My Wife Is No Demon

1. There should be less green turtles. The homogeneity from the characters to the plot is too serious, and the author especially likes to give these characters a lot of scenes. Maybe it is because the readers feel more comfortable when the three-dimensional points are slapped in the face, but it is a pity that the homogeneity is too serious and many people will only think it is watery 😅 It is recommended to leave one as a clown to provide laughter and the rest can be shaped as a traditional villain. 2. Get rid of the emotional hierarchy 😅 The number of female characters' roles can be different, but their emotional treatment is obviously higher or lower. This is quite awkward in a harem novel😟 Especially the author, you like to make the main wife absent for a long time + the male protagonist only loves the main wife + the female supporting role does not stay with the male protagonist out of love but various interests. The result is that in the plot For a long time, the male protagonist and the female characters around him have treated each other as tools. People can't become CPs and can't produce sugar. When you were in the sea, you could rely on writing meat to let the readers have a good time and get to the shore. But that's not the case - there is neither meat nor sugar, so what do you want the readers to eat?

Come on, lamentation, if you don't come on, I'll feed you grass

Elegy If it doesn't work, let's go back to the sea 🙂

If I hear you talking about Mr. Lament again, I will prick my own ears👂🏻!

Come on, lamentation, if you don't come on, I'll feed you grass

If it doesn't work, why don't we go back to the sea? The loyal believers are still waiting for you.

It's not as good as the first one, hey, come on, I'm a soft-hearted fan.

I changed the book after reading Chapter 54. This book gave me a strange feeling. It's cool to say that the hero's wife at the beginning is the strongest, and she gave him a bunch of treasures to fully protect her. The author of Sese is guaranteed as a landed author. Let's face it, the author's style is that of a female author. The male protagonist is submissive, neither taking the initiative nor refusing. The only time he took the initiative was tricked by the villain, and in the end it was the eldest wife who came to the rescue. Except for the eldest wife, the other two female protagonists who had a relationship repeatedly emphasized that they had no love for the male protagonist, it was just a transaction, and they had to write something similar to Yue Piao. The writing is also a bit awkward. I don't know why every sentence is followed by a sentence explaining why the character said that sentence. There are not so many notes in drama scripts. The part about rescuing the wife was even more embarrassing. First, the wife's own mental journey, then the wife's explanation to the protagonist, and finally the eldest wife watching and commenting from the sky. It's really overwhelming. I don't understand how to write novels and Liu Bei, but I think the author still hasn't broken out of some habits of writing about Liu Bei's period. Of course, when you write about Liu Bei, you can write a lot about the psychological activities of the heroine and the psychological tangle of the wife's first wife and son. But when you write a novel, you can't just write about these things.

Have you been to prehistoric times and seen Houtu? Just write randomly and take it for granted

Author, why don't you change the name and finish The Fairy Wife.