Help! I’m Being Controlled by an Evil God’s Player!

Seeing sensitive scenes will kick the player offline, which gave rise to some random thoughts 🙂 After discovering that being naked can prevent the evil god from controlling her, Vivian never wears clothes again. People thought she was crazy, but she met someone else Then she said: "There are demons outside the world who are looking into the world and manipulating people's hearts to make trouble. You can hide it naked." At first, people just regarded it as a joke and talked about it. Vivian then traveled around the world to find traces of people whose bodies were controlled by evil gods, and spread her ideas everywhere. It wasn't until many years later that gods and men spread all over the world, and people discovered that many people behaved strangely, their temperaments changed drastically, and they were completely different from before, so they gradually believed it. After some manipulated people discovered that this was effective, they established the Celestial Church around Vivian. Players changed their control targets after a large number of black accounts, so the phenomenon of demons disturbing people's hearts spread, and the church developed. Nakedness became a habit throughout the world, and people were ashamed to cover their bodies. As a result, there was no more manipulation, but in the dead of night, Vivian would also think: "Since the evil god can easily control the body, why does it fail just by seeing the naked body? Is the nakedness shielding the evil god, or does the evil god like to be naked and guide him like this?" She shuddered, and never dared to be alone again, because she felt as if there were countless pairs of eyes staring at her. When believers confessed to her, she couldn't help but say: "They have been watching" "Who are they looking at" "All of us"

I think the author's top priority is to find ways to tighten things up and enrich Vivian's character, otherwise the reading of this book will probably continue to decline. I think the reason is that there are problems with the plot design surrounding Vivian, and there are several interlocking problems. I will talk about them in several points below: First, there are too few effective interactions between the protagonist and Vivian. I understand that the author may be trying to maintain the protagonist's awareness that this different world is a game, but this cannot stop the protagonist and Vivian from interacting. When I saw the emergence of the mobile communication APP, I thought the author was aware of this problem, but it turned out that its presence in the back was almost zero. Since the author has written in the introduction that Vivian will meet the protagonist, it should be clear that this is one of the core selling points of this book. However, Vivian's tool-person attributes are so strong that she feels like an electronic pet. You will expect to have sex with your online dating partner offline, but will you expect to have sex with your electronic pet offline? Second, Vivian's growth is too slow. What this refers to here is not only the problem of her slow growth rate, but also the fact that her growth rate is slow and it takes up too much space. The most important thing is that it is very likely that she will grow in the last chapter and regress in the next chapter. This is the most unacceptable. It's like you spent several days gaining experience just to level up. The process of gaining experience is boring, but you tell me that it's just an experience card that will fall back after a few minutes. The plot has progressed to the middle stage, and it feels like it has grown into a lonely place and is still the same as before. It is also a straw bag. Now I like Lilith more than Vivian. After all, they are straw bags, and they don't take up the space. Thirdly, the author did not make good use of the label given to Vivian. The author initially labeled Vivian as kind, naive, cowardly, silly, and happy-go-lucky. I don't have any special opinions on these labels themselves, but I do think that the author did not handle these labels well enough and emphasized them too deliberately, which led to a decline in the perception. The author's current definition of Vivian's growth seems to be that as she slowly grows up, Vivian gradually becomes less innocent, kind and cowardly, but I feel that growth does not necessarily have to be reflected in this way. In fact, I think this trait is somewhat similar to Ash in the Sorcerer's Manual. But in that book, no one will talk about this, because Ash can really stand up at critical moments, and it is precisely because of his kindness that he can achieve the perfect ending. So I think the reason why these labels disgust some book friends (including me) is because these labels are a drag rather than a help to the plot. Vivian's character image does not necessarily rely on killing and decisiveness. If these labels can become useful traits for the plot, and even allow him to do things that the protagonist cannot do, then these labels will actually enhance the perception of the character. Fourthly, Vivian's favorability comes out of nowhere, and the character's turning point is taken lightly. To put it simply, Vivian's attitude towards certain events and her affection for the protagonist are extremely strange. For example, the plot of killing her adoptive mother and absorbing the witch, Vivian's emotional ups and downs are too bland. It is obviously related to her only relative and true origin. It feels like going out to buy groceries. In other books, this kind of change has significant changes to the character. The plot is all about breaking through the level of favorability, but this book is good. Even though the ultimate move was treated as a level A, I haven't seen any effect. This makes it difficult for me to imagine what other ultimate move can bring about a huge change in Vivian. As a result, my expectations for the subsequent plot have also dropped. The setting of the favorability level is weird. There is no difference between different favorability levels. Moreover, because of the lack of real effective two-way interaction in the first point, the favorability level is also inexplicable. Although I know that logically speaking, the protagonist is her only support, and it is normal to increase the favorability. But this is only in theory. In fact, because of these two points, the satisfaction brought by the increase in favorability is too low, and it is even better not to write specifically. What's more, Vivian has obviously begun to care about helping the protagonist, but she doesn't care at all about collecting information about the protagonist and understanding what the protagonist wants. Veterans have said more than once that the essence of the protagonist is a natural disaster. Vivian goes in one ear and out the other, and she doesn't even have the curiosity to understand what a natural disaster is. Is this reasonable? Fifth, Vivian's growth path is not clear enough. Generally speaking, when creating characters, authors not only need to repeatedly emphasize the existing characteristics of the character, but also add some unique and unique characteristics from time to time to distinguish this character from other characters, enhance the character's sense of hierarchy, and leave a unique impression on people. You can also throw out some "previews" appropriately to show some of the future characteristics of this character, so as to continue to provide attraction. This book has reached the middle stage of writing, but Vivian's character still lacks sufficient characteristics, and does not have the aura and distinctive character traits that the protagonist should have. To use a game as an example, the experience and level are obviously not low, the profession is not unique, and there is not even a job change, it is still a blank slate. It is recommended that the author quickly complete this "job transfer", and at least determine a future growth tone. Here I will give a few examples, such as changing jobs to become a yandere Vivian, full of exclusivity and gravity field, coupled with some small dark plots, this taste will come up. Another example is the transfer to Dongshan Xiaohong Vivian. She talks more innocently than anyone else, but is more scared than anyone else in her heart, but is more ruthless than anyone else. She occasionally gets confused and has a dull feeling, which is not bad. Even like Vivian looking into a crystal ball, there is nothing wrong with leaning hard in the direction of neet and writing about the abandoned house Vivian. That's it. Finally, I would like to give my best wishes to the author. I hope the author can keep writing. I am still very optimistic about the author. I wish this book will get better and better.

Why does the dwarf player look so much like the dwarf player himself controls this body?

I am currently reading Chapter 145, and I feel that it is less and less interesting than the early stage. The heroine's character growth is too slow, such as the part where she fights the earth dragon. The author may want to write about the heroine's sense of self-improvement. Unfortunately, it feels like she has swelled up like a pufferfish. After being beaten, a wave of plots are triggered. It feels like the heroine has now become a pure tool.

First of all, my opinions are highly subjective. The following are my opinions. I feel that the author needs to think carefully about Vivian's growth path. Now Vivian has no effect at all. It is really a problem. Let's not talk about the progress in operation. At least the character needs to change and become more determined. In the past, the players have given her the bottom line. Can she make a breakthrough and let her get through the difficulties on her own? For example, there are Players can only worry about the mental test, but Vivian has passed the test and her mind has grown. Now we can't keep it this way. The author needs to change, otherwise it may become a poisonous point. Other than that, it's just a bit watery. At present, we can polish the plot and sort out the next writing ideas.

I often rewrite what I have said before in Chinese translation to keep the word count down.

In the later stage, it was too watery, at least 90% of it was watery.

If it's not enough, can't you add more?

This is by far the funniest book in the series

I really can't bring any brains to my mind while reading the book.