From Pearl-Diving Tanka to Unlimited Career Advancement

Those who cultivate immortality like to be handymen, and those who practice martial arts like to be hunters or fishermen. 🙂

Black monks, nuns, and Taoist priests are common. This is the first time I saw Black Mazu.

I don't know what kind of psychology the author had in adding this new setting. At present, I don't see the slightest use of this punishment. Instead, he is madly backstabbing the protagonist. Let's not talk about the backstabbing behavior in the previous dungeons, let's just talk about this fourth dungeon. At present, I have seen Chapter 5 of the 4th dungeon. First of all, the author, why do you want to add this setting? Are you afraid that the protagonist will not fight hard? That's strange. There was no such setting in the previous few times, and the protagonist did not give up and wait for death. Whether he was seriously injured at the beginning or was in the ice and snow at the beginning, the protagonist was actively trying to survive. Even if you don't add this setting, will the protagonist give up and wait for death? It's impossible, so first of all, at least at the beginning, this setting has no effect at all. The second is that in Chapter 5, an inexplicable willow tree suddenly appeared and sent a little demon under his subordinates to invite the protagonist to her lair. Then the protagonist knows that there may be a death penalty, is in a weak early stage in urgent need of development, and does not have a shred of intelligence about the opponent. She chose to go to her lair alone when it was getting dark and she had just separated from her companions. It is hard for me to imagine that this is a protagonist with a normal IQ. The protagonist has just arrived in this world. Not counting the little demon who invited him, he encountered extraordinary supernatural beings a total of 4 times. The first three times were all malicious and life-threatening, and the fourth time was this willow tree. It proves that most supernatural beings in this world are full of malice towards human beings. As a result, under so many negative circumstances, the protagonist seemed to be bewitched and chose to visit her lair. Even if you heard others talk about this willow tree demon when you were gathering information, you could say that she is a good demon that everyone knows, but nothing would happen. At this time, friends who have watched it will say, oh, the protagonist is just guessing. He just guesses that there is a death penalty, but there may not be one. Isn't it normal to guess now? First of all, I didn't guess in the first three dungeons, but only guessed in this dungeon. This obviously puts pressure on the setting, and this behavior can only reflect the protagonist's stupidity and naivety. And why do I naturally think that there is no death penalty? Because one is the author the author borrowed from. In his two books of this type, there is no death penalty in different worlds. Two, after several months of hard work at the beginning, the protagonist still had only one profession on the panel. The protagonist said that he knew that this panel could accommodate countless professions. In the absence of a second profession, the protagonist definitely stated that there is no upper limit for the professions on the panel, which proves that the panel must have some basic information. For example, just by looking at it, you can tell that it can accommodate countless professions. In this case, after three copies, the protagonist still did not mention any death penalty, so I believe everyone must have acquiesced that there is no death penalty. Then I will briefly talk about the behavior of being stabbed in the back in previous lives. I will not talk about some of the risky behaviors. After all, it was not the protagonist who came to the door on his own initiative. It was unavoidable. Although the protagonist encountered it, he did not hide away, and even took the initiative to stick to it. Let me talk about the second life. If there is a death penalty, why do you want to join the army as the protagonist? You are still extremely weak in the early stage. Don't talk about the martial arts in the army. Even the food transport soldiers who have just joined the army can be assigned the martial arts. That proves that it is impossible not to leak out. If you want to look for it, you can definitely find it. Compared with the benefits in the military, its risks are too high. If you don't have a professional golden finger and want to find a way out, then I can understand you joining the army, but you clearly have a golden finger, so the benefits in the military will be greatly reduced. Later, it also changes to holding the flag. In the case of the protagonist holding the flag for the first time, if there are a few second-rate or first-rate masters among the so-called elite army and those who capture the flag, the protagonist will die on the spot. As a result, in a world where there is obviously internal strength and internal strength, the few elites who captured the flag turned out to be just veterans. In the early stage of the second dungeon, it was very obvious that high risks were exchanged for high rewards, but because there was no death penalty at that time, and there was a very incredible golden finger. So the conversion used to be a low-risk exchange for a mid-range reward, but your fourth copy has a new setting that may have a death penalty, so here it becomes a high-risk exchange for a mid-range reward. After writing so much, I am too lazy to continue writing. Anyway, I currently can't see what purpose this death penalty has except to put pressure on the protagonist. Now this setting is added. Every time the protagonist makes trouble in the early stage and behaves carelessly, in my opinion, he feels like a brainless fool😅

The first two worlds are good to watch, but starting from the big drama, they become boring.

Time travel is also too frequent. I just came out of the dungeon and started a new plot in two chapters. The main world seems too thin.

Putting the cart before the horse and focusing entirely on the dungeon world, there is no progress in the main world, and the dungeon world cannot feed back the main world.

The bitch was ruthless but righteous. She knew he was in danger in the brothel and helped him escape! But the actors are meaningless. When they become rich, they won't say a word to them.

This book is a bit anticlimactic. The first copy was well written, but there was no feedback in reality, which felt very strange. Then I rushed into the second copy. It felt rushed. There was no problem with the writing, but it felt like it was written too hastily.

I haven't read it since I saw chapter 16. The setting is quite interesting. If you like to read mindless and refreshing novels, this is a good book, but I don't recommend it if you want to delve into the plot. So far, my feeling is that the whole world in this book obviously serves the plot. There are many unreasonable behaviors of the characters in the book, all in order to cater to the next exciting point. For example, in the first dungeon of the protagonist, he performed quite well in the first half year and did not dare to show any real skills. However, in a pirate match, the enemy leader suddenly put aside the strength of the two leaders and the strength of the small leaders, etc., And directly asked to compete with the abilities of the two brothers (still a very single skill, without doing a few more projects to test the all-round ability). If the enemy won, the protagonist's territory would belong to them. If the enemy lost, the protagonist would have face. It was such an unbelievably unfair bet, and the protagonist Fang Tou didn't say a word and simply agreed by default? It's obviously just to show off the protagonist's hidden strength. Then the question is, what are the benefits of pretending to be sweet and hiding it for half a year, and then suddenly revealing your strength at this time? Did he already expect that the other party would compete with his younger brother's strength? Anticipate that the other party will underestimate you, and then you can pretend to be a pig and eat the tiger? Next, the leader of the enemy team went out in person. Compared with the protagonist, a newcomer who has been in the industry for half a year, I don't know how he had the nerve to bring up this "discussion". Does it give him face to win against a little brat? Next, the protagonist continued to show off and won. At the same time, the protagonist also found that his skills have been upgraded by two levels. It can be seen that if he had manifested his sage earlier (or practiced?), He would have been upgraded a long time ago. It is not difficult to find that this series of operations, pretending to be sweet for half a year, exposing one's strength, and accepting bets, are all intended to unfold a plot - the protagonist pretends to be a pig and eats the tiger. If you like to watch pretending to be a pig and eat a tiger, and like cool writing, this is a very comfortable place. Come early and don't have to wait too long. Whether it's pretending to be a slap in the face or revenge, it doesn't take more than a few chapters. For those who like to study the rationality of the plot, I can only say that this book is a bit disappointing. Then there was the matter of kidnapping the granary personnel in the middle of the night to deliver food to the homeless victims in the city. If you think about it carefully, it is not difficult to find the problem. In short, the behavior of everyone and even the protagonist himself, whether he suddenly becomes wise or suddenly loses his wits, is all for the sake of what the author wants to write next, which seems a bit stiff. There are advantages and disadvantages to this. The advantage is that it is refreshing, but the disadvantage is that it is stiff and strange.

The author likes to show off and write how awesome the protagonist is. In fact, I don't think it's that awesome. Awesomeness is a feeling, it doesn't mean that you are more awesome just because you are more awesome.