Heavenly Official Bestows Evil

From the beginning to now, I have read all the author's copies, and I found that the author has been trapped in the path of "horror kills people, but dead people cannot kill the protagonist and supporting characters". Every time the protagonist enters the book, except for single-player books, there will basically be passers-by. Why is this? In the final analysis, someone needs to die, and the death of passers-by is used to create the terrifying atmosphere of the dungeon. Of course, in the latest copy, the cliff scene where the protagonists appear at the beginning is actually an attempt by the author to create a terrifying atmosphere. A similar attempt is the underground cave of Mahakala. It can be concluded from this that the horror author of the dungeon used two methods to create the story, 1. Weird way of death of passers-by 2. Horror scenes (claustrophobia, cliff fear) But these creations are destined to be a drop in the bucket, because when the protagonist clears the level every time and is able to defeat the BOSS, this terrifying atmosphere will disappear. Real horror is "watching beautiful things go to destruction step by step without being able to do anything about it." Since ghosts can be killed, since the protagonist and supporting characters will not die by default, since only passers-by who are indifferent to the readers will die, since the protagonist is destined to defeat the BOSS and survive for a while for the world, then how to create a horror atmosphere? The more copies a reader reads, the less the reader is able to appreciate the horror. Actually, according to the description in the book, a very obvious plot should happen, that is, team strategy copy. Isn't it good to team up with Shiji? Isn't the success rate of teamwork higher than teaming up with strangers? It must be better to form a team. After all, the dungeon does not have the setting that the stronger the person who enters, the more abnormal the dungeon will be. But why not? The reason is also simple, because the author fell into what I said at the beginning: "Horror kills people, and dead people cannot kill the protagonist and supporting characters." Therefore, in order to reduce the difficulty of writing, he does not form a team to enter the dungeon, so that more passers-by can die as consumables to set off the horror of the dungeon. The core contradiction is obvious, which is the contradiction between "the protagonist and supporting characters cannot be killed, otherwise readers will be unhappy and readers will be lost" and "some insignificant passers-by will die all day long, and the horror atmosphere will disappear if you write too much". What is terror? It is invincible and invincible. And what is the plot in the book now? It can be won, it can be defeated. If this is the case, then the horror does not exist. The only thing that readers can focus on is "Let's see what tricks this copy can do." But obviously there are not many horrific scenes left for the author to describe (darkness, cliffs, substitutes, killings, monsters, unburials, false gods), and it is foreseeable that the author will soon be unable to write anything. Theoretically, according to the author's setting, this book has no ending and can be written forever. But as readers have seen the tragedies of the world, don't readers expect a once and for all ending? Don't you want to have the urge to kill all the demons, ghosts, gods, and Buddhas in the world? As the author writes more and more copies, the ideas will always be exhausted, the routines will always be repeated, the readers' patience will always disappear, and the readers will eventually give up on the book. The protagonist is just an insignificant cow and horse under the immortal god, so what qualifications does he have to influence this world that is destined to be tragic? The logic of this book is contradictory. "When people become stronger, ghosts will no longer be scary, and they can be eliminated, and they will no longer be scary." "If we can't defeat the ghosts, then humans will be doomed, so humans must become stronger and be able to destroy ghosts." How to deal with this contradiction? Let people be weak at first, and let passers-by use death to set off the terror of ghosts. Let the people become stronger as the plot progresses, so that they can eventually destroy the ghosts. This cycle repeats itself, allowing the eternal game between immortals and ghosts, and allowing human beings to live and die in this game. The biggest horror in this book is obvious. Human beings are just consumables in the game between gods, Buddhas and demons and monsters. The protagonist is just a struggling epitome of this consumable. There is no difference between the beloved and the wicked. They are just pawns and powerless. They are poor people who have to rely on the charity of gods and ghosts above to survive. Human beings have nothing and are powerless. Even if human beings know this, they have no other choice. The beloved has never mastered the power, and everything he has is just a charity from the gods and Buddhas, and the wicked are also pitiful creatures. The compassion of the Immortal Buddha is hypocritical, and the blessings of the Immortal Buddha are arrogant. The gods, Buddhas, demons and monsters in this book were supposed to be invaded and slaughtered by the protagonist in another book. The destiny of mankind must depend on itself, and so must the destiny of individuals. To sum up, if this book continues to be written, it will only describe poor human beings who are constantly being played by gods, Buddhas, demons and monsters. When the author runs out of ideas, it will be the eunuch of this book. In fact, when readers realize the situation of human beings in the book, they are no longer satisfied with watching people clear the levels one after another, acting like gods, Buddhas and demons. They would like to see resistance, and they would like to see the people in the book eliminate one of the greatest sources of terror, and defeat the gods and Buddhas in the sky and the demons and monsters on the ground. The evil gods can be killed, so why not kill the gods?

I am a dream hunter. I wish all readers of this book a happy family, a successful career, abundant financial resources, and good health! Well, it's the same for those who don't read books. Be well to everyone! This book is an unlimited stream of meat pigeon mode, with an original plot, heavy on plot, light on cheats, slightly horror, and non-upgraded. I hope everyone can enjoy reading it. There is another very important thing. Not Nantong! Not Nantong! Not Nantong! Say important things three times. The reason why I chose "Heavenly Officials Give Evil" as the title of the book is because the three official system is the core setting of the book. Heavenly officials grant blessings, earthly officials forgive sins, and water officials relieve misfortune. They are also long-standing concepts in traditional Chinese culture. They are not unique to any book... In addition, if you have time, please leave more comments and you can make some jokes, hehe

It's been a long time since I've seen such a well-written novel on this subject. Much better than the cookie-cutter imitation of mysterious recovery 👍👍

It's about a weird genre, but why does a dragon group come later?

Fully subscribed readers. But I kind of want to give up. It's almost two million words. The male protagonist is not strong enough either. The equipment and skills that can be brought are still limited. But the copy is not as stunning as when I opened the book.

After reading nearly 500 chapters, I can't say that the protagonist's strength is much the same as the first day, I can only say that there is no difference. Every magic weapon, every weapon, and every talisman has a durability, which means that the protagonist has to worship a lot of gods again in each level to accumulate strength, and then it will be cleared immediately after a big hit. It feels like the author wants to avoid the endless collection of abilities and weapons in the infinite stream, which leads to a large number of abilities and weapons in the later stage, and many early-stage weapons cannot keep up with their values and become boring and discarded. It's a pity, but I feel very unhappy when I see the protagonist enter so many dungeons and still come out the same. I originally liked the Ghost-headed Sword, but after using it once, it's gone. The rest of the article is full of ordinary knives, and the ghosts basically started at the evil level. The protagonist even picked up the ordinary dagger and abandoned it. I hope the author sees this. There is really something wrong with this upgrade system.

I don't fully understand what these gods do. They allow ghosts and monsters to cause chaos in the world, and force ordinary people to deal with the ghosts. Then there are a lot of restrictions on how to obtain various abilities. Isn't this just forcing ordinary people to die? Infinite flow spaces are more humane than this. At least their ability acquisition is permanent.

It is indeed a high-quality work in the horror infinite stream. I don't know how to find faults. I can say a lot of things, but it doesn't matter. All the problems can be summed up in one sentence: I don't have enough writing skills. The writing style is quite good in an environment where most of the writers in Infinite Flow cannot even speak Mandarin, but it is far from enough. First, the description is straightforward Many times, some plots that are obviously very thrilling and exciting are written like boiled water and are written step by step. The sky is falling, and the dialogue between the characters needs to be complete with subject, predicate, and guest, and even some honorifics added. Several people have died, and they still have to communicate in long and difficult sentences at the critical moment. When the character is really in despair, he often sums it up with the sentence "screaming miserably". What is the scream, what is the miserable expression, everything is not written, it just smells like a class. Many times you have to look back to realize how urgent the plot is. For example, in the same Infinite Stream, Zhang Heng is considered one of the best writers among great writers, but how do others write about Jedi? The male protagonist was half-broken and had to rely on hormones to fight back. When he returned, he immediately yelled at the Lord God to quickly treat him. When his teammates died in front of him, he was so emotional that he couldn't speak clearly. This kind of description can make people immerse themselves in it. If people are about to die and speak slowly, would you think it looks good? The second is that the design of the battle scene is not good enough The author wrote a lot of props for worshiping gods. There are skills, magic weapons, talismans, functional and offensive types, and various designs. The settings are well written, but their functions cannot be conveyed at all. For example, decapitation, the only time it worked was when the author extremely deliberately created a tailor-made scene before it played a dispensable role. A good combat system design means that readers themselves will discuss what kind of build will be stronger, and readers will naturally be interested in it. You design too many props and fail to describe the differences between them. Since you choose not to spell out numerical values, but to describe a system, you must maintain the rigor of the system. However, this book gives the impression that many props are written and compiled now. Every time I choose a lot of props and descriptions, it makes people very excited to see them, but it's really confusing to fight. For example, the ghost painting talisman took a fairy-level development magical power and a matching recovery skill and developed it for six days. With a lot of props in hand, when readers are looking forward to an earth-shattering battle, they jump on it and step on it in the final battle to kill them in the plot. Take a look at this plot for yourself, do you think it is exciting? The third is the design of the villain characters The villains in the author's works are either tainted by something, or they are extreme gods and men, one against the other. Before he is a good guy or a bad guy, he is at least a human being. Bad guys also have their own behavioral logic, right? The least you can do is explain why he is a bad guy. A good villain will become the cornerstone of the work, instead of just slacking off just because he is a villain. Fourth is the grasp of writing Chekov once said that there is a gun in the prologue of the novel, and it will definitely fire later. A novel is not a movie, and the visual elements of a movie can hide a lot of information using scenery outside the perspective. Many times in novels we can only understand the world from the perspective of the protagonist. The description in novels takes up a lot of space compared to film and television carriers, so whatever is described must play some role later. Either it is to set off something, or it is some kind of clue. For example, for the novice evildoer who wanders into the Devil's Cave dungeon, you bury the Easter egg in several chapters in advance, write several chapters around him in the dungeon, let him go, and use the god-worshipping props to pretend to be a god or ghost to control him. At this time, he must play a role in the later part of the story. The role can be good or bad, but this villain did nothing and died on the side of the road. The protagonist still asks, and I don't know whether it was a good thing or a bad thing to keep him in the first place. Yes, I also want to ask, what do you think you are spending so much time writing about him?

After four or five copies, the protagonist has not grown much. Just continue to show off. You won't gain anything by clearing the dungeon The main focus is to mess around, fish for fish, then become a tool person, and finally come up with ideas for beating the boss. I don't understand what direct growth each copy will ultimately bring, there is only one copy after another.

Let me talk about the good aspects first. I really didn't know what to look at when I started. I just clicked on it by searching for horror tags. I originally wanted to find some novels that were not too boring and listen to them to pass the time. But I didn't expect the quality of this book to be surprising. The experience it brings me is no less than those famous IPs that are famous across platforms and are popular in the industry, and even far exceeds a lot of them. The last one that I found interesting was the strange fairy. The rhythm control at the beginning and the first copy is really excellent. The description of entering the blessed land at the beginning is not as stinky and long as other horror infinite streams. (At that time, I was comparing another horror game novel. The protagonist was also a detective, but it took several chapters to investigate and interview after entering the dungeon. In the end, it was of no help at all in entering the dungeon 😅?) When I clicked into the book, the first impression at the beginning was that a detective had made a lot of preparations, as if he was going to deal with something unknown. The mystery came out immediately, and being exposed to welfare-related cases as a detective added legitimacy to the entry. He was fully prepared and considered various unexpected situations, and even prepared bombs under his feet. It was immediately obvious that this person was not simple. After entering the hotel dungeon, you will enter the worshiping stage with a little guidance. Choose abilities + knock on the door when a ghost comes in the middle of the night + think calmly and use the real fire spell to solve the hanged ghost that suddenly appears. In just such a short chapter, it directly describes receiving the plug-in, rendering the horror scene, reversing the danger, and solving the problem. The sense of experience is full, and the rhythm is as smooth as diarrhea. For an old kid like me. Watching horror movies on regular websites doesn't feel scary anymore, unless it's a short video about jumping in the face. Ordinary pretense and slap in the face will just make you feel bored. So the sense of rhythm and immersion are my pursuit in reading novels and the main reason why I like this book. There are many copies in the middle that are really good. The copy in the dark underground cave is even better. The zipper at the beginning emits static electricity to confirm whether you are in a dark environment or blind. It is not obtrusive at all and integrates the classic dark and dangerous setting of horror games. The immersion aspect is almost top-notch. It can make people feel nervous and dangerous nearby without using any scary and bloody vocabulary to describe it. There is also the beginning of the ghost school, where it is confirmed that the newcomers and aboriginals have disembarked from the ship. The moment the copy is opened, a bunch of graduates who do not know whether they are ghosts or people suddenly appear on the ship, as if they are going somewhere. Needless to say. But... I have to say but. I feel that the recent plot is still a bit boring It's not that I'm tired of reading this type of novel, I feel like the focus of describing the content of the novel has changed a bit. Although, the combat power control of this book is indeed very good. After more than 1,000 chapters, the blessed land is still dangerous for the protagonist, and the protagonist does not crush the newcomers (it is not surprising that other novels have moved mountains and reclaimed seas at this stage) But Wu Xian is not as cautious as he was when he first entered the blessed land, although the process is to think through it after entering. But before thinking, what is this? What is that? Where am I? What should I do? What is this in my hand? Now it seems like a professional anchor who is used to playing all kinds of horror games. As soon as he comes in, he has various points to stop, although it is very smooth and rhythmic. But no matter how you look at it, it feels like going through a process at work. Just like a streamer who specializes in playing scary grannies, even though the difficulty is maxed out, he rummages through the cabinets to find a gun and forces the granny to grab time to complete the task and escape. No matter how you look at it, it feels like a class. Although the protagonist is about to become a three-volume person, it is normal for the above situation to occur. But the description is really not very good, compare it with the recent copy of the fierce god playing chess with Tai Sui. It's really boring. This is not a black book, although it seems unreasonable to ask an old man from a blessed place to be as curious about everything as a new person. But it seems a bit boring. The protagonist's strength is both good and bad. Although on the surface it seems that there is not much difference between him and ordinary coupons, in fact, with the two moves of Roshan Guihe and Oglord, how many monsters can be killed instantly? Not to mention that the full moon mark can still be carried all the time. I don't mean that the protagonist of more than 1,000 chapters cannot kill an opening boss with one sword. But there are only four levels in total for magic weapons and monsters. Nowadays, even the evil evil spirits can be stabbed with the Full Moon Mark, right? The most unattractive evil spirit level, he appeared on the stage and showed off his skills in front of King Luo, and it immediately became a stepping stone. The duration of the threat is not as long as that of the haunting. Under the current system, the protagonist is about to reach the top. Basically, the protagonist can be regarded as the person who automatically carries the fairy magic weapon at the beginning. It can be used after charging. The meaning has changed. I think there is still a lot of worldview that has not yet been developed. What is going on with the immortals and evil gods? I haven't even gone to my hometown yet. Even if it's a limited number of holy magic weapons, that's fine. At least you can experience the sense of accumulation of being a hoarder, and it is also a good plot to look at the increasingly rich family fortune. But players at the Immortal level (who can use unlimited Immortal abilities) will let the combat power they have been concentrating on for so long be in vain, right? If you change the reward to be rich but limited in quantity, you can also work on playing games with monsters. When you encounter a very powerful enemy, do you want to use the artifact in your hand? Using flash kill is not a problem, but is there any place where I need to use it more in this level? Will it be possible to use the props so casually that the props cannot make ends meet? Life is getting better now that I have accumulated so many artifacts. I can also create big scenes from time to time like Creed. It should be like this now: go to work as soon as you enter the blessed land. Quickly worship the gods and grind monsters to gain experience. Don't be reluctant to give up small props. Anyway, there are fairy weapons for the big monsters behind. The more you use it, the more your combat power becomes. Okay? Of course, I am just a book reader, I don't know anything about writing books. I'm not trying to teach you how to be an author. I'm just sharing my reading experience. I wonder if the author might have some reference after reading it? There are some scary things to watch, but in the end, there is basically nothing to choose from. The monthly votes I have accumulated basically go to Foxtail and you. Hope to write more interesting copy