A wisp of innate deathly energy takes form; born in the Sea of Blood, I gain divine powers.
Yuantu and Abi Swords at my side, I burn the evil fruits of all ghosts beneath my feet.
I inherit the Way during the Dragon-Han Calamity, then reveal my greatness after the war between the Liches.
The six paths of reincarnation are established in the underworld; the Five Emperors of the Five Directions summon the Divine Lord.
The Three Sovereigns and Five Emperors seek the rightful calendar; I reap karma through the Investiture of the Gods and the Journey to the West.
When the Dharma-ending age returns to the void, I save myself through the Way and make my name resound through the ages.
When a soul from beyond the world becomes Ancestor Minghe, an innate deity conceived by the Sea of Blood and formed from deathly energy...
“I command the boundless Sea of Blood. I was conceived from deathly energy, blessed with the creation of Heaven and Earth, and cultivate the orthodox teachings of the Dragon-Han era.”
“Why should the six paths of reincarnation require Houtu to sacrifice herself? I, Minghe, will come and create them myself!”
And so...
The lineage of the underworld, once no more than supporting gods and immortals in the Investiture of the Gods and the Journey to the West, becomes the rightful order of the Three Realms.
A Great Unity cultivator from outside the three clans appears during the Dragon-Han Tribulation.
An unconventional Sage who does not cultivate the Three Corpses method emerges in the age of the Sages.
A supreme Divine Lord appears in the history of humanity.
The Dragon-Han Tribulation, the Great Tribulation of the Liches, the Investiture of the Gods, the teachings of the Spring and Autumn era, the trials of the Journey to the West...
As he journeys onward, Minghe gradually loses sight of those who once pursued him.
“I am Ancestor Minghe.”
“Then I shall establish reincarnation, build the underworld, appoint the Yin gods, create the orthodox teachings, overcome the final tribulation, and transcend all things!”
Are all the current writers of prehistoric fantasy novels using stories the protagonist has already read as plot points after transmigrating? It's ridiculous. Following the plot, the protagonist would definitely be killed off. Shouldn't transmigration involve experiencing a real world? Would it follow the plot of a novel you've already read? Why not just write about transmigrating into a novel's world directly?
Having read many prehistoric fanfictions about Styx, I feel that his strengths haven't been fully explored. His strengths aren't his dual swords or his Blood God Child status. In my imagination, purification is Styx's foundation. Possessing the Blood Sea—a prehistoric waste disposal pool—and the Crimson Lotus, he should comprehend the laws of purification.
Question: Where is his Karmic Fire Red Lotus? He stole it before he even traveled back in time?
How could this thing be published on the Sanjiang Literature City website? Did the author bribe the editor?
The first few chapters of the free version were enough to make me give up. It's a novel disguised as a prehistoric fantasy story, but the Merit Tower is given to Hongjun, and the Karmic Fire Lotus is given to Luo Hou. It felt very awkward to read, and I couldn't take it anymore. I'm outta here.
Too low-class
Defeating an enemy many times weaker than oneself, after seven or eight chapters of rambling and rambling, still no solution was found.
Shennong is here. It's been ruined since its release. To find out the post-release storyline, just look at the title; it's basically an expanded version of the title content—all fluff.
You claim to be able to transform into the Six Paths of Reincarnation? Do you have that kind of power? What is Houtu? A direct descendant of Pangu? What qualifications do you have? You don't have that ability, you know that, right?
The author is picky about people; just as the book was about to be published, all the exciting parts were exhausted, leaving only bland content. Deleting the book and leaving.
Stop showing off your clumsy language. We're here to read novels, not to watch you flaunt your writing. If you're going to write, write properly.