The Crucible of Destiny: Starting from the Kendo Girl to Rescue

This post is the final summary of the entire Sky Brigade plot. I don't expect to leave any traces, nor do I expect the author to learn any lessons. I just hope that the author can remember that there is a reader who has already explained everything clearly to him when he goes crazy. To resolve the plot controversy, the questions that need to be answered are as follows: 1. Where is the earliest breaking point of the plot? Answer: Ganju officially admitted that he and Firebird were the same person, and showed great strength at the beginning. This plot leads to the total collapse of the plot from two dimensions. 1. The strong strength makes Chamomile lose the sympathy of readers, and the constant concealment also causes readers to lose trust in Chamomile. Human nature always sympathizes with the weak, is jealous, and always wants to destroy the strong and downtrodden. It is an unchanging iron law that a tiger will fall and a dog will bully him. 2. The strong strength makes Ganju's previous humiliation and betrayal become extremely cowardly and ugly. 2. Why is Ganju's betrayal so intolerable? It's human nature to be cowardly, isn't it? Isn't it okay to endure humiliation and bear the burden? Answer: Cowardice that endures humiliation or intolerable cowardice depends on strength. The author likes One Piece, so I will use One Piece. Nami is a coward who endures humiliation and burden because she has no power to restrain a chicken. Cyrus was a coward who endured humiliation because his daughter was kidnapped and he was turned into a toy, without the ability to act independently. Even Robin is a coward who endures humiliation because she was hostile and abandoned by the whole world, but even so, she did not betray her companions, but chose to exchange her life for the safety of her companions. So, what is intolerable cowardice? Kozuki Oden is intolerably cowardly, because he is responsible for the safety of a country, and he has the strong support of Roger Whitebeard, as well as strong strength and loyal retainers. Those who choose to surrender under such circumstances will not be tolerated. Momonosuke is an intolerable coward. He is responsible for the rise and fall of his family. He is supported by pirates in the new era and is followed by countless people of Wano Country who risk their lives. Under such circumstances, people who still want to surrender repeatedly are intolerable. Ganju is an intolerable coward. She bears the hatred of the entire village. She has strong support like Qi Tian and An Ran. She is also capable of fighting one against three and overpowering the whole audience. She is also good at refining medicine and housework, and can do all decathlons. Such a person who betrays his companions and acts as an aide is intolerable. 3. If Chamomile resists, the lives of the protagonists and his younger brother will be in danger? Answer: There is never peace that comes through prayer, only the border dyed red with the blood of your sword and the enemy, and the peace within this border. Weiwei's father's compromise did not bring peace to Alabasta. King Riku's surrender did not bring peace to Dressrosa. Oden's surrender did not bring peace to Wano. The truth is that simple. From the beginning, don't pray, don't have undue hopes for the enemy, that's called Stockholm. 4. You have said so much, how can you be satisfied with chamomile? It's just a keyboard! A: Chamomile doesn't need to do anything else. She doesn't need to compromise, she doesn't need to be silent, and she doesn't need to commit betrayal called enduring humiliation. All she needs to do is face the enemy with a flaming fist that doesn't care about life or death. Use the sea of ​​fire to burn you, me, and everything. This is her best ending.

After reading more than 270 chapters, I couldn't stand it any longer. This novel is a product of the author's self-indulgence for fun. The world view and setting are all from the old work. It is a large-scale extra. It cannot be said that it is not good-looking, but it is not suitable for a long story. If it can be compressed into a short story of no more than 1 million words, it can be considered an excellent work. Now, my points are a bit poor.

According to the author, Chamomile is the real core character of the first volume. This is true. In the first volume, chamomile is the intersection of all contradictions, the builder and tipping point of all powder keg. The two major contradictions in the first volume: revenge against the Sky Brigade and Qitian's dream of practice, the core key is in the hands of Ganju's two identities. To the Sky Brigade, she is a direct victim of Phytolacca atrocities, an abstract image of all the victims in the Sky Brigade's operation to suppress local snakes, and the most critical node of resistance to Phytolacca and even the concept behind it. As for the protagonist Qi Tian's dream of cultivation, she is the first producer of Brown Sugar, she is the benefactor who started Qi Tian's dream of cultivation, she is the capable general of Phytophaga, and she is the core engine of the ambition of the Sky Brigade. The root of Chamomile's unpopularity is that the conflict between the two identities is too intense and there is no room for maneuver. The person who is the biggest victim is also the biggest perpetrator. Even if moral concepts are discarded and only considered from the perspective of social rules, this is very difficult to accept. After all, just because Japan suffered two atomic bombs, you cannot say that it is a victim country and ignore Japan's atrocities in invading other countries. The first refutation point is that the author said that Ganju did not kill anyone, and he had always wanted to die, so he should not hate her deeply. Maybe it makes sense, but that's not how it works. Maxin, who invented the machine gun, never killed anyone with his own hands in his life. Emperor Hirohito, who started the war, never killed anyone with his own hands in his life. Those powerful people who enforce the law of the world and kill tens of millions of people with just a few orders may not have killed anyone with their own hands in their lives. So not only can't she be evidence of innocence because she has never killed someone with her own hands, but it is also a manifestation of heinous crimes, because she is the magnifier of Sky Brigade and Phytolacca's ambitions, and is one of the foundations of Phytolacca's atrocities. Not only is she not innocent, but she is extremely guilty. The second refutation point is that the author said that the biggest characteristic of Chamomile is entanglement. She is entangled in the fact that if she doesn't help Phytolacca, people close to her will die again. She was frightened. This is even more nonsense. There are so many ways to practice non-violence and non-cooperation. Use the stupidest method, commit suicide. If you force me, I will commit suicide. Anyway, you have killed the relatives who raised me, so I have nothing to fear. The more timid the police are, the more they will be threatened by terrorists. So from the beginning, don't give in to any threats. The problem with Ganju is that after obeying the threat, he began to regret it again, and then he desperately obeyed the threat again because of the male protagonist's pursuit of spiritual practice. Then he regretted it again and made the door-to-door delivery a subplot. Ganju said that the protagonist helping you get revenge is just playing house. In fact, Chamomile's series of actions are more like children's play house. You are playing games in front of you and repeatedly jumping into camps. You must know that there are plot penalties for frequently switching camps in the game. This is the third and more profound problem, the author's preference, which makes Ganju De unfit. The author gave Chamomile superior talents, special production techniques, and the life skills of a good wife and mother, but he did not give her the temperament to adapt to these. In other words, in order to satisfy the sentence "Chamomile is the core of the plot of the first volume", Chamomile is destined to keep adding drama, keep entangled, keep waiting, keep jumping sideways repeatedly, and finally collapse. In the end, the character completely collapsed and became completely OOC. Not to mention the fact that there are so many characters, the author is in a difficult situation and is not willing to write them to death. He must include the problem of the protagonist group. The author seems to respect the characters and likes the so-called "letting the characters play freely", but in fact, he completely treats Ganju as a plot tool and a puppet, which ultimately led to the collapse of the plot in the first volume. It seems that this is not the first time that the author has been in this situation. If he does not remain vigilant, he will destroy as many characters as he creates.

Seeing this, I really don't think it's a matter of slow progress. I feel like the author is too focused on foreshadowing the long-term plot and neglects to tell good short stories. So far, no story has made me feel that it is exciting or even complete. There is too much emphasis on the main plot of Phytolacca, while ignoring every small story in it, especially the branch plots. So far, I have not seen any characters in the branch stories that impressed me deeply. I quite like the author's writing style. I first read the Assassin book. The structure of the book is very clear. The beginning, transition, foreshadowing and climax of each chapter and story are relatively complete. This book seems to be too greedy, wanting everything, but in the end nothing is done well. Instead, it seems to be written as a short article about upgrading and fighting monsters. Most of the so-called character creation relies on dialogue rather than plot. My personal suggestion is not to let Phytolacca become the main body of the plot. Let the protagonist have his own life, his own journey, and his own story, in which the plot related to Phytolacca will be gradually laid out until the final battle. Of course, I am a standard science and engineering man, and I am purely talking on paper. I just expressed my thoughts after reading the previous single chapter and expressed my own opinions.

He said he didn't want to be a traitor until he surrendered to Japan. Only after entering the white house did he say that he didn't want to be ridden. If the mucus enters your mouth, throw it away. The child is starving to death and you need milk. Highlight a piece of music

Ganju's question is actually very representative, and to a large extent it reflects a basic issue in writing: "How do we design the plot so that the characters can express themselves without violating their own personalities?" And the author's approach is also very representative - turning on the left turn signal and turning the steering wheel to the right, under the banner of "fully unleashing the character's potential and making the character come alive", stuffing the author's own desires and his own character's private goods. It's a bit like a script editor trying his best to add drama to his favorite characters regardless of the rationality of the plot. But real actors will say that if they have acted in so many dramas, not to mention fatigue, the script will definitely collapse after so much effort, and they should not film the drama anymore. The characters in the book will not remind the author in this way. They will only collapse under the author's repeated tossing. In the end, they will be forced to arrange by the author, and they will not get the most dazzling ending. This is the problem with this book. Don't open your eyes randomly, don't block the plot, don't force the difficulty, just honestly tell a revenge story about a girl who would rather break than bend, and honestly hit the enemy with a flaming fist regardless of life or death. Don't engage in any kind of play-house style, let alone any useless love-hate relationships. It's not difficult, isn't it?

After reading Chapter 48, I feel that the protagonist is more like a native. He only knows that Dota or Goldfinger can only build things for Dota. For example, the alternative is to go to 600 miles to find the materials, which can completely build a bicycle. People who are good at bicycles can reach 140 kilometers per hour in mountainous areas. What's more, the protagonist is strengthened and can get there in one day ( I know the recipe for the card, but I can't make it. What I want to express is that the protagonist's thoughts and ideas are not in line with modern people's ideas) Moreover, choosing alternatives can also prevent readers from guessing, and will not make readers guess at a glance and feel boring Before going to the wild, you can also prepare items such as chain armor, paragliders, parachutes, hooks, hand crossbows, etc. For self-defense and escape.

For me, if there are too few posts on a book circle, I won't read it. Either the book is not good and no one reads it, no one comments on it, or the author is controlling the comments.

The comment was deleted just now. I would like to ask the author whether what I said makes any sense and whether it has broken any defenses? . Ps: I feel sorry for my 60 coins, md actually asked for money in the recent chapters

Why is it always the equipment of the turret? Why not just call it the turret system? And it feels like it is deliberately suppressing the combat power. All the current equipment can only provide attributes, but the attributes are a bit confusing. For example, in one section, the heroine brought six branches, which felt like a third improvement. Then the big staff came out later, and the protagonist probably had it after it was full. It's almost the same as the normal attributes of the heroine, but the heroine is a top-notch genius, and she's already in the second realm, so it's hard for people to have a clear idea of a certain attribute. For novels with attribute descriptions, the author usually says something like "how much strength does an adult male have", but you don't have this, so I suggest you add a similar description later. At present, it is all equipment that improves attributes. It is recommended to add something else. The most suitable equipment for this equipment should be the equipment of meat pigeon games. There are many types, which can be of various genres and styles, and can directly increase combat power like in the game, instead of improving attributes with unclear meanings like the current situation. For example, some of the more famous meat pigeon games each have hundreds of equipment, which is enough for you to write the finale. The above is just my personal opinion. If you already have a specific outline and follow-up ideas, you can write it according to your own ideas, as long as you don't do it, just ask that you don't do it, and please don't be a eunuch!

Eighty years ago, a great man went to Chongqing to attend the Hongmen Banquet. The subordinates believed that conflicts should be reduced, but he said: "Don't be afraid of conflicts. The better the fight, the safer I will be." Is this courage? Yes, but this is more wisdom. Dignity is not achieved by begging, it is achieved by fighting. The more violent Chamomile's reaction is, the greater the damage will be to Phytolacca's career. As long as she herself is not caught, the protagonist group and her younger brother will be safer. If she is caught, they must be well fed and served, because Chamomile may arrive at your doorstep at any time. Yes, chamomile can't defeat pokeweed, but can't I still defeat your men? Can you Phytolacca protect every one of your men anytime and anywhere? If you turn against me and kill my whole family, be prepared for everything of yours to be smashed by me. After all, you would threaten my weakness, wouldn't I threaten yours? Even if you are strong, take your time and cut your flesh with a dull knife, which will make you forget about food and drink. It will kill you sooner or later. I am the most vengeful woman, and I have plenty of time. Strong men in a world of high weapons must understand that they are nuclear weapons and do a good job in nuclear deterrence. Because as long as Phytolacca still needs people to work and join, he cannot bear the price of "being unable to protect the lives of his men." Ganju was fully capable of rubbing Phytolacca's face on the ground, but she gave in, and in turn, her own face was rubbed. This is the source of my sorrow for her misfortune and my indisputable anger. But the approach of great men is the real wisdom of survival left in this land. If we seek unity through struggle, we will unite and survive. If we seek unity through compromise, we will only become slaves in the end. I hope the author will stop responding to me. Continuing the argument will only escalate the issue, which is not good for both parties.

The protagonist does not make equipment for the sake of making equipment. He has other goals. He wants to experience more things and see more scenery, rather than being stuck in one place and becoming a master. Work for a better life, not work for the sake of work. This book is not a simple upgrade article, but a complex book that contains a lot of hard work by the author.

What's there to say? After being ridiculed by a playboy, you want to kill his parents and Dong Xuan. Next, will Qi Tian fight two of them or run away in confusion? You can't expect others to be merciful.

6, You typed so many words and deleted them for me. It was really good. In addition, one or two other posts that others criticized were also deleted. They are really genuine victims

See the author's name and the protagonist's name ➡ The middle-aged kid See the special feelings of the fifth-level ➡ middle-aged old ghost See the plot ➡ It's really the middle-aged kid See the back ➡ The middle-aged kid with some strength

Author, don't describe your favorite character every time, and rush to pave the way for her when there is an information gap with the reader. This has almost reached the point where people feel that what you are doing is unknown.

Taking Nami as an example does not match the reality of Chamomile. Nami was really powerless at first, literally. Even so, she struggled with the greatest subjective initiative and stole close to 100 million. For a woman living in troubled times, this will is as tough as a green pine. Put it here on Chamomile You can't beat Phytolacca, but can't you beat others? Where has the one-on-three spirit gone? Is it difficult to follow the good example of the heroine, fight guerrillas with the Sky Troupe, and just kill a few of them when you are cold? If I just think about it, I can find a lot of ways. As long as I take the risk, I can make Merchant Life worse than death, and no wish or ambition can be fulfilled. The author obviously ignored one fact when designing the character of Ganju: Betrayal will only be forgiven by the weak, because they have no choice but to surrender to power. But this is not suitable for a strong man like Ganju who can refine medicine in decathlon and crush the whole field with one on three martial arts. Strength and weakness are relative, but don't forget that Ganju is also a true "strong man" in the eyes of the protagonist group and even the entire county. The betrayal of the strong is like a crack on the glass of a deep-water submarine. It may seem small, but it can explode in people's hearts at any time. In the final analysis, the author copied too many things mechanically, which restricted himself. I hope the author's plot can be better.

I can only say that it's awesome. At the beginning of the second volume, I thought it was a cliché plot of pretending to slap people in the face (originally, it's okay to let people feel happy in the end, which is understandable). I didn't expect that it dragged on for so many chapters and included a bunch of inexplicable things. The key is that it was not finished in the end. In the end, it actually ran away in confusion. It's awesome. It's so awesome that I don't know how to evaluate it Of course, I only saw Chapter 35 of the second volume But I don't feel bad about it To be honest, I was a little disgusted.

The character itself is not enhanced, but the equipment and weapons are enhanced with progress The first reaction is Terraria... Constantly defeat new bosses, forge more powerful equipment, and purify evil step by step, release light and darkness, and expel the alien gods.

The character's behavior and personality are no different from garbage. It gives people the feeling that someone has successfully trained him to suffer from Godelmo Syndrome. There won't be more shit in the future, right?

When will Phytolacca die? Let's wait until it dies 🙂

It kind of brings back the joy of reading online articles in the first place.

Come on, don't be a eunuch, otherwise I'll have to watch it again before saying goodbye.

The emotional scenes are very nice and hit the spot

Compared with those cool stories that cheat all the way, I think the growth of the protagonist group and the shaping of the protagonist himself are quite good. I spent an afternoon reading more than 150 chapters from the first chapter. The protagonist is an ordinary person who is afraid of being powerful. However, An Lan's purity reaffirms his inner thoughts and resolutely raises the banner of resistance. The evil root of the villain lies in some of his past experiences. Well, it tastes like that. I will vote for this game if I have a monthly vote this month. Good cheers to the author. The part that made me a little bit disappointed may be the dedication of An Lan's mother. Personally, I felt that it was too abrupt and lacked any foreshadowing. It would cause a greater sense of separation and make the drama more dramatic. The foreshadowing of Ganlu was pretty good.

I can only say that it's hard to imagine me reading this book without the Dota elements.

You are the author who wrote Chamomile 😤

I have read many books, but this one feels the most special. There seems to be a young man lingering in front of me all the time, even though he has no characteristics.

Is the language the same before and after time travel? Can other people understand the male lead's song?

The character Ganju is a type that I like very much. She is burdened with a blood feud and has quite a lot of shortcomings. In other words, it is the protagonist's destiny in traditional cool novels with huge original power and clear room for growth But until I finished reading the first volume, I did not see the change of this character. Because of this experience, will she let go of her arrogance and cowardice, learn to trust others, and make the right choice when facing difficulties? I don't think so. The protagonist's magic weapon descending from the sky is completely unpredictable. It can be said that apart from killing the villain, the protagonist did not have any impact on Chamomile. When she encounters an irresistible enemy threat again, she will still choose to believe in her own judgment, and she will still be willing to be the enemy's sharpest knife. Although it is a pity, Ganju is a supporting character after all, and I did not expect her to be treated like a protagonist and turn into a butterfly. But as a supporting actor, Ganju's performance is not up to standard. As the de facto biggest helper of the villain boss, she did not dare to face reality, did not dare to make a choice, and did not even atone for her sins. Whether she was making herself a little light of resistance in the dark night, or lighting up the last darkness before dawn, or even atoning for herself during the day, I didn't see it. I only saw the news at the end of one volume that she is about to join the protagonist group. In this way, what is the difference between her and the ordinary female characters surrounding the protagonist? What is the meaning of her suffering? After all, he is just an ordinary person just like you and me, just drifting with the crowd.