I Use Idle Books to Become a Saint

I don't know what you readers think of this book. I personally read 400 chapters, and the more I read, the more impatient I am. The first part is okay, but the later parts become more and more outrageous. The logic does not make sense, the plot is incoherent, and I can't fill the holes I dug. The important characters appear in the early parts and disappear in the later ones. The later articles are just copycats. The background of the story is the literary world. Just copy some poetry, and also copy the original text of Xianwen! There is no good layout throughout the story, and the story development route, strength levels, and realm divisions are not clear! The character's camera movements are also not handled well. A dying actor has to explain his name, identity, and background, and then he is immediately killed! Some important people entered the small dark room, such as Zhong Kui, the little black cat, Chen Xuan, the little maid... Such early important and individual characters were written into the cold palace! ! ! The protagonist has no personality! He doesn't have a distinctive personality, he was still a rookie in the early stage, but he is smart, calm and pointless! In the later stage, he gradually became super strong, but became cowardly! And as the protagonist, in most of the subsequent plots, there is no sense of participation. The protagonist becomes a third-person bystander! The plot of the story develops suddenly, some things happen without warning, and some things do not happen as planned. It was previously stated that if you win a poem by writing poems, you will be summoned as a son-in-law by Princess Pingyang, but there is no follow-up! ! The emotional line between the protagonist and Sixth Senior Sister suddenly appeared! Even her master had to carefully keep the life of Sixth Senior Sister a secret from her, but just like that, without any warning, it was revealed out of nowhere! Brainless fun! Gou Ri De, shrimp completely light, Pai Daxing...

The beginning of this book is really good, and it has the meaning of a best-selling book five or six years ago. Maybe it was five or six years ago, and the author's character creation also stayed at the same time as five or six years ago. I have read more than 200 chapters so far, and the female characters seem to have never seen men before. Fortunately for Miss Luo, the previously popular Da Feng has written in detail about the psychology of such women's devotion to poetry. Chen Xuan is really funny. The scene where a sister turns into a childhood sweetheart is so bad. The author insists on doing something fancy and euphemistically called a counter-routine, so that's it. Xiao Longnu is really good at giving things for free. A senior sister is so ambiguous in less than three chapters. It would be nice if there is a corresponding description. But after more than 200 chapters, she is still giving things for free. Is there any hidden secret, like the way a duck calls someone mom after it hatches? I won't say much else, because after 200 chapters, the main female character is ambiguous This is the Dragon Girl Then there are Ren Ji, Song Wuji, etc. The switching of the perspectives of these characters seems to me a bit like the witch who let go of the second eye. Maybe I also learned the second eye from somewhere. I don't care, the point is that I didn't learn it from home. If you don't know where you didn't learn from home, you can compare it yourself. There is also the group of Confucian people, where the author himself plays tricks and plays in the sand pit. No matter how the author evaluates those readers who talk about "bringing down intelligence", anyway, this novel itself is not about showing off intelligence, so don't worry about it. But after all, these great scholars have read so many books that their writing style cannot be seen as genuine wisdom. No one has questioned it until now. Chen Luo is good at all kinds of poems, songs and poems. He is twenty years old. In ancient times, his writing style ranged from emperors to merchants. Such people have higher poetry than Li Bai. When ordinary people look at Li Bai, they think he must be at least an immortal. When looking at Chen Luo, their emotional feeling is - what is this? Can such a person exist in the world? As a completely transcendent being, there is no need to be surprised at his achievements. In fact, the Confucian, Taoist and Buddhist author in this book also said that people who have been reformed by demons have normal shortcomings. But the author's description of the villain is just like why not eat minced meat. For example, Zhang's description of thoughts is completely at the level of an elementary school student's argumentative essay, which is empty and empty. Killing such a villain feels like a waste of time. It's summer afternoon, and my thoughts are not flowing smoothly, but I can only think of a few bad points about the characters. What I want to say to readers who are new to this book is that this book is for the sake of fun. It is straight out of the book after more than 200 chapters. I just want to pretend. While you are having fun, you can also learn more about poetry and novels. This kind of literary novels can be regarded as entertainment, just to make up for your lessons. As for the writing, it's okay at the beginning and I'm careful, but it becomes more and more streamlined later on. By the way, Xiao Longnu is so good at every turn. Such a second-level skill must be at least ten years before the starting point. What a longevity.

This book should have been inspired by poison, and I think it's good for Confucianism and Taoism. Because he has learned a lot of poetry, of course the author found a new way to create an alternative "classic collection of classics and history" through novels and dramas. It's considered food. I don't think it's poisonous. Maybe it's too much in daily life. I hope the author will work hard to update and get rid of the shame of being a literati as soon as possible! ! !

I would like to make some comments. Recently, I feel that there are some problems with the rhythm of the plot development. In the early days, writing a book has always been a fun point, but recently the plot of writing a book has become more and more flat. It feels like an assembly line arranged for the purpose of writing a book. It is a bit tasteless, and the impact on the perception of the plot is somewhat similar to the rigidity of a deus ex machina. According to the plot line, it should be in the middle stage. The world line is unfolding, advancing the main mission, and advancing the distance of nine thousand miles of martial arts. However, the current feeling seems a bit cramped, and then focuses on some details. The author recently likes to unfold the plot through the perspective of non-mainline characters. This is a very good writing method, which can highlight the drama of the plot and decentralize the emotional resonance of the audience. But when it often happens, it seems like the writing is off topic, and the focus of attention is shifted. It can be used as a side dish, but cannot be used as a main meal. The last thing is the comparison of combat power in the world view. How can I say that the plot of this book is quite good, but to be honest, the difference in combat power, especially the difference in high-end combat power, does not feel deeply described. What are the advantages of Confucianism and Taoism of the human race? According to the book, it seems that the strength of the human race is not as good as that of the barbarians at all stages. Then why has the human race always had the advantage in history? It's okay for a genius and stunning historical figure to have extraordinary combat power. If it only concerns one race, and the human race obviously has no advantage in lifespan, then it must be something remarkable about the overall strength. But even the war in the north cost people's lives before the protagonist appeared. This kind of intensity The war, to be honest, I understand that the author wanted to show the bravery of the frontline soldiers, but what can I say, using too much force is just like the economic system collapsed. This is unreasonable. Unless the high-end combat power is dominant, but it is not written out, then how can it be maintained? Why don't the barbarians start a decisive battle? Is it because the barbarians are also recuperating in strength? So what could have beaten the barbarians to recuperation back then? Is it relying on this kind of war that takes human lives? Are people like barbarians easy to have children? So either the author writes about it, for example, the holy tools left by the ancestors are really awesome (the author has written about holy tools, but I personally feel that the price-performance ratio is completely inconsistent with how it can improve the strength of a race ), either the human race is a race with a long history, weak in the early stage and strong in the later stage, or the human race is the master AOE who is awesome and strong in team battles (but the book pays more attention to the solos of the level of Da Ru, which is unreasonable, how can the master and the warrior be close to each other). The racial differentiation of high-end combat power is not enough. I feel that the high-end combat power and even the semi-saint level are all one shot. It stands to reason that the greater the distinction should be in the later stage. For example, the barbarian is crossing the Buddha's family with blood, or the divine kingdom is purifying. But for example, in the Bamboo Saint and Lu Sheng's martial arts, it feels that Confucianism, Buddhism and Taoism all have the same shooting pattern. They are all concrete bamboo brush handprints and Tai Chi diagrams. It is quite differentiated just by looking at the items, but what do you attribute to the essence? The underlying logic of using power is actually the same. Is this reasonable? There should be great distinctions between different paths. Is it also the difference between Ultra Ray and Turtle Style Qigong Wave? The appearance may be similar. Then you can briefly describe the source of power. It can also be used as an explanation, such as being a Buddha. When the power is exerted, a divine kingdom suddenly disappears, and the heavenly master has to open an altar to perform a method (I know that people with advanced realms have said that it is simplified, but I am just giving an example. Is this set of operations arranged for characters below a semi-saint very convincing in terms of combat power and so on?) And so on, and the distinction is also revealed. Finally, it comes down to the strength of the protagonist. I have convinced myself that because he is the master of martial arts, he can climb up the ranks like drinking water. However, the author may have really lacked the portrayal of the strength of the protagonist, which leads to a sense of separation. Every time I watch the protagonist fight, I will have the question "Why can I win?" (In the early stage, Jin Guagua's strength was actually quite online, and it became more and more metaphysical after rising to the second level). On the contrary, I still think the battles of characters like Ren Ji are reasonable.

Delete and control comments, be careful when subscribing, it is recommended to subscribe in chapters, not in full.

It's tasteless, but it's a pity to abandon it. The creativity is great, and the writing is also great, but there is a very serious problem. I understand that the author doesn't want to pretend to be a slap in the face, but also doesn't want to be completely cool and add his own ideas to the article. However, the result is that the tiger is not the opposite of the dog, and neither end is done well.       ，，，，，，，，，，                                                                                                                            Out of all the plots, it is infinitely stretched out, and cheating is done by cheating, and the result is written directly without writing the process. Reading is to enjoy the process, and after so many years, no one knows what the result will be, and one-tenth of it is excerpts from ancient poems. Then the love line was added. How should I put it, it is not even as reliable as the love affairs in those current bad movies. It is also timid and the characters are a mess. If you look carefully, you will find that the whole process is a line that goes to dark, aimlessly. The appearance of all beings is the basis of the novel. If you write a pretentious article without describing the content, the thoughts of the article, or the results, what is the point of just passing it by and starting the next round? Quan Ding started to skip reading a little more than halfway through. I can feel that the author is working hard to write, but it just gives people the feeling of a running account, with no connection and no highlights.

To be honest, this book is quite good at the beginning, but becomes increasingly incoherent later on. Moreover, the creation of so many characters gives people the impression of being very intelligent, and the subsequent plots cannot be read with your mind. Gradually it became a fast food article.

After reading Chapter 256, I have something to say to the author. First of all, you won't stutter when you stutter when singing. Second, stuttering does not happen in every sentence. It only happens when you encounter certain words such as plosives. Everyone is different. Third, in today's communication with others, It is particularly important in this context that stuttering is a vulnerable group. I hope you can understand more. Your jokes are actually the pain of stuttering patients. This pain is incomprehensible to ordinary people. I hope everyone can respect it more and be treated less as a joke.

The first 100 or so chapters were fine. From about 200 chapters onwards, the author really wrote whatever he thought of and added settings to serve the plot. I can only write it as disgusting as possible. Look at the plot in Chapter 354 where you write about Tai Chi and being turned into a seven-injury boxer. This is a human being who can write it😅

The operation pattern of this book is really big. Delete the book review directly, you can't criticize it, right? Had I known this, it would have been better to convert all the money I paid into coins into wasted money rather than ordering this book. Anyway, I can still fight more than 100 times.

It looked good and passionate at first, but why did it gradually become dull? It has a tendency to develop into a bloody one.

I read this book using Newcomer Reading. I read it in one go and followed it for a while. My impressions are very new, so I would like to share some of my thoughts. First of all, I like the settings in the book very much, and I also think the author's writing style is pretty good, and it's food for thought. But I have some opinions of my own, and I think there is something missing in the book, and I want to talk about it. ～1. The power system of Goldfinger is a bit messy, and the author did not classify the categories of books at each stage. When I first saw Taolin Golden Finger, the three levels in my mind were: Three Thousand Miles of Warriors corresponds to mortal martial arts novels such as Jin Yong's Gu Long, Six Thousand Miles of Warriors corresponds to novels of high martial arts and high demons such as Fengyun Zhuxian, and Nine Thousand Miles of Warriors corresponds to ghost, demon and fairy novels such as Journey to the West. After seeing the back, I feel that Wanli should be on the list of gods, the creation of heaven, and the increase of one level of force value. It is speculated that if you want to break through ten thousand miles, you may need to write the prehistoric system to further improve your force value, and then increase the force value by one level. Let's talk about the chaos of power. According to the power system, Zhong Kui is written in the beginning and Xizihe Che is written in the later part. In fact, it should be divided into nine thousand miles. The subdivision is regarded as the book of ghosts. After all, it involves ghosts and the underworld. Even if the short story is downgraded, it should still be classified within Six Thousand Miles. There are no ghosts in the power levels of mortal martial arts, and the protagonist who is still a mortal should not be able to write a ghost book. Then there are too few books about the design of Liu Qianli. The Classic of Mountains and Seas can only be used by the demon race, while the human race only has a poorly finished copy of the Eight Immortals, and the final Eight Immortals were a little too far away from becoming immortals. Now it is just right to write it at Nine Thousand Miles. Because of the lack of books on Six Thousand Miles of the Human Race, a piece of the shaping of the power system is missing. The story of Fengyun Zhuxian that I was looking forward to is all gone, woo woo. Finally, here are my thoughts on the Kung Fu. The Kung Fu should be divided into mental techniques and martial arts, and the inner energy and true energy should be replaced by the red dust energy. Mental techniques are needed to open meridians and increase internal energy capacity, and martial arts are used in combat. However, there is no clear distinction between the two in the book. The supporting characters learn martial arts and then upgrade slowly. I remember writing that when the protagonist started martial arts, he said that in order to level up, he needed to open up his meridians. Could it be that Spring and Autumn's brushwork means that all the supporting characters have their own minds. ~2. The villain, the villain, is completely incompetent. The description of the story requires tension, and nothing can create tension better than the opposition of positive and negative. Just like Batman and the Joker, they fall in love and kill each other, and the characters complement each other. The villains in the book are not big enough at all, they are just small villains in each map. Since humans are not allowed to attack each other with super combat power, the barbarian tribes can enter and exit the territory at will, just like playing monkeys. The demon villain is the younger brother of the little wife, and the human Fang family is also written as the enemy. The pseudo-Buddha is also because the protagonist is protected by a boss and dare not take action. There is no boss in the underworld copy, but because of the power level limit, it can be regarded as a gift. The strength of the villains is really not good, there is no big villain that runs through the whole story from beginning to end. 80,000 people also said that the copy was not good-looking. It's just because the villain is not strong enough. It's almost a running story. There is no breaking point for the villain. Everyone knows that it must be the protagonist pretending to be a slap in the face. There is no twist, no foreshadowing, no conspiracy, and no plot. ~3. Some of my thoughts on this book. In my understanding, the Journey to the West is over and the nine thousand miles has been traveled. At that time, the underworld should be completely under control. After obtaining the true scriptures and subduing the false Buddhas, it is possible for the demon clan to completely surrender through the little wife. The next step is to use the list of gods in my mind to communicate with the way of heaven and write the romance of the gods, awaken the way of heaven, subdue the wild heaven, and make the way of heaven complete. As for the model of Heavenly Court, it is possible that the imperial court and Confucianism will become the biggest winners and become the Immortal Dynasty. In addition, Wan Li has broken through the three paths of Taolin Golden Finger, which can lower the writing conditions for low-level leisure books. After all, he uses high-level energy to write low-level leisure books, and then allows more books to be circulated. The next step is to continue writing about transcendence and heaven. When I was connected for three thousand miles, I made a six-character ambition. By releasing a large number of books, I filled up the world's progress bar about humans, ghosts, Buddhas, demons and gods, and then broke through the realm of transcendence through these six powers. Of course, 80,000 are needed to create a suitable world-class villain, such as the outer world guarded by Zixiao Palace, to make the plot more exciting. The above are my 15 years of experience in novels, combined with the current plot, and my thoughts on this book. It may be contrary to the author's outline, or it may be different from other book friends. Let's seek common ground while reserving differences, hehe🐶(dog head saves life).

Forget it, the more you write, the more you exaggerate. You, the scumbag protagonist, can't even compare to a cool novel Giving a big gift on New Year's Day Explaining your stubbornness that you are not a young man I love you so much I won't order anymore

After reading more than 750 chapters, I felt that it was not as comfortable to read as in the previous period, so I decided to give up. However, there were a few words that I couldn't express my feelings about. This novel is considered to be of a decent level and can be read under my standards. However, it is not very attractive to me. I would like to express my views on some of the content and writing methods below. 1. Setting: The setting can be said to be stitched and original. In terms of Confucianism, the shadow of the sage of Confucianism and Taoism is too heavy (not bad, but it is just unattractive because I have seen it before). Taoism and Buddhism can also be regarded as traditional settings. Earthly Immortalism, Three Flowers and Five Qi, and Mahayana Buddhism are not new. The Dao of Red Dust created by Xianshu Novels is relatively creative, but it also has some problems. First of all, there is too much reliance on existing novels. Many people may not have read these novels and the experience will not be that enjoyable (for example, I have not read Jin Yong's novels when I am young). Secondly, mixing the worldly martial arts with the new Buddhist and Taoist paths makes me feel that the protagonist's cultivation is not clear and focused enough. The author seems to give the protagonist a share of every benefit. Although it is harmless, it makes me feel that the protagonist is still too awesome (despite the cultural support of the earth) The need to support and promote the plot) By the way, as a big fan of the mythical version of the Three Kingdoms, the content of the Romance of the Three Kingdoms reminds me of it 😁 2. Cultural aspects: Copying poetry is a common behavior, but I am tired of it. I don't agree with some details of Confucianism, but within the normal range, after all, experts also argue endlessly. The plots of some novels have been slightly modified, and it can be seen that a lot of care has been taken 3. Plot: Overall it is okay, but I think there are some shortcomings. First of all, it would be a coincidence that something big like that happened somewhere along the way in the novel. Secondly, most of the plots are based on the novel to be written, and there is a lack of novelty and passion in the later chapters. Additionally, the plot is a bit fragmented. 4. Characters: The character creation is quite brilliant. Many characters can leave some impression on people and are also interesting. They are very worthy of recognition. However, the handling of the other party's family is not to my liking. I always feel that the villain within the human race is too much, but there is no villain in the upper echelons of Daxuan, which is a bit outrageous. What I feel is awkward is that most of the characters with some status have historical counterparts. Although they are well-intentioned, they are a bit out of character. Moreover, many of them (especially those who are not so close to the protagonist, such as half-saints) have unclear personalities and can only show national righteousness and Confucianism's black heart. In addition, many of the small characters created by the author in the early stage had too few roles and gradually became tool men. 5. I am very dissatisfied with the creation of big scenes and integrity. It seems passionate but does not stir up waves in my heart. The reason is that I think it may be that the author pays too much attention to the description of new and small characters every time he describes it. This is not wrong and very good, but a character dies hastily without enough preparation. Even if there is a righteousness at the bottom, it is difficult to move me. Moreover, there are too many scenes written about the same kind of scenes (maybe I have seen too many), which makes me feel uncomfortable and uninterested. I have written so much, just to express some more complaints. I have not finished reading the book, so there will inevitably be some inappropriate criticisms. You can point them out.

The author's settings are unique. It can be seen that the author has a profound literary background. But. In Chapter 203, the battle in the stone forest, the protagonist has the help of two companions and causes trouble to the fourth senior brother. The villain should appear in the stone forest and be killed on the spot. There was so much foreshadowing, but it ended too quickly and too sloppily. It's unpleasant to watch. Thoughts are not clear. Shouldn't such a hateful killer be stabbed in the heart by the protagonist and listen to their wails? It feels like it's entirely to lure Lao Liu to the protagonist's side. Since the protagonist is Chen Luo, then Ye Dafu and Ji Zhong have a lot to write about. I don't have a clear idea, Tip, I booked all the books last night when I started reading the paid version. I feel like I can't watch anymore 😥😥😥

There is something wrong with this book. The biggest thing is the collapse of combat power. There is no foreshadowing written by the author, but as soon as he, the protagonist, practices cultivation, his combat power collapses. I bought this book at a discount when it was finished. I couldn't stand it after reading more than 100 chapters. But after spending the money, I had the patience to watch it.

I have one thing to say, speaking only for me personally, the plot of Buddhism/Mount Sumeru is really boring... I fast forwarded after watching it. Fortunately, it is over. I look forward to the follow-up...

It's over. In fact, I rarely subscribe to a novel in its entirety. I basically give up after reading it halfway through. The beginning of this book is extremely exciting, especially the section where Mr. Zhuge Kongming appears. I think I was very moved, and the section about opening up peace, where he died for the survival of the human race. But when it comes to the gods and Buddhas, it feels like it has gone downhill. The ending is also passed by, but the author has his own ideas. I look forward to the next book 🤭🤭🤭

After reading 200 chapters, the protagonist is still so useless, and after reading 20 more chapters, the protagonist is still so useless, so I gave up. Can't figure it out. Write how awesome it is, how awesome it is, but it doesn't even have any trump cards. Two hundred pieces, still a lower level. When it comes to assassinating the people next to him, everyone is able to deal with the danger, while the protagonist sits there waiting to die. If you can't do it by force, you still have to wait for others to come to your rescue. So what does the author write himself? If the protagonist has nothing to save his life, then don't write about how awesome the protagonist is, how awesome he is, showing off everywhere, and causing hatred everywhere. When in danger, sit and wait for death. Rely on the halo of the protagonist? Then you might as well not write any climax, it won't be any fun at all. It still needs to be written that those people around him died one by one, and the protagonist worked hard to become stronger. Does it depend on the background?

This update speed is still mixed with so much water, it's not good enough to be a eunuch. I can't bear it😨😨😨😨😨😨I can't stand it if I don't step on it! ! !

I have almost finished reading the book, so I have some humble opinions. I hope it will give some reference to book friends who plan to read this book. First of all, this book gives me a very good feeling. Fantasy practice collides with poetry, poetry, and literati classics, and it combines novel content that is eye-catching. At the same time, there are tears and laughter in the book. Most of the plots are relatively compact, and the overall book is warm and relaxing. Knife Shao (I like this very much, reading is just for ease, why do you need so many blades? Depressing) also has unique insights and analysis on some book authors. Of course, there are definitely advantages and disadvantages. Some of the supporting characters in the early stage ended a bit abruptly, and there were also some places where the names of the protagonists in other novels were used, which I felt was a bit out of place. And the most important thing is that updates are slow and short! The shame of being a literati (let me say this for the last time)! However, despite its flaws, it is still a rare and good book for me. Of course, you still have to read it yourself to know the quality of the book. But I still hope that some book friends with high standards will be merciful. After all, this is the author's first book. I think there is still a lot of room for improvement. I hope Bawan will continue to work hard, come on!

Recommendation: From the title of the book, you can probably guess how the protagonist of this book cultivates. That's right, by copying various books famous for Chinese history. The advantage of this is that because everyone is familiar with those stories, it is easier to enter the world of this book, eliminating the process of familiarity and memorization. In addition, although this writing method feels a bit routine, the author is not limited to this. He also has his own innovations, such as creating the world of martial arts. Because even if they are copied from books that tell stories about gods and monsters, their essence is still to tell stories about people, full of fireworks, inseparable from the world of mortals, and have their own rationality. So if you are short of books, you might as well try reading the next book. Personal review: First of all, a brief summary, this book is about an ordinary young man on earth who travels to a small world after the prehistoric and fragmented world, continues to practice by copying books, and finally becomes the strongest and saves the world. Secondly, let's talk about the characterization of this book. In fact, as for the protagonist, I think the portrayal was average. At the end, I didn't see any characteristics or shining points in him. But the group portraits in this book are very well done. Many of the supporting characters are wonderfully portrayed. For example, Adamo, a great martial arts disciple, had a tragic death in his family and a miserable life experience, but he had firm beliefs and worked hard to practice his own way. Even if he was weak, he would not succumb to the false Buddha, which moved people. In order to avoid spoilers, I won't mention more characters. In short, the author designed the background for many martial arts disciples, and indirectly explained why they have such personalities. Moreover, the author not only focuses on the geniuses, but also does not forget to look down. Even the ordinary traders, foot soldiers, and guards are not ignored, which is quite worthy of praise. Finally, let's talk about the problem that most book friends think the villain is not strong. I have a different opinion on this. It doesn't say that the villain must be very strong to advance the plot. There are still some well-written invincible novels. And when the entire human race is in danger, how can they not unite to fight? It is quite strange to have the Fang family. Moreover, the author keeps changing the map in order to make the plot more interesting. At least I was attracted by the plot of the Southern Wilderness. Personal complaint: It can be seen that the author wants to write about everyone's spirit of not fearing death for their homeland. Sometimes I feel passionate. But when writing this kind of scene, don't write about those little characters who have just emerged. Without emotional foreshadowing, even if the author tries hard to make his death touching, I can't take it in. In addition, the ending is a bit too fast. It feels like the power system has collapsed😡

I came across this book by scanning the list. It was quite interesting at first glance, but it often broke out of chapters. I left it until the end and started reading again. Well, Chen Luo, The Shame of Literary Men, is quite like the author. Is it realistic? 😂😂😂. I haven't watched the follow-up plot yet, so I won't comment much. I will also finish spreading flowers🌸🌸🌸🌸, and I will start a new book as soon as possible, just like this

Seeking for perfection

{"TopicId":"870813133823541248","TopicName":"Reading Report"}Only ranked 17815th after fully booking😰

(⁎⚈᷀᷁ᴗ⚈᷀᷁⁎)

Reading report Finished Spread flowers and wait for the next book

Read the report, oh oh oh oh oh oh oh oh~ Qidian does not allow screenshots, you can only share them and take them. . . Thank you for reminding me, I modified it a bit. Is this OK? 😌

Ren Ji stood on the bow of the ship, with his mother's coffin in the cabin behind him. Facing the invading enemy, he held a long sword and looked firmly {"TopicId":"597004991063982080", "TopicName":"Weekly fan submissions"}{"TopicId":"790532439700275200","TopicName":"Fan Jianghu Zone"}

In the small town, shop flags fluttered in the wind, and the shops along the street were bustling with people. Smoked willow painted bridges, windy green curtains, and hundreds of thousands of homes. On the river that passes through the city, there are cargo ships loaded with goods, paintings filled with guests, and even pleasure boats of scholars and oirans. The city is lined with pearls, the households are full of luxury, and the luxury is high. The corridors of the mansion with carved beams and painted beams stretch back to the waist, and the rows of buildings have high eaves. "Xiao Luo, wait!" On the stone road by the river, a woman dressed in Tsing Yi chased the boy in white in front of her. The young man hung a jade pendant on his waist, carried a long sword on his back, and walked towards the distance. The boy in white was strolling in the courtyard, but the woman never caught up with him. "I wanted to buy sweet-scented osmanthus and drink it together, but it didn't work out. I'm a young man traveling." The young man in white murmured to himself, and his steps gradually slowed down. As the boy chanted, a wine gourd appeared in his hand, and the woman just arrived. "Xiao Luo, don't run away." The woman in green chased after her and grabbed the boy in front of her. "Sister, you don't have to worry about me. I'm just going to attend Xu Taigong's birthday banquet outside the city." "Go to Xu Taigong's birthday banquet with only a sword and no gifts? They thought you were going to cause trouble. Fortunately, I prepared it for you," Chen Xuan took out a sandalwood box and took it from Chen Luo. Sword, "There is an old ginseng inside. Remember to say congratulations when giving gifts. I'm leaving first. I'll ask Uncle Ping to pick you up when the time comes." "Sister, be careful when you go back!" ... Chen Luo came outside the city. The road was covered with festive decorations and there was an endless stream of cars and horses. In front of the Xu Mansion, Chen Luo looked up at the plaque above the red door. The word "Xu Mansion" was engraved in the wood. At a glance, he knew it was written by a famous artist. It was rumored that this was written by Taigong Xu himself in order to celebrate the birth of his eldest son. The attic with blue tiles and red walls is decorated with lights and colorful, and it is very lively, just like the Guidian Orchid Palace. Among the countless pavilions, there are gentle and elegant Confucian scholars splashing ink on the wall, "sprinkling the brush on the plain wall when they are happy, and the brush is like a shooting star", "as if hearing the magic and thunder, and seeing dragons and snakes running away from time to time", attracting praise; Or the elegant young master from aristocratic families. Flying up, the swords and swords were shining, "The horse is so fast, the bow is like a thunderbolt", "The iron horse is as strong as a tiger," which attracted bursts of applause; Or the highly respected officials were chatting and laughing, "If you are proud of life, you must have all the joy, don't let the golden bottle face the moon", " "Xie Gong's residence is still there today, and the Lu River is rippling with the cries of apes", which attracted the echoes of his disciples and guests; Or the wealthy landlords and businessmen with jewels and jewels talked about it, "If you want to compare the West Lake to the West, light makeup and heavy makeup are always suitable", "The clouds are like clothes and flowers are like faces, the spring breeze is blowing the threshold and the dew is thick", It made the wine maid extremely shy... "It takes ninety thousand years to fly, and eight thousand years to live coincides with spring! Chen Luo, Chen family in Wan'an, wishes Taigong Xu a long life and a wealth of blessings!" As he chanted, a shadow appeared behind Chen Luo, a Kunpeng spread its wings, and a giant tree reached the sky. "Okay! Okay! Okay!" Taigong Xu smiled brightly, "Come here, give me a seat!" "Thank you, Taigong Xu!" "Mr. Chen, please." The attendant came to Chen Luo, bowed slightly, and led the way. …… "Today is Xu's 100th birthday. I am honored to see the talented young people today. I will die with no regrets! Hahahaha——" "Our era The days of those who are the same age are gone. I hope you can carry on the teachings of the past saints and create peace for all generations! " The era of the older generation has ended, and the new era has begun. This is the era of the new generation, and it is also the era of Chen Luo! This is the end, but also the beginning...