I Made Up a Global Era of Cultivation

After reading it, there is a feeling that it forces you to be moved, and that it forces you to feel great. The three-dimensional description of the characters is not done well. It feels like the author is forcing you to think he is awesome. Instead, through the linkage of small stories, you will admire what this person does. Writing about a global mastermind game, but the layout is too small. At the beginning, our team has all positive buffs, and their effects are awesome. The enemies have disabled buffs, and they are poisonous. Not only does it not make me feel that our team is awesome, but it makes me feel petty. It's like watching Su Bingtian's game. The opponents are all masters and in good condition. Su Bingtian gets the first place. I will cheer for him. He is the pride of the yellow race. The feeling of this book is that it first breaks the legs of all the opponents, and then lets Su Bingtian get the first place, and also forces everyone to be moved. I feel that we are very afraid of our opponents. I think the plot should start with a group of heroes competing for hegemony, and then dominate China. Alas, just order all of them first to support the new author, and there will be no follow-up.

It's really funny. I started writing about national heroes, but then I started talking about competition and being absolutely objective You chose such a starting point on a Chinese website. You have to be absolutely objective. Isn't that just being absolutely unobjective? It is a good thing not to favor one side, but it does not mean that when it is objective, every country is a country When it is not objective, it is a Chinese team against the entire West (including Asia)

This is my first time watching this genre, and I think it's quite fresh. I rushed to revive my spiritual energy and skipped all the foreign events. The pages are getting more and more irritating, none of the domestic fantasy events are outstanding, and there are too many chapters about vampires and werewolves abroad.

Ten years ago, I was watching pretending to be slapped in the face, and now I am still pretending to be slapped in the face. It's shocking

Behind the scenes, it's all about confrontation to make it look good. As a result, your writing is one-sided. What's so interesting about this? This is no longer behind the scenes. Or start writing about global unification. On the one hand, he writes that a lot of people will die when there is a problem, and on the other hand, he writes that when a problem occurs, someone will solve it. Is this called behind the scenes?

Starting with the Sword Fairy in White, it's time to cliché again. When China encounters a problem, someone must come out to solve it!

The writing is good, especially the interaction between netizens, which is very funny. The problem is that the domestic government's response will risk being blocked. The creation of group portraits requires extremely detailed conception and investment of energy. The participation of the protagonist also requires wisdom, otherwise it is easy to not be three-dimensional enough and feel that the supporting character has an IQ problem. It's a test of the author's skill.

Don't write history, it's too easy to block in modern times. Also, it's too middle-class, and the flattery is too serious.

The plot is forcibly spliced ​​together with too many elements, such as spiritual energy recovery + ancient ruins + mutated animals. These are enough to write. Later, vampires, werewolves, onmyojis, resentful spirits, mummies and other characters and plots are forcibly added, and it becomes a hodgepodge. Forget about it being a hodgepodge. The original intention of everyone reading your book was not to pursue the Eastern fantasy to cultivate immortality. After it was put on the shelf, you put a bunch of Western fantasy and just brushed it off, but you wrote it as the main line. The standard of this book is really not good. There are more flowers blooming behind the scenes. The question is which flower is specifically described? If you were to write about the East from the perspective of the East, you would be totally different now.

The beauty of the behind-the-scenes flow is that the people behind the scenes use characters or events to set off a chain reaction to achieve the effect of affecting the whole body. If you don't deliberately control it, there will be no surprises.