Backstabbing the Young Lady, Starting with Digging for Survival

After Lin Le transmigrates to a parallel world and binds himself to a game and anime production System, he plans to use its abilities to plagiarize hits and climb to the top of the world. But the company’s CEO seems to have an unconventional way of thinking, dedicating herself to making games and anime that are different from everything else. Lin Le has no choice but to draw on countless classics from his previous life to meet her demands. Years later, the company has become one of the world’s top 500 businesses. During an interview, the company’s CEO, Liu Li, says, “I never wanted to make money in the first place.” But the reporters and media don’t believe her. Liu Li is suffering in silence. She awakened an investment rebate System, and whatever she loses comes back tenfold. All she wants is to lose money, but her bound agent, Lin Le, refuses to play by the rules. Why do players keep buying his torturous game Getting Over It and giving it rave reviews? She asks him to make a depressing anime, and he comes up with Puella Magi Madoka Magica. The story leaves viewers utterly heartbroken, yet they still open their wallets to support it. Then there are all his other wild schemes, from creating virtual idols to redefining anime-style mobile games. You said you’d make terrible games and anime, so why does every one of your releases become a hit?