Forging a Destiny

After a long second volume, this volume has finally come to an end. On the occasion of Prince's hiatus and adjustment, I would also like to focus on the last part of this volume to review and look forward to some elements and issues in the story. Although it is said that it is a problem, in fact, the things mentioned may not necessarily affect the perception. In fact, the perception of this volume is still remarkable. Most of the mentions are more about doubts about the story structure and expectations based on it. The first is the story structure of the last part, Despair Wilderness. Compared to the second part of the second volume of Gold Leaf City, which has almost no backbone, the third part should be said to have a backbone. But compared to the backbone of a very clear and obvious "arbor", this part of the story is more like a "bush" - although the various parts that make up the story revolve around the Despair Wilderness and Vensaral, several story parts are extensions of the centers of other story lines. For example, the story of Xiao Ye and Ye Xing is the prelude to the story of Shura Island; the clear part is the revelation of the background of the Lust Demon; Chongming's memories do not have a particularly prominent color of Fansalal; even including Fansalal himself, his memories actually focus far more than just himself, but also the unfolding of the entire Supreme Road storyline. There is nothing wrong with the story structure itself. In fact, the branches of the "bush" and the parts that come from the center of other stories have a very good look and feel. However, under such an arrangement, due to the excessive number of characters, the War of Varok and the War of Curse and Thunder did not have separate foreshadowing in the plot structure. Instead, a plot path that had not been foreshadowed before suddenly appeared in a single chapter. Without foreshadowing in the structure, the writing power of a single chapter can only be presented in a single chapter. After a single chapter, the emotions conveyed by the plot are easily compromised. In addition, the large number of characters that appear has indirectly led to the fact that some characters who continue to appear have not reached the plot point or are not at the center of the story for various reasons, and their core characterization characteristics have not been extended or re-emphasized over a long period of time. This can easily lead to a decline in readers' feelings about the characteristics of the characters. To put it bluntly, the attraction and charm felt from the characters can easily become less obvious. This type of story structure has a large number of characters, and each character has a story line that not only revolves around the main stage, but also has a corresponding relationship between several characters. It puts forward relatively high requirements for creation and is a considerable challenge for creators. In addition, there is the issue of combat power that is often mentioned in the group. The opinions expressed by you and me in the group may not be very clear and obvious. Here I only express my own views on the combat power of this book. The first thing to emphasize is that the relationship between the performance of combat power and the perception of the story is not inevitable. Stories that require combat can also highlight the emotional flow without emphasizing the combat power system. As far as this book is concerned, I think the impact of combat power performance on the perception of the story is not bad, and there are not many problems that have a negative impact on the perception of the story. However, the current combat power system does cause some questions, which may have a potential impact on the perception. The first is that grading within homogeneous points is now almost meaningless. In the previous chapters, Fande was roughly divided into Wanbi, Dao, Heretic, Legend, and Imperial units. Generally speaking, readers will start to classify various units based on this basis to feel the combat power. But what actually happened later was: Units with less than legendary combat power were either treated as trash in the plot and were almost insignificant to the overall plot, or they never appeared at all, while the imperial units that were higher than legendary were not non-resident villains and would not continue to appear, so the main characters at least seemed to be all squeezed into "legendary". So far, there is no usable hierarchical level within this homogeneous point. But everyone is crowded into the legend. Readers still need to predict and distinguish the strengths and weaknesses of the characters appearing in the plot. This leads to the next problem. The cross-particle combat power is blurred. To be precise, the size of the numbers cannot explain the problem. The first is of course the protagonist A Kong. His Sephiroth numbers can already be ranked in a separate row among the imperial units relative to his strength. At Sephiroth 2, he has fought and defeated the legendary Shax of Sephiroth 3. At Sephiroth 3, he is already significantly stronger than Wen Harrier from Sephiroth 4. Not to mention that the boss at the end of the volume, Vansalal, is hanging with Sephiroth 2. In fact, it cannot represent anything. It is not very clear which stage of Sephiroth 4 he is at, or above it. It is difficult to match numbers and strength. Of course, there is the protagonist on one side and the boss on the other. If there are any special features, we will leave them aside for now. Let's look at Huaisu again. She was promoted to Sephiroth 3 at the end of the second part of Volume 2, a Sephiroth 3 that is obviously stronger than the legendary Sephiroth 3 based on Shax. So where should her strength be positioned on the numerical axis? It's hard for me to give an answer, because on the one hand, her number is Sephiroth 3, but from the reader's point of view, she is obviously stronger than the Legend of Sephiroth 3. At the same time, there is no Wen Harrier who is stronger than Sephiroth 4. I think she has also entered a separate combat power positioning range. In addition, the most obvious thing is that several of Van La Salle's men had decisive battles with our side ranging from Material Point 3 to Material Point 4. So leaving aside the absolute numerical axis of Material Points, which of them should be stronger or weaker than the typical Wen Harrier of Material Point 4 currently? The main characters appearing on the scene can no longer be summarized by the "legend" in this Sephiroth. For various reasons, they are obviously stronger than their corresponding Sephiroth numbers. Of course, when it comes to the specific content of these battles, there is indeed no inevitable meaning in locating combat power. As I said before, the look and feel is not necessarily related to the positioning of combat power. The content of these battles can also exist independently. But from this we can also see that whether it is different numbers or the same level of combat power segmentation within the same number, it is actually in a state of disability. It is actually difficult for readers to determine the strength of the character through simple numbers or the same level segmentation. So completely putting aside this combat power classification, has this book completely turned to using relative expressions of strength to differentiate strength? Not really. Not to mention the digital positioning of High Quality Point 7 that has been emphasized, there is still a certain distance from the progress of the story. There are two recent examples. One is when he came on stage in abjection, he specifically emphasized that Fansalal was no longer what he used to be. Was he emphasizing that he had lost some ability? No, he simply emphasized that Vansalal only has "2 Sephiroths", which means that the story believes that low-numbered Sephiroths should still have a meaning that reflects low strength. Another is when Wen Yao mentioned her strength in the story, did she emphasize her strong mechanisms and abilities? No, the story emphasizes that she has "Sephirot 4", which means that the story still wants to express that this number should be very oppressive and deterrent. At this point we can see the contradiction in the combat power system. In the story, when the numerical differentiation of combat power has basically been disabled, the story still wants to use numbers to reflect the strength and weakness. The effect of such reflection will naturally be discounted. Of course, this does not pose a big problem in this volume, because the book now directly or indirectly emphasizes the relative strength of the battle when facing each enemy, basically avoiding the problem that readers will have misconceptions about the content and direction of the battle because it is difficult to locate the strength of both sides, or even misjudgment, which will lead to the emotional flow of being unable to follow the story. However, this is also my view on potential problems with combat power performance. Unclear positioning of the opponent's combat power may lead to readers' misjudgment of the emotional flow of combat. They think they are strong when they are actually weak, or they think they are weak when they are actually strong. Corresponding problems may arise. I think that the positioning of the combat power of the particle number needs to be recalibrated so that the combat power can have the meaning of strength and weakness in the classification; or the absolute positioning based on numbers is almost completely abandoned, focusing on emphasizing the strength comparison of the characters participating in the battle, and reflecting the strength ratio of the combatants through more angles. Then there is the issue of combat power expansion. In my opinion, this is not entirely a combat power issue, but closer to a problem of combining the story progression mode and the combat power system. This book currently has more than 900,000 words in serialization. The protagonist Akong has gone from fighting basically equal opponents with Material Point 1 at the beginning, to the current Material Point 3, which is nominally a Material Point 3 but can actually fight at least a higher-strength Material Point 4. The actual upper limit of strength is based on the above statement about the combat power system. It is difficult to describe it with numbers. However, if the most mechanical prediction is made, this progress will already be in the battle against Sephiroth 8 at about two million words. This world view is currently considered to be the top existence. Of course, this is just the most mechanical prediction, and it should not actually happen (... Probably?), But it is enough to show how fast the current combat power development feels. I think the rapid development of combat power is mainly related to the current development model of the story. The current story mode development model generally involves the emergence of a significantly stronger opponent. The protagonist either completes the strengthening of strength before the war (Despair Wilderness), or breaks through during the war (Gold Leaf City), or defeats a stronger opponent through hard battle, and then actually reaches this strength standard after the war (Jingshi Town). These patterns themselves are normal and common, but where does the bloat appear? I think it appears that "it is almost necessary to reflect a substantial increase in strength through an increase in the number of particles." If you want to show that you have won a strong opponent, the most intuitive way to show it is to increase the number. The idea is natural, but combined with the aforementioned "the inability of numbers to reflect combat power", the combination amplifies the problem. On the one hand, the protagonist's side is obviously stronger than the number reflects. Whether it is Akong's particle 3 or Huaisu's particle 3, they are actually significantly stronger than the number should originally reflect. In other words, the protagonist's promotion to "one level" is actually more than just one level. The specific level of promotion almost only depends on the needs of the plot and the comparison with the opponent. At least for now, it has little to do with the originally designed system. On the other hand, the inability to differentiate and classify within the particle means that when the number of the particle does not change, the improvement of strength cannot be easily demonstrated intuitively through means other than numerical improvement. In key places where improvement must be reflected, "digital changes" are still needed. Of course, it needs to be emphasized again that the above issues have not directly had a significant impact on the perception of the story, but the future planning of the story should require some new models. If nothing else, this progress of 2 million words really needs to be improved. 8. ( Regarding the outlook for the current story, I also have some issues that I hope can be solved or avoided in the story. I really hope that the prince has thought about these things, or does not need to think about it because it is not the case at all. I am just worrying unfounded, but let's write down what I think of first. First of all, there are so many pitfalls that need to be filled in, including but not limited to the pitfalls of many heretics and several roads. Here are the pitfalls. I won't list them one by one, but this is not the part that I am particularly worried about. What I am more worried about is that the current pitfalls and the main characters are different from the previous books. Most of the pitfalls no longer correspond to the main characters one-to-one. The main characters may no longer have a "home roll" and go through their own key plot points in a relatively short period of time. They may then turn to the "bush" style story development model mentioned above, with multiple lines developing at the same time within a story line. A larger number of main characters are being portrayed in a long-term and non-centralized manner at the same time. On top of this, the prospects of the main characters are not very clear. Whether the character has completed the character growth arc, and what progress will be made in the long-term story line if it has not been completed. If the growth has been completed or is not growing temporarily, how to strengthen the interaction with other elements of the story under the current situation, and appropriately re-emphasize the characteristics of the character. These are I can't see it from the current progress, and the future development and performance of the story will gradually give the answer. To put it bluntly, how to avoid the situation similar to "I have written all the things that should be written, but the holes have not been filled in" at the end of "Cangdu" needs to be considered. Of course, these have not happened yet and are only things that need follow-up observation. I am still confident in the growth and development of the prince, and I believe that the prince can give good results.

After reading it in one sitting, I had several feelings. Read Thirteen Trials first. Because Thirteen Trials is so good, let's take a look at other works. Let's talk about the features first 1. Some chapters are too dragon-like, which is both an advantage and a disadvantage. 2. The feeling of several outsiders and the writing of the battle part are a bit similar to that of Burning Soul. The super powerful evil forces generated by twisted good intentions also give people a sense of oppression and powerlessness. The battles are all burning + beating, and it is really tiring after watching it. 3. The light novel author's unique sense of talking to himself is much less severe than that of Sky City, making it more reader-friendly. There are also no more stereotypical nerdy descriptions, such as "Mr. Gongsun XXX" when he speaks. 4. Compared with the boss who has always wanted to be created, the characteristics and charm of Dark King are obviously stronger as a female protagonist. What is stronger than Bai Yueguang is the dead Bai Yueguang. (Please let Wang Quan return 😭😭😭. It's too sad for Chu Hengkong to write "Guardian Spirit in the Sky" alone.) 5. The progress of each novel is really a bit too much. Does Prince Haihuang go to some spiritual time room to practice every time he finishes writing?

A tentacle that is simple, powerful, and highly malleable; a tentacle that is strong, changeable, and has hidden dangers but can be overcome with excellent quality. If I were asked to evaluate Volume 1 and 2 of Casting Fate respectively, I think Chu Hengkong's left arm is the best explanation. In the first volume, we got a glimpse of a corner of the world. The bond between Akong and everyone in Huilong City gave him an existence that he could call home in the Shendong World. On this basis, the immortal flower makes the persistence of this lonely city no longer an empty dream, while Yu Hui uses the intersection of blades to carve out a stubborn rock that sticks to the promise in the mud of dreams. Finally, as their ambitions fell, and after decades of haze, they were finally able to look up to the future. We also cherish the same hope and look forward to what kind of feast the prince will serve in the future. However, when we entered the second volume, we realized with some hindsight that the scale of this future seemed to be slightly larger than we imagined. To summarize, let's naturally start with the plot. This volume is undoubtedly the largest chapter the prince has ever written. Even if Yingshi Town is regarded as 1.5 Volumes, the second volume is a long chapter with 160 chapters. The extraordinary length naturally contains more stories. In Yingshi Town, Golden Leaf City, and the Wilderness of Despair, our protagonist conquered the Kingdom of God and conquered the wilderness. From an unknown hidden genius, he became the center of attention in the entertainment world. In the story of Yingshi Town, the prince looks at Fan De and covers the story with a layer of humorous filter. Our perspective focuses on the monster hunter Chu Hengkong. He is struggling in the new environment. I can finish the tasks piled up on the mountain in half a day. In order to survive, I have to eat rocks! Although there is a shadow of uneasiness behind the laughter, it doesn't matter. No matter how miserable it is, it can't be better than Huilong City, right? Then came "The Truth." The past of the Netherworld Divine Kingdom has overwhelmed people, and the Immortal Machine has even choked people's throats. The most powerful and evil mining machine of the True Mechanics is right in front of you, and all you can rely on is the energy you have been holding in your chest since time travel. Finally, the desire to die has transcended the ages, and the truth is not insurmountable. The killer in a foreign land rises for the same meaning. After a short period of joyful daily life, Inspector Chu rushed to the battlefield of Jin Ye without being able to catch up with his training. If I were to give an analogy to the Golden Leaf Edition, it would be a strawberry cake with all the ingredients considered luxurious except for the strawberry on top. Prince has put great effort into every supporting character, including Shax's theory of purity, Seth Lun's rise for his homeland, and even Wu He, who made the sad, hateful and funny characters come to life. But when it came to Huai Su, who was burdened with the core conflict, because he spent too much time preparing other ingredients, the strawberry could only be ripened. The story about the knight's past has been condensed into two chapters from a subplot that runs throughout the novel. Of course, thanks to the power of the prince's writing, the strawberries are still bright and vivid in the end, but the shortcomings in the process are still regrettable. As of Golden Leaf City, many readers, including me, feel that this is the end of the story. The protagonist's strength has made great progress, he has made more friends, and he has taken a vague but firm step with the girl next to him. That's it, isn't it good so far! Then Vansalal walked onto the stage, clapping. As for the "Desperate Wilderness" chapter, I personally have only one flawless evaluation: A Banquet of Manchu and Han Dynasties. Taken as a whole, the variety of dishes dazzles me. The truth behind the Shen Dynasty world, the appearance of the last heretic, the origin of the Supreme... Coupled with unique side dishes such as battles and characters, this should be a complete compliment without any flaws. But the only flaw is that there is only one chef preparing this table of food. A person's energy is limited, let alone a prince who writes part-time and needs to keep up to date. When he was overwhelmed and faced with the complicated demands, he either had to surrender or he had to learn to make trade-offs. He put his energy into the main dish that was least likely to go wrong. When faced with the envoy war, which was a complicated process but not that important, the prince did not seek excessive innovation, but used his familiar techniques to serve a dish that was not degrading. In terms of results, the prince was successful. When I recall the whole story, the first thing that comes to mind is Fansalal's contradiction, Chongming's graduation declaration, Xiao Ye and Ye Xing... I feel that I don't need to pick out which dish is not to my taste, and enjoying the joy of feasting is what I really should do. After chatting for a long time and finishing the plot, let's take a look at the performance of the characters that drive the story forward in this volume. Due to my limited ability, I will only describe in detail the characters that have obvious character development in this volume. I will not write about the characters who have appeared before and will be at home in the future! (Put your chest out) Let's start with the "ordinary people" in each story. Let me talk about the conclusion first. I think this is the best positioning that Wang Zi has written in this volume. Xiang Fuzi caressed the body and thanked Chu Hengkong in a low voice before leaving silently. Seth Lun wanted to protect the home where he lived despite fear, and Wovka lost his courage and prayed to the monks for the people who were still fighting. They did not move forward as bravely as Chu Hengkong. They should have lived peacefully and peacefully, but heretics destroyed this possibility. Sadness, anger, despair and other emotions filled their hearts, but they did not compromise. They still choose to hold on to what is precious in their eyes. This is the biggest resistance against the unreasonable heretics who take away everything. And in the end, they waited for a hero. Let's look at the villain again, well, or rather, Vensaral. The Immortal Machine is a mining machine that awakens the warrior's will, and Olek is an old stubborn who is afraid of death. Their characters are either too simple, or the existing plot is not enough for us to analyze. Then he is the only one who can talk. Vansalal is one of the few villains in Prince's works that makes me not think "what if...". From the moment he sets foot on the path of supremeness, everything may be settled. The hardships faced by the forerunners and the extremes of the Supreme Road, it is completely normal for them to have problems. But I still feel sorry for them, nothing else, because the Spiral Tower once held glory and dreams. Fortunately, in the end, he finally woke up from the nightmare and faced the end of his life as the Archmage Fansaral. For Shax and Bernfa, I can't think of a word to summarize them. When it comes to rivals, the two of them don't seem to have much entanglement with Kong. When it comes to friends, they feel that they really lack some affection. After thinking about it, I found what Chu Hengkong had in common with them: a whetstone. For Lao Sha, the snake was the nightmare of his previous life, which gave him the most painful failure and the strongest life, making him unable to bear the emptiness of his second life. I can't imagine how he felt when he met Chu Hengkong again. I can only try to figure it out through his fight. In the fourth battle, he defeated the Sacrificial Snake, but failed to defeat Chu Hengkong of Huilong City. Then Shax, who was haunted by nightmares in the past, should be freed. Now he has to deal with a better and stronger new opponent. As for Bernfa, confusion is the most interesting background of this character. As the most rigid heretic, he fulfilled his duties, but due to his own mistakes, he opened the magic box of Vansala. In the end, he chose to act on the expectations of the deceased, and was willing to bear the blame for his sins. Facing God's "mercy", he fell into new confusion. After the prince's declaration to reduce the number of harems in his book club, this volume successfully added two more heroines. For me, the perception curves of Xiaoye and Qingxia are completely opposite. The impression of Xiao Ye when she first appeared was really lacking in appetite. A young talent path sounds very good, but in a group of protagonists whose average combat power is 1.5 Quality points higher per person, Xiao Ye can only be said to have a promising future. But when we reach the wilderness of despair, we find that the future seems within reach. The original timidity was actually the cover of a madman. She was not a weak person who needed charity from others to move forward. She was a genius with a heart who wanted to drag Shura Island even if she sacrificed her life. And Qingxia is really a character that makes me have mixed feelings. Her first appearance as the Blood Knight can be described as stunning to me: an innocent evil spirit. I believe she didn't have any evil thoughts when she kissed Chu Hengkong on the lips, it was just a child's show of affection. This kiss and the subsequent quiet sleep violated the common sense of the onlookers, just as she did when she was still in the Dome. If there is anything that can compete with my desire to rest when Wilderness of Despair opens, my expectations for Qingxia's future drama will definitely be at the top of the list. But when I actually saw her running in the wilderness of despair, my heart was as confused as Bernfa's. She grew up, she was taught a lesson, she became... A good kid. I know that Qingxia, who was originally reckless and reckless, will definitely not be able to integrate into the team. She needs to know what good and evil are before she can be accepted by Kong and the others. But my mood is like Uncle Duck who reunited with Haman in 0084. She has become more mature, beautiful, and strong, but I am a desperate Covatro. Of course, Qingxia's future is still very long. She cannot defeat the bloodline in one fell swoop. She has a greater possibility. But, at this moment, I just want to hug Uncle Mule tightly. At the end, let's talk about settings. Frankly speaking, this is an area where the prince has never let me down. I can always find the corresponding riddle when he reveals the answer and find that he has already hinted at the answer to us. It was the same this time in Zhu Fate. When I read the end of the second volume, I felt that the half-million-word setting mentioned by the prince was not a lie. But then, another worry came to my mind: Is Chu Hengkong, the protagonist, enough to talk about the world of animation? Although I complained earlier that Chu Hengkong became famous all over the world in just one volume, I have always regarded The Wilderness of Despair as the third volume in my heart. On the surface, Chu Hengkong has a very standard one volume and one particle. Step by step, we can see the completion of the life-casting in about eight volumes. However, this is purely considering the particle and does not consider the situation that Chu Hengkong exceeds the scale of combat power. In fact, at this stage, Akong's combat power is already capable of killing the Four Sephiroth Outer Dao in formation. Even if Fansaral is regarded as the result of the combined efforts of everyone, he is already at the level of the Sephiroth Four Legend. I say the above not for the purpose of polemic, but to prove that the time left for Akong to ascend the path of destiny is really running out. And as the combat power increases, the area that the story can touch will become smaller. Even if A Kong reaches seven points and is close to being invincible and can run around, the progress of the story will inevitably advance. What's more, Zhu Ming also has such a terrible destiny trend. When A Kong's combat power is formed in the later stage, can he really go out at will? () Of course, the above worries are just fantasy, and I can't figure out the result of the prince's writing. I also want to believe in the prince, in his non-stop writing over the past five years, and in the gains he has accumulated along the way.

I read this novel after a friend recommended it. I unexpectedly found that although the book has flaws, the quality is still much higher than I imagined. So I wrote a (perhaps a bit nonsense) personal experience about it. I hope it can guide friends who want to get advice later, and I also hope to give some encouragement to the author. Province: The short stories have excellent characterization, and the long stories have good characterizations. The combat description is somewhere between good and excellent, the combat power system is vague but interesting, and the way of mobilizing emotions is simple but effective. In the absence of clear shortcomings, the author has made effective use of his pen to make up for it. The second volume that has been updated so far, I would like to call it a hexagonal novel The following is the text↓ The ideas of this book are a bit "old" in some places, but thanks to the author's solid writing and plot arrangement skills - in my personal evaluation, even excellent - I think "classic" should be used to describe the various plots in this book rather than "old-fashioned". These two different descriptions may seem similar, but the actual perception can be worlds apart. Such praise may be over-the-top, but I still think this book is on the other side of "heaven". To be honest, the cheats and traits of the protagonist Chu Hengkong are no longer novel in today's online literature world, and can even be said to be too simple. The start he faced was indeed not very attractive. But no matter how you say it, I think that statements like "Three Golden Chapters" can indeed reflect the author's level to a certain extent. However, I think it is very arbitrary to judge the quality of the entire novel based on this. After reading the first volume, I think I can indeed draw a preliminary conclusion - this book is undoubtedly a good-looking masterpiece, with battle descriptions that made my blood boil, and character creation that deeply moved me. Whether it's our side, the enemy, or even passers-by - everyone is a flesh-and-blood existence, there are no imbecile characters, and there are no tool people who are thrown away after they appear. The author is particularly good at using very short chapters to create an impressive character, coupled with combat that is not top-notch, but still excellent. I think the reading experience can be described as "hearty". I'm not saying that this book doesn't have shortcomings. It does, such as the unclear combat power system or the overly classic level-jumping battles. However, the plot arranged by the author is excellent enough to make the impression outweigh these shortcomings. It has a sense of power and strength. To be honest, if there weren't so many people popping champagne halfway and being exploded these days, I would have guaranteed that this novel would not be bad just relying on the author's good writing style. But now... I can only say that this work is performing very well so far One final comment, it is very enjoyable to read a series of them, but the number of words updated by the author every day should be around 4,000? If you follow the pace of updating, this book may be relatively slow. Interested friends can also put it on the bookshelf first and wait for an event to end before reading it. Also, the protagonist's character is a bit reckless, but he is far from stupid. I won't go into details since I've already exaggerated about the supporting characters. I'll just say one thing - It's a harem and it's so cool!

From my personal point of view, this book is very in line with my taste. I like the fighting, original setting, characterization, and passionate kingship. However, there is one shortcoming that is fatal as an online novel. The story of this book is written one by one, link by link, just like the adventure game MapleStory, the type of Ice and Fire Man Breakthrough, battle adventure, supply upgrade, fight boss ~ go home to heal and have a happy time ~ receive the new boss message and go to the next level (New Dust Island), I feel like this type of genre requires you to read it one stage at a time in order to feel satisfied, so I basically keep it up and read it in the comment area to see if the latest volume has been completed. I'll enjoy reading it all at once. Unfortunately, the author writes too little, and I forget about it as I keep up.

(Originally I wanted to write a regular summary of the talk, but after thinking about it, every time I write it, it will turn into random thoughts, so it is better to write random thoughts from the beginning) The first time I came into contact with Prince Neptune was in the visual Anke novel "The Messy Pokémon Adventure" on Bilibili. After reading it, I went to read the original Anke, and for the first time I realized that "it turns out that writing like this can be fun." After reading it, there was no meal replacement at all. I looked at other Anke and found that many of them did not have the taste of Prince. Therefore, the novel was temporarily away from my field of vision (forgive me that I didn't read Prince's other works because I didn't know enough about Blade Ya and Dongfang) Later, I started to read more of Prince's works. I started to read online articles (I also started with Pokémon fan fiction, and I was really obsessed with Pokémon at that time), and my taste gradually became more sophisticated. The main premise for me to continue reading is that the author's writing style can be "understandable and comfortable to read" and is neither too white nor too gorgeous. On the other hand, due to the influence of acg on me, I also have a harem and an adventure/main plot (37 games), so I insert funny elements from time to time and occasionally add some funny scenes. It's a pity that I can't read more than one book like this, so I was very happy when I caught a glimpse of someone in a random black and white video that used Prince's memes saying that Prince Neptune has a new book in Qidian. After that, I read the entire "Cangdu" in one go and it was really exciting. This is what I wanted to read! Whether it's the writing, the plot, the setting (ok, this is a bit complicated for me), the coolness, or the girls (especially Ms. 0), They all make me admire them from the bottom of my heart. As for the shortcomings, let's just ignore them (because I watched the bad plot and played the bad game, but I was studying the original outline normally. How it will look when presented, what kind of person a certain character is really expected to be shaped like) As expected, "Casting Life" did not disappoint me, it still had the same taste. By the way, I originally wrote a lot of words to evaluate the character plot design, but it turned out that it was not as long as the fragmentary thoughts above! So I deleted the paragraph at the top. I don't want to say much else, but can Wang Quan be reincarnated as a good person? The blank space in the closing speech is very interesting. And if I understood correctly in the closing remarks, it means that Fan De, you are really one of the "girls"! (Although there is a hint there in the Isshin Ritual). The female protagonists of that novel have probably finished their appearances. I hope that these two, at least like the doctor and the Silent King, have booked the stewardess positions before the end Finally, I was really happy to read Seal's book. Please believe in Seal's writing skills. In my opinion, he is really of a high standard (a heartfelt evaluation). If you want to write, please continue to write. As long as you write, I will definitely read it

The Shield Sword Monster uses shields and swords Ji Huaisu also uses shields and swords The Shield Sword Monster can still use slashing moves such as continuous slashes and holy swords in the shield form Ji Huaisu can also use the shield to perform slashes The Shield Sword Monster's shield is golden Ji Huaisu's shield is also golden The Shield Sword Monster's attribute is ghost Ji Huaisu's The great sword is as dark as the night and as gloomy as thick clouds The shield sword monster has the same physical attack, special attack and racial values Ji Huaisu is also a mage type and is good at martial arts And the two of them have never appeared at the same time To sum up, I think Huaisu is the wild shield sword monster picked up by Lord Ji and brought home ps: It may have been a single scabbard when he first picked it up

"Huh? So you mean, my dear Mr. Sacrificial Snake who has been with me for more than twenty years and is not a womanizer? After my death, in just a few months after you came to the world of Shen Dong? At the same time, you developed many strong relationships with several beautiful ladies? Is that what you mean? Huh?"

Even if the fat has already accumulated, please be the king of avocado

"Player Gongsun, no one dares to compare with him in terms of skills." "Do you want to know more about Tentacle Spring Fist? Player Chu is the biochemical octopus that invades our Earth Island" "The new team member is a perverted brat" "There is another player, I guess, he may be a mentally ill player" "I am Vert, Prince 2326's captain of the protagonist universe, plus the two of you, a total of three people, become the protagonist team" "I am Miyamoto Musashi" "I am Retsu Nagashu" "Are you two reincarnated in the same year, the same month and the same day?" "Maybe, maybe not"

I have personally sorted out the Sephiroth and heretics that have appeared so far. There may be some imperfections. Corrections are welcome! (ps: * indicates that I am currently unsure<—but that does not mean that if there is no asterisk, it must be correct XD) ——Updated once for the fourth volume www ——Updated for the second time after the first half is completed

"Put my lower head here" "Put my fat here" "Put my dragon clan here" "Put my mistakes here" I will follow the law of tentacles and embark on a thousand-year journey Therefore Give me your monthly ticket!

Please watch the next episode: A man with a lower head than glasses and gray hair

↖Haji Wu's last look at normality↗ ↙After being scolded by A Kong, he found that the holy pillar had been stolen↘ There is another one🥚

Just a passerby, I heard that the avocado law was enacted here. Who is the avocado 2326?

The author's mind swings back and forth, which is intuitively reflected in the work. Various early gimmicks, such as gloomy cities, strange relics, tentacles, and hypnosis, now have little sense of existence. Even the definition of the protagonist as a killer has undergone a major shift. This shift in style will naturally dissuade quite a few readers. There are also problems with the worldview depiction. There are teal ducks, strange herbs, flowing beads, water curtain games and other things to show the differences in different worlds in the front, but these descriptions become less and less towards the end. I think it may be because generally speaking, a larger amount of world view descriptions are arranged in the early stage, and the tense rhythm and serious atmosphere of the second volume really cannot be included. In the Divine Tree Volume, the part that was supposed to solve or alleviate this problem exposed new problems, making this problem unresolved. Self-problems. I'm not sure if this is what the author wants, but in the daily part that is most suitable for unfolding the world view, a large number of self-pleasure with group friends and the insertion of realistic cartoons not only destroy the special feeling of the other world and the depiction of the world view, but also cause a large gap in the perception between readers based on the group. From a business perspective, it is really immature. The Divine Tree Volume is a story told by the author himself and can be controlled well. Therefore, I think there is really no excuse for the problems that arise in this volume. In addition to self-pleasure, the entanglement between the villain Wang Quan and the protagonist takes place on the modern earth. The story has to be about the modern earth. The description of the other world style is further compressed. In a place where the richness of races is an important feature, I can't understand how rich this species is. For example, the tree people race that appeared at the beginning, I can't picture in my mind the difference between them and humans? Special ability? In the extraordinary world view, this does not reflect his uniqueness. I saw a book review mentioned that the problem of daily life being separated from the main line, I deeply agree, this is also a big problem that cannot be ignored. Problems with combat description. I personally don't like abstract high-level combat. It can be said that once the level of combat power reaches this level, there is no difference in the fighting style. What is magic and what is martial arts are reflected in the text with abstract adjective stacking and turn-based combat. The look and feel of the battle scene is quickly reduced to Pokémon versus Pokémon. In the end, only a few of the rich moves have a sense of existence, just like Pokémon can only remember four moves. This situation is especially true when fighting big scenes. This problem was very obvious in the later stages of the previous game, so much so that I would occasionally skip battle sequences when reading. The long descriptions of battles, apart from telling me that they were fighting seriously, were just dull and boring. Fortunately, the emotional preparation is in place, there are indeed merits, and there are often surprises.

From his debut to the first mini-boss Adari, the protagonist is either abusing food or being defeated. Rather than being a killer, he is more like a reckless warrior. What kind of Longxiang 3000 style can only show its power when fighting mobs? It's useless when you encounter a mini-boss. The same mini-boss is deflated twice. The first time it was deflated by brain control, and the second time it was deflated after being poisoned, then what's the use of what you spent so much time writing about costing you 3,000 lives?

Artist: Yi Mo

The more I draw, the hungrier I get. I studied the popular Q-printing method and used momentum to get over the shortcomings!

👀👀👀

Artist: Yimo

As the most important and almost the only upgrade system in this book, "Road to Upgrade" has a little regret while being both powerful and scalable: too many new terms may be too complicated for readers who are new to this book. Therefore, this article aims to clarify the various special terms on the road to promotion and optimize your reading experience without spoiling most of the plot. 1. The road to life's ascent: the road to change. The path of upgrading plays the role of the main upgrade system in this book. Except for a few special circumstances, no matter which path you take, it can be divided into nine realms from material point 1 to material point 9. The difference between these nine realms is called "the improvement of life level" according to the concept in the book. When a human climbs to Sephiroth 4, his life level (including comprehensive evaluation of combat ability, research ability, and auxiliary ability) can be compared with that of a dragon. To put it simply, it can actually be understood as LV1-LV9. Normally, the higher the level, the stronger it is. 2. Steps on the road to ascension: Sephiroth Sephirot is the standard for measuring the level of life. As long as you meet the corresponding conditions on your own path, you can advance to the next sephiroth through the ascension ceremony and gain improved physical fitness and new abilities. On the same path, the new abilities acquired by each Sephiroth are generally in the same direction, but they will also change due to personal experience. The gap between the particles can be large or small. For example, particles 1 and 2 of the Path of Floating Light have few essential differences other than numerical values, while points 2 and 3 will have a qualitative change in combat effectiveness due to the ability to create weapons. However, there are two watersheds on the road to improvement. Material points 3-4 and 6-7 are two extremely important thresholds. If the upgrader changes from 3 to 4, or from 6 to 7, the combat effectiveness may increase by more than ten times. 3. The "career" of the road to advancement: Road If "Solid Point X" is compared to the level in the game, then the path is like the "career" that determines your skill tree. Under normal circumstances, you cannot change the path you choose, and there are three most common and original paths in the Shen Dynasty world: 1. The path of casting fate and returning to unity: the material point 1 is "skilled hand", and the overall style is close to that of a warrior or Warriors, on the one hand, can cultivate different organs of the body to extraordinary levels as they ascend (such as the "hands" of material point 1, the "bones" of material point 2, and the "eyes" of material point 5). On the other hand, the abilities acquired through this path are often related to various combat skills. 2. The road to glory and glory: Sephiroth 1 is the "cornerstone", and the overall style is close to that of a scientific researcher. Sephiroth 1 is the "cornerstone" that can be transformed by holding extraordinary items (collectively referred to as "relics" in this book), Sephiroth 2 is the "Bitter Staff" that transforms the relics to a certain extent, and Sephiroth 3 is the "Strange Blade" that turns the relics of the Bitter Staff into weapons. Modifying firearms, making robots, or researching magic cannons all belong to this path. 3. The path to supreme ascension to the gods: The particle 1 is "shimmer", and the overall style is close to that of a mage who controls elements. In a sense, it is the simplest, crudest and most numerical path. As the name suggests, Sephiroth 1 has learned light magic, Sephiroth 2 has learned the power to use shadow as a medium, Sephiroth 3 can choose one of three to control ice, fire, dust (earth), and so on. Since each realm of each road has an independent name, this name is generally used directly to describe the character's realm. For example, if you say "Bitter Staff", you know that this person is Sephiroth 2 of the Path of Floating Light, and you can initially transform the relics. As mentioned above, the general direction of the three original roads is certain, but there may be great differences due to different experiences of each person. For example, as long as one has an extraordinary limb or is proficient in a reasonable martial art, one can become a skilled hand. Therefore, it is obvious that with the difference in upgraded limbs or skills, the gap between the skilled hands will be greater than that between Grek and Liehaiwang. Therefore, several big guys in the Shen Dong industry created an upgraded version of the road - Daotu. 4. High-level professions in the Chendong world: Daotu Daotu can be understood as a path where promotion is more difficult, abilities are more standardized and strength is stronger. However, there is no difference between the division of paths and roads, only the promotion methods and the abilities of each Sephiroth are different. For example, the path of martial arts combines the characteristics of skillful hands and cornerstones. Sephiroth 1 "Builder" has both the skills of skilled hands and the research ability of cornerstones, but requires talent in both martial arts and art to be promoted. Another example is the ancient dragon path, which is closely related to "civilization", but only dragons can choose it. Detailed information on roads is currently sparse, so a brief definition is mentioned here. 5. Easily divided enemies: Heretics Each of the three abyss has its own category plus two special paths. These five heretics are the most obvious groups of villains in the Shen Dynasty world. It is worth mentioning that most of the powerful creatures in the Shen Dong Realm have corresponding Sephiroths, but the heretics corresponding to the three abyss are exceptions. Their strength is uneven, and can generally only be described as "approximately equal to a particle 2" and "stronger than an average particle 3". (In fact, it is convenient for the author not to arrange a confrontation) Except for the three abyss, the other two heretics are actually two paths. However, because these two paths can cause extreme distortions to the mind, and even force converts from other paths to contaminate the original path, they are also called heretics. The above are some common concepts in this book. I hope this book review can help you have a deeper understanding of the setting of this novel. I still quite like the upgrade system of the Road to Change - it is not so novel or even old-fashioned, but it is still interesting and full of expansion. I hope it will help you enjoy reading better.

(Dense fog)

Five Communists Killer Captain 👀

This book almost got one star, but isn't it a masterpiece? What is the starting point for judging quality products?

Chu Hengkong opened his eyes suddenly and found that he was in darkness. "It's really embarrassing, old friend," he heard a familiar voice coming from beside him, "Don't tell me you fell down so quickly?" He sat up, turned his head towards the source of the sound, and saw the person he knew as expected. That is the dark kingship, the dark kingship with white hair. Seeing that he didn't answer, Dark King Quan puffed up his cheeks and blew a big breath into his face, then patted his face as if dusting cultural relics. "What? The strongest killer finally gave up his brain completely after the flashback of the battle with me?" She put her face so close to Chu Hengkong's nose that she could feel the softness of the skin, and said with a mean smile: "Or is it that the half-dead pestle here watching me is so attractive to you?" Chu Hengkong came back to his senses, subconsciously He asked back: "What does half-death mean?" Dark King Quan clapped his hands and said with a happy face: "It means literally, Mr. Ace Killer! Now that you have met me who was crushed to death, you will almost die yourself. Do you have any last words after death?" She looked at Chu Hengkong expectantly, pretending to laugh at him. But Chu Hengkong didn't respond to her. He just avoided Dark Wang Quan's face that was too close and stood up, and then looked face to face with Dark Wang Quan who straightened up. "I will..." He seemed to have not yet sorted out his words, and spat out word by word, "I will find a way to survive completely." "You are still talking about this at this time." Dark King Quan stuck out his tongue, "I am already completely dead. Since you can still come here, it means that you are not far away from death, right? There is no shame in thinking about the aftermath early." Chu Hengkong just shook his head. "I haven't saved the earth yet, how could I die here?" He answered the question with a smile that evoked memories of Wang Quan. Dark King Quan felt an unknown anger rising. She put aside her little reserve and room and asked angrily. "Don't let me use the theory of perseverance and self-confidence to fool me through!" She grabbed the collar of the killer who was already exhausted in reality, and shouted in a world that could almost be called a dream, "You are still thinking about a comeback at this time? I have never expected such a thing after my failure, so you also understand-" "So, help me, Dark King Quan." Dark King Quan blinked and let go of his hand blankly. "You asked me... To help you?" She retorted with a vague feeling, almost instinctively, "I can't escape myself, and I will die if I die..." "No way, the Dark King Power I know is not losing. He became a coward after giving it to Black Moon once. "The barbarian insisted, "She is someone who can use everything at hand even against such a desperate countdown, so I will trust her." "Help me, Dark King Power," he repeated. Dark King Quan opened his mouth, but found that he had no idea what to say. She originally thought of countless ways to refute this idiot's statement. She originally planned to give countless examples to prove that the two of them were already a dead couple and it was time to go to hell hand in hand. But these reasons seemed so insignificant in front of Chu Hengkong. It seemed that despair itself was an illusion as long as he gave an order. So, she could only ask dryly: "... What do you want me to do?" Chu Hengkong glanced above his head. It was pitch black there, and just by looking at it, you could tell how vividly the separation between yin and yang was a metaphor: it was absolutely impossible for the dead and the living to touch each other, just like it was impossible for chickens and ducks to mix together. "Can you take me... To fly back?" He said: "I don't want to go too far..." Dark King Quan almost wanted to ask him if he heard these unreasonable words. The person who just died should stop being funny. Feeling alive at this time does not mean that he is really alive; but she also felt that what the other party said was completely fine. No matter how she looked at it, she would definitely not be able to go back. Maybe this is an illusion, she thought, being too close to the sky caused her to be fooled into believing that dead people without wings could fly. Even if reason clamps down on your hand, when the sky reaches out to you, you will still want to spread your non-existent wings. "What are you going to do when you go back?" She couldn't help but ask, "Although I know nothing about what you are doing now, it is definitely not an enemy that can be defeated simply by surviving with half a life, right?" Chu Hengkong blinked with a serious face, seeming to be thinking about her question seriously. Then, as if thinking of something, he cleared his throat. "How about I take you back with me?" He said, "Anyway, I still have a book to write... I haven't thought about what to write in the sequel to your book. Does the original author have any ideas?" Dark King Quan suddenly wanted to cry, but as if it was against her own mood, the laughter couldn't stop leaking from her mouth. "Okay." She said as she hugged Chu Hengkong's waist with both hands, "Just watch it for me!" A pair of inexplicable wings stretched out from behind her unreasonably. As Wang Quan kicked off the ground and fluttered his wings, the seemingly insurmountable infinite death seemed just around the corner. Those are not the wings of love constructed by false perverts, nor the wings of rational steel constructed by real weapons, nor even the naturally existing bird wings. That is extended by the trust she has received from her friends, soaring into the future on wings! Seeing that he had reached the border of the living, Dark King Quan threw the man out of his arms. "There's no need to take me away!" She looked at the astonished Chu Hengkong and said loudly without even knowing why, "The guy who inherited my dream, show me the courage to admit death!" Ah, this time he has completed the idea he had before his death last time. She thought with a little pride, and then she was confused because her wrist had sunk for some reason. Could it be a watch... ... A watch? Before she could think about it, a strong pulling force from her wrist pulled her up. Dark King Quan felt at a loss that he was breathing again, and there was no feeling at all that he had crossed the abyss of death. The smell of gunpowder smoke, blood and various feelings came from around me. She was definitely in a precarious place, she thought. Then she felt who was nearby: the yellow-haired Discipline Knight, the fallen Lust Demon, the snake's favorite "boss", the killer who originally worked under her, the Heartless One whom she didn't know much about, and - "Hey, wake up." She heard Chu Hengkong's voice next to her, "What to do next?" , Asked with a heartfelt smile: "How long has it been since 2018?" "How do I know..." Chu Hengkong shook his head, "Compared with that, how about thinking about how to write the next "Guardian Spirit in the Sky" first? Miss Tiejiao 987?" "Please forgive me for that kind of thing..." Dark King Quan and Chu Hengkong stood side by side with a smile, as if their weakness and scars did not exist, looking fearlessly at the countless powerful enemies in front of them.

The second half of Casting Life should be able to reach Glory Star, and then the author can leave his name from the starting point😎, but it's a pity that we have to wait for a long time (๑--๑)

I have only just read this book that appeals to my appetite! When I read Lie Huanjing a few years ago, I didn't know the author was still writing books... I shed tears of regret!

When can I come back in the second half?

How is this book? Will Shen Nong come out and say something?