I Entered the Film and Television World

1. The fighting scenes in this book are well written, but that's all. 2. The pig's foot strength training and improvement system in this book is particularly confusing. What kind of hoof prints are there to increase strength and ability? It's okay to say that this is a world of modern society. Can it still make sense in this kind of world when you later write about a power system such as supernatural beings? 3. Originally, the fighting scenes of worlds such as Young and Dangerous in early modern society were well described, but later on, they directly wrote about Jurassic and supernatural worlds. What is this? Now I'm actually writing Detective Conan again. I'm so cool that I'm vomiting.

Update soon

The writing is really good. Keep up this style. There are very few novels that can make me pay money to read. One novel is "get out of here", one is "Tripod" novel, and the other one is yours. I basically watch pirated versions when there are paid plots. I can pay money to watch them. The descriptions are really good and I can't help but pay money to support them. 👍👍👍👍 Come on

I thought that the protagonist would practice internal skills and the techniques in it after arriving in the world of kung fu, but it turned out that he didn't, and he didn't even have the idea of ​​practicing the internal skills in it. Is this the protagonist's equivalent of fighting all over the world with one hand and killing gods, demons, immortals and Buddhas with one hand? Moreover, the protagonist's abilities are messy and have no system. He only knows twelve-way leg kicks and some fighting skills in kung fu. With this little kung fu, he can kill the Fire Cloud Evil God. He has internal skills and mental techniques without practicing, and powerful techniques such as the Tathagata Palm without practicing. The protagonist is a task slave. He only knows how to do tasks when he travels across the world. The protagonist with knowledge of these worlds does not like the techniques, nor does the protagonist with scientific and technological knowledge. He is really speechless. So goodbye,

That's outrageous. He's just a young and Dangerous boy. Are he really brave enough to die? They are almost less afraid of death than the dead soldiers. More than half of the more than 80 people are dead, and they are still thinking about charging for bounties. Is this Young and Dangerous?

No matter how well-written the fighting scenes are, what's the point? The rest is all a piece of shit, a lot of poison, so embarrassing! The system's intelligence is a poisonous point. Just fire a pistol and kill Feng Yuxiu. After all, you really can't win, but forcing others to be loyal is a poisonous point. There is also a poisonous point when you open a blind box and produce a Kirin inheritance emblem that looks down on the protagonist and refuses to use it. Does the author think it is interesting and weird to write like this? I really don't know that it will only make people extremely embarrassed and disgusting!

The main problem is that the author himself does kung fu for the sake of kung fu, and kung fu for the sake of showing off. 1. A gun was already used when killing the boss of Kowloon City, but it was not used when chasing Fat Chao. He was allowed to run away. In order to show his skill, he forced Ma Zai to stab the protagonist with a knife several times before retreating. 2. There was definitely going to be trouble at Yan Tong's birthday party, and he was still playing kung fu solo killing there. Why not use AK47, grenades, and explosives? Only use them after he ran out. 3. The three killers of Tian Yangsheng went to find the protagonist, and the protagonist was still playing kung fu. I'm really convinced. This is a Hong Kong drama, not a martial arts novel. You use your fists for everything. Except for special circumstances where it's inconvenient to use a gun, shouldn't it be easy to use whatever is convenient? You have to be reckless to show that you are awesome. Are you good at Kung Fu?

It's pretty cool, but I feel like the main character can't kill anyone with his fists. . . Even if the protagonist hits someone else's vitals with his fist. . . . In reality, if a boxing champion only punches a few times, the person will be dead. The protagonist just keeps beating others violently. In the novel, the character never dies. . . Not only is he not dead but he is also able to resist. . .

How to become a master with a gun but no martial arts

He was shot twice, one in the chest, and one in the shoulder. Not to mention moving, it would be nice to be able to breathe. There was also a shot in the shoulder. As long as the person was a human, he couldn't lift his entire arm. Generally speaking, Feng Yuxiu has cultivated his true nature. His soul left his body and fought with the protagonist, or he was a cybernetic.

How much money did the navy spend? They fought for a long time and shot Feng Yuxiu with a pistol. After being shot, he rushed in from 10 meters away and got close to him? Why don't the author try to get hit with a pistol?

When I see a bunch of people blowing, I want to laugh

Uncle Jiu's apprentice disgusted you earlier. You have already reminded Uncle Jiu about this. He caused trouble and asked Uncle Jiu to handle it by himself. Why did he care about it? Why did you wipe their butts? If others are disgusting with you, why bother with them? If you want to take care of or do system tasks, why don't you keep watching from the beginning, so that these things will never happen. If you want weapons and skills, you can wait for them to die, and there will be nothing. It's even more funny to be afraid of mission failure. There is no penalty for mission failure. Why bother with so many things? I don't know what the author is thinking.

I feel that the protagonist's combat power is unknown. He becomes stronger when he encounters a strong one. He can fight anyone, whether it's Young and Dangerous or Fire Cloud Evil God. The defense is also a bit confusing. Sniper rifle bullets can break through defenses.

You just got into trouble with zombies, right?

Make trouble, how can you not make trouble, the experience in the movie, play it in reality, you make things crazy in the movie, how cool it is in real life, anyway, you can't find the protagonist, so you can't go crazy and make trouble,

Your combat power system is really messed up. The protagonist of eight armed gangsters was able to deal with it cleanly with his bare hands, and then he beat three dogs with a knife and beat them for 10 minutes, which was even more outrageous. Where did you get such exaggerated endurance? Eight prison gangsters were still armed <three dogs?

I feel like when I write about China, I just kill, kill, kill indiscriminately, and the writing is very detailed. When I write about foreign countries, there are also killings, but the process is all mentioned in one stroke. There is no detailed killing process. Moreover, I protect the protagonists and supporting characters I meet all the way, and even give things to protect them, and I keep kneeling and licking them.

I read Chapter 342 and ordered all of them. This chapter really made me sick. I couldn't help but complain. The protagonist is so strong in movies and TV shows, but suddenly becomes Buddhist-like in reality. The sense of contradiction is so strong, and the conflicts are inexplicable. It makes people angry, and even watching the heroine makes me feel sick. In other words, real-life emotional scenes should not be arranged for the protagonist from the beginning.

I can't stand it anymore. I watch Zhutian just to watch the plot, interact, and see if I can write something new in the plot. Is it fun to compete in the arena every day and let others act like monkeys? Fighting, describing fighting in the ring every day, selling sheep over dogs, you deserve to be thrown into the street😅

You, the protagonist, don't have any fighting ability. You are still grinding against three dogs. It's so frustrating that you're going to die. It's not so mindless to suppress your fighting ability.

I just wanted to know, writing about fighting is good, but why do I always write about ghosts? Can Kung Fu and Young and Dangerous be put together? One is flying around, and the other is slashing people with a machete. It's inexplicable. You can't even write about some worlds. You can skip all the ghost stories. The last kung fu and Young and Dangerous also danced.

I finished reading Golden Chapter 3 🙂 After reading the introduction and reviews from book friends, I thought it was a cold-blooded extreme type, but I didn't expect it to be a systematic comedy type.

The fusion is a mess, so if you want to write it, write it carefully. If you can't understand one world, you will write it in several worlds.

Did the remake have different actors or the original lineup? If it is the original lineup, was this spoof forced by the system to star actors? Did he know why the remake was made? A series of bugs will be realized in the follow-up. Do you reset a movie when you enter it? The actors in your world must not be scolded for the bad plot after the reset? What is the significance of the reset to other actors, directors, producers, and theater releases? Have you ignored some basic logic????

When I saw Chapter 25 of the paid chapters, I thought it was well written and hard to stop, but it was too monastic and not a womanizer. Then in Chapter 25, she directly becomes a woman. How can I take the role? Even turning into an animal is better than this.

The details of the fight are so well written. I will try my best to give you all the monthly tickets next month.

It's just bad, you might as well not write it just to make money.

There is no plot, just fighting for the sake of fighting.

The martial arts are well written and have a lot of feeling. 😁🙂