Wandering Freely Through the Worlds of Film and TV

Buddhism, Taoism and Confucianism are nonsense. Don't write like this, the only thing the three have in common is to encourage people to be kind. Taoist and Buddhist practitioners are destined to die.

I have collected these ten forms of the Tathagata Palm for you BV1Xk4y1C7gg

Since relatively few people read Liang Yusheng's novels, I'm here to popularize the martial arts realm in Liang Yusheng's novels. The description of swordsmanship comes from "Liang Yusheng's Homeland". I forgot where the original post was. First, we will introduce the four realms of swordsmanship. These four realms come from Liang Yusheng's homeland. The four major ones are the light sword, the heavy sword, the heart sword, and the sword. Light sword is a swordsmanship that pays attention to skills. Most swordsmanship is at this level, pursuing exquisite moves. And the moves will improve with the development of the times. For example, in the sword technique of stabbing acupoints, one move in the Tang Dynasty can only stab three to seven acupoints. Stabbing nine acupoints is a unique skill. In the Tianshan series, stabbing nine acupoints is not so powerful. "Hujia Eighteen Pai" can stab eighteen acupoints in one move. The epee is meant to be lifted lightly but heavy, which represents the Great Sumeru Sword Technique, which emphasizes the importance of heavy and heavy. The Great Sumeru Sword Technique is the most profound sword technique in the Tianshan Mountains. It is said to have been created by Ling Weifeng, the "Head of the Seven Swordsmen of the Tianshan Mountains". Heart Sword is an unknown sword technique created by Zhang Danfeng in his later years. The nameless swordsmanship is at a higher level than any famous swordsmanship. There are no fixed moves. It integrates the strengths of various schools, adapts to temporary changes, collects the strengths of all, and uses them at will to create new moves. The difference from the Dugu Nine Swords is that the Wuming Sword Technique can mobilize the enemy and has no flaws to create flaws. The last "sword" is the realm of the protagonist in "Wu-Dang Yijian", "meeting with gods rather than with eyesight", it is not that there are no moves, nor that there are moves. "Nothing" and "being" are no longer "opposite" things, but blended into one. It is possible to come from nothing to something, and it seems that something is still nothing. He has transcended Liang Shu's martial arts system and focused on "spirit" and "intention". The highest level of internal strength is clearly set by Zhang Danfeng in the original text. The book says that he has reached the supreme state of "becoming strong when the enemy is strong, weak when the enemy is weak, counterattacking according to the situation, and sending and receiving at will". There is a big difference between good and evil martial arts in Liang Shu. Upright martial arts progress step by step. Geniuses such as Zhang Danfeng become invincible in the world before they are forty. Even those with poor qualifications can become big bosses after working for a long time. For example, Lei Zhenzi was not very good when he was young (this is compared with the geniuses of his generation. After all, he is also the head of Wudang and can barely be regarded as a first-class master). After surviving the death of his peers, he became a master and a senior master. The evil sect's martial arts are easy to achieve quickly, but the hidden dangers are very high. The masters will "go crazy" and conquer the vast sea and sky. If they fail, they will lose all their martial arts, or they will be left in disgrace. Qiao Beiming created the "integration of good and evil", which sounds very powerful. However, in reality, the gap between him and the top internal strength of the decent sect has not widened. Qiao Beiming's "integration of good and evil" is still inferior to Zhang Danfeng. Meng Shentong and Li Shengnan, Qiao Beiming's successors, still cannot beat Tang Xiaolan. Jin Shiyi also learned the inner strength of the Tianshan sect, otherwise he would have been in trouble long ago. I think the ceiling of martial arts is the two demigod-level figures Zhang Danfeng and Jin Shiyi. Why are they called demigods? Because this is traditional martial arts, not martial arts and fantasy, so they are all mortal bodies. They have also been deflated, so they are demigods instead of gods. Zhang Danfeng's internal strength has reached the highest level (the most solid one in "Lian Jian Fengyun Lu"), he created his own unknown swordsmanship (according to the setting, it is higher than the Tianshan swordsmanship, but it has been lost for hundreds of years), and his record is a complete victory over Qiao Beiming (originally Zhang was slightly injured and Qiao was dying, but Zhang Danfeng was a master, so Qiao faked his death and Zhang Yuanqi was seriously injured). The setting in Jin Shiyi's book is that Grandmaster Zhengu Shuojin is a "combination of good and evil." His record is to kill three big bosses in one move (one person has one move, and the three big bosses are almost invincible in single combat, only the protagonist is slightly better, and the protagonist is said to be as good as Jin Shiyi in martial arts). The dark spot of the record is that he was defeated by the seven-star formation of Fuso Seven Sons. In the end, although he won with two against seven, he lost half a move and almost lost his finger.

When I saw Detective Di Renjie, I jumped in!

When Liang Yusheng's masterpieces "The Shadow of the Shadow", "The Jade Bow in the Sea of ​​Clouds" and "Seven Swordsmen" were adapted into TV series, the magic changes were very powerful, and some characters had nothing in common except for their names. It is said that the most restored version of "The Shadow" is the 1985 ATV version (it is almost impossible to find the source of the film online). I only watched a little bit of the Huang Haibing version, but the "Flying Sword Dance" should be the original version of the TV series. In the original work, there are only two swords. I personally think that the two swords combined are more powerful than Jade Girl Su Xin's sword skills. Because Jade Girl Su Xin swordsmanship requires two people to have the same mind, if used separately, it will be more mediocre. Anyway, when I look at Qidian Martial Arts, everyone thinks that Quanzhen Sword Technique and Jade Girl Sword Technique are relatively ordinary, and only the combination is the ultimate skill. Zhang Danfeng's master, Xuanji Yishi, created two sets of swordsmanship: Wanliu Chaohai Yuanyuan Sword and the ever-changing Yin and Yang Xuanji Sword. People who practice them separately do not need to be connected with each other, they can perform them directly and seamlessly. The separate swordsmanship is also a unique skill. I found "The Legend of the Knights of the Tang Dynasty" in my study. Compared with the TV series "The Legend of the Knights of the Tang Dynasty" that I had watched before, I found that the magic changes were so powerful that I could only say that some of the names were the same. The biggest point of resentment is that the core has been changed. The novel is a tragic song that expresses the generosity of the heroes of the Tang Dynasty. The novel ends with Nan Jiyun, Duan Guizhang and others sacrificing their lives to the national disaster, and they regarded death as if they were dead. The TV series has become the protagonist's "cheating" journey. The protagonist is a swordsman and later becomes the best swordsman in the world. He is one of the martial arts ceilings of the "Datang Series". In order to promote the sword and demote the sword, the TV series had Duan Guizhang, the "best swordsman in the world" (in the novel, Duan Guizhang is only a first-class master, he is a swordsman from Youzhou and not the best swordsman in the world). He was killed like a chicken with his palm skills. Then the protagonist became a swordsman wizard. He was originally a loser. After practicing swordsmanship for a few months (maybe only a few days), he immediately became a first-class master, and almost no one could beat him. The protagonist in the novel is a tool man, and the most prominent ones are Nan Jiyun, Duan Guizhang and other knights of the Tang Dynasty. For the protagonist, the TV series deleted the historical figure Nan Jiyun and gave the protagonist Nan Jiyun's highlights in the novel - The Broken Finger Begging Master and the Mawei Incident. Nan Jiyun's wife Xia Lingshuang plays the role of Kong Kong'er in the TV series. In fact, Kong Kong'er does have a wife, but she doesn't appear in the book yet. Then Kong Konger somehow turned into Duan Kexie (Duan Kexie seems to be the protagonist of "The Fate of Dragon, Phoenix and Baochai") and recognized Duan Guizhang as his father. All the other characters have been changed, except for their names, which have nothing to do with the original work. The supporting character was changed into a wife and a father, and naturally the protagonist could not escape the murderous hand. In the TV series, the protagonist's father-killing enemy Yang Mulao in the original book became the protagonist's father and a big boss. He killed An Lushan, then proclaimed himself emperor, wanted to make the protagonist a prince, and finally spent his whole life to bring the protagonist back to life. The protagonist's wife has also changed. Originally, Wang Yanyu and the protagonist could not get back together because of the hatred between the country and the family. The protagonist's wife is Han Zhifen. In the TV series, Han Zhifen sacrificed to save the king and let the protagonist be with the king before his death.

The author made a big mistake. Di Renjie was a minister of Li Zhi and Wu Zetian, and Wu Zetian was the emperor for about 16 years in total. Therefore, the 19-year-old protagonist must have been born during the Li Zhi period. Anyway, Li Yuan is also the emperor of the Tang Dynasty. Are you sure that the protagonist can use the nickname "Xue Yuan" without avoiding Li Yuan's taboo? ? ?

I can't figure out why I have to let Li Longji be the emperor. In his later years, Li Longji almost brought down the Tang Dynasty. To be honest, if I were a pig's trotter, I would support Princess Taiping. Regardless of whether I can succeed or not, I just want to give it a try. Princess Taiping's power is still quite powerful!

The author's writing is quite good, but the main character is too Buddhist, a bit like a nanny. This is probably the reason why the results are not good. The protagonist is utilitarian and has a bottom line as a human being. He does not help this group or that group, but occasionally shows a little compassion. This is the profile of most modern people.

The author's layout is too small. He should first go to Superman's Girlfriend and get Superman's superpowers. If he wants to recycle the meteorite unless he crosses the world, then find a magic power that can swallow other people's flesh and blood to improve his own. Go to Superman and devour Superman when he was young. Superman's girlfriend has superpowers, while Superman has blood.

When will you go to Jiang Ye World? I am particularly interested in novels about Jiang Ye World.