" > "Manzhen" > "Live Broadcast"; Protagonist creation (comprehensive score): Li Li>You Ling>Jiang Miaomiao; Vest shaping (comprehensive score): Heig > Tourmaline > Jiang Jue; Overall framework/background setting/character logic/emotional portrayal: half a dozen; Picture sense: "Manzhen" > "Live Broadcast" > "Popularity"; Sense of atmosphere: "Manzhen" > "Live Broadcast" > "Popularity"; Fluency: "Manzhen" > "Popularity" > "Live Broadcast"; Naturalness: "Popularity" > "Comic" > "Live Broadcast"; Recommended audience: "Among Popular Role Players" is aimed at readers who prefer "beautiful, strong and miserable" and focuses on "strong with misery, and misery as a foil to the strong"; "I Undertake This Live Broadcast" is aimed at readers who prefer "secondary fantasy" and focuses on "Japanese battle damage and bonds"; "I told you not to take comics seriously!" "Aimed at readers who prefer "evil fun people" and focus on "mysterious, powerful and unknown". The above three books are only suitable for readers who are omnivorous and omnivorous, and they need to pamper the author's sacrificial novice writing style. In other words, they are more suitable for readers who have a strong ability to imagine pictures and can easily empathize with the characters in the text.

10 都 I Said, Don't Take the Comic Seriously! White Day Porridge, WhiteNo CP739k WordsCompleted 21.4kFavorites20.2kClicks/ch75.8kGifts

Curator note

XP novels most test the ability of readers and texts to respond to radio waves. If they are right, they will feel extremely delicious, and if they are not right, they will feel very embarrassed. Therefore, the rating area will have completely different reactions to the same plot or description. Readers who like "Ma Jia Wen + Dihua Liu + Forum Style" need to try it out by themselves. The most enjoyable part of this book is everyone's understanding of the protagonist, which is also the part that the author writes most smoothly. In addition, the forum writing is also very good, and the taste is very positive. It does not become a one-size-fits-all book, and is suitable for people who are evil and omnivorous. Although there are many battle damage plots, the writing is not in-depth. Compared with the same author's "Popular Role Players", this book is more inclined to show the "strength" of the protagonist, and does not reflect the "tragic" much. The combination of Ma Jiadihua flow in comic forums is now everywhere. The uniqueness of this book is that it creates a good sense of atmosphere, has just the right amount of embarrassment, and has a picture feel that even a novice's writing style can't cover up. Next comes the flaws. The background setting, plot framework, characterization, plot logic... No matter what it is, it seems to be an empty skin full of loopholes; the basic skills are quite average, the language errors are endless, and the writing is novice to the point of zero. Although the author emphasizes that this book focuses on family relationships, it does not reflect the real details that are most needed for family relationships at all, and almost only relies on comic settings to push the plot forward. Another fatal problem is that the description of the demon's language is not adequate. As soon as he talks too much, various language errors begin to appear, and I start to feel embarrassed. Perhaps it is also because the author wants to enhance the slimy gravity system atmosphere. The language style of the entire book has a feeling that it is not clean and neat. Because it is not streamlined, it seems like water injection. Of course, since the plot framework also has the same problem, it makes the later stages of the plot line seem like water injection. I believe that the author's mind must be very good at making up the picture when writing Dihua Liuhua so naturally and smoothly. However, perhaps it was because of the family ties that he was hindered by the family line, which caused the plot line content that he wanted to reveal not to be perfectly presented. The family line content that he wanted to present was also like "a fat fish suddenly fell ill and arranged for three people to play the role of Burning Winter". (However, if the author's original intention is to write about three people burning in the winter and then getting mixed up with the omnivorous readership group, just pretend I didn't say it.) In general, this is a work that has major flaws in other parts, except for the cool points that are well written (and this part involves XP flow content, which requires readers to freely verify). After all, it is also a well-known exercise by the author, so it is understandable. Ps: The article gave an example of an old man suffering from radiation sickness lying in a body bag and dying. A quick search revealed this old anti-war animation. Although this book is not labeled as a cool novel, I felt depressed after watching the old animation for a whole night. Alas!

11 童 Master Tongmo's Rescue Plan·hell Chapter Biluo LanyuRomance675k WordsCompleted 3.7kFavorites3.2kClicks/ch1.4kGifts

Curator note

[More like a fan than a derivative. This is how I understand these two types of works: spin-offs are original characters, mainly using the original characters to highlight the original characters; fanfics are original characters (more often than not, no original characters, only original characters), mainly using original characters to highlight the original characters. This book is obviously a foil to Tong Mo, and is a relatively rare type of "derivatives with original characters" on this site. The topic of how to classify otome genres has been around for a long time. In a strict sense, this can be subdivided into otome genres, that is, the author created a character to fall in love with the original character, and at the same time he will not "step into" this original character. In other words, Arakawa Some is not an "empty shell" that readers can substitute for. She has quite rich settings and shapes. In a sense, she can be regarded as an independent character. Of course, the topic of who is the subset of the original girl and the otome will not be discussed here. After all, it makes no sense to me to discuss this kind of topic. Since it needs to be treated according to the standards of independent characters, here we will not regard Arakawa Ran as the "object of child molestation" for the time being, but Xiao Ran himself will be the one to criticize. When talking about how well a character is created, I will ask myself three points: Can this character carry the theme of the work? Can this character carry a narrative role? Does this character have an arc or mistakes? After reading this book, my answer is: yes, yes, yes, yes. Arakawa is a qualified character. She promotes the development of the plot, promotes emotional resonance, and promotes character growth. She is not perfect and can be regarded as a thoughtful and thick "real" character. Although the author did create the character Arakawa Ran and write this story in order to make up for the regrets of the character Tong Mo, but a gentleman ignores his heart after his deeds, and Xiao Ran also completed his self-transformation in the end. I think if you don't have enough love for the character, you can't do this. It is said that fandom generates electricity for love, but how much it can generate electricity and how much it can be felt varies. The biggest highlight of this book is its strong ability to convey emotions and render emotions, and it is written in a progressively better way. The first two chapters may be confusing, but as the main plot continues to advance and finally conclude, those who like Tongmo will like Tongmo even more, and those who don't like Tongmo can also feel the "cuteness" and "pathetic" aspects of Tongmo. What's even more exciting is the extra part, which is completely the product of the author's explosive writing power. Looking back, think about it, there are often creators who rely on love to burn for a month or two, and it is really rare for an author to be able to persist in producing such a long story for several years, and to get better and better as he writes. The author's love for the characters almost overflows, but he is still able to restrain himself and not flatter the characters' shortcomings, and even writes about the shortcomings as cute parts, which is very admirable.

12 图 Turing Test When the Lips Are Gone, the Teeth Grow Cold0Danmei (BL)148k WordsCompleted 7.7kFavorites9.4kClicks/ch4.2kGifts

Curator note

[My actual opinion of this book is four stars, and the extra star is a star of support for the author. I have understood the truth about the master. This exorcist master likes to build a magnificent world view and then throw in a bunch of wonderful and funny characters to perform cross talk. It can be seen that the author is not good at writing emotional lines, but his ability to write emotional lines is improving year by year. "The Melancholy of His Majesty the Demon King" only has the setting and climax segments, "The History of Blood Tribes in the New World" only has the beginning and end, and the transitional plot in the middle is completely blank. "The Rules of the Silent Gentleman" is generally Although there is continuity, the advancement and transition are still stiff. In this film, although the author still cleverly uses the narrative technique of "reversal" to help, the psychological activities of the characters are more delicate (but still unable to write a sense of hierarchy), and the advancement and transition are more natural. In the field of writing, there are also situations where the more you write, the more you regress. I am happy to see that the author has adhered to the XP well (hello) and can continue to make progress. I feel that the author's XP has a high degree of overlap with my own. I can also see that the author's free articles have a common situation of using love to generate electricity: the picture is poor and the dagger can be seen (or the dumpling is jealous). The author's thoughts must have been quite free when writing these contents, and that's why I enjoyed reading them. Rather than conceiving a commercial work to cater to the aesthetics of a suitable audience, writing a story you like while attracting onlookers from the same audience, I think the latter requires more fate. Due to this fate, this is the fourth book I have read by the same author. This book gives me a slightly different feeling than the first three books: "The Turing Test" is a science fiction book, so the writing is drier and the emotions are more "cold". The narrative technique often uses "reversal" to increase the brain-burning atmosphere, and the final ending is also OE. When I read the chapter where the truth was revealed, I could even hear the author singing happily in his heart (Hey). This kind of resonance experience is rare, and I experienced it four times. Relatively speaking, the character creation is relatively inferior. I think this is because the author focused mainly on the plot setting, so he seemed powerless in terms of characters. I don't object to this approach, but I still think that "character" is the most important thing in a novel. Of course, there is a foundation after all. At least the characters in this book are established, but they are relatively thin and lack profound shaping. Ps: I don't think free articles need to be given a five-star rating without thinking, but I support free articles not displaying a comprehensive rating. Works that cannot be measured by money should not be kidnapped by virtual ratings. Free articles have a rating system, which is not only disrespectful to the author's power for love, but also a disguised deprivation of the natural rights of readers.

13 美 The Tragic Beauty of a Beautiful, Strong, and Doomed Character Wei HuoNo CP641k WordsCompleted 116.9kFavorites136.7kClicks/ch104.8kGifts

Curator note

The essence of writing novels is to tell stories, and the essence of reading novels is to entertain. If storytelling is a meal, then logic is the magic weapon that transforms the meal from air into physical objects, and emotion is the spice that makes the meal delicious. Looking at the book from this perspective, there is no doubt that I was in for a plate of dry stir-fry seasoning. The author has thrown away logic in both background setting and character behavior, and everything has to make way for the book's biggest highlight, "emotion." Battle damage, illness, and crematoriums, the author knows very well who the intended audience is, and writes these elements perfectly. But due to the lack of logical support, this book is only suitable for me to read in the middle of the night when I am too stressed and don't want to think about it, and I want to cry but can't. When I look back, I will have a sense of detachment like "I ate a Manchu banquet in my dream and woke up to find it was a dream." I really like reading novels with rigorous logic and refreshing plots, but I don't think XP novels that abandon logic and value feelings are inferior to others. As mentioned above, the essence of reading novels is a kind of entertainment. No matter what, as long as the readers gain something, the writer's purpose has been achieved. The three main vests that appear in the book are Ellan Snow, Shi Deng and Lian Shenwei, and the story backgrounds are interstellar, supernatural and martial arts respectively. There are many plots about battle damage and illness in the article. As a battle damage lover, I enjoyed reading it, especially the plots related to the interstellar world. I read the battle damage and HE chapters twice each. The superpower world is much inferior, so I skipped it. The martial arts world has a long history of accumulation, and it has the best overall impression among the three worlds. The reasons are explained below: (omitted here) If we divide the MJA novels into two categories, one is where the protagonist is the main character and the MJA is the auxiliary; the second is the protagonist is the auxiliary and the MJA is the main one, then this book belongs to the latter. Miyawatari is more like an actor in terms of positioning. The vests are the characters he wrote and acted, and what the readers see is the "plot" unfolded from the perspective of the vests. On the one hand, this design will weaken the connection between Gong Du and Ma Jia, which is especially obvious in the first world: when the two Ma Jia appear on the stage at the same time to perform rival scenes and each has their own psychological activities, it is almost impossible to equate them with Gong Watari (in fact, they are indeed not the same person); on the other hand, this design will also make readers more immersed in the "plot". I think reading the novel with the idea that "Miyawatari is a screenwriter and actor, presenting three unit dramas to readers" will give you a better reading experience. One more thing to say is that the author understands that the hidden joy of the story is that the protagonist must have a loyal subordinate. Each world has one or two such characters, which is well received. [For complete content, please see the comment section or <□□Record>]

14 我 My Soulmate Is a Free Man Jun XingDanmei (BL)1.0M WordsCompleted 99.6kFavorites175.8kClicks/ch867.8kGifts

Curator note

Flaws: 1. The land shall not be divided; 2. The score calculation for a certain game was incorrect; 3. The reuse rate of the same adjective (petite) is too high in the first half of the book, but this is improved in the second half. Highlights: 1. Character: I like the name Qin Chunxiao very much. It not only fits the background of "Wen Zhongwen Passerby", but also reminds me of the vigorous vitality contained in "The day is not around, and youth comes naturally. Moss flowers are as small as rice, and they also bloom like peonies." At the same time, Chunxiao and Xuandong have a sense of fate - Xuandong waits for Spring Dawn, and winter waits for spring. Qin Chunxiao is a leader-type character. Both the setting and the shaping are very complete and three-dimensional, and he carries the theme of the work well. Lu Xuandong's role is relatively small, but when the spotlight is not shining on him, he is also working hard to grow up. He is not a simple pendant or tool man. (Omitted here) 2. Feelings (especially family and friendship): Chunxiao is a person who is not short of love and knows how to express love. In terms of friendship, the atmosphere within the team is warm and lively, with a strong sense of youth and a sense of being alive; in terms of family relationships, the author does not hesitate to use a lot of space to build Chunxiao's family environment, allowing the characters to stand firmly on the ground, which is well received. (Omitted here) Advantages: 1. Plot: The writing is smooth and natural, and the rhythm is well controlled. The overall plot trend is steady and steady, and even without ups and downs, it can still stabilize readers with a sense of security. I think this is due to the author's careful use of many small interactions between characters, which not only enriches the depth of the characters, but also eases the reading rhythm. Although this book is about sports, the overall atmosphere is very warm and healing. (Omitted here) 2. Feelings (especially love): quite slow and long-lasting, but also very healthy. Although Chunxiao plays volleyball most of the time, the emotional line is not far behind. At the same time, it can be integrated naturally, and there is no situation where the two lines fight each other and cause jamming. (Omitted here) Defects: "General but not precise". This book must have made reference to "Volleyball Boy", or the author must have been influenced by this work when writing the book. I am not pointing out that the author has excessively plagiarized or borrowed too much, but I want to point out that it is the author who is aware of this possible risk and chooses to use a large number of elements to add new ideas to the novel, which in turn leads to a situation of "general but not refined". The entertainment industry, soul mates, sex, Chinese language, rebirth... These elements are all integrated into this book, and the proportions are not small. Only the last element has an impact on the main line of playing volleyball, while the first four elements mainly affect the emotional line. This shows that the setting and content of this book are somewhat unbalanced, which is an unavoidable phenomenon of dancing in shackles. Star deduction: The two supporting characters in this book play the leading roles in the author's other two books (one is a time-travel novel, and the other is a sci-fi time-travel novel). I don't have any discomfort with the author's linkage between works, but the background of this book is special (the text is in Chinese + rebirth). The author's setting up such a linkage makes me feel a little bit subtle. I have a sense of insecurity that everything Qin Chunxiao has worked hard for in his life is still not stable, and can be turbulent at any time by the author adding world view settings. [For complete content, please see the comment section or <□□Record>]

15 c There Is No Demonic Body for Cosplayers October Branches And GrassNo CP434k WordsCompleted 8.6kFavorites14.9kClicks/ch10.6kGifts

Curator note

[Reminder from the front row: I don't really like the theme of cosplay. I always feel uncomfortable with "stealing" the original owner's life. I wouldn't feel uncomfortable if it was a character with the same name as a (Chinese) novel character causing time travel, but that's not the case with cosplay. Perhaps it's also because I prefer the characters to control their own lives, rather than having time travellers act as regents. It's a very subtle discomfort point, but it's not too bad. At least I don't feel unhappy "just thinking about the existence of this kind of subject matter". This book is a special case. Once you have tasted it, you will never read the same subject again. To me, this book feels more awkward than the other book by the same author, "Loading Game", especially when watching three bad friends take turns acting. For me, the ratio of awkwardness to pleasure in the protagonist's acting is eight to two. Similarly, the writing needs to follow the protagonist's thinking closely, otherwise it will be difficult to understand, but this book is heavier. Although reincarnation is already a common element, the setting "I still don't know your name in the end" can still produce a sensational critical hit. Alas, I lied to you. I still haven't forgotten the nameless boy in the first episode of "To the Immortal You". I only read the relevant battle damage plot, and I am not very interested in other parts, so I won't comment too much.

16 第 Fourth Perspective Mo ChenhuanDanmei (BL)993k WordsCompleted 289kFavorites297.3kClicks/ch727.4kGifts

Curator note

A sci-fi supernatural novel known for its setting, mixed with the classic flavor of contained objects. The core setting is the logical chain, and the intention is to keep thinking. It's a pity that this type of novel has backlash, just like the squid writes about the extraordinary characteristics of the writer Su Huan. In the later stages of writing the book, the author's logical chain collapsed. Many mysteries have no explanation and can only be guessed by the readers. The obvious emphasis on logic makes the overall style of the novel lack of emotion. The plot is more like puppets performing an exquisite and dry puppet show under the control of the author. The protagonist's ingenuity also feels like shooting an arrow first and then drawing a target, which is not vivid and natural enough. As for Goldfinger, it is a very old and classic theory of blood. It is also a common theme that the two people cannot make up a pair of parents. The bitterness, hatred and tender moments in the past are also commonplace. The emotional line part is even more of a mess. I have never been optimistic about the combination of the mysterious invincible attacker x the awesome upgrade shou, which is more vulnerable to strong attacks. The way the main text is created is indeed a flimsy paper character. Although there is a plot of a dead person, the rendering is not realistic enough, so it is difficult to impress people. The author claims to be powerful, but it is more like forcing a carrot pit cheat on the protagonists, rather than the protagonists having real strength, which seems to be neither good nor bad. At the same time, the author's promotion of the relationship between the two is not yet strong, but it has improved a lot compared to "Earth Online". Compared with previous works, this novel has written a large amount of logical content and reduced the emotional line, which can be regarded as the author's strengths and weaknesses. Assigned to the Cool Articles column, this novel is a bit brain-burning; assigned to the Science Fiction column, this novel has poor writing power in the later stages. But with the track of future superpowers, it may be a good choice to adapt it into an industrial animation that does not require emotional description.

17 主 Hello Protagonist, I Am the Author Pepper FungusDanmei (BL)511k WordsCompleted 35.3kFavorites37kClicks/ch65.6kGifts

Curator note

The writing power cannot keep up with the imagination, and good cards are played badly. The pacing in the early stage was too slow, and in the later stage it turned into a two-player game of attacking and suffering in the manor, which was a complete waste of the worldview that could be elaborated and described. The character creation is at the level of writing a short essay based on the persona, repeatedly emphasizing the darkness and suspicion, but unable to write a multi-layered description; although the character design of Shou is real, it loses its appeal because it is too real and close to ordinary people, and lacks strong subjective initiative. Fortunately, the plot can be self-explanatory and the ending is not hasty.

18 揽 Embracing the Bright Moon Returning Geese in Falling SnowDanmei (BL)736k WordsCompleted 392.2kFavorites442.8kClicks/ch531.3kGifts

Curator note

I came across this novel when I searched for "battle damage" + "tyrant". The battle damage plot and the tyrant part are indeed well written. However, it is more like a mad king than a tyrant. In the theme of Narcissus, both people are crazy, and the emotional relationship is full of tension. It is a confrontational and violent emotional flow that lovers of midnight reading will like very much. The emotional rendering skills when recycling the foreshadowing at the end are also very strong, achieving the effect of this blow penetrating the stars. The supporting character settings are relatively routine. The Queen Mother always poisons the tyrant, just like a wild neutral ambush is always refreshed in a certain place, and the sun always rises in the east. In addition, the villain of this book is the author's deus ex machina directly from another of his books, so I won't comment on it.

19 职 Professional Young Master, with an Annual Salary of 30 Million Fully Automatic Code KeyboardDanmei (BL)863k WordsCompleted 175.1kFavorites221.9kClicks/ch331.5kGifts

Curator note

Highlights: 1. Protagonist character. Lin Chen is a CEO-type protagonist who acts decisively and has great execution ability. Different from the leader type, the characteristic of the president type protagonist is that he does not need to unite and gather too many subordinates with brains and personalities, but only needs a group of brainless, obedient but useful subordinates to show their glory. There are many protagonists whose situation after time travel is hundreds of times worse than before time travel, but because of this, it is rare to find that they don't accept the mess of the original person at all. It is very courageous for the protagonist to completely put aside his original experience and turn around to make money. 2. The plot of "Death Escape" is very sour and astringent. The proportion of awkwardness and enjoyment is 73% during the day and 46% at night. Plot: It's cool, but the logic supporting its operation is better than nothing. The career line is divided into five dungeons, and the routines in each dungeon are similar. The young masters were severely manipulated by Shou, and finally escaped to death. After a sour aftertaste, Shou announced that the transformation was completed. Rather than saying that this is about reforming a playboy, it should actually be called "Professional Escape, I Deceived My Clients." If you think "Catch a Baby" is a comedy, this book should be a good read; otherwise, it is not suitable for the reading audience. The mental age of the clients' sons is about the same as that of junior high school students, and the mental age of some clients is as high as that of high school students. In terms of shaping NPCs, NPCs and paper pieces, it also adds a light novel flavor, especially Qi Xiuyi, who is full of Japanese middle school. The description of the protagonist is a bit fluid, and the filter is a little heavy. This can also be seen as the protagonist's skill "Blind Stupidity" becoming more effective. The IQ of all the members gave way to the protagonist, and the protagonist's IQ gave way to the emotional line. In the early stage, the IQ was brought to a level consistent with that of the supporting characters, but it was still barely possible. In the later stage, when it comes to falling in love, it is impossible to ignore all kinds of unreasonableness. In particular, the design where the love line is mixed into the career line and then attacks the career line that has been interfered with many times and strips the vest, which is very damaging to the goodwill. It neither takes up the joy of the theme of not losing the horse, nor the joy of the theme of losing the horse. The setting of the system is that of the "characterful but useless" type in the second batch of system articles. The term "childish boy" in the article is quite appropriate, but because it cannot help the protagonist many times and hinders the protagonist, it can only be said to be a tool to highlight the protagonist's strength rather than an equal partner. The main plot of the original book has basically been reduced to a background, the original plot and the original protagonist are all marginalized, and have nothing to do with the book. Emotional line: Attacking and receiving the emotional line is quite inexplicable, and seriously hinders the shaping of the career line. Putting aside the rationality of the pseudo-uncle-nephew relationship, the protagonist spends a huge sum of 100 million to transform the client's son into a gay man. If he doesn't fall in love, he will die or die. This design will not make me think that the relationship between offense and reciprocity is true love. It will only make me feel hell. The protagonist, who showed no concern for relationships outside the career line in the early stage, actually allowed himself and his client's son to develop a relationship during work. It felt like strawberries wrapped in dumpling fillings or ants falling into a rice vat. The other part of the family line did not have a sense of hierarchy. Although it deliberately used a horse-drawn writing method to differentiate the protagonist's different identities. He is a talkative rival, a gentle elder brother, a flamboyant uncle, and an energetic twin. However, the plot trend is basically the same. There is not enough space to create trust and affection for the protagonist in the early stage, and there is no hierarchy for the protagonist's reaction after his death.

20 天 Tianyuan Book ShanglingDanmei (BL)310k WordsCompleted 77.7kFavorites56.5kClicks/ch61.8kGifts

Curator note

It's a sweet and emotional story with a martial arts background, and neither side is a pure saint. The characters and portrayal are average, the attack makes Green Tea and Shou look violent and coquettish, and the strong attack makes it feel like watching a naughty kid and his greasy dad. The emotional line is a mess, the killing scenes are all mindless bickering, and it's hard to see why the two turned to love each other later on. In the early stage, he attacked the desert island to survive, and in the later stage, he went ashore to transfer to the family line. The description omits too much and the rhythm is too slow, the plot line is not smooth enough, the emotional line is not delicate enough, and the family line is too long. The supporting characters are thinly portrayed and are basically tool men. The villain here is also very classic in martial arts novels. The love, hatred and resentment of the older generation are passed on to the new generation. There is nothing new. The reversal is mainly focused on Shou's family relationship, but it was hinted too early and too obvious in the early stage and delayed too long in the later stage without revealing it. When the truth is revealed, it may not be surprising. The overall plot logic is weak, the satisfying part is not satisfying enough, and the sticky part is too sweet, greasy, and mindless, making it feel like it's neither good nor bad. One star is given to the setting of the enemy living on a deserted island, and two stars is given to the scenario of battle damage.

21 非 Atypical Beauty, Strong Misery (Quick Wear) Yangchun AugustDanmei (BL)239k WordsCompleted 18.9kFavorites47.4kClicks/ch2.9kGifts

Curator note

It's not so much like traveling through the system quickly, but it's more like going through five previous lives. This is a pure emotional flow, and the plot logic and character logic cannot be carefully considered. The win is that the writing is smooth and the plot is smooth. Although it is foggy, it is still readable. The overall impression is unsatisfactory. For me, the sweet part is not delicate and natural enough, the cruel part is not heart-breaking enough, and there is a lack of seasoning if you look at the emotional pull. Although the thickness of the characters is also reflected, the setting and shaping are quite standard paper characters. When I read the book, I can almost hear Gong Shou's □Ear FM dubbing, which makes it impossible to read completely immersively. It's useless and can be used to kill time.

22 魔 The Demon King Keeps Wanting to Surrender [Infrastructure] Marinated to PerfectionNo CP890k WordsCompleted 5.7kFavorites6.2kClicks/ch10.1kGifts

Curator note

This was the first time I saw a little yellow duck-type protagonist in an online novel after "Sophie's World", and I was shocked. (Little yellow duck-type protagonist: The programmer will place a little yellow duck doll on the table to explain the meaning of each line of code to it, so that he can sort out his ideas. The protagonist here is a container for the author to display the background and present the world view settings.) The highlight of this book is undoubtedly the setting, mainly the world view setting and racial setting. The racial setting is quite Western fantasy, with details such as the demons having different toes and therefore different systems. It is my favorite part of the whole article; the world view setting is the jealousy prepared by the author for this plate of dumplings. Regardless of how the writing is, at least the author has written it beautifully. I'm not very interested in the latter, and it was the former that pushed me to finish reading this book. Another bonus point is that the sources of the jokes that appear in the book are carefully marked, and unclear places are also marked with "unknown", which is good. I like authors who respect knowledge, no matter what type. Once you understand the highlights, you understand everything. The whole book serves the setting, so the plot line is naturally the same. Although it is marked with infrastructure and adventure elements, in fact, both are not pure. It often happens that the plot that seems to be a prelude to infrastructure is actually a preparation for the adventure, and the introduction of the adventure is a preparation for the world view. The plot logic is basically equivalent to that of a fairy tale, and the plot arrangement is also similar to that of Water Margin, "In the process of solving event A, event B is introduced. After the character solves event B first, event A is also solved." Because the number of events introduced is not fixed, there are often scenes of a group of demons making porridge in a chaotic narrative. In addition, the writing style tends to be sandy, so that the information transmission is diluted. The narrative style of "grand background + heavy memories + sandy current situation" is not unique to this book, and there are writing methods that can be integrated seamlessly. But this is not the case with this book. Every time I get some heavy information, the next chapter is followed by nonsensical jokes, which makes the reading very fragmented. In addition, the full text contains a lot of bad anime jokes + shit and fart jokes, which makes it feel like taking a bath in holy water. At the same time, I noticed that there are two main ways to enhance the atmosphere of this book. One is montage, which is used quite well and has a sense of picture; the other is a pile of "golden sentences", mainly concentrated at the end of the section. If it resonates, it will be moved but not resonate, and it will feel artificial. Finally, a few words about the protagonist's image. The setting of the protagonist in the early stage is quite confusing. He looks like a student protagonist or a liberal arts major. He often uses theory to explain practice and relies on his words to influence everyone. There are many scenes of battle damage, but the real feeling is insufficient. There is some flavor of Xu Dihua style, but it is not Dihua style. It is better to say it is the opposite of Dihua style. Everyone knows that this "Demon King" is weak, but he still bows to him. He has a gentle feeling of fairy tale romance saving the world. However, considering the cruel background that the author deliberately set for this book (whether in the past or the present), the feeling of separation is similar to seeing steamed buns named Chinese buns.

23 荒 Wilderness Survival Guide Sleepless Listening to the RainRomance761k WordsCompleted 5.2kFavorites6.4kClicks/ch10kGifts

Curator note

[This book actually only has four stars, and the extra star is a personal support star for the author. I would like to call this book the strongest one-sided warrior. In other aspects, it is too stretched, and I am completely dragged forward by the only bright spot of this book. Let's talk about the highlights first. The content advertised as real wilderness survival is indeed real wilderness survival, and the description of this part is professional and detailed. Although there are some omissions, they are only a drop in the bucket and can be ignored. What follows is all shortcomings. 1. Characters: The supporting characters are very flat, especially in the early stages. The feeling of paper is very strong, which is especially obvious in the disadvantage of language description. In addition, this book is about "real" wilderness survival, and the sense of drama brought about by the thin characters is even more obvious. In my opinion, the male protagonist and female protagonist are not any different from the supporting characters. This has nothing to do with whether there is a golden finger. Even if the golden finger is given, I believe that the protagonist will not become very outstanding (not referring to outstanding points). This is the most finished part - the protagonist's personality is not distinctive enough and can only be classified as a mortal type. Of course, this is also related to the flatness of the supporting role, otherwise it can be a leader. 2. Plot: This type of article is a horizontal narrative, which is naturally at a visual disadvantage compared to vertical narratives. If the plot is not arranged well, it is easy to become bored due to homogeneity. The author's writing is relatively flat. Halfway through the first copy, I felt a little boring. In terms of plot arrangement, it can be felt that the author is trying hard to lean on the group portraits and give some shape to the supporting characters, but the insertion is not natural enough and disrupts the narrative rhythm of the protagonist. In addition, this also makes the overall narrative confusing, sometimes vertically and sometimes horizontally. 3. Background: This game setting actually drags down the expression of the story. It would be better to switch to a variety show or even to switch to a system-less time-travel without a game. The reason is simple, don't occupy both ends. There are too many restrictions on the track and it's not fun enough, and the real track is too surreal and not real enough. It feels like I need to wear a down jacket but end up wearing short-sleeves instead. 4. Writing style. The author's writing style can be said to be unpretentious, almost nothing. From the beginning to the end, it uses extremely high-density science knowledge on wilderness survival. Reading the novel, I can see the beauty of taking outdoor classes. But you can't say that this is documentary literature. After all, it has a "game" background. Generally speaking, except for the part about wilderness survival knowledge, which is written very realistically, the other parts are very fake and frivolous. However, the former can be obtained by consulting the information, so no matter how brilliant it is, it can hardly be said to be the merit of this novel itself. I am willing to give it one more star because it is not easy to write a good mortal protagonist, and the mortal protagonist himself has a hard time. Ps: Mortal protagonists are a camp division I customized for convenience. They are used to refer to protagonists who have "not enough distinct personalities and relatively average numerical values", and are not equal to ordinary people without golden fingers. Pps: Although I am accustomed to reading the work and the author separately, I also learned a lot of knowledge about wilderness survival from this book, so although I skipped through the rest of the book, I still subscribe to support the author. I hope the author will write better and better in the future.

24 游 The Game Luofu Is Loading October Branches And GrassNo CP803k WordsCompleted 33.8kFavorites41.7kClicks/ch125.4kGifts

Curator note

The Fourth Disaster + Meiqiang Pei + Dihualiu + Fake Knife + Misunderstanding Xiang + Renwai + Leader Role (referring to Jingyuan). The elements of this book filled my XP stack. It is very suitable for reading without thinking in the middle of the night. (This issue is a 180-level XP masterpiece that I fully ordered for myself. When I read it, I only cared about how I enjoyed it and didn't care about the plot, logic, character creation, etc. For this type of book, I feel it's better to just focus on the fun points without in-depth analysis.) Because it is a derivative work, and the protagonist is a special radio type, the writing is off-kilter. If you have never been exposed to Bengtie and cannot keep up with the protagonist's thinking rhythm, it is easy to fail to understand the plot or proper nouns. I don't know much about Beng Tie, so I don't know whether the other character creations fit in, but I do feel that the portrayal of Jing Yuan in the article, at least the part that appears, is consistent with the original work. Because the elements are complete, the characters' brainstorming may make people feel "thinking too much" and become embarrassed. For me, the proportion of awkwardness in the early stage is about 46, and in the later stage it turns to 73. The author's repeated switching between the protagonist's perspective and the third perspective made me feel like I was full. This experience is quite strange. The plot framework is relatively loose and the plot is also "floating", perhaps because of the second person point of view. This situation became more obvious in the middle and later stages. The main line was not clear enough and the narrative was fragmented. At the end, I even had the feeling that "the ending is not written like the ending." In addition, I personally don't like to watch horse-drops that would embarrass the protagonist, so I only watched part of the extra.

25 缄 The Rule of the Silent Gentleman When the Lips Are Gone, the Teeth Grow Cold0Danmei (BL)406k WordsCompleted 8.2kFavorites4.5kClicks/ch1.8kGifts

Curator note

Highlights: "World view". The author has built a magnificent alien continent for this book, and matched it with a magnificent epic legend. Although this complicated amount of information refers to real-life French history, I believe the author also put in a lot of hard work to study it, which is worthy of admiration. At the same time, I noticed that the author seemed to have a soft spot for settings like "mysterious organizations." The book "The Chronicle of the Blood Tribes of the New World" briefly mentioned the mysterious organization "Watchmen" and the commandments behind the "Three Tribes". In this book, it goes a step further and depicts the assassin organization, also known as the "Silent Ones," in a profound way. Although he is partial, the author does not exalt such organizations as unattainable or glorious. In the middle and later stages, he also mentioned the criticisms of the "silent ones". Non-human races in other worlds are an important part of establishing the world view of other world continents, and this article is no exception. It mentions elves and dragons, as well as some religious elements. However, I was quite surprised that the early and middle stages of the book looked very medieval, and in the later stages, it actually had a bit of science fiction elements mixed in, giving it an inexplicable texture like eating strawberry dumplings. Advantages: 1. Role: The main roles are Giuliano and Enzo, while Antoine and Reich are important supporting roles. There is no doubt that Giuliano is a growth-oriented character, and Enzo serves as an auxiliary mentor-type role in Giuliano's growth line, which plays a role in promoting character creation; Enzo is also a mysterious character. As the representative of the "Silent One", he guides readers to step by step into the operating rules of this assassin organization, which plays a role in promoting the development of the plot. On the side of the mysterious character, the mystery of Enzo was not completely solved until the last moment; on the side represented by the "Silent Man", the early stage mainly shows that he is as noble as a king, and the middle and later stages mainly show that he is as humble as an ant, which fits the introduction very well. Let me briefly mention that the emotional relationship between the two is "dumbing first and then falling in love". I think it is very consistent with the background of the story and the identity of the characters. However, I cannot comment on the specific tension of the content because the author only wrote in parentheses [ due to force majeure. As for Antoine and Reich, they were designed to set off the choices of the protagonists (Giuliano and Enzo) and take another path: the former is a hero, and the latter is an assassin. I was very surprised that Antoine, as a brave character who is very similar to the "Chinese protagonist" in nature, was not written out of the spotlight by the author. He even became a bit more tragic because he was forced to become a hero. This is amazing. 2. Plot: I do not object to the author consciously "designing" some supporting characters or "arranging" some plots in order to create the protagonist or portray a certain setting. Rather, I am happy to see articles that do this and do it so naturally that it is difficult for readers to detect it. The "natural" foundation of this article is still slightly inferior. The author blames it on the common approach in novels, "fateful arrangement", that is, "fatalism", and lets Giuliano escape from fate by ending his fate. Although it cannot be said to be brilliant, it can be regarded as a smooth landing. Of course, after all, it is slightly inferior. There are still many plot devices in the article that can clearly be seen as the author's careful foreshadowing, such as Enzo smelling the smell of the client, Reich's true identity... [For complete content, please see the long comment or <□□Record>]

26 七 July 15Th, Sunny DustyNo CP85k WordsCompleted 1.1kFavorites922Clicks/ch360Gifts

Curator note

The frame is straight, the narrative is traditional, and it is so satisfactory that it can be included in a suspense short story in "Today's Statement". In fact, there are not many suspense elements. It is a pretense in the early stage, and the real murderer and accomplices can be guessed in the middle stage. The plot line adopts a two-line parallel narrative. The 15th line is too painful and heavy, and the 12th line is dark and cloudy. The only adjustment is the description of the food, because the rhythm of this part is too slow, and after reading it, you will even wonder if you are watching a suspense story. Finally, there is the HE version of the if line, which can be regarded as a comfort candy for readers. This article is more realistic, so almost every character has flaws and "makes mistakes." Because there are too many negative descriptions of human nature, I even feel that I can hallucinate the chaotic and evil perspective of beasts from the characters. When discussing the crotch, it is like a beast that has lost its mind and only has primitive desires. It is very uncomfortable to watch. This book brings together flawed characters, and I see something of an anti-Greek tragedy in it. Ancient Greek tragedies often describe tragedies in which no one is at fault but everyone's actions push events to an irreversible end. This book emphasizes that everyone is at fault, but those who are kind and toothless will eventually swallow the bitter pill. Although the subject matter is traditional, the characters are vividly depicted by the author's conscious action descriptions, so people can sympathize with the characters in the book and often feel sad. In addition, the writing style of the whole book is natural and smooth, and it has a movie atmosphere, so you can read it even if it feels heavy. But speaking of the adaptation, I think the film adaptation may lack some sense of suspense and "explosiveness". The audience's psychological threshold for murder cases has been raised. It seems that the psychological needs of the audience can be satisfied only by focusing the camera on some quite curious criminals and crime methods. It is rare to shift the camera to murder cases that are as "ordinary", "uninteresting" and "expected" as in this book. This is also what I think this book deserves to be praised for: Only by removing those spices can we determine whose chassis is more solid. Of course, writing is not good without adding a little seasoning, and the excellence of the article cannot be compared horizontally (the shortcomings are very suitable for comparison). Then it becomes clear that the more suitable way to adapt this book is "Today's Statement" or even "French Popularization Column Drama". In contrast, the murderer did not harbor much "malice", and the victim did not suffer long-term "torture" (rather, this is the most ironic part of the book). The spectators seemed neutral but actually fired at both ends. The victim's family and even the murderer's family suffered a lot but also had some negligence. These settings are not "novel", but are too "today's statement". Compared with the more eye-catching bizarre cases, the cases in this novel seem to happen more frequently in reality and are more worthy of vigilance. At the same time, this book also tells us something deeply: A gentleman does not stand under a dangerous wall. He will run away immediately if he senses something is wrong. He must not take chances and let his own stupid kindness ruin his life.

27 魔 The Melancholy of His Majesty the Demon King When the Lips Are Gone, the Teeth Grow Cold0Danmei (BL)219k WordsCompleted 5.2kFavorites13.1kClicks/ch445Gifts

Curator note

[My actual opinion of this book is four stars, and the extra star is a star of support for the author. A collection of short stories about instant noodles that are hilarious and have a flavor of ancient fan fiction. The content is so light-hearted that you feel like your whole body is floating when you read it. I am not sure what to read. The representative example of this creative method of "remembering the seriousness + being happy with the current situation" in comics is "Inhuman". Having said that, this book is also very suitable for adapting into comics. Belial, please draw more fanfics! Not to mention the relationship setting, the master's CP is a first-class delicacy. I am still recalling the blood oath in "The Chronicles of the Blood Tribes of the New World". "The Melancholy of His Majesty the Demon King" is a feast where angels and demon kings share the same heart. And the author has mastered the short video skills as early as 2011. He spliced ​​several climax clips and presented them in the memoir. It made me feel like the waves behind the river pushed the waves ahead, and the waves in front were so cool that I died on the beach. However, due to the ancient character design and the joyful and funny style, the reading is not "formal and serious". I always feel that I am not reading a story that actually happened in the demon world, but a third-rate tabloid written by a famous fan in the demon world (not in a derogatory sense). The plot is relatively old, with pseudo-egg laying, soul transformation, shrinking, amnesia, etc., Which reminds me of my experience in fan-hunting many years ago. As for whether it will reduce the flavor because it is too old-fashioned, I can only say that after all, it has the endorsement of Huantu style, and it will not be ugly even if it is boring. The Disappearance Chapter may be because Lucifer's long-term absence made me feel inexplicably anxious and had a bad impression. I only picked the amnesia chapter that I was most interested in reading. Because it is a short story about instant noodles, I will not comment on the character creation, but it can be seen that the author consulted a lot of information and had many of his own ingenious ideas in character design, as well as linkage links. After all, Lucifer is the most important character in the cover, title, body and trinity, so his character is shown and shaped the most. I wouldn't say that the shaping is particularly good, but he is already the best one. Ps: I don't think free articles need to be given a five-star rating without thinking, but I support free articles not displaying a comprehensive rating. Works that cannot be measured by money should not be kidnapped by virtual ratings. Free articles have a rating system, which is not only disrespectful to the author's power for love, but also a disguised deprivation of the natural rights of readers.

28 漫 Comic Speedrunner Night Demon InstrumentNo CP498k WordsCompleted 3.9kFavorites3.4kClicks/ch7.6kGifts

Curator note

What's labeled "hilarious" is actually not entirely hilarious. There are a lot of characters with heavy backgrounds. For me, this book can be finished with chapter sixty-two at the latest. The last few dozen chapters are too light and heavy to be considered as adding to the story, but rather adding to the story. Even so, the plot design of Chapter 59 is very poor. There is absolutely no need to force the protagonist to play dozens of rounds of speedrunning in order to highlight the "authenticity" at this time. Sometimes novels do not need this reality. Appropriate fictionalization and skipping obstacles will help the overall rhythm to be smooth. The background setting of this book can be regarded as a fusion of the real world (comic) and the game world (comic adaptation). It requires both but cannot have both, resulting in a nondescript final effect. The settings of most of the supporting characters are standard classic Japanese shounen manga images. The author often loses the subject in his writing, and I don't know if he is referring to Japanese comic novels; the BOSS setting is based on real games, and I am not interested in the specific shaping situation. However, I can confirm that even if you have not played the games mentioned by the author, you have only played Two Players and Hollow Knight and have watched the speed run of both, then you will hardly have too many difficulties in understanding the BOSS battle. It can be seen that the author intends to create the supporting characters in depth, mainly by adding a heavy past and psychological activities to the characters. There is nothing wrong with this method, but in terms of look and feel, it is easy to feel that the author has worked hard to create the character but it is still weak, just like the painter uses HB to depict the dark parts that should be depicted with 5B. Of course, it is thankless to use the wrong pen. Of course, because the author works very hard, readers can still gain enthusiasm and emotion if they abandon logic and cooperate with the author's imagination of the characters. As mentioned before, the rhythm of this book is very problematic, and the overall framework is very unstable. In Samsara 1, I beat the BOSS wildly, but it was too repetitive and only relied on stacking settings to separate the levels. Samsara 2 uses the BOSS perspective to reduce homogeneity, but to me, the look and feel is not as good as Samsara 1. On this basis, the opening chapter, especially the first cycle, uses too many proper nouns and the Tell method to push the world view. It should be a laborious lever, but through the young words, I seem to be able to see a young author behind the words. He is very excited and dancing to introduce the world view and characters to his friends who are not familiar with the game (yes, he is a friend and not a reader). I also had this feeling when a six-year-old child passionately introduced me to the Ultraman illustrated book and I was completely confused. Although I couldn't understand it at first because of too many proper nouns, I could clearly feel the other person's love for it. This is not only reflected in the proper nouns carefully designed by the author, but also in the names of the characters. It's not that the character name chosen by the author doesn't have a beautiful meaning, it's just that the author used too much force, resulting in a look and feel very similar to "The Clockwork Princess that Deconstructs Everything". I also jumped on all the love lines. Just watching the setting of veteran players falling in love with childhood memories is as subtle to me as seeing myself getting married to the little carp Paopao, so I won't comment on it. Overall, the plot is interesting, but there is considerable room for improvement in terms of background setting, story framework, plot rhythm, and character creation.

29 心 Weird Cases Encountered in Psychological Counseling FengyiRomance329k WordsCompleted 7.1kFavorites16.3kClicks/ch774Gifts

Curator note

Overall, I think this book has more flaws than highlights, but the highlights outweigh the flaws. So I write the flaws first and the highlights later. Defects: 1. Novels based on reality need to draw a large number of materials from real life and even examples of people around them, and they will definitely reflect the social environment and ideological concepts in a certain era. This type of novel can reflect the times to a certain extent, and will also be affected by the ideas and concepts of the times. Times have changed, and when later readers read this kind of novel again, they will inevitably feel disconnected and uncomfortable with the ideas reflected in the book. In particular, the book is set in 2014, and most of the stories mentioned in the book happened earlier. After more than 20 years, many ideas have changed long ago. Therefore, if we look at this novel according to the current evaluation standards, we will naturally feel that some of the ideas in the novel are obviously backward, outdated and even fallacious. This is the limitation of the times that pseudo-documentary novels have, and it is also its inherent flaw. 2. The author is not "ruthless" or "accurate" enough when dealing with the endings of most unit articles. This is reflected in the fact that the author cannot imagine how these events will end, and he is too timid to give a specific (metaphysical sense) truth. He is also unable to use scientific theories to explain the reasons for the occurrence of these short stories, so he can only sum them up as "nothing". The problem is that the author doesn't even want to find more reasons why the story "can't end". Every time it comes down to "the protagonist is not at the first scene and can't follow up", which inevitably leads to aesthetic fatigue and easily makes readers feel that the story has come to an abrupt end. This is a characteristic of OE works, and it is also a natural flaw of OE works. 3. There are many typos, but they do not affect reading. Even thinking of Liu Xinyang's portraits, we can also rely on character creation. For example, as a "pseudo-writer", Liu Xinyang wrote a few typos in the book and was too lazy to correct it later. It seemed to be a matter of course. After talking about the flaws, it's time to talk about the highlights. "Reality". The author used 300,000 words to present one story after another to readers, but what impressed me most was not the stories themselves, but Liu Xinyang who recorded these stories. Just like a netizen said in the comment area: "Who has never seen a Ferris wheel, but this is the first time I see you. This is the photo that was born for you." Who has never heard of bizarre psychological cases, but this is the first time I see Liu Xinyang. The author spared no effort to create such a "real" character, and you can almost easily realize how likely Liu Xinyang actually exists in real life. She is indeed a virtual character created by the author, but she does have everything a "real" person should have in real life. In order to make the character "perfect", the author did not deliberately design some plots to highlight the protagonist's high IQ or high strength and other outstanding abilities. He did not even avoid the wrong conclusions that the character would draw and the wrong actions he would make (of course, this also includes ideas that are outdated in the current version). In the novel... [For the full version, see the comment section or <□□Record>]

30 [ [Cthulhu] Personal Memorandum Regarding the Death of Nikolai Nikolayevich Fidanov Ww38doNo CP33k WordsCompleted 500Favorites1.2kClicks/ch15Gifts

Curator note

This is the first novel with an OE ending that I read on this site. After much thought, I ended up with this book on my list. Generally speaking, it is a traditional work based on the Soviet Union and mixed with some Greek elements. The writing style is semi-imitation of the translation style of Soviet novels, but occasionally there are down-to-earth translations. The character suddenly says "What can I do, I am also desperate!" It's very dramatic, but it fits the situation in the book and made me laugh (laughing). Matching the tradition of Kewei, the plot and characters are also very traditional. Perhaps because the length is too short to expand, I feel that the author still held back when writing. Many chapters that I thought would cause mental pollution are not strong enough, and the narrative is even a bit dull. But it's also possible that I've seen too much mental pollution and the threshold has been raised. Although the narrative is dull, the plot of this novel is very ups and downs. A story was written in just 30,000 words. I feel that it is very suitable to be adapted into a COC group running module, with interactive links such as boarding points, and combined with audio and video after being made into a video, the experience will be much better (the probability of being mentally contaminated will also be much higher). The following are complaints: JJ Kou Kou City Schrödinger's haunting mechanism, what's going on with the character's name Kou Kou! Originally, Soviet literature found it difficult to match names and characters, and I was at a loss when a line of dialogue appeared from time to time.

31 杨 Yang Enlin's Diary And SaltDanmei (BL)130k WordsCompleted 1.5kFavorites996Clicks/ch699Gifts

Curator note

It is a rural love story with a modern background. The writing has a swaying juvenile feel, which makes it very comfortable to read. I am more interested in watching plot-based dramas. Obtaining and analyzing information from the plot is my comfort zone. Although I also know that the key point of emotional-based works is to feel the atmosphere, but once I don't understand why two people fall in love, it is difficult for me to feel the corresponding "atmosphere". ——But this novel will not give me such a feeling. The entire article is almost a self-narration written by Yang Enlin in his diary. He was young, artistic, bookish, and sentimental, and he wrote down one "in urban and rural areas" one after another in his diary. Yu Chengxiang was the first love of this seventeen-year-old boy. The boy cherished this young first love so much that "Yu Chengxiang" in his diary was almost so beautiful that it became a hazy silhouette. The rhythm is very slow, and a long paragraph is used in the early stage to lay out the rural atmosphere. This "background grounding" feeling also makes it easier for me to feel the atmosphere that the author wants to express. I have heard a saying: "Like is a feeling." If you want to write the emotional line smoothly, naturally and convincingly, you often need to trace it with very delicate brushstrokes. But this is not the case with this novel. There is a lot of blank space in the diary style, and the key plot turning points are transitioned to Yang Enlin's poems. This kind of treatment can also connect a consistent atmosphere, which I think is quite remarkable. The topic of this novel is actually not novel, and there are many obvious routines in the plot line that can be said in one sentence. However, the author's writing skills are very solid, and he has devoted real emotions to the characters in his writing. Therefore, the same old topics and old routines can also give people different feelings. Although it is about first love, it does not give people a sticky feeling, and the writing is very clean. Before the storm is about to come, the impression is even peaceful, leisurely and carefree. This is also a teenage experience that will never come again. Yang Enlin had already fallen in love with Yu Chengxiang at the very beginning of the story before he realized the secret he shared with Yu Chengxiang. When you first read Chapter 4, you may think this arrangement is too hasty, but if you read along, you will understand this clever stroke. At first, Yu Chengxiang gave people the impression that he was slow to react and acted dully, and there were still many suspense about him. These suspense will be revealed in the later stage. Sometimes I think the essence of rural love stories is that two people in love should have a "vegetative temperament" in them, such as tenacious vitality, non-contamination with the world, slow-paced life, etc. The two protagonists of this article gave me exactly this feeling. Laugh, laugh... Hug, hug, people in love...

32 星 The First Interstellar Game Designer Pear BlueblueDanmei (BL)743k WordsCompleted 68.8kFavorites121.3kClicks/ch83.3kGifts

Curator note

[There is a big thunder: The article has an ambiguous attitude towards D-gambling, and the game produced by the protagonist has elements of D-gambling. (By the way, I would like to explain two possible unique points when I read the article that have been triggered so far: 1. The author uses AI to write, or the characters in the article use AI to write; 2. The author has an ambiguous attitude towards HDD, and the role of the article is [promotion] or using HDD [profit]. Emotional novels are intended to enhance I don't care if the first letter is Zhang Li, but I don't accept the protagonist opening X store and letting people come in to open Yin Pa and count their money. If the second letter is a way for the protagonist to force money in a specific context, then I don't care, but the last letter is not acceptable to the protagonist opening D shop to attract customers. The first is a bottom line issue, and the second is a principle issue. Except for the half-article [The author uses AI to write], if the following one-and-a-half articles does not account for a large proportion, and there is something really attractive to me in the article, I will still read the rest of the article. ) The template-themed outline article has average writing style, many grammatical errors, and endless typos. The interstellar background is just a shell setting, which is essentially the Chinese background on Earth. He has a background in traveling through books, but traveling through books is just a prop that facilitates Yan Xuezhou's "foreseeing the future and slapping his cannon fodder family members in the face". His attitude towards the original person is also "please come over if you are the best, and leave if you are not good". The character design and creation of Yanxuezhou are all hollow people that are common in template-themed synopsis articles, and the emotional lines are naturally bland and boring, so the characterization part will not be elaborated here. Let's talk about the highlights first. (Early stage) Although the NPC names are hasty, they are not brainless settings. The reasons for getting into the game are clearly written, and there is a bit of warmth. Although the reasons given are not completely logically rigorous, it is enough for a novel, and it makes people feel "immersed" in both emotion and reason. Although the games produced by Yanxuezhou refer to real games, they also have their own original content. There are quite a lot of game types. When I read the introduction to the game, I couldn't help but want to download it and play it. Of course, since there is indeed a reference and it is quite obvious, you can also tell at a glance which game it is referencing. Let's talk about flaws. I think the greatest pleasure in reading novels is solving puzzles (reading comprehension), which requires the author to use writing skills to "match wits and courage" with the readers. This book leaves almost no puzzles (suspense) for readers to think about, and it does not use writing techniques. It is basically the same as the author communicating directly with readers face to face. And because the author doesn't trim the details in his writing, the narration is so redundant that I can feel the author's spittle flying out. It's not an exaggeration to call it a verbal essay. The interesting points of the novels vary from person to person. I think this one is mainly about the process of making games by Yan Xuezhou and the process of playing games with others. This part is relatively well written, but it is hampered by the unchanging narrative rhythm, and it becomes tired in the middle and late stages. Another small point: rhetorical questions are used too frequently in the article, which makes it a bit irritating. If you want to regard this book as a AAA masterpiece and expect it to give you a super first-class masterpiece experience, then this book is not good at all. If you just think of this book as a small program game that occasionally pops up but can be played without watching ads, then it will be a good decompression choice.

33 予 Give Long a Glass of Mead Black Cat White SocksDanmei (BL)152k WordsCompleted 63.7kFavorites95.9kClicks/ch84.8kGifts

Curator note

[Editor 2: When browsing the same type of articles along the author's homepage, I discovered that the book "Human Honey" was created using AI. Black cat and white socks, you are no longer a qualified creator. I am very unhappy to have read your article. Goodbye. A slow-paced fairy tale with western fantasy, mixed with food and daily elements, it is essentially a closed environment narrative. The overall plot line has little ups and downs, and various background settings serve the emotional line. But to say that this is a romance novel, I feel that the writing is a bit shallow, and the love process between the two of them is a bit "fairy tale", not delicate and natural enough. As for the characters, it may be due to the early opening of the novel and the fact that it is the author's self-cut work. The character design of Gongshou was born out of the master model of the mysterious and powerful boss x the stupid and sweet wife. On this basis, Gongshou added elements of stupid aliens. The positioning of Attacker and Sufferer is strong Attacker and weak Sufferer, and the nature of the relationship is similar to "fork & cake". In terms of shaping, the Attacker tends to be the affectionate Dog Dragon, and the Sufferer tends to be the heartthrob White Sheep. I still think the same thing, it is too difficult to write a "good" student-type protagonist, because a character who easily leaves an impression on readers is a "good" character in the popular sense, and a student-type protagonist naturally requires the protagonist to follow the rules and not leave an outstanding impression. However, this novel puts aside the emotional flow framework. In order to enrich the protagonist's shaping (student protagonist), a lot of detailed descriptions are added to him, which also adds to the healing style and pastoral elements of this novel (yes, although it is labeled as a farming novel, this novel is not a farming novel, it can only be said to have pastoral elements). This part is well written, and I was very excited to see the protagonist cooking delicious food. In addition, there are only two or three supporting characters whose identities are villagers who are described in the plot and can be named, which makes the background of the story unrealistic and somewhat superficial. The frame part suffers from the common problem of emotional novels, with a copper head and an iron tail. The beginning is very detailed about how Shou is good at cooking and heals people's hearts, and Green River Village is peaceful and comfortable. The ending is also very sensational about how Shou went through battles and sacrifices and finally had a fairy tale ending. As for the emotional line, there are scenes where important supporting characters (demon version) and common supporting characters (drunk version) express love or love to the protagonist. There are also scenes where various supporting characters express their true love for the protagonist. The former is to promote the development of the emotional line of attack and shou, and the second is to promote the development of the plot line. The latter is to enchant the protagonist shou to prove that he is a heartthrob. It's actually quite subtle to see these plots in a novel that is advertised as a light-hearted emotional flow of cookies, but it is understandable considering that the author cut himself off or wrote the work intermittently for three years. To sum up, this book can be classified as "passing clouds". But the various delicacies described in the article are so delicious, so I decided to go here after thinking about it again and again.

34 天 Reverse Journey of Heaven and Earth Wine-Tinged Green MountainsDanmei (BL)89k WordsCompleted 5.2kFavorites2.1kClicks/ch8.8kGifts

Curator note

The match with the tag is as high as 10 billion percent. The first-person perspective and the chaotic narrative style of Dream Core make the plot line highly stream-of-consciousness. Because there are atypical narcissus elements, the emotional line is also lingering, pathos, and watery. The story is actually not complicated, and 80,000 words is enough to explain it clearly. However, due to the addition of the element of reincarnation, the story becomes more narratively confusing, and it also feels like "stuck in a city of words that cannot find an exit." This is in line with the feeling of the main point of view ending, so I think this narrative style is also deliberate by the author. It should be quite difficult to write, thank you for your hard work! This is an emotional novel and is not good at characterization. Qin Sanxiang's position in this story can be said to not only harmonize the narrative rhythm, but also make up for the lack of character creation. However, this book does not focus on character creation not because the author is not good at character creation, but because of the limitations of the subject matter: under the premise of Narcissus, Ying Buhui and Weiwei are naturally close and understand each other well, and there is no need for additional plots to deliberately describe how they fall in love, because they are already extremely familiar with each other. However, because of this reason, if you cannot understand this premise, you will feel that the emotional line is not well laid out and inexplicable. In addition, against the background of such a sticky emotional flow, there are actually characters like Little Sister and Yin Gong who shine with humanity and make people sigh, which is highly praised.

35 策 What Kind of Character Did Planning Give Me [Western Fantasy] Stygian FerrymanDanmei (BL)175k WordsCompleted 24.8kFavorites33.7kClicks/ch11.1kGifts

Curator note

It's an imaginative novel that I couldn't get into after reading the title three times. Today, I finally gathered my energy and finished reading this book. After all, the originating platform is not here. After the transfer, the layout was too dense and the pace was too tight. The amount of information was too high and it seemed like there was more than one could chew. Like the nonsensical classic anime "One Hundred Thousand Jokes" and the movie, it seems illogical but actually has a clear main plot inside and outside the game. However, the plot jumps throughout the book make it difficult to integrate information. The character design of the supporting characters is quite stereotyped, but firstly, it is more suitable for the background of card collecting games, and secondly, it allows readers to feel the characters' distinct personalities with almost no shaping. The description of the additional player (Luke) is also very similar to the fourth natural disaster, but the symptoms are relatively mild. The progression of the game's plot is also the process of Alvin regaining his memory (and power) step by step. In the early stage, he always muttered "for the player's experience" as if he had no personality of his own. Who would have thought that it would turn out to be a big twist in the later stage, but it turned out that Alvin had already sold his soul (and intelligence) to the monster...? In the first half of Wen Ru's title, the character of the protagonist is indeed unstable. In the memories, the "realistic" self-perception seems very human, but it is a card. Later, when he picks it up and puts it down gently, it is revealed that the protagonist's self-perception has changed (from a game card to a real leader of the Holy Knights) in one fell swoop. There is no need to scrutinize the logic in a mind-blowing novel, just think of it as being planned. But if you really want to dig deeper into the logic, this type of setting of "novel protagonist ≠ Chinese (game/comic/original work) protagonist", especially games, especially card-drawing games, are most prone to structural collapse. After all, the players who draw cards, such as the player in this book (Luke), really spend a lot of krypton money, but in the end, the game experience of the final battle... He was petrified and the BOSS was defeated by Alvin. Alvin had a spicy plot that rivaled the treatment of the protagonist and the main palace. After the decisive battle, the hero was also Alvin... The screenwriter who dared to write this was just waiting to be washed away. If you insist on debating it, you can say that the interaction between Alvin and other characters is just a cb line and does not involve love, but in the current game community environment where two autonomous characters stand and talk, they can also be questioned and speculate on CP... Of course, a thousand words can be said, and imaginative novels can pamper you. In addition, it is also based on the plot of battle damage. The patches for Alvin's numerical values ​​[weak, immortal, and awake] in this book are still very exciting and have been well received.

36 两 The Two of Him Day After DayRomance100k WordsCompleted 22.2kFavorites25.5kClicks/ch6kGifts

Curator note

The idea of ​​"2+1" is not new, and the introduction is quite subtle. However, the author admits in the first chapter that this is an XP work and is positioned as a vulgar short article. Judging from this standard, it is indeed true. It is about love, pregnancy and childbirth day after day. It is very suitable for reading from midnight to early morning. My inspiration for ridiculous film and television dramas was "Bright □□ Life" and "Because □□ There Are □□". This one is not so ridiculous, and is even relatively normal. However, compared to the normal erotic romance, the level of bloodiness is still enough, and the logic of the characters' behavior cannot be scrutinized. The way I judge the quality of character creation is to see whether the background, characters, and plot are harmonious and unified. The three characters in this article are all love brains (comparatively speaking, the female protagonist has more scenes where she is not a love brain than the male protagonist), which fits the background of a bloody novel. The plot is exciting but not too exciting, and it mostly consists of cookies. As for whether the discussion in the comment area is unfair to any of these three people, I can only say that they are all bloody 2+1, which is of course the most fair to the author and the readers who love this bite. It's uncomfortable to read this article from anyone's perspective, but it's better to read it from the reader's perspective. Ps: The author's pen name was so thunderous that my eyes were blurred by the sound of the words.

37 破 A Ruined Future Lin ZizhouBaihe (GL)371k WordsCompleted 17.9kFavorites11.5kClicks/ch57.9kGifts

Curator note

A modern lily with a dark humorous feel. The author is good at using montage techniques to create a movie-like picture. The writing is beautiful but does not use complicated vocabulary. It is also friendly to readers who want a bright reading experience. Black humor is also humor. Humor is the core and soul of comedy, and comedy is essentially an art of offense. The same applies to this novel. From time to time there will be critical and didactic narration, dialogue and psychological activities. To be honest, it is not easy to read. It's not that these criticisms are wrong, but that the criticism is not applicable to oneself and that one is unable to change the discomfort caused by it. The purpose of this novel is to highlight the group portrait of women and to find their true selves, but the former has a flaw that is difficult to get rid of. If you want to embody "treating women as human beings", you have to set up the dilemma of "treating women as women" and then let the characters break this dilemma. This kind of plot design is common in works of the same theme, but reality is not a novel, which leads to an uncomfortable sense of separation when reading. Of course, this discomfort is not caused by the novel itself. It can only be said that discussing these in the current version is too advanced. As for the latter, it always reminds me of Thunder Lion. If you agree with Lei Shi's "freedom" and the way he practices "freedom", you won't feel any integration problems when reading this book. The plot is divided into seven acts. I personally feel that Yao Wang's journey is more exciting when he is in the car. I don't have much feelings about saving the elephant, which the author is very satisfied with. Maybe it is because it is too far away and dreamy. Although the plot has many ups and downs, the main line is also simple. In a nutshell, it is a young adult version of "The Determination to Run Away". Perhaps it's because the main perspective is from the cold humor master Qiao Mu, and the perception is not that great, even a little dull and boring. Relying on the author's writing skills, the ordinary story is made highly readable. The part about reality is too realistic, and the part about ideals is too ideal. The utopia that the author wants to show through the characters' thinking is also in turmoil. Sometimes I feel like I'm not reading about the characters in the book, but the author behind the characters, so I don't comment on the characterization. The author's talent is so overwhelming that it overshadows the brilliance of the characters. I will probably only read this shadow puppet work like this. Ps: Be sure to read what the author has to say. Without reading what the author has to say, the reading experience of this book is incomplete.

38 第 The Third Way to Kill Her Liang ChanNo CP123k WordsCompleted 1.8kFavorites1kClicks/ch1.8kGifts

Curator note

The short suspense novel with the most delicate emotions in the CP-free novel. I am ashamed to say that I am not a suitable audience for this kind of subject matter. Many plots required the author to point out the truth later on before I suddenly understood it. I only half understood the ending of this novel, and even after reading it twice, I am not sure that I really fully understood the story. I think the most inescapable factor for a novel to be readable in terms of plot is "freshness." This is a natural disadvantage of suspense and mystery novels - this type of genre relies on reversals to advance the plot, so that readers are always wary of reversals that have not yet come or have already come, which tests the author's ability to arrange plots. Of course, this novel also has many twists and turns. It can be seen that the author is very careful and confident in designing the twists here and there. This is good, writers just need this kind of confidence; however, there is a reversal design in this novel that overwhelms the focus, that is, the one in the second half (there are many reversals in the second half, I won't spoil it, readers who have read it will understand which one I want to say). This design has similarities and differences with the movie "She Disappeared". If you agree with the plot arrangement of the latter, you will be more accepting of the former; coincidentally, I don't quite agree with the latter's design, so I often frown at the appearance of the former. Other than that, I completely accept all the plot designs in this book (meaning I can understand the author's intention of such arrangements). Let's talk about writing style. I read "The Wandering Planet" first and then this one. I was surprised that the author was able to write two stories with completely different styles. I have read "The Coming of Feng" before, a suspenseful mystery novel set at the beginning of the millennium, so I already expected what would be the cause of the tragedy experienced by the characters in this novel. But what I didn't expect was that this novel was even more depressing and heavy. After just reading a few chapters, the wet and sticky rainy night atmosphere between the lines made me breathless. The author is very good at rendering, and he uses it many times in this article. The clever use of words and anthropomorphic sentences also adds a literary quality to the novel on the basis of authenticity. In addition to "reversal", another way of throwing out information to advance the plot is "memory". The memories in this article are inserted very naturally, especially the memories that are intertwined with reality and have completely different emotional atmospheres. The essay mentions the difficulty of (character) personality transformation in the writing process. To be honest, I found it very difficult too! (Not in a derogatory sense, it means that I empathized with the author and felt that I was also experiencing the difficulties in the writing process) Finally, let's talk about characterization. I've read a lot of small beast-shaped protagonists, and I've also read stories with modern settings. However, Cao Chunxiao is still the most realistic and complex character I have ever seen. I think this is inseparable from the "flaws" that the author dares to add to the characters, and therefore I believe that the author must love his characters: because when you like someone, you like the advantages, and when you love someone, you love everything. I also particularly like what the author said in the comment area: "As an author, what you can do is probably give the character a twists and turns of fate, and at the same time give her the power to break through obstacles. This is enough. Maybe they have not yet achieved earthly happiness when the story stops, but in the ever-expanding world, they will become good trees."

39 不 The City That Never Sleeps DrunkNo CP37k WordsCompleted 10Favorites83Clicks/ch—Gifts

Curator note

[Actually, it shouldn't be included in this collection, but the standards for juvenile novels and general novels cannot be generalized, so I classified them according to their possible adult forms in the future. Only this special case. The author has been completely immersed in his own world and cannot extricate himself. Specifically, he uses his imagination to build a worldview and generates several characters running in his mind, but does not introduce the readers to who the characters are. It was like I walked into a party but knew nothing about the characters attending the party. However, the staff member responsible for the introduction (referring to the narrator) went offline within five minutes of being online. I was left standing there watching everyone talk to each other, trying to fit in but unable to do anything. The world view is very novel, and the synopsis looks very interesting, but how can Dalanghao write in small regular script? The outstanding feature of this novel is that the author's grand and atmospheric pictures have a cinematic feel, quickly immersing readers in the artistic atmosphere of "the solitary smoke in the desert, the sun setting over the long river". However, when it is time to move the camera to the characters for a close-up, the same technique is used, resulting in a serious lack of details. Several characters appear in succession, but there is no prominent plot or close-up to establish the image of the characters. Especially the doctor who is an important role does not have a name, which is a pity. I can feel the author's ambition, such as the background of the seven-story world, the protagonist with a mystery, the forces in various parts of the city... But these settings are not clearly conveyed to the readers, and they remain in a state that only the author's own mind is clear about. The description is too brief. As for the plot line, the plot arrangement is relatively hasty, and the way the characters are connected cannot withstand logical scrutiny. It is like the setting of an idol drama that "there is always only one doctor when you approach the hospital." The best written chapter is the first chapter, and the subsequent plot fails to fully accurately express the story the author wants to tell. Overall, I found it difficult to read because the amount of information presented was too little. In addition, I want to talk about Su Yuan. It is difficult for student-type protagonists to leave a deep impression in novels. After all, such characters often symbolize passive behavior. However, there are obviously many things that can be discovered about Su Yuan and Su Hui, such as where they come from, what their essence is, and what kind of rivalry with the gods will they have in the future? (The author has mentioned some of the content in this part, but it is not thorough enough. You can continue to go deeper and describe it in detail. Including the "want to write about a city, the people in the city, and everything in the city" mentioned in the introduction, there are obviously many details that can be supplemented and improved. Why was this city established? What are the differences in the seven-layer world? What is the food in the city like, what are the festivals like, and what are the portraits of the main residents? Who manages this city, and what are the main means of defending the city?) I have always believed that the most precious and most testing talent in writing is imagination. Writing this novel has proved that the author has a good imagination: daring to create a world view and tell stories in a completely new world. I think this in itself is a kind of courage that requires the support of huge imagination. I think we can use this juvenile novel as a basis to create a magnificent adult novel with rich details, rich plots and vivid characters.

40 强 How the Strong Are Made Old Liver MomRomance1.4M WordsCompleted 160kFavorites215kClicks/ch2.2MGifts

Curator note

It's a cool article about fast travel and upgrade flow. After reading this book, all the upgrade flow will be eclipsed. The protagonist's biggest advantage is his learning ability as a "human" and his vitality as a "beast", which is in line with the mentality of an upgrade-stream protagonist. The author described it very well in the early stage when people's foreign feelings were the strongest, and also wrote the flavor of an alternative food article. In addition, the fifth copy is the most impressive, and the plot is also interesting. The overall writing style has a kind of dry humor, and the atmosphere in the comment area is also very friendly. However, this novel also has many disadvantages due to this subject: the plot in the middle and later stages is routine, and some plots are watered down, etc. There are several dungeons that are obviously only there to add cheats to the protagonist. There is no inevitable and strong logical relationship between the several dungeons. As the protagonist becomes more and more "humanized", the readability has also dropped a lot compared to the original. In terms of emotional shaping, since it is a derivative work, there will be no evaluation.

41 小 Xiaoyu's Adventures in the Crossover World Lou Si MiaoNo CP2.2M WordsCompleted 86.3kFavorites156.6kClicks/ch352.1kGifts

Curator note

All naughty shounen comics need an irresistible protagonist. This is a warm, healing and refreshing novel that makes up for the regrets of the comic. The overall style is relaxed and enjoyable. When I first read the introduction, I was still thinking, "Xiaoyu, why are you here? Are you taking the stairs?" After reading the full text, there is no doubt. She has super execution ability + high quotient + cheerful and optimistic personality + active problem-solving. This kind of quirky little girl should quickly succeed to the throne and be loved by everyone. It was a heavy blow to the stomach-churning design of "Because I think it's best for you not to say anything, so I won't say anything" in shounen comics, which led to all kinds of conflicts and misunderstandings. After reading the entire novel, I felt young. And the author has updated a lot of welfare extras, a great philanthropist!

42 问 Asking About Heaven and Earth Wang Jin WJNo CP1.3M WordsCompleted 1.8kFavorites1.5kClicks/ch1kGifts

Curator note

The story frame is very traditional, with a road novel embedded in the strange world of the East. It is essentially rural immortality literature, and has a strong sense of familiarity with a warm-blooded young man's comic. The writing is plain and simple, focusing on daily life of group portraits. Big troubles are looming, small conflicts are constant, the protagonist group is trivial, the villains are all over the place, the two male protagonists have a traditional flavor, and it is a very classic past and present narrative idea. The protagonist group is very humane, and the protagonist will be deceived and make mistakes. The main plot is not so much about the protagonist taking his brothers on an adventure in another world, but more like the story of "Looking for a Sister" - It turns out that I am the subordinate of the evil god. The structure of each short chapter is basically "the protagonist is looking for his junior sister → the protagonist discovers something strange → the protagonist just won't leave → the protagonist is morally kidnapped → the protagonist is cheated → the protagonist meets someone who can't beat him → the protagonist explodes → the protagonist is looking for his junior sister". Sometimes the "protagonist is cheated" is deceived three or four times, and the "protagonist is morally kidnapped" also takes a long time. The supporting characters who appear in each plot are stupid and bad villains and stupid and stupid weak good people. Because it is not a mindless novel, some plots in the middle will make you feel a little annoyed. In addition, the plot of the copy is routine, and the further you read, the more you will feel tired. After a hundred chapters, the plot reaches a climax, with frequent twists and turns, and finally lands smoothly. This book has two male protagonists and is marked as CB. There is indeed no love line in the text, but the so-called straight male brotherhood is more terrifying than the real Nantong. The two brothers have been entangled in ten lives in the past and are in a fake marriage in this life. What else is your rib in my heart? It's too four or five eggs! There are many scenes of battle damage in the book, which was well received.

43 宇 The Vest Guide to the Universe Literary Circle Rebound Eleven PipaDanmei (BL)655k WordsCompleted 34.5kFavorites47.1kClicks/ch58.2kGifts

Curator note

[You Da Lei: The article has an ambiguous attitude towards AI writing, and the protagonist himself has saved money to buy AI tools for AI writing. Romantic science fiction fairy tale, the writing style is similar to "Hello, I am □□", both are works in which the writing power cannot keep up with the imagination. The imagination is very rich, and the descriptions of different alien races are interesting. The shortcomings are the same as "I'm Opening a Fantasy". Junior high school students felt childish after watching it, but it was just right for college students. The plot is simple and suitable for skimming as a light and leisure read. The whole story is mainly about Tell, with very little Show. In the Chinese version, except for the first story which relies on a bloody plot to attract attention, the subsequent stories are quite average in all aspects. Watching readers praise Wen Zhongwen feels like reading "The level of writing in the entire universe has dropped ten thousand times, but the Blue Star people have remained unchanged." And this book is set in an interstellar background, but it has not gotten rid of the number of literary works, Yilin Reader's Dream of Red Mansions, When the Human Stars Shine, Tomb Raiders Notes, and even One Hundred Years of Solitude came out to brush their faces. The explanation given in the article is to record the Blue Star Civilization. From a romantic perspective, it is barely acceptable. The character designs of both the attacker and the subject are very fairy tale style, and the emotional lines are very cute. The characters of the vests in the plot are relatively flat, so watching the vests fight is quite boring. The highlight is the wild imagination of the universe, and the idea of ​​"encounter is a miracle" runs throughout. Finally, it ends with a romantic sentence in the article: "Good night, universe, and have sweet dreams."

44 桥 Upstairs by the Bridge priestNo CP118k WordsCompleted 255.5kFavorites246.4kClicks/ch429.4kGifts

Curator note

Group portraits of women, realistic suspense reasoning and brain-burning writing, new era Rashomon narrative style. The theme is placed on the suffering of women, and the whole clue is that women help women. Not to mention how well the supporting characters are portrayed, the characters are at least three-dimensional and vivid. The narrative is far from mystical, but the sense of preaching that overflows can be vaguely felt, which can be regarded as the author's characteristic. In terms of writing techniques, the wording is precise and several verbs are used vividly. The language descriptions of different characters are distinguished, and it is not a broad road leading to darkness. The overall tone is bitter and hateful. As Duan commented, "Campus bullying, LTP, and XQ themes are all written badly, but in reality these things are still happening." The author is still soft-hearted, and the ending is as tender as a fairy tale like the one in "Big Brother". Overall, my feeling is: the writing is already good, but it can be improved even more.

45 殿 Your Highness, Why Are You So Guilty? Watermelon Stir-Fried with MeatDanmei (BL)532k WordsCompleted 424.5kFavorites366.9kClicks/ch1MGifts

Curator note

It is an emotional novel, but the logic of the plot line is not weak. The protagonist's character design is very full, and there is also a plot of transformation + battle damage, which is beautiful. The character design of Shou here is a sentimental one. At the beginning, it is written from the main point of view that he actively pursues people and "begins to be in trouble but eventually abandons them." However, it is not intended to portray Shou as a heartless person. Instead, as the plot slowly unfolds, the reader is presented with a loving and righteous prince. Gong's character design is the white-cut-black type that I'm familiar with, but it's rare to find someone who can combine white and black so well. Common elements of ancient novels such as head ailments, poisonous poisons, the old emperor and the queen who doesn't love him, the stupid and useless prince pretending to be crazy, etc. Are also all present in this book, but because the description is natural and smooth, it will not make people feel aesthetic fatigue. Although there is a book setting and martial arts high-strength plug-ins, they all have new ideas and complete the reasons. The narrative style is unified, the plot transitions are natural, detailed and brief, and the reminiscences are not blunt. The emotional lines are described delicately, and the plot lines are not left behind. In addition, the author is good at describing scenes, which is a pleasure to read.

46 双 Twin Swords A Pool of Green HillsRomance276k WordsCompleted 1.5kFavorites988Clicks/ch1.9kGifts

Curator note

The author has already mastered the aspect of creating a sense of picture, and his skills in writing and mirroring are so strong that he can make readers watch the movie in just two paragraphs. It is a very clever work. When I first read the introduction, I felt that Gong's character design would not be my type. Unexpectedly, the main text did not give me such a feeling. I liked the setting of the wolf girl at first sight. As expected, I was immediately interested in it when she appeared in the main text. The entry and development of the character relationships, the depth and reversal of the plot direction were all within my comfort zone. When the truth was revealed in the end, I felt like a smooth feeling of "that's how it is." Suspense reasoning is like a magic show, and its natural disadvantage is the same as magic. Once you know the magic technique, it will be difficult to be amazed by the magic itself. If you know the real culprit behind the scenes, it will be difficult to be amazed by the writing process. This book also belongs to this category. It is a novel that after reading it, you have to lose your memory and read it again to ensure that the flavor remains the same. In addition, the author states that he is not good at classical Chinese. We can indeed see shortcomings such as the sudden acceleration of the pace and the slightly sloppy ending plot in the later stages of the novel. It's not perfect or stable, but it's not completely unfinished either.

47 末 Apocalyptic Real Estate Tycoon Li Jiug eNo CP1.0M WordsCompleted 54.1kFavorites71.8kClicks/ch195kGifts

Curator note

The setting of the camera-style protagonist, which is common in simulator genres, is still very interesting, but the author can't clearly understand the audience when writing, and his position vacillates between players and humans. No matter which side he takes on, he can't completely enjoy it, and it can't be regarded as an enjoyable article at all. It can be seen that the author wanted to pursue a grand theme, and worked hard to write many plots praising the human collective "Courage + Collectivism", and also portrayed many group characters. However, in some plots, it is a bit weird to set the object of resistance of the human collective as the player. There are also many plots in which the group characters are forced to be happy by the players or the rules of the game. As a result, the part of Dihua Liu seems to be sometimes scary and sometimes jarring, which is not smooth. As for infrastructure management, it was more brilliant in the early stage, but gradually became weak in the middle and late stages. Speaking of the protagonist's creation, this is the one with the least obvious personality charm among the author's several novels, and the creation is also very confusing. I wanted to show the kindness of the protagonist but couldn't get rid of the setting of the player's evil camp. I wanted to show the protagonist's fear of staying at home but always had to set the protagonist to go out. I wanted to show the protagonist's gradual growth, but until the last chapter the protagonist could only muster up the courage to go out without wearing a mask. In addition, the protagonist only received a lot more of the wisdom-dampening aura given to everyone in the book. It was difficult for me to convince myself that this was a male protagonist article. During the serialization period, I continued to catch up on updates intermittently. The setting of real estate simulation management + the arrival of dimensional creatures is considered novel and interesting, but in the later period, it also fell into an extremely long copy and began to shape the Black Angel in a large space. The typical charm of the supporting role squeezed the niche of the protagonist. The macroscopic Chinese historical narratives that appear from time to time do not move me. I can only see that the author is using this method to add value to the article. Two points for the author's sentiments and one point for the comedians Spider Sisters. PS: Communicated with the author once. The author said that this book is not purely a cool article, but it is still labeled as a "pleasant article". This is something I can't understand. Also, the author himself is quite candid, but if the book doesn't look good, it just doesn't look good.

48 朕 I Feel Wronged! ! ! ! ! ! ! Park Left and RightDanmei (BL)281k WordsCompleted 187.3kFavorites191.1kClicks/ch161.1kGifts

Curator note

The setting is very interesting, the main point is the reaction of the tyrant. Selling on imagination Dian's articles are inevitably inferior in character creation, especially the emperor's master in this article. This. The initial impression was okay, but later on when I wrote about the emotional line, I started to pick it up endlessly. Feet.

49 帝 Precautions for Growing Emperor Mushrooms Picture FallsDanmei (BL)100k WordsCompleted 103.4kFavorites136.5kClicks/ch59.3kGifts

Curator note

A short story that can be read to lighten your mood. It is a very warm and healing story, a very standard fairy tale theme. Mushrooms are cute, kings are cool, cute in the early stages, and overly sweet in the later stages. As a short story designed by the author to lull you to sleep, it successfully completes the task.