Lord of All the People, King of the Star Sea

Why write it as a rebirth stream? . . The rebirth flow and system flow are the most disgusting 😰

The setting is very interesting, but the writing technique is hard to describe, and the protagonist's IQ fluctuates from high to low😓

Post a small comment After reading Chapter 32, what do you think of this book? The advantage is that the world setting is relatively good, and the overall feeling is not awkward to me. What seems problematic to me is the contradiction in numerical settings. (1) 3 Empires, 33 kingdoms, and then the power level is the Grand Duchy. The protagonist was born in the Grand Duchy, with a population of 120,389 square kilometers. And there are hundreds of large islands in one of the seas with hundreds of millions of people. If you add two zeros to the numerical value of the protagonist's father's island, it's almost the same. (2) Regarding the merchant island, the protagonist has a small island of a few square kilometers with an economic speed of 20 miles. The larger the island, the slower it runs. The good guy then comes out with a caravan island of 100 square kilometers, and there are 12 pairs of large and small ones. Can it run 10 miles? Runners shouldn't say that small islands are running between big islands, and they can run around the whole island. (3) Regarding the distance, the protagonist told his father that it would take 20 years to fly from his island to his father's island, and the size of his island was half smaller at that time. Then the families on the commercial islands actually had trade with the protagonist's family. The business scope of a business family was as long as 20 years one way! Awesome!

I hope you can always have fun, the palace clean room is waiting for you.

I feel like the author always has a problem in shaping the protagonist. The protagonist always seems to have never encountered such a situation in his previous life. Originally, the protagonist had a golden finger in his previous life and had not reached the peak. However, now he keeps saying that the protagonist has never encountered such a situation in two lives. It is very confusing and gives people the feeling that the protagonist is a waste. Even if the protagonist has never encountered such a situation, there is no need to emphasize that he has never encountered such a situation in two lives. The most difficult thing to read is the part where the protagonist asks the undead to kill Tulip's people. It can be said that Tulip's help and support to the protagonist is absolutely interesting, but the protagonist backhand sends the undead to kill Tulip's people, which is too bottomless. It is also said that you can only kill if you want to develop. The question is, there are so many forces in the motherland, so they have to kill those who are kind to you? It's so bottomless and unprincipled. It's not just a poisonous point or a reason to quit, but the main character is so disgusting that I can't read it at all. The rest of the writing was okay (before chapter 80, but slipped away later). Except for the protagonist's creation, the rest was still very good. The problem was that the protagonist let the undead kill Tulip, which was so boring that it was completely impossible to read.

It's all a waste of lord novels.

The writing is very good, I have invested in it, I hope I won't be a eunuch 🙏

How should I put it, it gives me the feeling that an island owner has no time to develop in the early stage and directly participates in a world war. It's just a metaphor. It's not appropriate to just jump in without any development time.

All kinds of exaggerations, shocks, surprises, curiosity and surprises. Starting from the beginning, we started fighting and hunting for treasures. There is no development period.

It's gone. Now the new protagonist makes various mistakes, and then he's reborn again. If you can't control it, don't be reborn.

Author, why don't you choose a name when the character appears? A woman who is always beautiful, who knows whether you are writing about the protagonist's mother or his wife

Damn, I feel a little uncomfortable and upset when I read it. What are you writing about?

I regret ordering it, it's too watery.

It was originally written as a novel about lord farming, but the content turned out to be all kinds of nonsense and incomprehensible.

I suggest you revise the introduction. Under normal circumstances, I would skip it if you have weather like yours.

After reading Chapter 21, I figured out how the protagonist died in his previous life. I just went there rashly without understanding something I didn't understand, without developing it in a safer place first.

I'm afraid that the main character will develop too quickly. I'm going to risk my life to suppress the main character. Is it interesting?

There's that hammer. Legends are not as good as the Fusion Sun. I'm speechless about this fucking idea.

The element of Lord of Xinghai Island is good, but I personally feel that the protagonist is reborn twice and is lonely.

The beginning is okay, but later on the characters are written to make them smarter. You can read it when you are bored, but forget about taking it seriously. The writing is too poor.

If the author doesn't know how to write this kind of thing, you can read Lord of the Broken Balls and learn from it.

I have generally read several of your books, and there are three labels from beginning to end: make a fortune silently, the boy who gives away treasures, and the trash man.

It was okay in the early and middle stages, but not in the later stages. It should have been written according to the setting and outline, but it couldn't justify itself, which made it boring and unreasonable in the later stages.

It feels like one year to become a legend, two years to become a god, three years to be invincible. There is no dullness, and I am tired of always having climaxes.

My tooth hurts when I look at it

Messy plug-ins and messy battles, you can do whatever you want with the plug-ins, there are no limitations, and the character descriptions are too intellectual.