Witches Are the Ultimate Productive Force
魔女就是第一生产力
- Status
- Completed
- Length
- 604k Words
- Genre
- Western Fantasy
- Subgenre
- Sword & Sorcery
- Updated
- 1y ago
- English
- Request a translation
Synopsis
Stats
222Chapters
1.1kRecommendations
5.1kFans
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Reader comments 18
Google Translate
At the start, you rescue the witch and then vigorously develop production. Should you go for the witch strategy, or should you switch to the Emperor and have a few angels sent to quell the rebellion?
Are there any witch/demoness stories that subvert the usual tropes?
The protagonist transmigrates to another world and learns that his original inhabitants' parents suddenly died yesterday, and he has inherited the title of viscount. He also inherited his family's docile fiancée, whom they had raised since childhood. With fair skin, a beautiful face, and long legs, the protagonist was completely captivated within a day.
I suggest changing your writing style.
This kind of interspersed writing style is very unpleasant to read. Just when the protagonist is about to have an exciting plot, the author turns around and writes about the supporting characters of the opposing camp. It's been like this in the latest installment! I don't care how amazing your writing techniques sound, to me you're just disgusting the reader!
It's just about letting go of that witch, isn't it?
Big Head: Great! The witch is beyond saving. This will allow us to develop productivity, undergo a magical industrial revolution, and unify the world. Little Head: Wow, this cow is hissing and mooing! Those legs, that waist, that chest! Rabbit Head: What is your total damage? What is your damage output? What advantages do you have compared to other witches?
Main character: Another new witch! That's great, blue eyes and blue hair are so rare! I love her quiet, girlish type! We just swapped birthdays; she was born on September 9th at 9 AM. And she even agrees with my ideas! She always says change is a good thing. She even gave me a title, "The Agent of All Changes," which sounds really nice.
This introduction
Let go of that witch? Hmm, keep it up, I hope you can write a different story.
This book is guaranteed to be ignored once it's on the shelves. Stories need continuity. You're just throwing things together here and there, calling it a dual storyline, but have you considered the readers?
If you like writing like this, it's no wonder you're not popular. You're just hoping to make a living off the minimum wage, right?
We're tired of using witches' and sorceresses' abilities for farming; how about something simpler and more direct? Each witch with good genes can give birth to genetically enhanced superhumans, and each witch has different strengths and characteristics. So, the male protagonist, an emperor, leads 20 of his genetically enhanced superhuman sons on a grand expedition to unify humanity?
The author's writing style is really something else. One paragraph isn't finished before another begins. Who taught you to write like this? Is this a screenplay? Besides, screenplays aren't written like this. It's like taking chicken droppings, all jumbled up and doesn't make any sense.