I Love to Transmigrate

First of all, let's clarify the broad definition of science 1. Knowability is the premise: there are only unrecognized things in the world, and there are no unknowable things. 2. Conventional narrow cognitive science confuses technology with science. You must know that technology is a technical theory, and science is not 3. Broad science: In the process of exploring and cognitively transforming the world, all knowledge (note that it is knowledge) formed is divided into disciplines. The theories, methods used, and tools and techniques formed in this process are all science. 4. So, when I understand what magic is, summarize it and can learn it, magic is science 5. Finally, the opposition of science is not magic or the so-called theology, but idealism: that is, what I think is what it is.

I finally know why there are so few monthly tickets. You are leading everyone to watch the animation plot, and you have made very few changes. Starting from reading the book, you are a big boss who wants money. Do you think it is Tomato? If you don't have the ability to change it, don't write it! ! I have been following the original plot, I might as well go to station B to watch it. I regret giving you 2 monthly passes. You just have to write from the perspective of the protagonist, but you also need to write from the perspective of the original anime. The number of words doesn't need to be so low, and it doesn't cost money? My writing ability has not improved, but my word count ability has improved.

When I saw the chapter about cleverness called arrogance, it made me laugh, and it was arrogant. Do you believe that explosion magic has made your college famous? If you don't have the strength to show off, that's really arrogant. If you have the strength, that's called confidence. The protagonist does have the ability to make things develop the way he wants, so why is he so arrogant? Just like the old saying about Super Beast Arms, there must be a strong person who decides everything, so why can't that strong person be me? This scene suddenly reminded me of a scene in "The Ultimate Demon". Lu Sheng wanted to put clothes on a girl on the train, but this behavior was detrimental to the girl, but Lu Sheng still did it, even if he broke the girl's arms in the process, because it was his "good intention." Lu Sheng is not from this world, but it is easy to destroy this world, so no one can refuse his "good intentions", even if they are poisonous.

What age are we in, how can we still write a plot in which the protagonist travels across the world and loses his memory? I was originally looking forward to the world of Overlord, but now it seems I can only skip it🤮. (To be honest, when I saw Amnesia, I almost wanted to delete the book, but in the end I held back...)

It's so frustrating, it's really frustrating. You wrote an invincible protagonist who doesn't need to grow up, but in the end he is restricted by others. Basically, he is still timid even though he has power. I don't understand. MD is not even afraid of death, but will he be afraid of a useless lord? A typical person who only apologizes but does not reflect. I thought the writing would be much better after the apology, but the result remains unchanged. The only difference from the original work is that there is one more person, and then the things that the original protagonist should do are replaced by himself. Just copy the original work.

. . . .

It seems that the routine is the same as Zhou Fangwu's book. It should be the same author. They both rely on the paradox of "Almighty God" to design a golden finger for the protagonist. To be honest, this is really a disadvantage. You rely on an indigenous "god" who cannot enter other worlds to design golden fingers for you. This is a bit fantasy, just like whether the omniscient and omnipotent God can lift a stone that he cannot lift. What can I say about Suqing's World? In my opinion, the protagonist is more like a third-party meddler. He kicked out Sato Kazuma's role and forced himself to have an affair with several female protagonists. I won't go into more details. Other people's CPs are talented and beautiful, and the heroine relies on life to impress, but what does the protagonist rely on, beasts and beauties? To be honest, in my opinion, the charm of the protagonist is not enough to attract others, that's all. 🌚Seeing that Zhan Chi was written was indeed the reason for me to keep reading, but it was far from what I imagined. I sometimes feel that if the author breaks away from the original plot, he will not be able to create his own original work. What Esdeath writes here is really good enough to make a profit. If you want to start a CP with him, you can't work hard from the beginning. It's so fickle. Don't talk about one thing and do another, okay? Esdeath's emotional line is inherently pure. If you already like the protagonist Tazmi, why don't you engage in ambiguous affairs? But it is obvious that the author likes to have a green slave complex, sleeping together at all times, and I will look at you when you don't respond. This kind of contrived and bad behavior directly puts a blame on Aqua's head. As I said, what the anime itself shows is purity, and this is especially true for the characters. Within a few chapters, Esdeath has moved on and found a new love, and she and the protagonist are not cheap or not. The standard drama of replacing anime protagonists is here again. In the plot of Tazmi and Esdeath in the anime, replacing Tazmi as the protagonist is the content of this novel What was it about Zhou Fangwu's book that I couldn't stand? Dicuo described the protagonist as having an unparalleled noble soul, capable of emitting gamma ray bursts. Then Freya couldn't stand it anymore after she turned her back on Bell and focused on the protagonist. At least, I don't see the noble character of the protagonist, and I plan to write this book again, which is probably the case I think it is more meaningful to go to some world where men are equal to change the tragedy than to breed pigs, and it is thousands of times better than lying around with female partners to have ambiguities.

It's all the author's self-pleasure, thinking that his writing is very clever and his IQ is on the line, but in fact the protagonist is a fool.

I don't understand, is Sword Princess so attractive? There are a lot of girls in the main world who refuse to accept them. They have to "lick" Sword Princess, and they have failed, and they have to find a replacement. If you like Sword Princess, I won't say anything But I like Aqua and the others. When you write like this, I feel like you are holding Sword Princess and stepping on Darkness and the others. If you like it so much, why not change the main world to Dicuo? What else should you write about Suqing?

Giving away a daughter (Asuna), a little bit to please Kirito (this is particularly annoying), I don't know why Kirito is given so many scenes after traveling as a group. Is it because Kazuma is not interesting, or is Aqua not cute? There were too many scenes of the all-purpose male protagonist, and it felt like he was trying to please Kirito (this is too poisonous). It also felt like he was creating opportunities for Kirito to chase Asuna. Alas, I wanted to see Kobayashi and the others take Yui back to Suqing quickly, and the chapters where they stayed at Sword were too annoying, especially seeing Kirito's various performances. Remember, Xiaolin is the protagonist of the novel, why are you trying to divert Kirito? Accepted