Writing Scripts in Marvel, and They Call Me the Mastermind?

Wasn't Tony's crew being overpowered a bit? The Statue of Liberty arc was giving me a headache. The main characters, wielding four talismans—Rat, Horse, Rabbit, and Chicken—were getting completely overwhelmed by Gan Wen Cui and White Zetsu? And Loki was just blatantly acting; if Shendu were in charge, wouldn't they have been wiped out on the spot? Doesn't the author think this is absurd?

I've caught up to almost the latest episode, and my question is, you're writing about Marvel, so why did you suddenly switch to fantasy halfway through? The Aizen arc at the beginning was quite good, but the introduction of the Earthly Immortal Realm and other things started to make no sense.

It's on par with the other book, with very few flaws. The only downside is that the villainous forces created by the protagonist are a bit too strong, lacking a sense of evenly matched power. Otherwise, it's really good, far superior to the book next door. PS.

Wow, even Emperor Lucifer and the Armored Warriors have pulled off this! I'm getting more and more excited for what's to come. It'll be even more interesting when characters we can't even imagine appear!

While character activities can deviate from the norm, they shouldn't be too abrupt. Natasha's entry into the Immortal Realm and her apprenticeship under Dugu Qiubai is a significant flaw. Given the established narrative of the Immortal Realm's arrogance, how could they allow a "barbarian" to easily inherit their mantle? Furthermore, the art style feels too jarring.

Foreword: I've read up to chapter 106, and I don't know if the author has improved it since. Before subscribing, I personally thought it was quite good, but the more I read, the more disjointed it became. The author's descriptions and the plot's actions are severely disconnected! The author keeps using dry, unemphasized language to explain… Because he's the protagonist, he won.

Hmm, all I can say is that there's too little Marvel content, both in the villains and the superhero team. The author's attempt to elevate the Eastern mysticism, like the immortal realm, is fine, but it's not done properly. If you want them to be high and mighty, just have corresponding opponents as background characters; occasional divine interventions are fine.

The system is too chaotic. The author writes whatever he dreams about; it's bound to collapse sooner or later, and then the author will abandon the project and run away.

My suggestion is to avoid making the character escape control. Even if it feels like Xuanjian, who is completely in control (this is just an example, not a detailed discussion of Xuanjian), make the protagonist's status unobservable and unknowable. Some readers of the mastermind/behind-the-scenes genre are looking for a thrill, and as the core figure behind the scenes, you have to live up to that.

It's supposed to be an ensemble piece, but Tony seems to be the main character; basically, everything revolves around him.