
Mahjong Soul: Thirteen Orphans from the Start
雀魂:开局国士无双
- Status
- Completed
- Length
- 3.7M Words
- Genre
- Urban
- Subgenre
- Urban Superpowers
- Updated
- 1y ago
- Source
- Qidian
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In booklists 18
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Reader comments 46
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This book is really useless, I really don't understand it, but according to the author's description, the protagonist is a poker player who is very skilled and has bad luck. As a result, his opponents are all wrong, so the protagonist will lose less at most. How can you win? Also, at least in July, readers have reported this problem here, and the solution and reference objects have been arranged for you. The author also said below that what he said is good, and he is ready to copy it. What did you copy? It's September now, and the protagonist is still like this. Is this the result of your copying? Are you trying to mess with the readers or are you copying them without understanding? The title of the book also opens with "Kokushi Musou", which is really appropriate. After all, there has been no "Kokushi Wushuang" since the beginning. The protagonist does not look like a mahjong master with strong card luck, but more like a mahjong veteran who memorizes time. The obscene emphasis on technology in metaphysics mahjong is like emphasizing that the protagonist believes in science in a horror novel, which makes people speechless. And because he is the protagonist, he can only win continuously, which is even more disgusting. Since the previous reader told you to read that Go book, I also suggest that you take a good look at that Go novel to see if there is any lengthy popular science about Go or the author's own insights into Go. Take a look at your picture today. Half of the 25 pages are about Japanese hemp science. Is it necessary? Is the hydrology so watery, and it's still a paid content? My money is not money? If you want to read Japanese popular science, I don't know Baidu. It doesn't cost money. You are really a talent. The number of words in one chapter is as much as two chapters of other authors. Unfortunately, the content is not even half of that of other authors. The protagonist of your book has a weird character, and the content is supported by empty comments and self-exciting jokes. Why didn't you explain it when you made jokes? Isn't it possible to continue filling water? After all, not everyone can understand your jokes? Finally, let me tell you, your shady content will only give excuses to readers who watch pirated copies. And although you are indeed the only one who writes Japanese and manga fanfiction on the platform at present, it does not mean that you can write whatever you want in this book. If you insist on not correcting me, I can stop reading your book and read other books or play games and watch short videos. I don't just rely on you to kill time. Of course, if you completely feel that your original intention is to write a self-interested novel, and it doesn't matter if you don't make money, then you are welcome to delete my post and ban me directly, because it is my fault that I express my objection to a completely self-excited novel.
The author's writing is good, but he doesn't know how to write online articles. He recommends learning the Go AI next door. That is to say, it is a business-level push at the beginning, a professional push at the mid-term, and a push at the later stages of the competition. It has a double harvest of performance and reputation. Mahjong is the same as Go, there are no repeated games, and there is no shortage of materials and tricks. There is no need to force the protagonist's luck, use bad cards to show off defensive skills, and there is no need to suppress cheats. Use it once every few days or one game at a time. Take some of the more popular mahjong series as examples: Legend of Dou Pai, Tianhe Street, Feng Pai, and Que Puppet. . . No one dares to set up a protagonist with extremely bad luck, and then rely solely on defense to play cards. Even the ghost god Akagi has ghost-level skills + super luck. If he only relied on skills and no luck, he would have been drained to death by Wasiko. If, I say if. In another timeline, at the beginning, the protagonist was directly possessed by 10% of Wasiko in the chess and card room, and used the skills of his previous life to kill everyone and shocked passers-by. Then Wasiko appeared as a ghost and said "Akagi, I'm back from hell" in front of Akagi and K; then he upgraded by 20% and went home to play mahjong with his three sisters. At the beginning, there was There was a back and forth, mixed with introducing the character characteristics of my sister's classmates and how lucky they were. The last game of National Warriors Thirteen Sides let them know what true unparalleled luck is; then upgraded 30% and the three-player mahjong with Yumeko Snake Ghoul. At first, the two of them let the sister play, and in the last game, the two of them used their strength to start a full-on battle, and ended with the sister's double blast. . . Would it look better this way?
Making mafia mahjong too powerful is outrageous. Suture Gastrodia, there are real ghosts and gods in the world view. In the Age of Gods, you directly ask the gods to control the whole place. What's the use of having unlucky luck? If you don't make a card, you won't make a card. Unless the order is artificially changed, simply fixing the cards is the best of the three. Even mafia mahjong directly goes to the competition to catch people with bad luck, which is a headache to watch. According to you, a person with incredible luck, you are worse than the God of Death in Quegui. Anyone who dares to mess with his cards will be sent immediately on the spot. In other words, the protagonist Sakurai is fine, and the others are all affected. The mafia mahjong is so unscrupulous and they still look down on the white mahjong. The white mahjong is already playing mahjong with super powers, but your mafia is still in the three major schools.
The way you write it, it doesn't matter that Yu Wushuang consumes luck, and so does the miscellaneous fish. If you play cards continuously, wouldn't it mean that the miscellaneous fish can defeat ghosts and gods in a round-robin battle?
I would like to give the author a suggestion: get rid of the many role-playing aspects of the system as soon as possible. You only have four or five characters to play, and there will be more and more in the future. Novices can't grasp it, and the length of the chapters doesn't support you in filling them all. If you write like this, some characters will definitely disappear as you write. It is better to choose the most brilliant and practical ones. Don't deliberately abuse the protagonist. For example, the setting of bad luck is completely inexplicable, unreasonable, unreasonable, and unpopular with readers. Why don't you hurry up and give the protagonist a cool nickname based on his characteristics, so that his reputation can be spread first. The trick of pretending to be a pig and eating the tiger is old and bad. Think about Tianhejie, does Ikawa feel good about holding his teammates back all the way? It's still the Akagi kind of feeling that comes from a shop that tastes just right.
To be honest, if you write the protagonist's growth like this, it will make people feel that you are abusing the protagonist. If you combine Dragon Fruit Universe and Gastrodia elata, you must face the so-called conflict between Pai Lang and Gastrodia elata skills. Tianmali's portrayal of card luck basically focuses on skills, just like the duck's mastery of the card mountain can invalidate Da Xingdan's skills. It is a kind of skill restraint, not pure card luck. Now the protagonist's role-playing system is neither good nor bad. When Wasizi's role-playing value and Tianjiangyi's role-playing value are now about the same, the protagonist has obviously acquired some of Tianjiangyi's skills, but Wasizi can only see luck and has no actual use on the card table. Even if you say that about 40% of Wasizi's performance can vaguely feel the wave of cards, and can cooperate with Tian Jiangyi's "Haidilaoyue", I will consider you to have worked hard. As a result, now that you have messed around with the settings, your luck has been suppressed by Miyanaga Saki. The most important thing is that you forcibly gave the protagonist an African character, and Gastrodia elata and fighting cards are things on the table that only affect the table. Wasizi will not be unlucky just because he touches himself. I think it would be better if you let the protagonist forcibly use the side effects of Wasizi to force luck to stay on the card table. For example, 40% Wasizi role should be the peak of heart-changing hands according to the Dragon Fruit universe. Instead of being unlucky after riding the wave like now, and there is no specific description of the misfortune, it makes people feel that it is the protagonist's excuse to skip school.
Which beginner table is better to play?
The bird soul cos picture found in the group
To be honest, the more I watch the protagonist, the more frustrated he becomes. Although he seems to be winning all the time, he is almost not happy at all. It says at the front that the protagonist's personal strength is so great, but he is embarrassed and suppressed when he touches a monster. He uses it less and has a lot of side effects, which affects his fortune and even his own strength later. If you want to cheat the protagonist but are afraid that his strength will skyrocket, then you might as well not add this template cheat. You might as well just give the protagonist a fortune + his own strength and be done with it.
About accidental deletion
Usually when I see mahjong questions raised in the comment area, I will revise them, but there are some things I really want to complain about. I have not even deleted five comments on this book on my own initiative, and then there are always people saying that I deleted the comments. And the funniest thing is that someone said that I was not good at writing that paragraph, so I directly changed that paragraph and the following paragraphs, thinking that there would be no problem if I changed it. As a result, he said that his comments were gone. This author did not accept his own criticism at all, and he was a stubborn group. What do you want me to say? Let me explain again. When the author sees comments or typos, he will simply revise them. This process will cause some replies to be deleted by the system. If the comment has been deleted, please go back and check whether the paragraph you requested to modify has been changed. Also, when I delete chapter reviews and book reviews, they usually involve two things: insulting words, and the kind of comments that are just for one glance and then leave because of the recommendation. What is the purpose of not deleting such a review that is of no use other than to provide rhythm?