The Frail Vampire Princess Wants to Escape Her Control

First of all, I have no intention of belittling or disparaging this novel; there's no need to waste your time contacting me (my rating shows I'm not simply a fanatical person). So, let me state my position here: the author writes very well, and the characters are impeccably portrayed, whether they are repulsive or captivating. However, I dislike, even loathe, this background, these relationships, and the plot that taints purity; it only makes me more terrified of humanity and myself. (If you don't like my stance, please leave now.) Slavery is unfamiliar to us now, even quite foreign. We cannot directly understand these two words...

To be honest, those who enjoy yuri (lesbian) pairings like the master-servant dynamic only appreciate it if, despite the disparity in status, the two characters are in love. The status difference serves to define the dominant/submissive role. However, the princess completely treats Avril as a mere toy, a pet devoid of any independent personality, utterly exposing the exploitative and enslaving nature of feudal rulers. I like Shelley, but I really dislike the princess. Shelley represents the beauty of humanity, like an older sister, which really resonates with me. I always tend to empathize with the submissive character when reading, but the princess here is very uncomfortable. I actually...

The poor little vampire was completely manipulated by Melia. But I still optimistically believe the princess is doomed. It's easy to fool a child, but how long can you fool her? How many years can you fool her? Since Shelley dared to let the little vampire freely enter and leave the library, it means Shelley can teach Avril to read. When Shelley imparts her knowledge to Avril, the princess's fate will be sealed. Avril will realize that everything the princess said was a lie, even an act of oppression against her and Shelley. At that point, any "love" will transform into resolute hatred. And Avril has plenty of time; she'll find an opportunity to retaliate against the princess. Just the fact that Avril is allowed to suck...

There's no deliberate attempt to be cruel, but every word and action of the characters leaves a lingering, unsettling feeling. The pet-and-owner dynamic initially made me really dislike the princess; I felt she was deceitful, stifled friendships, manipulated guilt, scheming, and even had sadistic tendencies (first impressions are so important; putting yourself in the pet's shoes makes you think very badly of the princess). Especially the time the princess lied about Avril's virginity—I almost gave up on the book; it was really off-putting. After the lies were exposed, the princess's change in attitude in recent chapters has slightly changed my opinion. At first, I thought the author was whitewashing the princess, but after thinking about it...

Firstly, the book's writing is excellent, especially the detailed descriptions and the characters' psychological portrayals, which allowed me to easily immerse myself in the story. Therefore, upon reaching Chapter Sixty-Two, "Fate," I couldn't help but wonder what made Mayfair so deserving of Avril's heart. (The following is purely my personal subjective feeling.) First, is Mayfair's love truly love? I believe that if someone is a lover, their life shouldn't be restricted; if someone is a friend, they shouldn't be imprisoned; even a criminal should be given the most basic human rights respect. What is Mayfair doing? Imprisoning Avril, restricting her life, even trampling on her human dignity. If this is love, I...

I get it, I know everything now, that scumbag author wants to outlive us.

Why not consider writing another book in a similar style? The author has a real talent for this!

The correct way to read this book: Read it once a day × Read it again from beginning to end and you'll find an updated page √

Judging from the comments, I guess the author died and came back to life, and then died again.

A million-word epic author, please consider? The protagonist is powerless to resist in the early stages. In the middle stages, she desperately needs power to escape. Later, she launches a counterattack. Vera escapes but is captured. The main antagonist confronts Shelley, the Minotaur, who patiently endures to accumulate power and help the protagonist escape her suffering. In front of Vera, and with Mel, a scene of betrayal ensues. After escaping the castle, there's a period of happy daily life. Then comes Mel's massive manhunt. On the run, witnessing human suffering, she gains Lilith's power. A revolution to overthrow the feudal dynasty begins. The little vampire dies on the eve of the revolution's victory. Shelley dies in a counterattack by conservative forces. Mel abdicates and lives in seclusion in the mountains. Mel's sister is beheaded...