Becoming the Mastermind Behind the Scenes, Starting with Marvel

I'm not giving you a small suggestion, that is, don't always praise it too much. This is a common problem with every kind of writing, such as Eternal River, Reversal of Time, etc. The more you write, the more rubbish you write, and don't make other people's writing particularly low. This is also the key, don't make every template look too monotonous.

Don't talk about going home all the time. Of course you can make going home your goal, but don't stress about it all the time.

What a scum under one person, a bunch of little Karami who can't survive modern thermal weapons.

Setting up the bond before time travel is a real failure

Isn't it a pure area under one person? Lu Ci was picked up and beaten by a pair of ordinary people for several days and nights.

Is there a Shennong? How is this book?

Looks good. When will organizations like Protective Umbrella and Secret Files come on the scene? Don't always be Chinese-style and try something from overseas.

Go ahead and drive screws, no, the author's level of literacy is at least a kindergarten class, and the minimum for screwing is a vocational high school. The writing makes no sense.

I couldn't stand it anymore after reading Chapter 6, so I let it out before I left. Behind the scenes flow route. Summon a virtual character, then perform the role, and gain shock value. In short, you have to keep doing things and doing things. The first five chapters summoned two virtual characters, Ren Wo Xing and Yan Shuangying. But what about what is shown in the novel? The fighting scenes are crude, the showmanship is awkward, and the appearance of Hands and Money and SHIELD is extremely low. (Jin Bin jumps out directly to find trouble.) Yan Shuangying appears to save the bald socialite and the blind man. (Seriously, although I know that in this case, some main characters and supporting characters will definitely survive, but this is too cliché. Why not just write the bald courtesan and Daredevil to death in the first 10 chapters of the novel, which is refreshing and suddenly has the feeling of the golden three.) Let Me Go is in Tsui Hark's version of the movie, an enhanced version of the magical star-absorbing magic, which can suck people into sex. And because the protagonist was imprisoned by the Hand before he got the golden finger, he is his mortal enemy. If you follow the normal logic to deduce the writing method, there is actually a lot that can be written. For example, the protagonist escapes and is walking down the street with no money or identity to buy some hot dogs. Then he discovered the clues through Ren Woxing's internal power, and calmly pretended to expose the hot dog sellers and people around him. (You can replace the famous scenes in Gu Long's novels where a killer ambush the protagonist and then is exposed and kills him with American comics.) Then there is a fierce battle scene. You can make a certain magic modification of the battle scene in Tsui Hark's version of Swordsman. The battle designer has it in the movie. Finally, Shou Hehui recovered the body and reported to Mrs. Gao. (Find a few American medical dramas, such as Bones, and then intercept and copy the medical terminology in them to describe how incredible it is to turn a person into a mummy, and why we think this mummy is his corpse. The more serious and professional the better.) Then Mrs. Gao pretended to be mysterious and deep, and said a few words about Kunlun, Qi, etc. When the reporting staff finally relaxed and went back, some information was revealed through conversations with people in the base. (Copied from some spy movies.) Revealing that the person he was talking to was an agent of S. H. I. E. L. D., Or an undercover agent of other underworld organizations, wouldn't this bring out other forces as well!

The writing is generally poor and the characters are seriously homogeneous.