Ninety Thousand Miles Up

The previous article is quite good, but I was disgusted when I went to Prince Su. If someone under the emperor rebels and is caught, he will not beheaded, but he will be let go. If he is caught the second time, he will not be killed. Can he keep it for the New Year? Gong Wuguang's concern for the country and the people, as written earlier, is quite noble. Prince Su colluded with the demon clan to rebel and he didn't kill him after he was caught, because the soldiers and people who died in the rebellion died in vain? The main character was also quite failed in portraying him. He said many times that he was greedy for life, fearful of death, and wanted to end his life. He obviously had no ability to protect himself at all. He would go out when others told him to go out, and he would almost die every time he went out. He didn't have a long memory, and he didn't have any opinions at all. It was whatever others said.

I like your writing style very much. Your words have the power to make people peaceful.

Book title: "Ninety Thousand Miles Up" Author:Jinguijiao Status:Serialized Number of words:74,000 words Tags:Time Travel, Scholar, Leisure Recommended Index: Five Stars Introduction: The protagonist who has just traveled through time opens his eyes and finds two talking monsters beside him. The monsters say that he cannot die and is of great use. One person and two demons became connected. Recommended words: Style and writing style: The language in this book is very beautiful, especially the dialogue description. It seems that it has been carefully polished at first glance, and it reads very smoothly. Plot: The opening chapter is a dialogue between two monsters, "Look at your hands, they are still pliers" and "I just put them in my sleeves." It is a very interesting opening chapter. It is humorous and at the same time, the images of two monsters who are not too intelligent appear on the page. Background and world view: The background of the ancient world of spiritual practice. Ancient people practiced ancient things without any modern elements. Characterization: There are no redundant modifiers. The characterization has been completed subtly in terms of dialogue description and behavioral attitude. The effect of this is surprisingly good, the third person and the fourth person are already two very fleshed-out characters. Compared with similar books: The plot and writing style are far behind the new Xianxia books of the same period. The ranking of this book has been on the rise, but I believe this is just the beginning. Writer related: Yuewen lv3 writer, the representative work "Insect House". {"TopicId":"847235287436099584","TopicName":"New book trial reading"}

The writing style is okay٩(๑❛㉨❛๑)۶

{"TopicId":"847235287436099584","TopicName":"New book trial reading"} Book title: Nine Thousand Miles Up Status: Serialized (not yet on the shelves) ) Category: Xianxia, fantasy cultivating immortals Recommendation index: ⭐⭐⭐ Recommended words: The introduction is very relaxed and pleasant. It starts with a conversation between monsters, and you immediately feel like they are two little monsters with limited abilities. The protagonist traveled through time and changed from a migrant worker to a scholar, but he is very clever. The two monsters playing around make people laugh and cry. One 🦀 and the other 🐔 are running to trade the scholar's skin and flesh for martial arts skills. After experiencing life and death on the way, they become affectionate and righteous, and become three brothers. At present, there are less than fifty chapters, and a world of cultivating immortals has been built. We look forward to the author's follow-up.

This kind of writing style in which the protagonist is so weak that he gets involved in various major events is like the divorced engagement flow, waste material flow and revenge flow ten years ago, forming a genre, the puppet suppression flow. The plot of the story follows the protagonist after the marriage was broken off and the person became a waste. This kind of puppet flow relies on all kinds of things to bump into the protagonist. The plot makes the protagonist unhappy, and at the same time suppresses the protagonist's strength, making it disgusting in all aspects. Then make a reversal and achieve a destined victory. The plot is deliberate and unnatural, and at the same time it is wise, the villains also collectively use their wits. Look at the Black Horned King and the Stone Dragon King who are so powerful, but alas, there is no way to make the protagonist look like an ordinary person. There are all kinds of garbage plots and coincidences that are forced on, making the protagonist jump around like a flea in front of a bunch of strong men, and it does not improve the protagonist's strength. Specializing in this kind of plot that seems reasonable but is actually extremely intellectual, to highlight the special characteristics of the protagonist, and then forcefully lead to the following plot, and then connect the previous operations. The characteristic is that as long as the protagonist's strength improves, the villain behind will always be stronger than the protagonist. The protagonist is always in "thrilling" situations and relies on various so-called "chance coincidences" (intellectual plots) to complete counterattacks and defeat the weak.

Why does the author always think that monsters are monolithic? Those who are not of my race must have different minds, and the same applies to monsters. The fox spirit will not regard the rabbit spirit as the same kind, and the tiger spirit will not regard the lion spirit as the same kind. The so-called monster clan is just nonsense. They forcibly knead different monsters into a whole. Believe it or not, these monsters can be killed by themselves. If these monsters could gather into a monster clan, the human race would be wiped out. Monsters treat other monsters and humans equally. At most, they are more hostile to humans because of the greater threat from humans. However, this does not mean that they are less hostile to monsters of other races.

When I read the introduction, I thought it was about farming, but it turned out to be a story about selling dog meat over someone else's head. He was just wandering around without any strength.

，， I have read about 300 chapters so far. This book actually has the skin of a cultivator and a farmer, but the core is a suspenseful novel (not thriller) set in a Cthulhu-style world view. The protagonist is half an ordinary person, but has outstanding abilities in certain aspects. As a plug-in, Mr. Wen seems to be very strong, but the protagonist also needs to use his abilities to make up for it and advance the plot. In terms of the world view, the immortals with the highest level of combat power look a bit psychotic from a modern perspective, but it actually makes sense. After all, the higher the level, the less likely ordinary people will understand their intentions. This is a normal thing in Christian novels. Summary: I personally think it is quite interesting, but I need some patience to read it slowly. The main pleasure is not to watch the protagonist cheat and pass levels, but to watch the protagonist explore the world. The reader's happiness is not simply pleasure, but the desire for knowledge and curiosity that is satisfied by gradually understanding the world view set by the author. It's quite a picky reader, and it may be a bit hard to pass the time reading, requiring some independent analysis and thinking. In addition, the author's strange cold humor made me laugh very happily when Ding Bao came out.       ：，， The underlying logic of this worldview setting continues the restrained flavor of Bug House. The plot advances faster than the previous game, and there are fewer daily parts. It is a bit like the style of Bug House in its later period. It advances quickly and talks about what the world is like rather than personal situations. To be honest, it's not very likable, and it's normal to have polarized reviews. If you agree with the world setting, you'll have a lot of fun reading it, but if you're looking for something short and quick, you'll basically have a hard time reading it. But having said that, it is a bit exaggerated to say that the author's writing style is not good. This writing style is still very comfortable to read.                                                                                                                                                but

I was very fascinated and read more than 40 chapters. I didn't know what I was talking about. There were all kinds of riddles. I just wanted to say that the pit is not a pit, the answer is not the answer to the riddle, and there is no introduction to the various characters. The Black Horned King, inexplicably turned into the Black Horned King, died in one chapter. The foreshadowing was very smart, but after meeting the protagonist, he turned out to have no IQ. There is also an introduction to Xunhua, That thing is really invincible. You can stay in the illusion all the time if you smell it. You won't even know if you beat it to death I don't know. I'm just a fan of it. As far as I can see, the realm is not detailed, the items are not detailed, the characters are not detailed, the story is not rested, the abilities are not detailed, it cannot cultivate immortality, but it can kill all kinds of monster kings and monsters.

Her mother can't even defeat a little monster but she still dares to go to the monster den. This woman is mentally ill.

Why don't you just delete your introduction to the last sentence: I also want to see the scenery at Ninety Thousand Miles.

If you get the tattoo, if you don't study hard, why are you running around every day? ! Can you calm down and study hard? ? Bad plot

I'm happy today. I ate two side dishes.

Too weak and stupid, Golden Finger is confused and looks tired

I couldn't hold it back. It was very attractive at first, with one person and two cute little monsters. I thought it was finally starting to grow slowly, but the more I looked down, the more strange it became. First it was Taoist Wen, then Qin Tianjian, and then Immortal. Messy. There was no preparation, a pot of stew was laid out, and I couldn't sort it out. There are too many characters, and the protagonist has no strength, so he can only force various plots. The strongest thing about a time traveler is probably the mind that actively drives the plot. It feels the same as if you didn't travel through time, the natives are pushed by the plot. He is very similar to Xu Zhu, a little monk who is pushed along by the plot and has nothing to do. Without a strong writing style, this style is too difficult to write. It is easy to reverse priorities and lose track of characters. The audience can't get into it either. I have been reading books for more than ten years, and good books always feature protagonists. Characters and clear themes.

The good stuff is all in the introduction. Cultivation is not about cultivating immortality, and farming is not about farming.

What rubbish, the writing is unclear

There are all kinds of digging holes, mysterious descriptions, a squeaking red mouse, and a lot of unclear things. I just couldn't bear it after reading Chapter 39. The protagonist is no different from an ordinary person until now, but he has to be involved in such a big event. He deliberately tries to save his life, but various opportunities dig big holes in the fog. This kind of messy things are destined to hit the protagonist, forcing the protagonist to passively improve himself like a puppet. At the same time, the protagonist is a little shrimp who is stirring up troubles, and the surrounding bosses are unable to kill the protagonist for various reasons. Still using the smart plot? Why do you have to write this kind of garbage plot that is so weak that I want to dance on the tip of a knife to embody the so-called "Destiny's Child" plot? The powerless scholar was involved in a lot of incidents of rebelling against the immortals, which was painful to watch.

Let's change the introduction. In the latest chapter, the protagonist says he hates farming.

More than thirty chapters have introduced things about the Spirit Fish King and Feng Huanyi, but what they are going to do and how they are going to do it, the protagonist doesn't know. I just passively pushed things forward. It would be useless to report it anyway, so I had to be the protagonist. The protagonist can't leave either. The boss will show off his face and then move his head to risk his life. Things started at the very beginning. The protagonist noticed it first but it had nothing to do with me. I just put it aside. If the sky falls, there will be someone taller. When things get serious and my friends invite me, I will come. It can't happen without me. I feel like the protagonist's strength is like that of a small screw. I want to be a small screw, but he just wants to be used as an engine. It's better to just use it without any guarantee. Anyway, the heirs of Wen Jing die without insurance, so your protagonist can just leave it alone and he won't die. I just feel that the protagonist is too passive. He is either being manipulated or plotted by others. When he can be manipulated, he takes action again because he is afraid that his life will be ruined. Anyway, I feel that the protagonist is positioned as an ordinary person, but when he encounters things, he is no longer an ordinary person. Only he can do many things. Like a puzzle, only one piece is missing: him. One should be like a car race where the protagonist arrives first, or like a relay race to complete his or her duties. Now the protagonist is acting as a detective, an assistant, an assassin, and a bait. An organization or multiple companies must rely on one leader to bring tourists to visit to turn the tide. I wonder are these businesses really profitable? Can you really live this long? Is the protagonist's nine-year compulsory education so strong? This is just my personal opinion, you can discuss it but don't scold me.

There is a question. He doesn't use anything from this world at all. What is the meaning of his time travel? It's better to write about a native

I thought that the previous tone was already readable only by those who can read it, but I didn't expect that the ending would be even more exaggerated. I enjoyed reading it, but after reading such a plot, it is impossible for anyone to recommend it to others. It is hard to imagine how many readers these two books have. Finally, I hope that I can still have the energy to continue writing, and I hope that the ending of the book will not be like the first two. If you are very popular, many people will praise your book. It would be better if you don't write the last chapter.

I've only read Chapter 50 and I feel it's not as amazing as before.

It still feels like a bug house, but this book is too suspenseful, full of "puzzle" analysis, and has too little plot content. When will the author publish a new book? The next book will have more plot and less suspense.

The first three chapters are really amazing, right down to the crab-rooster fighting the fox. After hiding from the fox, I thought I was going to cheat with the crab and the rooster, but I was fed a big one. After the tattoo is recognized, it can no longer be practiced. Then the protagonist is indifferent. He doesn't want to do this or that. The crab carrying the protagonist's escape was smashed by other demons and its shell was broken. The rooster rescued him in front of the protagonist. It just so happened that the protagonist's tattoo can repair all things. Hey? It just so happened that the protagonist got an idea and thought about how to repair the shell of the crab. What was the result? The protagonist thinks it's too troublesome, and doesn't want to repair his shell. He feels that he's not the type to learn tattoos, so he just says, "Just let nature take its course. Damn it, I'm going to vomit after seeing it 😰"

I am a long-time reader of Bug House. I took a look today and realized what I missed! It's actually 148w words hhh

The gold cabinet is also a civil servant, right? Reading your book, I thought of eight-treasure rice. I mixed the preparation and the starting point at the same time. One chapter per day, with the minimum number of words per chapter, and frequent updates.

The first one or two hundred chapters are good, but later on it gets worse and worse. Dialogue accounts for 80% of one chapter, and dialogue does not contribute to the plot at all. Oh, I wasted 50 yuan.

Is it coming to an end