I Can Take His Place

Who taught you how to write an introduction? It almost made me laugh to death.

I want to say something, can Sun Ce compete with Zhao Kuangyin? Are you kidding me? Zhao Kuangyin can't even fight a pig's foot, but Sun Ce can.

In fact, it was barely okay to watch, but a large part of the plot between Cao Cao and Yuan Shao ignored the historical fact that Yuan Shao was the world's number one warlord, and was written as if Cao Cao was about to unify the north and become invincible, which made it uncomfortable to watch. You must know that in the Battle of Guandu, Cao Cao was 20,000 against Yuan Shao 100,000. He had less territory than others, and no one was rich. He was short of soldiers and food. He was still in the midst of four battles, and he had to guard against sneak attacks everywhere. The book says that during this period, Cao Cao was as powerful as Dong Zhuo and needed the princes of the world to form a group to deal with him. It is too uncomfortable to endure this poisonous point again and again. If Shuhuang hadn't given up long ago. Are there any book friends who feel the same way?

I feel that the thing that really eliminates clan politics is the imperial examination, which allows the lower class or people who are different from the clan to have room for advancement. The emperor had to use clans before, otherwise the lower levels would not be able to govern. After the imperial examination, I can use the talent from the imperial examination. Therefore, the sects are gradually being eliminated by technology. After all, no matter how smart your sect is, you can't compare with the talents selected by technology. That's what it means to cross a single-plank bridge with thousands of troops.

The writing is really getting worse and worse, the level has been regressing. When I wrote 1592 and Xiao Xiongzhi, I could say it was excellent. When I wrote Lan Fang and Xuande, it was okay. What are you writing now? It's an abstract plot, and it's not good. Compared with you back then, I'm just a piece of shit.

In fact, the one written by Sun Quan is quite good, but there are two biggest problems: 1. It progresses too fast, Liu Bei and others are dead, and the number of words cannot be written 2. In reality, there are too few book lovers who like Wu, either Wei or Shu, and Liu Bei will die when they come up, which may not be accepted. In summary, I can't write many chapters, and book friends don't pay for it. Maybe the latter is the key point, but for me personally, I like it very much. As long as the author's writing is good, I will support it.

That book "The Heroes of the Eastern Han Dynasty" was so well written that I can't forget it to this day. It is the most unforgettable and touching book I have read in the past few years. The series of plots after ascending to the throne made me cry. I have never found such a touching novel about the end of the Han Dynasty since then.

Although, Taishi Ci's side was blocked for rescue, and Lu Xun's side was also blocked for rescue. I know that the protagonist wants to win people's hearts with this, but this routine is still...

The previous writing was so exciting, but why did it go downhill all of a sudden? There were obviously two successful examples of Heroes and Xuande in the first, but why did the later writing become worse and worse, or was it because the circle restricted you? How about reading this book and changing the dynasty? The Spring and Autumn Period and the Warring States Period, the Sui and Tang Dynasties, or the Song and Ming Dynasties can also be used

It's quite disappointing. I feel that the author's writing skills have dropped a lot. In fact, there is nothing wrong with the plot and rhythm. It still maintains a certain level. It is efficient and not procrastinating. It is fun when it should be. What is disappointing is the specific details of the writing style written by the author. Whether it is dialogue or plot, the text is not a picture that brings a sense of substitution, but a ruthless AI nonsense. I remember that when Xiao Xiongzhi and Qiming wrote several works, they were not in this style, and the historical flavor was still strong. It seems that when Xuande, Lanfang, and Yuan Shu were still writing this book, they suddenly changed to a different writing style, using minimalist vernacular as the main writing style. When placed in the starting point historical area, it always seemed a bit out of place. Maybe this kind of vernacular writing is less difficult and easier to write, but when you read it as a reader, the sense of immersion is quite bad.