Divinization Begins with Martial Souls

After reading about ten chapters, I felt a little bit about the author's mentality. It's a bit like the fantasy novels I tried to write when I was young. I came up with a bunch of settings and worldviews that seemed pretty awesome, as well as some magical plots that made me happy. Then after writing part of it, I found that I couldn't control my writing at all. It is a situation where it is very clear to me, but messy to others. It is too typical. The writing style cannot keep up with the imagination. However, I still have no problem with it. I feel that other people have problems with their understanding. In fact, it is due to poor information and expression problems, and readers cannot enter the author's world.

Tang San must die in the first world. Otherwise it may be a poisonous point. The current mini-boss is okay. But you can never survive the early stage.

I'm reading it pretty well so far, but I won't be able to read the book If Tang San Doesn't Die.

Now it seems that the protagonist wants to accumulate and create his own fundamental method in the world of one person. Then I have some inspirations and the author has time to take a look First of all, in my understanding, most of the extraordinary systems can be said to be inner alchemy (a method of internal strengthening, strengthening one's body. Such as fantasy martial arts system, cultivation system, etc.) And outer alchemy (a method of external repair, making up for one's deficiencies. For example, fantasy cultivation equipment cultivation) Sword repair, mechanical modification, super-type mecha, etc.) Therefore, the protagonist needs to create inner alchemy methods for internal strengthening and external alchemy methods for external replenishment that can make full use of plug-ins and martial arts The inner alchemy method is mainly to strengthen oneself, so the basic method of each family is enough, and it is enough to continuously strengthen and upgrade based on the spirit, energy and spirit. If you want to be more detailed, you can use the heart (the unfallen heart), the spirit (the immortal god), the qi (the inexhaustible gas), the body (the immortal body), the law (the feasible method), the principle (the principle of operation), and the Tao (the way of practice) as the strong foundation of the inner alchemy method. Basics The external alchemy method uses non-self external objects to make up for one's own deficiencies, so it requires divine masks, alchemy methods, weapon refining methods (mainly refining methods of natal magic weapons) and other methods that use non-one's own strength to make up for one's own deficiencies and upgrade oneself (especially The protagonist's plug-in is most suitable for this method, taking the path of Duobao Daojun) and can also use martial arts and natal magic weapons to withstand the poison of faith (the erosion and weardown of oneself by endless faith) to avoid losing oneself Even the protagonist can practice the inner alchemy method and the outer alchemy method at the same time (after all, you are a mature outer alchemy method and you have to practice it yourself).

Don't worry, everyone, the number of words is so short, and if Douluo is regarded as the first world in the world, then Tang San must be written, but the author must also consider the rationality, and cannot just make a blind joke to kill Tang San. The protagonist must have a growth process. This is only a few words, so please be patient, the subsequent writing will definitely be very enjoyable, at least the author's current writing is really good! Brothers, don't be so violent. The author is not not to ignore Tang San, but to improve the protagonist's strength relatively reasonably. After all, Tang San has a bunch of martial arts, a bunch of hidden weapons, and a Titled Douluo dad nearby to protect him. The protagonist can't beat him with his initial configuration. He needs to give him some development time!

If Tang San doesn't die soon, the beginning of this book will be wasted

There is a high possibility that the author is a follower of Black Douluo, and the plot in it is well understood. In addition, the conflict points in the plot written by the author are very childish regardless of the cause or the result... Take the first conflict between the protagonist and Tang San as an example. The protagonist relies on counterattacks to hurt Xiao Wu, and then Tang San immediately kills the protagonist... What do you think, author? Can you write such a plot to fool a fool? Tang San was able to complete the location of the sect's secret book at the age of nine, and then visit the location, sneak in, and steal the secret book to study. Moreover, this thing was stolen and he couldn't find anyone to teach him, yet he was able to make the number one hidden weapon. There are many things that cannot be learned by anyone nowadays. I even dare to say that even if the country publishes a book called "Hand-Rubbed Nuclear Bombs - From Introduction to Burial" and let professors from the Chinese Academy of Sciences come out to teach it, there will still be a lot of people who can't learn it. Author, you completely treated others as fools.

I think the writing is quite good, but when the time comes, don't keep killing Tang San and let him have adventures when the time comes. That would be poisonous.

A problem shared by many Douluo fan fiction. He said that Douluo's characters were heaven-defying, but in the end, the characters he wrote were even more heaven-defying than the original. I don't even know how I have the nerve to mock the original work.

It's really annoying to draw hatred out of nowhere. Do you need to draw hatred out of nothing for Tang San? As long as he is a normal time traveler, no one will have much favorable impressions of him. Furthermore, the original book Holy Soul Village has a separate quota for working-study students, and the original work does not even say that it shares the quota for working-study students with other villages. That's fine. You can't directly say that this is your deliberate setting. You must not admit your mistakes For those who can't accept criticism, let alone writing novels, in what profession can people respect you?