My Universe in a Bottle

It's been a long time since I wrote a long review Throughout the five books, my favorite is still Breeding All Humanity. Maybe it's because of the good impression I had when I first read it. I won't get tired of it even after reading it a few times. I can still remember Medusa, Dao Changsheng, Gilgamesh, Mengmei, Bai Xiaosheng, Hermes, Caroline, Akina Mountain Speed, Renimangas, Emperor, Luna Ji... Too many, and the final battle, in which the heroes of 17 billion years resisted the disguised overlord Emperor Zun. Wow, that was such a shock... After a big battle, Lord Youshan Mansion wanted to kill Emperor Zun, and then Emperor Zun suppressed everything and became a god with great force. To confuse all the great saints, it is indeed possible to become a saint, and there is indeed no need for the next era - because most people in this era are dead! In hell, Emperor Zun said: The human world is your endless purgatory. So damn handsome! It's so touching, and the image of a character with extreme wisdom and martial arts suddenly stood up. Although it is fake, Boss Xu acted well. Reminds me of the final fourth Taoist battle. In the singularity constructed by Medusa, the Emperor said to Tu Xin: What is decay? Following the general trend is decadent! I know it's false, but I still imagine that the emperor is upright, just like everyone thinks, waiting for someone to kill him at the top and start a dark era. And the darkness of Renjiu's sacrifice and the pledge of candles also shocked me. One is going to death and fighting for the future for the common people, and the other is standing up alone, with endless possibilities, and is already ready to become the eleventh level, without any regard for the creatures of the old era! Even if he loses the battle, he can still directly complete the rules and fulfill his so-called most beautiful dream. Everyone's charms are revealed, it's really a wonderful battle. What a ridiculous battle! The victory of false justice is touching. The second favorite is I Become the Cult Leader in Underworld. This book is not considered a Creation style (actually, I feel that except for Raising All Humans and Me Making Demons, or in the later stages of these five books, it cannot be considered a Creation Style), but it has its charm. There is constant fun in the first few hundred chapters. The Emperor Zhan, which is about to be released soon, is called Gou Shi Wei Lang's nature hahahahahaha. So happy. But I still have to criticize, three hundred, three hundred, it's too abrupt to go to the Buddhist country. This connection needs to be refined, three hundred. After three hundred to four hundred chapters of an almost confusing plot (the attack between continents was unsatisfactory, not concise enough, not detailed enough, and finally the charm of the characters was not fully reflected), the decisive battle finally started, and the players once again occupied the high ground with their IQ. That handsome guy started to be very powerful when he took off from the underworld. When the Weaver Girl, the Painted Skin Girl, and the one with the weapon (yes, I didn't remember) appeared, the sense of crisis suddenly came up. The Lord showed great charm at this time, with a royal demeanor. Then there is the continuous cycle of the Phoenix God General, as if Jing Tianzi is the villain, and then the player's plan is revealed. Wow, the combination of Tiantianmen, White Bone Holy Land, and Huangquan Sect. This foreshadowing is awesome, as the original text says - the emperor of life! Then the protagonist shows off his power again and directly dismembers him. Then Phoenix God will bring out the peerless skills written in countless cycles. The Weaver Girl, Painted Skin, and the one with weapons are also foreshadowings. A perfect King Pan, the representative of strength, and the incomprehensible Jing Tianzi, the spokesperson of skills, really make people excited. Later, King Pan cherishes life and cannot bear to kill living beings, and he is even more desperate when he realizes the true meaning of life. In the end, Wu Lang's despicable victory is disappointing, and it is another ridiculous battle. It's just a pity that there is a lot of pride. Later, Wu Lang deduced that the Emperor of Heaven sent his daughter down (maybe this part was a little earlier, I don't remember). The Emperor of Heaven was really a tyrant, and his dominating selfishness was combined with his love for his daughter. One sentence: I am in the past, and she is in the future. It shows the wisdom of the Emperor of Heaven. Absolutely! During the subsequent battle, the Emperor of Heaven forced the Heaven Realm into the Underworld. One man ran back from the realm, fell with the Heaven Realm, and then turned into a corpse on the throne. When he woke up from reality, the image of the Lich King flashed in his mind. He was so handsome and so ruthless! The final battle between the three supreme rules and the three thousand avenues, with the Emperor taking the opportunity to cause trouble, once again made people feel epic and absurd. There are more than 400 chapters, and I really haven't finished it yet. I obviously still have the four basic powers of the Mechanical Emperor that I could write about, but I stopped writing. I've mentioned one thing and another, and I really want to read it. The third one is "I'm a Demon". This is the book with the clearest purpose in the Three Hundred Books. It's hard to go against the general trend. What makes me unhappy is that the first few small worlds are of too little use. A Jiaxia, a Bailong, a Buddha, and a small trumpet are all important figures, but they have nothing to do with civilization. The Buddhist system has some use later, replacing the world of Zhan Nian. The section about the incarnation of God training Jiasha can be regarded as a new book, and all the previous chapters can be regarded as foreshadowing. After becoming the God of Creation, this book began to show its true charm, detachment, freedom, and general trend. It is very touching to think of the God of Creation criticizing corruption from behind the universe and committing suicide directly in front of Wen Ce. The coexistence of brilliance and cunning. Then criticize, Three Hundred, there is no need to repeat how boring the intrigues between the gods are. It is too much to repeat that Fu Qingjun likes fireworks in the world (it cannot be ruled out that it is paving the way for the appearance of Xiao Xiaoxiao). Then there's the idea of ​​the universe going back in time, which is bizarre. Then let's complain again, are you so casual with Ami Luo? That's the person who has to bear the fate of saving the world. If Wen Ce wasn't really inside, you would be making a big joke. This myth doesn't have to be so round. To me, Fu Qingjun's character does not have the three-dimensional character of Jia Xia (it will be useless later!) And the three-dimensional character of Wen Ce. He is a dark and corrupt person. The last thing we can see is that Wen Ce is aware of the existence of the rules of the general trend. Although the description is very ordinary, I think he must be shocked in his heart: I think back then, he killed his colleagues in the entire universe just to stick to justice and run the rules alone until the end of the era. Is that true intention? Or is it the general trend? There is also the struggle of the Immortal Lord, so tenacious, so determined. These two completely interpret the general trend of "every time comes, heaven and earth work together, and heroes are not free", which is very sad. In the end, Fu Qingjun could only lead people to the outside of the universe. The universe successfully gave birth, but it was just a rebellious child. He successfully escaped from the general trend, but it was only a general trend within the universe. It was also a general trend for him to go outside the universe. It was also a general trend for him to open up the universe. It is difficult to violate the general trend! Desolate! Desolate! Then there is this book My Universe in a Bottle. I really couldn't finish reading it at first. Atabibia's miraculous rise, Boss Li's counterattack, and Boss Li's deceit and abduction completely outweighed his glory. In this way, Atabibia was framed (but did not die). There is also the wonderful metaphor of Elis later, killing his father, which is too abstract. The last thing I didn't expect was that she would have a role later on (she gets used to it once she talks about it). The first thing I thought looked good was the part about recreating the doomsday earth, the God of Dream Clothes, Nokron. This background board is very cool. Nokron smashed everything with three punches, which made me feel fun again. The subsequent fight with the martial arts emperor, when everyone mistakenly thought he was an actor in a drama and attacked Nokron, was very fierce. But Li Qing, Li Qing, your concealment is too weak. Even becoming a god will add a ring to you. Although your IQ is normal, the creation god's strength is poor again. Later, it will collide with another universe, reveal the rules and drawings, and reveal the real world. The God of Destiny should be regarded as a small climax, handsome, indeed handsome. The protagonist befriends 2.8 Billion gods in reality and massacres them in the past, once again showing the protagonist's ruthlessness, resourcefulness... And despicability. And Mengyi actually has a role. This setting is good, and the image of Mengyi in the following is so complete. She gave the most perfect answer both publicly and privately (although it was just pretending), just like Emperor Zun's strong character. Knowing that it is fake, I will also imagine the fictional past. The most breakthrough aspect of this book is that rules can be used mixedly with material rules. The second is a different approach. In the past, the flaws in creation were not discovered and were regarded as treasures. This book, on the other hand, fills in the lies and loopholes step by step from the roughness and falsehood, and becomes the overlord of the new era, the victor of despicableness. The repeated emphasis on despicability is because the despicability and indifference of the protagonist left a deep impression on me. There are them in every book, but this one is deeper . Overall, I like My Universe in a Bottle very much, but I don't like Li Qing (he is a hypocritical devil after all). Finally, there is the human brain ranch. This, tsk, is really awesome. It felt like Sanbai had nothing to say, and he felt bored. Indeed, the layout of the first two hundred or so is useless, and Zhang Zhi is not helpful at all. There is a game played by people on Earth, and there are only two highlights: one is to help that person and shout in unison. Another time I rescued a noble prince in the Tang Dynasty. Only these two places embody the charm of the fourth natural disaster. Others, almost nothing. It seems that there is also a moral kidnapping of the daughter country, but it is too dirty, so I might as well not mention it. I thought the Red Moon World was a mini-boss, but I didn't expect it to be the main line of TM. I thought there would be news from the underworld, but I didn't expect it to become an old man's square and never take care of it again. I thought it would be interesting to invade the earth's technological world, but I didn't expect to directly merge into the Tang Dynasty. Gee, is it too redundant to write this? After more than two hundred chapters, the sun-side universe basically gave up. Seven saint-level enemies invaded, and the dark-side world directly became the main map. So is this positive setting just to reflect opposition and draw players away? I was very optimistic about the line of "Breaking the Heavenly Wall in the Sunny World", "Ghost Witch Doctor Preaching" and "Qin Dynasty", but I basically didn't let the light go out later. The Ghost Witch Doctor went to work, but even he was squeezed and despicable. The feeling of being restricted repeatedly was really uncomfortable. Speaking of which, you, a Creator God, personally killed the dark side of Tiandao, and yet you were recognized. In the end, you were given a wave of rhetoric, despicable, despicable, the Creator God's character has all been lost. This is no dignity, nnd. I'm not opposed to killing the enemy, but writing it like this really makes me uncomfortable. The biggest motivation for reading is: written with a smile of three hundred pounds. Then at the end, Bikini Castle came out, and finally had fun for a while, and got back to the state, but what was the big change later? The plot was fast-forwarded, accepting the inheritance, or accepting it from the enemy. Then the fierce Hongjun woke up, and then ran away, and then was calculated and then entered the second dream world, and then inexplicably won, with a singularity hidden in his body, and then left. It's inexplicable that Zhang Zhi, Li Shimin, and the Emperor of Heaven were all useless. In the end, they relied on their own talents (perhaps destiny). The personality reversal was only fun for a moment. I thought it would bring out the upright image like the previous Creator God... Having said that, what a great theme, the dream world, which can bring reality back to the player's mind, and then the world will evolve in this direction. Dream creatures can dream and open up the dream world, and the dream world can cover the dream world... But there are almost no outstanding ones. Besides, the half of the God of Creation rules in Hongjun's hand are useless. Why did it not belong to him, but he took it away? Why did the light and dark sides unify after being given to Zhu Zhengwei? (But it's okay to explain it reluctantly, after all, he did defeat the strongest force in the dark side). Having everything, but not being good at anything, this is Brain Shepherding. I feel that the protagonist is more despicable than Li Qing. Li Qing at least has Nokron as the boss to highlight, and he has a layer of Mengyi skin to show off, and he just hides in a dark corner. As for Zhu Zhengwei's Zhenyuan Immortal, he basically only has a seniority and a fleeting ginseng fruit. He is despicable and has basically no character. He can only survive to the end thanks to the general situation.      , The idea of ​​"Vase Universe" has made progress and breakthroughs, but I hope it is better, and 300 is also better. "Vase" ranks fourth just because I thought of it last, not because it ranks fourth in my mind. Three hundred, three hundred, keep making progress! Progress! You also have to be like those heroes who are shouting and go your own way.

The author has an old problem. The creation stories he writes are all pseudo-creation. The protagonist is actually in a confusing and confrontational position with the villain. At the same time, he also likes to write big scenes for the villain. For the big scenes, the villain has to be strengthened. If the villain is strengthened, the protagonist will have to do more to fight against the villain. The repetition makes it seem like many of the things the protagonist does are self-inflicted. For example, the dark world aspect of the previous book was ridiculously enhanced. The protagonist was mindlessly seeking death. The more he did, the more mistakes he made. He had to force a second plug-in for the protagonist in the later stage to survive. . This book is also true. Originally, the total material in the bacterial room cannot be changed. No matter how the bacteria develop, the faster they develop, the faster they will consume materials. As long as they cannot break through the tempered glass before the material is consumed, they can only self-destruct. This stimulated the development of bacteria, which resulted in the bacteria opening the can of beef and replenishing a large amount of substances to continue their life.

It can be said that the author's idea of ​​​​creation literature has already taken shape. Internet article authors are not like traditional novel authors. Their novels may have the same protagonist's personality and the same story development, but with the release of each book, the writing style keeps growing. This is different from the traditional novel reading experience. I won't say more here. "Raising All Humanity" enabled the author to learn the glorious narrative in creation novels. "The Kingdom of Hair Demons" is an important attempt to remove the plot of players. "Brain Ranch" is the author's formation of a dual-integrated thought, from the theory of the invincibility of the creation god to the Cthulhu-style concept that there must be an absolute price behind the powerful power. However, the three novels failed to control the protagonist's status in the text. The protagonist in the first novel almost completely disappeared. The author of the next two novels seemed to want to get rid of this phenomenon, and then arranged for the protagonist to fight against the Emperor of Integrity (which is related to trust anyway.). How do you say this? The charm of the creation text has been completely lost. Jie Xia's character creation is almost useless, it's better to arrange for his death! As for "Brain Ranch", I only remember a tearful mole god. This one seems to have shifted from the creation story of the previous one to the fighting spirit story, but the handling is still not very good. Especially in the later period, another civilization was abolished. In short, only the first book completely implements the concept of the creation story, but it only pays attention to the heroes. The other books also follow this concept. But it is understandable that the author does not know how to write about people at the bottom, and none of the creation stories combine heroes with the people at the bottom. Then, any one that focuses on a unique style, including but not limited to creation stories, will look good in the early stage, but become boring in the later stage. When I read "Raising All Humanity", I also felt that the first part of it was extremely exciting, and the other early books were also very exciting, but the latter part was not as good. Can the author complete this rewrite of the Creation text from beginning to end? This is a very important question. If not, then this book is just an experiment. But I believe that the advantage of online article authors is to constantly make progress and learn from experience. If this one doesn't work, the next one may not work. Of course, it would be even better if the later stage could be as exciting as the early stage. I have said so much above, but one thing I believe is that the author is very good at writing the early stage, even better than any other creation author. I particularly like the story of playing with Jie Xia in the early stage of "My Hair Can Create a Demon Kingdom". I still remember it to this day. I hope the author will go well in writing the book, not repeat the same mistakes, and try to stick to the principles of creation literature.

This book is hard to describe in one sentence. Writing about Kexi does not have the taste of Keke, mental illness does not have the taste of mental illness, creation does not have the taste of Creation, evolution does not have the taste of evolution, and the city does not have the taste of city. It has a little bit of everything and a little bit of everything. In terms of creation and development, the flow of time is not well controlled. If the flow rate of time for microorganisms is the same as that of humans, then it is unlikely that the 17 trillion civilization can develop such an advanced concept in a few months or dozens of days: man can conquer nature. Even though the number is large, the individual time flow rate is still the same as that of humans. What's more, these microorganisms did not have such complex desires as the "Seven Deadly Sins" at the beginning, and were so pure, so how could they develop the concept that man can conquer nature? Modern psychology tells people that the source of man's victory over nature is not only the expectation of civilization. This concept hides the longing and love for the Creator's magnificent and powerful body, and even jealousy and possessiveness. There is also the desire and even greed for the outside world, and the gluttony of devouring all the beautiful things in the outside world because resources cannot meet the needs of civilization. The seven deadly sins are, rather, the seven most fundamental desires. Without these desires, people would not be able to develop complex concepts: love, progress, hate, breakthrough, and disobedience. How can we talk about man being able to conquer nature? Perhaps you can say that this is because the emperor is too powerful, using numbers and probability to create such a character to lead others, but the other 17 trillion residents are just simple and cannot understand the microorganisms that man can conquer the sky! As long as there is a mentally strong person, they just obey! No matter what he said! When this person dies, their spirits will suddenly fall into confusion. Because they do not understand the Great Emperor, his people will conquer the sky and will soon be forgotten by history. One step ahead is a genius. You are a hundred steps ahead. You are the craziest lunatic in the mental hospital. Without the accumulation of time, civilization is just a number. Although the author tries his best to use short films and population base to reflect the grandeur of civilization, this civilization has no culture of its own, no entertainment, and no spiritual needs. It just evolves and evolves. Do you think humans are tools? If you work every day and don't read a book, read a comic, or watch a movie, you will collapse. You feel that the world is gray. How terrible is it to let people in the world have no cultural activities? I'm looking forward to what the author will write after the Gods of the Age of Gods complete themselves. If there is still no complete world, then there probably won't be anything to write about.

I still don't understand why I need to find logic in novels. Isn't the characteristic of imagination novels that they are things that do not conform to normal logical thinking, and then they follow data to talk things out. I would like to ask, is it a science fiction novel? From breeding to now, my imagination in reading every book is unexpected. This sense of freshness and unknown is the most attractive part of the novel. Recommendations for a fantasy work that is logical and reasonable. If you read science fiction, you will use that logic to think about problems instead of the logic of the real world. Is life too logically developed, so it has become corrupt and cannot accept other logics? Then there are those who say that the story is old-fashioned. If you can tell me what you have read after reading thousands of books, please tell me your opinion on the story development and ideas behind the fantasy novel. In the past, the rise of the fairy tale genre was written by a bunch of readers who read fairy tale novels when they were short of books. If you really think it is cliché, just write one yourself. Then, the plot is embarrassing. I can only say that you will get used to it after seeing it and doing it. Abandon your unnecessary shame and read the story carefully. If you watch a small theater like this, you have to bury your head in the ground. There will be many embarrassing things in society in the future. (Sigh) Finally, it is the character created by the author. The theme of the Demon Kingdom is the general trend. You must know that the Demon Kingdom directly has the law of the general trend. So what we need to look at is the resistance to the general trend of the universe in each era, the characterization of the world view and the defense mechanism of the universe. The ranch is a direct confrontation between the light and dark worlds, and isn't Hongjun's characterization successful in echoing the previous chapters? The image of a thousand-year-old turtle. Huang Quan's three rules and the corresponding character creation all have invincibility written on his face. In this book, the Emperor, Fist, Holy Dragon, Midis, Emperor Wu, Black Star, and Maid of Heaven are written with distinctive characters at a fast pace. There are five books here, and the one next door is still being written. I wonder if things that were published at the same time can be compared, so is there anything to compare with. From what I read here, I see that every three hundred books are trying new things. He is making progress, and his works are still so imaginative and fresh. It is not a progress to be able to give me this feeling after I continue to receive new information. PS: In fact, the results of this discussion thread have already come out about two or three weeks after it was posted. If I hadn't paid attention to this thread again recently out of boredom, I wouldn't have known it would still be so lively. It's my fault. It was my first time to write a post, and I forgot about it after I finished it. What remains is the answer to the outcome of this discussion. By the way, do you really not finish reading the post? I find this discussion process quite interesting.,,                            2023/7/12 In my personal understanding, the author expresses his own subjective logic, and readers develop a sense of substitution and identification after understanding this thinking for themselves. But as you said, it is difficult for readers to completely abandon their own perspectives and accept a new set of subjective perceptions. Therefore, in order to allow readers to form a better communication with the author, objective logic is used as a bridge to make the novel more universally accepted, because objectivity is not transferred by human will. In the understanding before me, it is impossible for us to fully understand the author's subjective cognition, so there will be objective cognition to create a bridge gap, and when this subjective cognition conflicts with the objective cognition we understand, the bridge will be broken, that is, the logic of the novel will explode, but this explosion only For novels based on objective logic, it has no impact at all on novels based on subjective logic. Readers who can understand and follow the author's subjective perspective and logic will have no impact at all. However, readers who want to bridge the gap with objective logic will have a sense of logical conflict that they cannot understand and accept, so there is this kind of polarized comment. But as you said, readers need to read the three cognitions of themselves, the author, and others. From my personal point of view, this kind of reading should be to better understand the novel and form a sense of immersion. Therefore, in my understanding, novels should be evaluated from a perspective that can be substituted for them. It was also your previous remarks that made me look at the current issue from another perspective. Currently, people in my game feel that it is very difficult to pass on my own understanding of the book to others, and what I am doing now is to use the unexplained loopholes at the beginning as a gimmick to draw others into the game for discussion and pass on my own knowledge to others as a reference. On the other hand, I don't know how long I can persist. I personally think that any subjective language has loopholes, but the popularity of this kind of thing also has a limit. I am afraid that after it gets cold, the comment area will return to the original situation of polarization and no exchange of opinions In my personal opinion, every book in front of me can be read through Cognition forms a sense of substitution, but how to convey this cognition to others to understand is a problem discovered through many discussions with others. At present, most of the readers who have discussed with me use what they think is a universal objective logic to discuss the logic of the novel. When reading, they make a judgment based on what they subjectively think is an objective template. If you don't pass it, you can't read, instead of cognitively absorbing a set of concepts. It is a subjectively constructed template. Use the newly given template to read. Although it is understandable on the surface, as a reader looking for books, you still want others to understand the novel better. What you hope to see is discussion and communication about the plot of the book, not the strange situation now.

The author's knowledge reserve can't fool even a layman. I don't know why he is so persistent in describing microorganisms🐶. Wouldn't it be nice to write about creation and development? 🐶

Let's share some behind-the-scenes and creation novels together. The first novel: All Heavens: Cultivator of Civilization The second novel: I want to get out of the computer The third novel: Your universe is too fragile The fourth novel: Being detached at the beginning: Creating the Abyss Underworld

It's pretty good. Why do you want it to be so dark? . . . Raising All Humanity, Human Ranch, Demon Kingdom, and the opposite Low Dimensional Game, I Am God are all reading. Both authors have their own merits, and they are both good-looking. There is nothing bad about them. Come on, write well

In the comment section of every Genesis-style book written by the author, there are fans of the next door attacking and praising the next door. Although I don't want to be malicious and doubt others, I still feel that these people's elements are a bit too obvious.

I still think it looks better to raise. However, I think this author's book and his creation story are better than others of the same type. Other authors' founding articles are either too cold-blooded. Not a thing. Or it interferes too much and is too biased. I always like to go off the rails. But if you look at this author's creation text, he doesn't have these problems and is very happy.