Do You All Know the Future?

I know that I am a niche, and I also know that some people don't like that the male protagonist is weaker than the female protagonist. The problem is my writing style. If you ask me to follow the crowd, I can't follow it. If I do, it will explode. I just want to write about a white lady-like wife who dotes on me and loves me. I listen to her words and make a career, and at the same time help her achieve herself. I also want to write about how Lexington made me a loser, and she can wait forever. My wife doesn't look down on me, nor does my wife's family look down on me. She even listens to my opinion on everything. We are together because of our relationship, and I am not forcing her to like me. Why should I be more persistent than her? The summary of the plot is that the eldest wife helps me win over the younger wife, fights monsters and wins the heart of the younger wife, the younger wives become jealous for a while, and finally they are reunited. As for the realm, I can only say that my wife's realm is my realm. My own realm is enough, that is, reaching the dungeon level, not the traditional upgrade process. The male protagonist is an ordinary time traveler. He does not have a strong Taoist heart. He only wants you to be good to me and me to be good to you. He is simple and sincere. What he wants is to have a wife in his arms when he comes home from work and say, "I love you, wife." It's that simple. The male protagonist does not just lie down and work hard where he can. For example, in this book, he strives to take the Tudor Royal Academy, does things within his ability, and helps the female protagonist. The male protagonist can transform into a love saint to seduce girls. If he can't do it, he can't do it. What I write is chasing after food, and only beautiful women can seduce the male protagonist due to various factors. You insist that I write a protagonist who has no omissions, has invincible strength, looks like a succubus, and is loved by everyone in the world. There are many such books, and I also read them and like to read them. I even encourage book friends to read them, but I really can't write them. Do you know that I don't have the ability? It's because I don't have the ability to write. Do you think I don't want good grades? Good grades mean money, and I'm short of money. Who doesn't love money? I don't have the ability. My ability is limited to writing this kind of casual writing. There are readers who support me and like to read this style. I can barely make ends meet, and that's enough.

The great lament finally returned to his loyal Western Fantasy territory😭😭😭

I have always felt that the background of the heroine is quite nonsense. No matter whether it is ancient or modern, Chinese or foreign, the rulers who have been despised and overthrown by the people are 10% human-like stars who are not like human beings. You can't even find a special case to overturn the verdict.

Why is Qidian so fond of dating wives in recent years? In the past, the author would also make patches, such as if the son was not his biological son or was a virgin. Nowadays, the taste is really getting stronger and stronger. It's really the Tauren who are in charge.

Here comes my Dai Qisi🙂🙂🙂🙂🙂

Let's not talk about the moderator's books for now. From "Fighting the World" to Heinous, you can clearly feel the progress of writing. Whether it is the beautiful description of the environment as a foreshadowing, the shaping of the characters, or the dramatic changes in the plot, the author's hard work can be clearly felt. Especially the beginning and the first heroine of these two books, I particularly like them, far better than the other heroines. I have been paying attention to the author. Until now, I have given monthly votes to all of them, but I forgot to leave a good review in the comment area. However, this book is like a white text written by AI. There is no fateful encounter with a fateful and unexpected plot twist, no passionate and responsible male protagonist, and no emotional repetitions in the female protagonist's heart. I feel like the author is like a company veteran who has lost his ideals and is just making ends meet at the starting point. If you write well, we admire and praise you; if you write poorly, we criticize and hope to correct it. But, I won't leave yet. I hope the author will continue the beautiful chapter of roses and flowers.

I am a long-time reader of the author. The author's biggest characteristic is his soft rice style, and that's why I came here. However, this book currently does not seem attractive enough, and it is difficult for the author to update it. As a reader, I will share my immature views, hoping to help the author greatly. This and even the previous novel have a common problem - the male protagonist lacks action in difficult situations. Although he is a coward, the male protagonist's behavior in difficult situations is really like a camera. The emotions between the male and female protagonists are not simply describing how close and trusting they are. They need to deepen and express each other's emotions through the male and female protagonists' shared experiences. However, due to the lack of the male protagonist's role in the dilemma, the dilemma becomes a solo stage for the female protagonist, which leads to the emotional expression of the male and female protagonists becoming superficial. Of course, there are many ways to create male and female protagonists. Even if there is no plot to overcome difficulties together, the portrayal of the main heroine Margaret is still good, but other than that, the other heroines may not leave a deep impression on people. If it were me, I might still choose to strengthen the male protagonist. Under the purpose of soft rice flow, the male protagonist's auxiliary abilities can be strengthened. For example, the male protagonist can add buffs to the female protagonist in battle, so that the male protagonist can make a difference in difficult situations, instead of just waiting for Margaret to solve the battle. To be honest, I think this book can still see a lot of improvements compared to the previous one. The plot conflicts in the previous book were basically focused on the conflict between the villain Dragon Lady and the decent, and the conflict between the extraterrestrial devil and the local immortal world; while the plot conflict in this book is focused on the conflict between the heroine Margaret and the gods, and the conflict between the male protagonist's holy blood and the gods. In this way, the male protagonist has also become the center of the plot conflict, and he is not the soy sauce like before. Also, Margaret in this book is quite clingy. This praise is really hard to bear because the main heroine Long Niang in the previous book disappeared from the plot for a third of the time after going to a secret place.

This book is the follow-up to Flowers. Will the next book be XX Halo?

References:

To be honest, it's a pity Theme Western Fantasy In fact, the Western Fantasy theme was not that popular at the beginning and the traffic was not high People started watching it largely because of Fanhua But how should I put it, part of the reason why everyone enjoyed watching Fanhua was because of the dependence of the heroine and the heroine at the beginning, and the treatment of other characters Basically, they indulge their inner desires (lsp) But compared to Fanhua, the male protagonist does not have high desires and just wants to live a good life and eat soft food. The starting point limits the author's performance, and in addition, the process of relying on each other is skipped, and the female protagonist is not established In the end, the vicious cycle became basically unfinished.