The Regressor Just Retired, So Why Is He Back in a Horror Game?

Isn't this similar to selling piglets in Myanmar? After getting enough ransom, they sell them to other main god spaces 😏

It's too boring to keep showing off in horror games. There should be a linkage between the main god space and the horror game, so that the weaklings of the horror game can see the power of the veterans of the main god space. Then let the protagonist appear and let these veterans see the ultimate terror of the retired boss. I think it will be more interesting.

When I was a child, I didn't speak Mandarin well. During a Mandarin dictation test, I sat in the front row and listened intently to the teacher's pronunciation. The teacher read: "suspect" I immediately wrote "salty rice" in my notebook. The teacher accidentally glanced at my paper, but he couldn't bear to embarrass me, so he raised his voice: "Suspect!" I hesitated for a second, seemed to have some understanding, and picked up the pen to change "salted rice" to "salted fish rice." The teacher was a little dizzy after taking another look. He deliberately raised his voice and said: "The suspect of the prisoner" I thought it made sense, so I added the words "salted fish rice with salt". The teacher couldn't help it anymore and looked at me with a blank look: "I said there is a suspect'. I was a little nervous at the time, so I slowly wrote down "Yuyu flavored salted fish rice" with trembling handwriting. The teacher had no choice but to walk up to me, press my shoulder, and said: "He is the kind of suspect who has committed a heinous crime and is going to die." My brain was full of confusion and I timidly erased what I had written before, and then changed it to "Salted Fish Rice with a Big Mouth" Finally, the ambulance came, and the whole class carefully carried the teacher into the car...

I don't have any other big problems with this book, I just have a special feeling. What always comes to my mind is the AI ​​male voice who explains the fixed copywriting of Chinese online articles that have been transformed into Korean cartoons at Bilibili, something like: "Look, this man's name is Xiaoshuai. He has done 99,999 tasks in the space of the gods, and now he has finally accumulated enough points to return to the real world..." This kind of thing

I can actually retire. Aren't the novels in the main god's space all about control, escape, and destruction? That's too gentle.

What I like to watch the most is when the main god releases a mission Mission failure: Obliterate Protagonist group: Stable and stable. This mission is easy Later, mission failure penalty: None Protagonist group: Dead 😭

Full order, let me tell you my personal feelings: it is a pity to throw away the food if it is tasteless. The biggest problem: There is a mismatch between the supporting characters' behavioral habits and their identities, and the sense of separation is very serious. The background of this book is a thriller game. Ordinary players will always have stronger enemies in their copies. They need to find clues, analyze and understand to pass the level. (Without intelligence, you can only compete with strength, but there will always be enemies in the dungeon that exceed the player's strength. With intelligence, the required internship requirements plummet, and you can more likely pass the level.) In other words, in this case, intelligence level, observation ability, emergency handling and other factors will inevitably become the most important, and strength will be slightly less important. In this book, except for the protagonist, the other supporting characters often emphasize that they are masters who have gone through dozens of copies, but they do not feel like masters at all (except for their panel strength). They rarely have a more complete plan for doing things. The first reaction when encountering an emergency is to be frightened and at a loss (not to say it can't be done, but this has been done dozens of times, and emergencies have been encountered at least dozens of times, right? Is this it? Dozens of times the dungeon was led by the boss?). The mutual evaluation/understanding between players is always based on panel strength (although there is a dungeon evaluation, it seems to be only a condition for judging panel strength. Moreover, it is written in the book that the more dungeon information obtained, the higher the rating. However, based on the performance of these supporting characters, it is difficult for me to accept that they obtained high ratings through non-strength factors, although their strength is not good in their dungeons). The higher your strength, the weaker you will be in the dungeon (the higher your strength is, the higher the strength of the corresponding dungeon will be. The dungeon will always be stronger than you. Why is it so weak? Or does he think the dungeon is getting easier and simpler?). Generally speaking, at the bottom level of a thriller game (at least a copy), the level of intelligence is more important, but the supporting characters show that strength is paramount, but none of them have the supremacy of the protagonist, which makes the book feel seriously fragmented.

I found a problem where the protagonist always said that the difficulty of the space is low and he didn't understand why some people couldn't pass the levels, but did he himself become unparalleled when he first joined the Lord God Space? Isn't it normal for other players to be unable to beat the game when they first enter the horror game space?

In the past, it only cost 3 to 50 cents a day to rent a book from a bookstore, but now I can read it! The harm is due to major social changes or the butterfly reaction caused by capitalists.

For this kind of book, in order to write a good invincible novel, the supporting characters must be well written. There is nothing to write about the protagonist. The female and male supporting characters must be outstanding. You have to pretend to be cool, and you have to pretend to people you know.