Wuxia Crossover: My Lady, Make Me Your Champion

If you don't understand, just ask, why do authors always like this setting where the Tang, Song, Yuan, Ming and Qing dynasties are all on the same continent? Wouldn't the operating system in your brain get stuck? The development of history has a context, and it affects the whole body. Why can't different dynasties have the same combination of works? For example, the story takes place in the Ming Dynasty, and the stories with the same background or vague dynasty are put together. The other stories are all released stories. Mention them when you see them on the background board For example - Yue Nu Sword in the Warring States Period, Mingyue in the Qin Dynasty, Ghost Blowing Lamp, etc.  I don't know about the Han Dynasty           Wei and Jin Dynasties are talking about Pili Puppet Show, etc.           Sui and Tang Dynasties are talking about Tang Quanzhuan, Datang Shuanglong, Xuanyuan Sword, Jianwang San, etc.    The Five Dynasties painted rivers and lakes, the sixteen voices of Yanyun, the snowflake goddess dragon The Song Dynasty painted the Tianya Mingyue Sword, Tianlong, Shooting Condor, Shuo Yue, etc. Zhang Sanfeng, a young man from the Yuan and Ming Dynasties, Yitian, the best in the world, Xiao Li Fei Dao, Xia Ke Xing, The Four Great Gods, Wulin Gaiden, Rain and Clouds, Swordsman, Sword Rain, Demon Sword Chess of Life and Death, Wind and Cloud, Shuiyue Cave, The Sword of the Third Young Master, Peerless Twins, Dragon Balls of the Demon World, etc.

It's a perm. It's a bit repetitive again. I'm a little tired of reading. Several books repeat these characters. I'm tired of reading. Let's get some new characters.

Lu Yuncheng is Bu Jingyun, Li Jinyu is Tang Xuanzong, Shen Lian is from Yangui, and Li Zhaoting is Wuming. Is it Nie Feng's turn this time? So, Xu Qingya's ultimate move is "Not Under Me"?

The main thing is perm. The protagonists he chooses all have the same identity. The vigilante plus the catcher are the most important. Then the skills that the protagonist knows, such as painting or other skills, are all from the previous wave of protagonists. They are pasting and copying. The perm also sets himself up as a good advice. He has to repeat it once in every movie and complain about the same content in every movie. So, Fatty Tang and his friends, they are all on the same road, especially the old horse. I always feel that the protagonist with permed hair was too supermodel when he first appeared, which resulted in the copy being written too bland and tasteless. Since each copy adds the protagonist to the original protagonist, this supermodel appears to be strong enough for the positive side and the villain is crushed. And the villain in every book is a clown

I don't understand why it was designed to be wind, fire, thunder and lightning in the original drama? According to their four names: Dongfang (wood) Qingmu (wind), Nangong (fire) Lie (fire), Ximen (gold) Ruoshui (water), Beitang (water) Mo (earth) The surnames correspond to the "four elephants" of Taoism - Eastern Qinglong, Southern Suzaku, Western White Tiger, Northern Xuanwu The names correspond to the Buddhist "four elements are empty", that is, the "four elements" of earth, water, fire and wind. In this way, the descendants of the four major families can be named according to the attributes in their names, just like the old Zhu family in the Ming Dynasty. Zhu Di (wood) → Zhu Gaochi (fire) → Zhu Zhanji (earth) → Zhu Qizhen (gold) → Zhu Jianshen (Water) The martial arts paths of their four major families can be set like this: The four elephants plus the derivatives of the four majors, mutually reinforcing and restraining each other to form a cycle Dongfang Family: Wood Wind and thunder can be derived (the attributes of "Thunder" in Zhen Gua and "Wind" in Xun Gua are wood), and wood generates fire (Zhen Xun generates Li) Nangong Family: Adding fire to fire creates fire, and fire generates earth (Li generates Kungen) Ximen Family: Jin Ke Produces water (gandui produces kan) Beitang family: Water can produce soil (water can make the soil fertile by nourishing it, thus promoting the formation and growth of soil; or according to the direction of the northeast (Gen position), it belongs to Yang soil), water can produce wood ( Kansheng Zhenxun) The basic inherited martial arts of each family can be named according to the heavenly stems: Jiamu, Yimu, Binghuo, Dinghuo, Gengjin, Xinjin, Renshui, Guishui Jia Bing, Wu, Geng and Ren are yang (for male cultivation), Yi, Ding, Ji, Xin and Gui are yin (for female cultivation). Either yin or yang is another form of expression. Then you will find that the four major families all have a basic attribute based on their position, except that one "earth" is missing. In this way, "earth" can be designed as a heritage item. The four major families can use this item according to the way of life and death to add to their own martial arts or speed up the derivation of other attributes. The reason for setting "soil" as a heritage item: People who take earth as their origin mostly emphasize the importance of soil, which is most closely related to the farming civilization we live in. For example, Guanzi is the prime minister in charge of land and wealth distribution. He certainly has the deepest understanding of the importance of land; he believes that all life on earth comes from the land. It was designed that the ancestors of the four major families found this inheritance item representing "earth" and began to believe in this idea, which in turn derived the clan martial arts of the four major families.

I have only read the book The Madam is a Godly Catcher. At that time, I even opened a book review thread and forced myself to finish reading it. My final impression is that the female protagonist accounted for less than half of the plot, and 99% of it was a serious plot with no female portrayal or emotional portrayal. It is said to be a harem novel, but more like a harem gimmick to attract readers. But I was willing to write about clothing. Although I felt it was a waste of time at the time, my impression of the author was that he was selling sheep over dog meat at best, and he was not an author from northern Myanmar. But this book only has 400,000 words, so many female protagonists? Does this book have a lot of portrayal and emotional portrayal of the heroine? Of course, you can delete the post directly. I am used to it. The starting point is now like this.

Does Xu Qingya's name come from "Let's put the white deer among the green cliffs, ride to the famous mountains as soon as possible, and be able to crush my eyebrows and bend my waist to serve the powerful, which makes me unhappy"

There is a limited exemption, is my money wasted?

Wait a minute to pay tribute to the heroine at the beginning, emm, let's call it a tribute, although there are a lot of tributes.

After reading a few chapters, I mentioned the knife used by the protagonist. Many people were discussing his appearance. Obviously everyone has different preferences, which greatly affects the reader's perception! So you might as well just divide the knives into two categories, one long knife and one short knife. Every time you write about a knife, don't describe it in too detail. Just like this article, just say long knife and it's over. The rest is left to the readers to make their own associations. What kind of knives the readers like can be defined as long knives, which can at least satisfy the preferences of most readers! In this way, you don't need to think about whether to put the scabbard on the left side or on the back or waist. Anyway, everyone's long knives are of different lengths, but they can all be pulled out!