
In the Dungeon, I Get One Resurrection Coin Every Day
人在地下城,每天一枚复活币
- Status
- Completed
- Length
- 446k Words
- Genre
- Light Novel
- Subgenre
- Original Fantasy
- Updated
- 10mo ago
- Source
- Qidian
Stats
188Chapters
0Votes
1.2kRecs
8.2kFans
Tags
Synopsis
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Reader comments 31
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Although I can still read it, I still have to say that this book is extremely poisonous and you should not try it unless you are a Shennong. This book is extremely poisonous and only a Shennong like me can endure it.
It doesn't matter what the protagonist's language habits are. After all, the protagonist has his own influence of more than ten years. But why do people from other worlds in western fantasy call the protagonist brother when they greet him? The name of the passerby is also Xihuan.
This is studio writing, I guess, it was edited.
There is no interactive plot about a girl who has a crush on the protagonist. The appearance of such a character will really scare away many people.
I can't help myself when I read Chapter 12! Your overall structure has copied at least 70% of the "infinite evolution starting from adding points"! ! ! Does the author think that we readers are blind and cannot read? ? ?
The first few chapters just can't attract people, there's too much nonsense.
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Overall, it seems to be light-hearted, not too tense, which is what I like (some books have protagonists who want to be in danger of death every second as soon as they have the ability to be resurrected, which makes reading too stressful and tiring) The author's thoughts can also be seen from the fact that the resurrection coins are accumulated daily but the balance is not mentioned afterwards. It's obviously written with no sense of crisis (the reader doesn't know how many resurrection coins there are = the author says there are as many as there are), but this idea is too obvious and seems too lax. You don't have to say exactly how many coins there are, but you need to have a rough number. For example, there are dozens of coins. There are more than a dozen coins, and how many coins have been obtained in a few days. (To write down as many coins as possible, just write down how many coins you have obtained.) Accumulation is a good point. You should always mention it. Even if it is a rough value, every time it exceeds 100 digits, it is something worthy of celebration for the protagonist. Writing this kind of thing will give you a sense of substitution. Of course, too many resurrection coins will be consumed, and you still need to have a sense of tension, otherwise you will collapse. Try not to exceed a hundred, or even more than a dozen. It is also fun to convert resurrection coins into actual income from time to time (the income must be large, but it must be proportional to the consumption, otherwise it will be difficult to write later) And since there is panel data, it should be displayed more! Even the slightest progress must be shown! It doesn't have to be the entire panel, but at least the skills that increase proficiency should be displayed from time to time. It is even recommended to show the panel every time you are resurrected, and also show the panel after a certain number of days. If you don't write about growth, what's the point of these experiences? For example, the author writes that the protagonist learned a lot from the archer, but no matter how detailed and specific you write, it is not as persuasive and satisfying as the panel that displays "Mastery: Wilderness Survival (new), Adventurer's Common Sense (new)". The natural authority of the panel allows you to use it like this! The author can speed up the pace appropriately, but don't make it too tight, otherwise it will be too disconnected from the original style. Write more about the acquisition of panel abilities and the accumulation of resurrection coins. From time to time, develop the skills of the fantasy works in the previous life, and take the initiative from time to time (the protagonist has initiative is a good point) to consume the resurrection coins and make a fortune silently.
It's Chapter 6 and I'm still focusing on writing the protagonist. Because he is an ordinary person, it makes sense for him to be so stupid. . . No, author, why would such a stupid person be the protagonist? You wrote this book to prove that as long as you give a golden finger, even a pig can survive menopause, right? But I don't think your golden finger is strong either! I'm happy now that I'm convinced.
Instead of playing muddy intrigues with a few ordinary people, it is better to be a formal professional who has undergone strict training and start taking risks. Anyway, you are not good at handling this kind of start, so you might as well just skip it and not write. I chase high-traffic imitations every day. Just because they are popular doesn't mean you can be popular. What are the advantages of this type of book?
Che Zhuluan talks too much and the details are not perfect. The Western Fantasy NPC uses an Eastern accent. Shouldn't "Xiongtai" be "bro"?