How Do I Get a Perfect Ending After Transmigrating into a Terrible World?

It's a disappointing ending. The beginning, Leng and Long were well-developed, but the plot clearly started to be rushed and the pace quickened after Qin An. After Qin An, Zhu Qing suddenly appeared and quickly won over the protagonist, returning to reality to live happily ever after. Spending most of the book on Leng and Long was far less impactful than Zhu Qing's unexpected charm. My assessment is that reading the first three volumes is enough; the last volume is better left unread, leaving only a lingering fantasy.

The book unfolds in a world without order, and the main focus is on the conflicts that Lao Yin experiences with Leng, Long, and Qin in the early and middle stages. The author's writing is indeed very detailed, captivating and immersive, making it my favorite of the six books I've followed. However, the plot begins to go strange after the protagonist's rebirth. Initially, the evil god Ouyang Qing descends to the mortal realm with Lu Zhiyin, which is fine—just the book's usual style of being melodramatic. But later, after Lao Yin loses hope and becomes a puppet, she suddenly starts to pity the female lead, becoming almost like a clown. The meaning of their romantic subplot becomes unclear, feeling like it all came out of nowhere...

I don't think I'll ever forget this book in my long life. I really hope it can be adapted into an anime, just to further depict the protagonist's happy life after the beautiful ending. Lu Zhiyin deserves a better life.

After watching Lao Yue: It's fake 😭

It depends on the person. I personally can't appreciate this kind of frustrating story. Peace sought through compromise will perish, while peace sought through struggle will survive. Without tearing a piece of flesh from the perpetrators, one cannot survive in this dog-eat-dog world. Bullies prey on the weak in order to seek either material or emotional feedback from them. They will only stop when the negative benefits of resistance outweigh the positive ones.

The book "Little Yellow Hair" features numerous inner monologues for its characters, which is incredibly effective in character development. For example, each key plot point is accompanied by a corresponding character's inner monologue. There are also many small details that leave a lasting impression, such as Little Yellow Hair washing his hands in the snow, catching crabs and letting them die in the sun, the neighbor's death, and the four-leaf clover at the end. These small details give the reader a fresh perspective and make the plot unpredictable. In contrast, the plot of "Prisoner's Land" is decent in the early stages but weakens in the later stages, lacking memorable moments and relying heavily on formulaic plots, which becomes somewhat tiresome. From a world-building perspective, Little Yellow Hair's background...

Leng Qingqiu and Qin An, the two female leads, were indeed born with flaws, and I sympathize with the protagonist's fate; both of them should die. However, the actions of the third female lead, Long Qinxin, towards the protagonist are entirely his own fault; I can only say he deserves it. She was so good to him, yet he repeatedly lied to her, spouting endless lies. Faced with her questioning, the protagonist just remained silent—silent my foot! Couldn't he have told her he had his reasons? Couldn't he have told her not to clash with Leng Qingqiu? Couldn't he have told her the whole truth later and told her not to ask anything for now? Instead, he drove her to the dark side, and then blamed the female lead...

Although I didn't read much of it, I glanced at the ending and felt it was a terrible ending. I feel that the author didn't put himself in the protagonist's shoes at all. If I were in the protagonist's shoes, I would never forgive the abuser. Imagine someone trying to sell you into a brothel, could you forgive him? I just can't understand it.

I finished watching it, but what I want to say is that the ending was too rushed and lacked any originality. It felt like they ran out of ideas and couldn't come up with any new conflicts or solutions. The plot died down. Zhu Qing's character development was almost nonexistent in the first half, and then she was brought back to be developed again near the end, but it felt flat and lacked any real depth.

Current progress: I read Volume 4, Chapter 40 very quickly, so I might miss some details. The volumes about the protagonist's first body were generally fine and readable. The protagonist's early cowardly, foolish, and useless character was acceptable. I won't comment on the three CS (Counter-Strike) characters; I couldn't understand them. After a series of events, you can clearly see the protagonist's transformation in the later stages. He finally starts using his brain, becoming decisive and brave, which is very gratifying. However, from the moment he changed bodies, it felt like the protagonist reverted to his old ways, especially after Chapter 30 of Volume 4. The protagonist's fall from grace felt abrupt, and it felt like he could have...