Am I a Cat?

A grand and desolate novel, like a novel. After reading it, I felt sour. As an infinite stream, the horror is more focused on "people" than the monsters encountered in the dungeon. There is obviously a protagonist who looks like a little sun, but the tone of the article is very dark... The cousin who changes at will, the fake Aunt Chen, Fatty Xu who is looking for trouble, Xu Xing who is greedy, and other self-righteous challengers... Sometimes I really wonder if Yangyang's luck value is lower than Shen Danggui, why do all the people he encounters are divine gold (crossed out). The emotional bar titled in each chapter is particularly cleverly designed, allowing people to clearly see how Jiang Yao, who was raised in a wealthy family, was forced to grow up little by little, watch her cry, watch her laugh, watch her close herself off little by little, and then pull herself up step by step. It hurts to see her worried about going through the dungeon in the early stage. It makes her feel proud to see her grow up so fast. She feels unhappy when she sees Yangyang being bullied. But when she sees Yangyang being bullied back, she worries about whether she will be in pain or confused... There are always imperfections in the adult world, and people's hearts are always changeable. It's a pity that she didn't understand this truth at first, and understood it too early. It is said to be like a fairy tale because the final destination is "love". In the initial rampage, he was misunderstood and deceived, but because of love and responsibility, Yangyang still chose to help the familiar family members he finally met. But in Jiang Ming's case, love is real, and hate is also real. Being seriously injured by his beloved family, Yangyang's psychological defense gradually collapsed, and once he began to self-destruct, he tried to alleviate his pain by integrating into the world and lowering his bottom line... At this time, Captain Fu's role became apparent. As a senior, his mature experience made him a "torch bearer" for Yangyang on his way forward. Reminded again and again, blocked again and again, and chased round after round. The dull and stubborn Captain Fu helped her draw a clear line, come up with better solutions for her, and constantly tried to interrupt Yangyang's self-destruction. Emotions are gradually recovered in each dungeon, but pain also comes with it. Love always makes people cry and makes people feel unsatisfied. When facing her parents, brothers, grandparents, and grandparents, Yangyang was hesitant and fearful, and did not dare to meet them immediately. I am afraid that once the truth is revealed, the love I once had will never return, and I am afraid that the happy time of the family in the past will be shattered by my return. In front of her family, she is just a 17-year-old child who loves her family and does not want the family to break up... Fortunately, Yangyang has a group of normal family members who love her and trust her. Under the care of love, the little genius who was forced to grow up quickly finally dared to open her heart to her family and finally landed in the real world. And Fu Xing, from being stubborn at the beginning to realizing his mistakes later, he is constantly improving himself. As a moral role model, Captain Fu has well practiced what he wrote in his bookstore: "If you set a straight goal, there will be no shadow in the end." Unfortunately, he is an idealist. What he desires is salvation, the establishment of proper order to guide others, not rule. He always hopes to adjust Xu Xing and others through education, and tries to exchange for the establishment of order through his own concessions. But a vague compromise will only make the villain swell. Xu Xing's death was and could only be his fault, which meant that he had adjusted to his previous mistakes, and also marked that Captain Fu finally no longer rested on his laurels and successfully entered the next chapter. I especially like the plot in the middle and later stages. A new order is being steadily established, everything is stable and orderly and moving in a good direction. The final finale was wonderfully written! The team that ranked only ninety-seven out of one hundred teams, under the leadership of Yang Yang, fell and got up again and again, constantly breaking through the siege, and making the impossible possible step by step. The sacrifices of several warriors are also heartbreaking. Xing Sishi, who truly became Jiang Yaozhi's "shield", Liu Fengnian, who took the initiative to choose to sacrifice first, Zhang Sunyan and Chen Zhi, who traded less for more and died without using recovery medicine, Li Shumei, who fought for time with his life, Hu Linti, who thought about escorting the box to Jiang Yao until his death, Wang Tong, who took the initiative to hold the heart of the world... None of them gave up, and everyone persisted until the end for the country and their family. A one percent probability was exchanged for a hundred percent victory. Finally, praise Teacher Zhu! This book clearly shows the teacher's progress! Whether it's the writing or the plot, it's a huge step forward! Both the plot content and details are great! Looking forward to other works in the future~

Damn it, I can't do it anymore. I just finished watching Zhao San. I think Zhao San's design is not as good as the author's design. What is the purpose of Zhao San's Jesus line, and what is the point of human beings not having free will? Wasn't human free will confirmed in Zhao Yi? In the end, when I wrote in the blank space, I thought I was going to create the world myself, but in the end, I summoned God to create the world. And most of the character plots in the drama are completely unnecessary. At a glance, you can tell that many plots are deliberately designed by the screenwriter to promote the development of the plot instead of how the plot should develop. For example, the Jesus line, if free will is to be reflected, it should be Jesus leading his new life. The "Twelve Apostles" planned better than the angels. For example, the original destruction plan was to make humans full of suspicion and then destroy each other. The angels wanted to announce the return of Jesus and let everyone believe in Jesus and lead to peace. However, humans can achieve love and peace on their own and do not need the leadership of heaven at all. Moreover, the existence of Zhao San Hell is unnecessary. Zhao San wants to express that human beings have good and evil, and heaven and hell can only affect human beings (to be honest, I feel it is better to use Shen Xia as an example, such as Sherlock's resurrection, Watson beat Sherlock three times, but in the end he still chose to forgive). All in all, the whole episode feels weird, even like watching a sketch, with very heavy traces of performance and design. The funniest one ends up discussing human free will, but guess how many of the four characters are human? And when Satan came out at the end, I didn't know what he was doing. He seemed to be purely acting as a joker who explained the screenwriter's intention to the readers through various pretense and stupid speeches (an insult to Joker). After reading it, I remembered this book. Your logic and lines are much better than Zhao San. At least it can be seen that the plot wants to develop this way instead of the author insisting on the plot developing this way.

So delicious, so delicious... How can Xiaomao Mi Wenwen be so cute?

This little pussy is so cute [love eyes] Now you can really steal it right away in your pocket

Let me care about this little furry girl

Mimi [poor] My heart only follows Mimi

Wow, there is still a ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah [crying]

What a cute girl, she is a good girl

I really like this article [crying] It's so cute, little pussy

Min Min Mi, come to the bowl [empty bowl]

Adorable cold-faced briquette pussy

Ahhhhhhhh it's so beautiful! ! ! ! !

Revisiting, I really like the emotional scene between Xiao Min and Yi Er, it's so heartwarming. Yi Er will find the kitten no matter what time and space it is [biting the handkerchief] [biting the handkerchief] [biting the handkerchief]