Crimson Blade: A Wandering Journey

In fact, the orthodox adventure genre is quite popular nowadays, and everyone is tired of watching it every day. It's a pity that the protagonist wanted to be an orthodox adventurer but ended up becoming a blood hunter. Maybe he would take the route of a sadistic villain who was forced into exile. People nowadays can't stand a little grievance.

Finally, it's not farming, stallion, or hegemony writing. Adventure writing is interesting. It's about the extraordinary world, personal power, freedom, look at that sb lord, if the emperor doesn't like it, just fuck him.

The author's lack of understanding of female love psychology and the reader's perspective has already caused the heroine Charlene to cause hidden harm to the hero Anthony and the readers. The perspective of the male protagonist is the perspective of the reader, and the feelings of the male protagonist are the feelings of the reader. After more than a hundred chapters of hard work, the male protagonist (reader) finally entered the magic academy and started learning magic. However, under the deliberate arrangement of the author, he fell in love with the female protagonist. Among them, the multiple switches to the psychological perspective of the heroine Charlene seriously ruined the reader's reading experience. The male protagonist Anthony should have been used to provoke the female protagonist Charlene's psychological emotions to show the process of the male protagonist's psychological strength. In turn, the female protagonist Charlene was used to provoke the male protagonist Anthony's emotions and successfully turned the male protagonist into a weak person in love psychology, destroying the strong independent character established by the male protagonist in the first hundred chapters. At the same time, the author's lack of understanding of women's love psychology led to the addition of telepathy and the ability to read minds by touching the heroine Charlene, which further increased the difficulty of emotional writing. When the male protagonist Anthony is completely immersed in the feelings of the female protagonist Charlene, it is when the female protagonist Charlene successfully destroys the male protagonist. The reasons are as follows: ​​​ A woman's love and mate selection are essentially the process of finding a strong enough male gene provider and male material provider for her own future and the future of her offspring. Therefore, under the long biological evolution, she will only be interested in men who are strong enough among the men she can come into contact with. This kind of strength does not only refer to material enrichment and physical strength, but also includes psychological strength. Therefore, she will repeatedly make trouble in love to test whether you are strong enough. Women often don't realize this when they are in love, but her feelings and emotions will truthfully feedback to her whether the man is strong enough. Once she realizes that the man is weak, even if he is only emotionally dominated by her, she will immediately stop being interested in the man, because being weak cannot guarantee her life and future generations. She will not hesitate to leave or use this man to find the next stronger man for herself. Based on the above logic, we can conclude that the male protagonist's sense of mystery and powerful psychology are destroyed by the female protagonist's telepathic ability, while the heroine's innocence and magical knowledge gained from a noble family background are not irreplaceable for the male protagonist. This is not to mention the contradiction between her innocence and her efforts to study at a magic academy. What's more important is that the male protagonist's emotional love and the reader's emotional disgust create a serious sense of separation of reading perspectives. It is recommended that the author immediately focus all the perspective on the male protagonist's magic practice in subsequent chapters and refuse to have any emotional fluctuations towards the female protagonist. The male protagonist's strength and psychological strength must remain consistent from beginning to end. His attitude towards the female protagonist can provoke her emotions and psychology like a master teasing a cat, but he must never be intoxicated with his feelings for her. The male protagonist's persecution or lack of interest in the female protagonist does not affect the female protagonist's feelings for the male protagonist, but proves the male protagonist's strength and emotional strength. This is the reason why the heroine in many female channel characters falls in love with the enemy who killed her whole family. Therefore, the perspective of the male protagonist is the perspective of the reader, and the feelings of the male protagonist are the feelings of the reader. Therefore, if necessary, it is better for the male protagonist to kill the female protagonist and get a new one than to let the male protagonist lick and submit to the female protagonist. I hope the author can deeply understand this suggestion and make improvements because it is not too late to change it from now on.

There is a lot of description from the beginning of the academy chapters. Even if it is well written, the questions are completely uninteresting and make people feel inexplicable. Obviously the previous adventures were very exciting.

As a result, your academy plot seems to have turned into a female channel after it started. Several chapters in a row are devoted to the psychological activities of the female protagonist. So is the main plot of entering the academy about falling in love? There are only a few sentences about learning magic, but I can't figure out what it is about?

Investigation object: "Scarlet Blade: The Wandering Journey" - Male Protagonist - [Anthony Makarov Christopher] Investigation Result: [Reincarnation (Awakening of Su Hui)] Judgment Basis: A time-travel investigator, as the name suggests, is a time-travel investigator The profession of investigating and recording crossing situations, aiming to let observers (that is, readers) in all worlds know in advance the crossing situations of travelers in this world, and volunteer to provide observers with fast travel information query services If there are any mistakes, Wan Wang will correct me ——Zhenjun Wanling Feast Stay on May 13, 2025

I'm embarrassed to see it, so I might as well not write it.

I personally think this book is well written, but from the moment I saw the heroine, I had an impulse and a sense of nausea that I didn't want to read any more The relationship between the male protagonist and the female protagonist is simply irritating. The male protagonist changed from the calm and independent person he used to be and did not become hesitant or even evasive The female protagonist said it was because of her bloodline The influence of the character is different from that of ordinary people, but the appearance of a giant baby who is irrational and dominated by emotions, the disrespect for others, and the wanton prying into other people's hearts are really disgusting In summary, I hope to reduce the number of scenes for the female protagonist, and increase the number of scenes for the male protagonist to skillfully deal with problems, concentrate on adventures, and study magic.

No, why is it that after entering the academy, the protagonist's progress is blocked? Is this course mandatory?

It's not that it's not good to have a female protagonist, or what the heroine's personality is like, it's actually quite good, but don't you think it's too stiff? Just write the interaction between the male and female protagonists. Didn't Anthony work hard for so many years to enter the magic academy to learn magic? Since so many chapters have passed, where has he studied magic? It's not that it's not good to write about daily life. Should daily life be written purely around the heroine? You want to write about falling in love in a magic academy, but as for your other characters, there is no introduction to the classmates, and there are no other events in the academy, so you just write a heroine. You, the heroine, are like writing a heroine for the sake of writing a heroine. The male protagonist's strength has improved after drinking medicine. After improving his strength, do we need to arrange actual combat? The two things you wrote before and after are completely different. What did you rely on to attract readers in the first place? Since you wrote the heroine, you have basically cut it all away.