Hobby Complaints

In fact, the writing was pretty good. The first few battles of wits were quite interesting, but the author ended it hastily due to poor performance, which was a pity. If you think about it carefully, the theme of Game of Thrones and Battle Royale is quite excellent. The essence of Game of Thrones is to fight for chicken. Unless there is only one winner left, then the Game of Thrones will not end, and we must fight to the end. This reminds me a bit of "The 13 People of Kamakura Palace". As far as this book is concerned, the first half is quite exciting, but after entering Slaver's Bay, there are obvious signs of rush. It feels like a pity book. There are really not many Game of Thrones fans to read. After all, almost every character in Mr. Martin's works is wonderful. It is very difficult to restore the character of these characters. Therefore, Game of Thrones fans are really difficult to write, and they are relatively niche.

It is extremely rare for Xianxia to have a setting that is eye-catching. The world view is very brilliant, the setting of refining blood seems to have a magical realism flavor, and the subsequent description of Shi Dao is also amazing. For this world view alone, this book deserves praise. In addition, the author has also made great breakthroughs in the traditional setting of realms and martial arts, which is very immersive and logical. It is no longer a simple matter of "pursuing the Tao and practicing hard for breakthroughs", but has constructed the basic underlying logic of an imaginary world. In order to set up so many Taoist foundations, the author must have spent a lot of effort. As for the group portraits, I personally feel that they are a bit unsatisfactory. Some of the characters in the early stage are relatively distinct. I think the two best-written characters are An Junyan and Li Xuanxuan. In these two characters who have little protagonist character, I can see the curves of the characters. They are wonderful characters that can be recalled and chewed on. Especially Li Xuanxuan, to a certain extent, it is the curve of the development of the Li family. But after Four Xi, perhaps because of the update, many areas were not polished. I feel that the description and brilliance of the characters are not as good as before. Li Ximing, who was described in thick and vivid colors, and his transformation seemed a bit stiff. Compared with the previous vivid characters such as Li Tongya, Li Yuanjiao, and Li Xuanfeng, it is still a bit worse. Overall, this book is the best work I have seen this year. Among all the books I have read, it is rare that it is groundbreaking and innovative, rather than just chasing popularity and looking for bad templates. I have read fewer and fewer online articles in the past few years. I had the idea of ​​writing a paragraph for this book a long time ago. It was not until recently that I was bored and entertained, so I finally started writing.

I like the game very much, but it's a pity that there is no sequel. The production team was originally going to release it, and the ending of the game also foreshadowed the sequel, but it was canceled... I feel that this game should be the best among historical medieval open worlds (not counting fantasy games like The Witcher).

Lu Xun said: "The descriptions of gods and ghosts have no supporting evidence. They could have relied solely on mental thoughts and so-called imaginative writing. However, what they wrote was only three eyes and a long neck. They added three eyes and a neck of two or three feet to the common human body." This is probably the reason why I don't like reading fairy novels. Immortality means spending more time practicing, flying high and running far, and stretching the data to become an immortal. Instead, the most fundamental fairy bones are lost. Caring about profit and loss has no spirit of fairy dust. Similarly, martial arts novels have lost their chivalrous flavor. The only theme of this type of novels is to improve their strength, and the plots are completely game-like and step-by-step. Immortals in Chinese culture mainly come from Taoist thought, which emphasizes a carefree and detached spiritual state, just like Zhuangzi's wife singing after her death. What she pursues is the unity of nature and man, transcending the world and integrating into nature. The pursuit of immortality is also the secular doctrine that Taoism later used as a religion to attract believers, but it is not "immortal". Of course, this does not mean that immortals have a heart of stone and are so-called dark currents. The most important thing is a superb and refined spiritual state. Just like in martial arts, "the great chivalrous person serves the country and the people". For this kind of key theme, it still requires a certain amount of experience and background to write well. It is not suitable for the online article model of writing books for quick success and making money. Speaking of this book, although the routines of Xianxia are very general, it is also what Lu Xun said, "On the common human body, three eyes are added and the neck is increased by two or three feet." But the family characters in the early stage are well written, which I like better. Although the overall character characteristics are superficial and lack of distinctiveness, he does have the flavor of a big house and a big family. It's just that in the second half, the early characters withered, and it couldn't help but fall into repeated routines, which made people tired of reading and became boring.

You can study this book carefully and increase your knowledge!

A new book by the author of "Shao Song".

Ck essay is not a pure history department, it has a certain overhead. This setting is honestly a bit too complicated...

It's an okay hp story, with some highlights, but I always felt it was a bit unfinished in the end, as both the male and female protagonists are original characters.

HP novel, the author's previous book was okay in the first half, but in the end it felt a bit anticlimactic. The concept of this book is pretty good. Grindelwald became the principal of Hogwarts. The writing style is pretty good. It's not a funny book that's not funny.

The author wants to use a journey to reflect the growth and mental journey of the characters. It does feel that way. According to the author, it is based on the writing method of road movies. This kind of writing does help to express the characters' inner feelings and deepen their emotional expression to a certain extent. However, this kind of writing also tends to tend towards the stream of consciousness and lacks the contradictions that promote the development of the plot. Moreover, not to mention online articles, in terms of movies, road movies are also extremely niche in the domestic market. It can be said that the cultural characteristics of road movies are the embodiment of American culture and do not conform to the domestic cultural aesthetics. The author's writing is indeed a way of generating electricity with love. He hopes that he can stick to his own ideas. Even if it is a niche, having his own ideas is the most important thing. If you follow the crowd, you will end up being like a tiger instead of a dog.

I'm finally back to update, but I can't praise the speed... It is a well-written novel about horse-and-blade combat, and it really has some flavor of horse-and-blade combat. Although it is a system flow, the author is basically based on reality. The plot and settings are relatively reasonable, and some elements that are a little bit abrupt due to the game system are not eye-catching. From the perspective of a fan, it is well done. There is room for improvement in the details of the writing, and some of the author's basic skills are not quite up to standard. Not to mention typos, the same word is used continuously in many places. For example, conjunctions such as "but" and "and" are often used continuously in a paragraph, which is very uncomfortable when reading. When narrating, the same person is often used monotonically. For example, when writing about the protagonist, only the name "Byron" is used. Especially in the battle part, three consecutive sentences use this person as the subject, which is very unpleasant to read. Of course, these are minor issues and there are some flaws in the writing, but they do not affect the entire book. What I appreciate more is the author's description of the heroes who ride and slash. The characters are basically written with flesh and blood and are relatively vivid. Of course, each character received different emphasis. For example, Bandak's role was far less than that of Jamila who joined the team at the same time, and even less than that of Crane later. That's not to say that this is a problem. It's normal for the characters to be detailed. However, the author still has room for improvement in this regard. The characters have flesh and blood, but the deeper inner emotions are worth exploring. For example, Crane breaks away from the flat feeling of NPCs in general system texts, and also has his own interests and considerations. Another thing that people appreciate is that this book embodies certain thoughts and thinking of the author. Although it is relatively fragmentary and brief, it is indeed reflected. This is also the good thing about this book. It has a developmental cognition and understanding of things, and slowly reaches a conclusion. Unlike other novels, which must dominate the world as soon as they are published, and make great ambitions without a valid reason. In this regard, this book does a pretty good job.

In fact, I still have some ideas, and the concept is very grand, but the opening routine is too old, and the writing method does not have a strong sense of substitution. The protagonist and friends didn't feel impressive enough from the beginning, and their images were stereotyped and not three-dimensional and layered enough.

The early settings are too long to write, and it takes more than thirty chapters to officially start, which tests your patience.

Personally, I feel that objectively it can be regarded as an above-average work, but with Mysterious Jewels in front, it is inevitable to have higher expectations, and it will inevitably pale in comparison. It's not that the book is not good, it's just that the mystery is too eye-catching. I even think it will be difficult for Squid to get rid of the mystery label for a long time. Specifically, first of all, the sense of immersion in this book is relatively different. The protagonist (suspected) Shang Jianyao is a character that it is difficult for readers to have a high sense of identification and involvement. Apart from being a little crazy, he has no obvious characteristics that make people shine. On the other hand, the other protagonists, although well-characterized, are not liked by readers due to their group-like portrayal (I think they are quite good). Furthermore, the characters lack the sense of protagonists. To put it bluntly, they are just refreshing and the characters are too bland. Secondly, there is the issue of subject matter. As a wasteland theme, I feel that the characteristics of this theme are not fully grasped. There are a lot of creative ideas. For example, Pangu Technology clearly has a feeling of the 1980s and 1990s, which is quite eye-catching; there are also robot monks, robots wearing cassocks, which are also very interesting. But, taken together, there is no strong wasteland flavor. Although it is also portrayed, it is generally a bit superficial, and it is not as thorough and deeply rooted as the depiction of the era background in Mystery. Of course, the requirements may be a bit too high, but for a creative author like Cui Zui, a truly (emphasis added) great author, I still think he can write better. Overall, if you read this book with the expectation of another mystery, I'm afraid you will be a little disappointed. But regardless of the author's name, this is definitely a masterpiece worthy of surprise.

If anything, the setting of Earthsea can be regarded as an innovation, and it can also be regarded as an extension of the "Forsaken Land" setting in Mystery. No matter how you look at it, this book has very strong traces of borrowing from the mysterious, but its writing power is limited, its expressive ability is poor in many aspects, and it cannot give readers a sufficient sense of immersion. Since the advent of Mystery, there have been many similar novels that have followed suit, including the Cthulhu wave that had already begun, which seems to have formed a new genre. But it must be pointed out that the success of Mystery is inseparable from the huge amount of homework done by Squid himself, rich settings and detailed information. Many writers who follow the trend have none of these, only a signature and routine. In the end, they are just painting a tiger instead of a dog.

The new book by the author of "Green Leaves" is a supernatural author with unique writing skills, and the supernatural is just supernatural, without making any messy things.

The Ming Dynasty, dreaming back to the Ming Dynasty, the scenery of the Ming Dynasty... Are there not enough names to choose from, or are there not enough imaginations?

As a trial work, the writing does seem a bit immature, and even the style makes me feel a bit like a book from ten years ago. Now, these too thin settings may not be able to support a book. In terms of writing, not much else to say, the characters' language alone reveals many problems. Translated styles are often criticized. This does not mean that translated styles are not good. Skilled translated styles can be given extra points, but imitating others may not be as good as using your favorite writing style. I have seen some Western historical authors read out the dialogues of the characters in order to find feelings when writing articles. Many authors can learn from this approach.

The title of the book obviously comes from the famous saying of the Empire in the medieval Warhammer: "Remember, you must believe in our steel, our gunpowder, and more importantly, our faith." This is the so-called conclusion that "the foundation of the empire is steel, gunpowder and faith." Speaking of which, by the way, let me tell you my views on jokes. Adding settings from other IPs and making jokes is a very popular way of writing nowadays, so much so that some books are all about making fun of other people's jokes, so that there is no content of their own at all, and they are either a running account or a joke. How to control the balance between creation and fun should be regarded as the dividing point between novices and writers with strong writing skills. If you can control the degree well, then playing tricks will become a bonus that adds color to the work. If you only focus on making fun of jokes and pursue the momentary pleasure of writing, but ignore the sense of immersion and smoothness of the plot, then it will cause considerable damage to the work. Of course, there are also cases where some so-called "great gods" who have become "famous" deliberately play a lot of jokes for the sake of improving word count, causing the original excitement in the early stage to instantly enter the sage time. Talking back to this book, it can be seen that the author has put a lot of effort into it and has a fairly solid foundation. However, the writing style is a bit immature and the narrative is straightforward and needs more refinement.

Senior sister's new work, quality guaranteed. The last volume of Kasugazu Kokasuga was really a pity. It was obvious that the senior had made some breakthroughs and tried to challenge new styles. This new book returns to the writing style that my senior is most familiar with, the history of the Roman kings, Zha Ai is online, well, I stand with Teresa.