What? Is Ultraman a Lifetime Commitment?

I have read the first few chapters, and they are pretty good. There is no Kingdom of Black Light, and there is no mention of intrigues and intrigues in the Kingdom of Light. It is hard to find. Those Tomatoes all describe the Kingdom of Light as a human society, bullying, belittling, and ridiculing, and completely ignore that the Kingdom of Light is a utopia.

Generally speaking, in Owen, we usually don't see ideological collisions, or if there are, most of them follow the trend of the plot. It is rare to look at the direct relationship between Owen and Owen, people and people, and Owen and people from the author's own point of view, as well as black and white, justice and evil, light and darkness, because these are not suitable to appear in Owen. To many Owen fans, Owen is pure and naturally suitable for Bai Yueguang. As for the author's writing style and angle, putting it in other books is more or less a private matter, and his stance is not correct. It's just right to put Ou Wenliqiu in it, because the protagonist is both a human and Ultraman. The author thinks that if both sides are written, the ideological collision is inevitable (more or less refined). This is between humans and Ultraman. Many times we can see that the "human" part of the protagonist is mixed with the "occult" divinity, like a bystander, rigorous, indifferent, and even a little cold, like a happy person. The relationship between Ao and Ao is simpler. At best, it can be regarded as a different thinking perspective. The protagonist's relationship between Ao and Ao, the relationship between light and darkness, and the relationship between justice and evil are often based on the perspective and point of view of being a "human" in the previous life, so that it seems that this "Ao" has a high human content, is incompatible with other Ultraman, and has a strange angle. But because the characters and thoughts of other Ultraman are well depicted, it seems to have a very outrageous feeling, "A husky is mixed into the wolf pack." Understand, the protagonist "O" is this husky. It is full of an outrageous flavor, which makes some people feel that there are so many collisions of ideas when watching it? It's so annoying, In fact, this is a typical problem of looking at "A" from the perspective of "human", and the protagonist's "human" body at the other end looks like a fun person, which is also a typical problem of looking at "people" from the perspective of "A". On the one hand, the content of the "human" flavor is a bit high, and on the other hand, the content of the "astronomical" flavor is a bit high. This means that no matter which universe it is, it has an extra salty fish flavor and is entertaining. Overall, the book is very good, but the pace is a bit fast, there are often large paragraphs, and it looks a bit tiring, and this dual-perspective writing method really tests your writing skills, come on.

Schiller used the Soviet Union to unite the world, and Castor used light (plasma sparks) to unite the world.

"In this era, we can no longer do things like I am Shaflin and you are Taylor"---A certain underground person Wang Zhouzhi

Why didn't this guy leave a title for his book? It's so fucking hard

The angle of entry is pretty good but switching perspectives is too frequent once every one or two chapters.

The bigger the world view is, the more characters there are and the more scattered the plot is. At this time, the best way is to change the group portrait, but this requires extremely high writing power. From the dozens of chapters so far, it can be seen that the plot is a bit too loose. Maybe the author has an outline, but after writing it, it is a bit confusing, a bit like a hammer here and a stick here and there. The more characters appear recently, and they also involve parallel universe peers, the author also has problems with the characters. In the latest chapter, the description of the early main characters such as Ao's father and the emperor has lost its uniqueness, giving people the feeling that the characters are gradually becoming homogeneous... Because the Tsuburaya world itself is a worldview full of loopholes, the author simultaneously introduced the main universe, the TPC universe, the main universe and the affiliated universe, and also introduced the difference in time and space. There are more than four time-travel characters appearing. To be honest, without Leo Tolstoy's ability, it is really difficult to control such a huge volume. If you insist on writing, you will either throw settings to make up for the settings, the balloon will get bigger and bigger and eventually burst; or the characters will be homogeneous, the plot will be streamlined, and the gecko will cut off his tail and escape. This trend is already happening, but it should be possible to recover. As for my personal suggestion, I didn't dig too many pitfalls when talking about other universes before, so start shrinking from now on, reduce the description of other universes, and write exclusively about the Library Challenge. In the process, I will collect the small foreshadowing left before, and finally make dumplings to wrap up. It can be considered a smooth landing. If there are still bugs or foreshadowing, we can solve them at a later date. The most fearful thing now is to expand the world view when Castor appears in many worlds. Then it is really impossible to grasp it. However, it can be seen that the author of this chapter has blurred those Castors, and he probably has no intention of describing them in a large space. Now I don't ask for more, but I ask that I write about the Hall Challenge well, have a big climax and then end it magnificently. I have been chasing it for so long, and I really don't want to crash in the end.

Author, thank you for telling me a truth, political politics is a dead end.

This author... Can you give me a hint when changing the scene? For example, if you change from the world of Tiga to the Kingdom of Light, write a sentence in the middle, "On the other side, the Kingdom of Light..." Or leave a few lines in the middle and add -, there is nothing before it, or the scene is changed directly after this scene. TV dramas can do it this way because you can see the scene changing in TV dramas. Don't you think it's confusing to do it this way in novels? For example, if you were talking to person A earlier, and then started talking to person B without any transition, would those who didn't know think they were in the same scene? It will be very tiring to look at this.

Castor of Earth really gave me a bad feeling. The author shrugged his shoulders five or six times in one chapter, which made everyone feel very frivolous, and he said that he was letting others make choices. However, Dagu said that he couldn't stand it if it didn't meet his guess. In the end, it was because he was familiar with the plot that he kept pretending. In comparison, Castor of the Kingdom of Light gave people the feeling of a doer. He would not talk easily, and thought that he would let others do things while lazily watching the show and feeling complacent. Actually, I feel that the earth is the dark one, a conspirator who thinks about conspiracies all day long.