Corpse Hunter

Stacking a Armor: I am a long-time reader of Xiaolong, and I have voted for this book all my monthly votes. The following content is purely my personal opinion. If you have different opinions, you can discuss them together. Text: After reading the latest chapter at two o'clock in the morning, I saw that so many book friends were arguing about the latest plot. After much thought, I decided to write my own opinion. Before the plot advanced to Li Zhuiyuan going to college, I felt that this book was undoubtedly a masterpiece. There was no problem in ranking first on the monthly ticket list. The compact plot, the weird protagonist's character, and some of Xiaolong's unique character descriptions all added to the quality of the story. For the content of Before University, what I personally felt uncomfortable about was that the CP teaming between Li Zhuiyuan and Qin Li was very sloppy. Qin Li's character design led to a very low subjective initiative of the character, which made me read that she looked very similar to her. He is a tool man, but at the same time, Qin Li is the most important anchor for Li Zhuiyuan to restore his humanity, and Xiaolong must always use Li Zhuiyuan's inner descriptions and even narration to remind Qin Li of his importance in the book. I feel very disconnected, but this has something to do with my personal reading habits. Excluding this small flaw, I think the first half of the current one hundred chapters is impeccable. The interaction between Li Sanjiang and Li Zhuiyuan, Li Zhuiyuan's acquisition of Wei Zhengdao's spell to control the dead body at the dead body, the violent death of Zheng Haiyang's family, and the addition of Yin Meng in Fengdu. I think these plots are all very well written. But. The plot progressed to after Li Zhuiyuan came to the university. I personally felt that the rhythm of the plot was slightly out of control. Several lines were piled together, and the lines that felt like the rhythm needed to be lengthened ended hastily. The bright and dark lines were inseparable, making it a bit confusing to read. The part where Runsheng and Yinmeng learn things through hard work also gave me a strong sense of separation. There is no character monologue, no foreshadowing, and no hesitation. The two of them are like robots, without their own emotions and characteristics. They do whatever the protagonist tells them to do, and they do whatever the protagonist tells them to do. Grandma Yu, a young bird, died quite hastily in the protagonist's first battle. She was taken down in four chapters, and the process was a bit inexplicable. The protagonist had read so many books, but she didn't see any fancy spells, or any of the messy secrets of the Qin family and the Liu family. She relied on forcing Shuyou Lin to burn his blood to resist. In the end, she spilled her blood, and Granny Yu turned around and was killed like a loser. Let's talk about the most noisy Tan Wenbin incident now. Although Xiaolong made some corrections in the latest chapter, the effect was not very good. Actually, it doesn't matter to me what kind of character Li Zhuiyuan is. After all, I have watched the Great Love Immortal. As long as the story is exciting and the logic is reasonable, and the protagonist doesn't do anything too out of line, I don't really care what kind of person he is. The same goes for supporting characters, of course, and in my opinion, the logical chain of Tan Wenbin's character growth is broken. The protagonist is often the center of the event, and the growth trajectory is clearly visible. A lot of words are used to describe the protagonist's growth, but the supporting characters are different. What's more, Xiaolong speeds up the pace of the story here. This results in no content or events, or even a short monologue to pave the way for the transformation of Tan Wenbin's character. After smashing a woman with a stone to a bloody pulp, there was no reaction at all. Even though this woman is a villain, she has the appearance and appearance of a human being. A freshman who has just entered college can fool his father without changing his expression after killing someone with extreme means. It would be reasonable if Li Zhuiyuan's character did such a thing, but when it comes to Tan Wenbin's character, it makes me feel very disconnected. My impression of the four protagonists now is: one mentally ill, two robots, and one wolf destroying the phone. Our heroine is even in a standby state and is not included in the protagonist group. As for Li Zhuiyuan, I personally feel that Li Sanjiang is even plumper than Li Zhuiyuan. Li Zhuiyuan now gives me more of an inexplicable feeling. He is cold-blooded at one moment, not so cold-blooded at the other moment, very righteous at the moment, and looks like a villain at the other moment. It took two and a half hours to revise and revise, and in the end I only wrote about a thousand words. I did not include many of the more extreme views, such as the vague setting of Zoujiang, the weak official presence, and other messy things. But these are my own personal reading habits and opinions. I just saw everyone was arguing after reading this, so I was a little unhappy. After all, this is only one hundred chapters, and there is still a long way to go. I still believe that Xiaolong can control the general direction. Come on, Long. Above.

The early stage was very good, and the first sight was even amazing. Personally, I feel that it reached its peak when the Water Monkeys dug out the Peach Blossom Fairy. However, it started to change when I took on the final boss in the third year of high school (the part where Zheng Haiyang's mother described the Eight Sea Kings was really unqualified, and there are too many domestic dramas with similar scenes). Wei Zhengdao did not write as well as he should have (the only taste of writing is the introductory sentence of the Dream Ghost Chapter, and the more ink he spends later, the less mysterious and tasteless Wei is, and he really implicates the protagonist) The character of the protagonist is also the same. It does not write the kind of sense of heaven and man without emotional interference. Instead, it is a bit ruthless mode. It deliberately lowers the intelligence and forcibly sacrifices future possibilities to ensure that the present must be passed. Just to highlight the advantages of the sentient mode... As a result, the character and behavior of the protagonist sometimes seem really strange Zuojiang later... There are good and bad. Some people like the real people and deceitful style in the early stage, and some people like the cultivation and enrichment style of Zoujiang. There is nothing to say.

In fact, I have never understood why an absolutely rational person would have the motivation to do anything. The world is unkind, treating all things as stupid dogs, having no emotions, and the final state of being without desires and desires is nature, and it is impossible to have the motivation to promote anything. And what drives people to do things can only be desire. How can there be absolute rationality if there is desire? The protagonist's mother, the protagonist and Wei Zhengdao cannot be as absolutely sane as written in the book. Especially when I was separated from my inner demons and having a conversation with my ego, I really laughed. The ego's choices are completely selfish without any perspective on the overall situation, and it's too deliberate to sacrifice teammates' options at every turn. It feels like what you say is awesome, but what you actually do is stupid, so disgusting. The emotional drama between Shuyou Lin and that so-and-so makes people want to abandon the book. It is too deliberate and seems to lower the taste of the book. It has become a gangster. Whether it is the protagonist, Tan Yunbin, or the emotional scenes between Lin Shuyou and Xue Liangliang, it makes people feel that you love me just because I am useful to you, and I am very useful, so you can only love me. This vulgar feeling. I only saw the objectification of women, which raised questions about whether the author has a low self-esteem emotionally. The best-written pair is Runsheng and Yinmeng. I like you because it's you. Finally, putting aside some shortcomings, the writing of this book is still good, and the story is quite interesting. It is indeed better than most books from Qidian. It is still worth reading, and the overall flaws do not hide its advantages. If you can't write emotional scenes, you don't have to write them. Don't bury the poison anymore.

The recent plots are not very scary, are they boring? Are there any real horror novels?

There was no hero at that time, so Zhuzi became famous. .

What is the relationship between the team members and Li Zhuiyuan? Ancient kings and ministers? The context (classmate relationship) cannot be connected. The big brother who takes the lead in the world? It doesn't look like that, there is no charlatanism, there is no way of protecting my little brother. Good brother? It's not like, so indifferent, where does the brotherhood come from, including Runsheng's long-term unilateral sacrifice for no reason. Good friend? Not to mention. So every time I see a chapter about team relations, I feel so embarrassed that it looks so different. Including Tan Wenbin replying "I understand" every time. If it is any of the above relationships, how can there be such a reply to the superior's order in reality? Even colleagues rarely reply to each other like this on a daily basis. Sometimes, they can be completely skipped or written down, but they insist on writing a reply: "I understand", which is very awkward from a literary perspective. You said that the author doesn't know how to write about character relationships, but the old lady and the like seem normal when written, which is really embarrassing.

Since this is a book review, both good and bad are written for reference. Overall evaluation: The characters are delicately created, and each character has outstanding personality in the later period; The story is excellent, relaxed and relaxed, with ups and downs; The background worldview is complete, directly adopting the national background at the beginning of the century; The ability worldview is incomplete, and it is impossible to evaluate the strength of each character; The writing is good, but the plot arrangement is problematic and the details are flawed. I think this book is an excellent story with good characters, plot and environment. But the ability world view, that is, the combat effectiveness system, is very poor. Because the combat power system is very poor, many plot arrangements are incomprehensible and divorced from the story itself, as if it is just inputting text, let alone the calm before the storm. First of all, what is a combat system? 1,000 Yuan is less than 1,001 yuan, but some people can use 1,000 yuan to produce the "effect" of 2,000 yuan, but it is basically not comparable to 100,000 yuan. This is a combat system. However, the protagonist's ability in this book is basically a black box, derived from the master's basement and the protagonist's invincible learning ability. In many cases you don't know what their abilities can be used for and to what extent. Formations are used to trap enemies, but after the protagonist's formation ability is improved, how will his ability to trap enemies be improved? Feng Shui, as the top "skill" in this book, has even been reduced to a pendant of the formation, providing a dimension to the formation. Many times readers not only cannot know whether his ability is worth "100 yuan" or "1,000 yuan", but they even don't know how this ability can be used. Furthermore, there are many in this book where the protagonist makes some inexplicable arrangements, and then produces certain effects, and the reader does not even know what the logic is - "the protagonist sprays his own blood on the road, and then the big turtle will be hindered when it comes", why? It was not used like this in the first 3 million words, and I don't know if it was a formation or Feng Shui or something else, but it had an inexplicable effect anyway. Charmander uses splash, and the effect is outstanding, causing the opponent to sleep. Then, it is because of the incompleteness of the combat power system that many plot arrangements are unnecessary. It doesn't matter that the combat power system is incomplete, and the story is enjoyable, but if you focus on the details of the foreshadowing of the battle, it will become a highlight and difficult to watch. Why arrange a combat plot? It's a coincidence. Although the ability of 1,000 yuan cannot beat 100,000 yuan, but under the clever arrangement of the author and the right time, place and people, 1,000 yuan defeated 100,000 yuan. This is wonderful. It makes sense for the protagonist to place a gun in a specific location and eventually shoot the enemy. However, when the combat power system itself is incomplete, the author actually arranged a lot of foreshadowing. In order not to reveal the plot, he also gave the example of the big turtle. As an irresistible enemy, the protagonist has made a lot of pre-arrangements, really a lot, at least for several chapters. For example, the protagonist spills blood on the ground, but he doesn't know what the purpose is. When the author reveals its function, he doesn't feel suddenly enlightened. He just feels confused. There is an obvious feeling of "you just have to open your mouth to say what the purpose is." And this kind of description actually exists in large numbers. Not to mention that because the author does not directly explain the enemy's ability and strength, many arrangements you do not know what the text is describing, and you do not know what the purpose of this text is until it is revealed later to advance the plot. This book is an excellent story. Since it does not create a combat system, it is recommended not to arrange a large number of seemingly logical battle preparation plots. The author has ordered all of his previous books, but has not finished them all. This is the biggest problem. I hope the author can make the most of his strengths and avoid his weaknesses, and bring us a better next book.

Molin is very beautiful!

Oh my god, one chapter costs more than 50 coins. How many words are there? Other authors only cost more than 20 coins per chapter. I can only say that he is a boss. One chapter is worth two or three chapters of others 😰

8 Points Disadvantages: Too wordy, some places can be said in one or two sentences but take several pages to write, some things have to be repeated all the time, some plots are too blunt, there is no sense of horror in a supernatural novel, the protagonist is very smart but does not have the demeanor that he should have, which is a bit contradictory, and it is clearly stated at the beginning that a corpse is standing underwater. Deadly, but most of the monsters are collectively called Deadly, and the occupation is basically only the corpse hunter. The type is monotonous and unreasonable, and the character portrayal is single Advantages: Good writing, good plot, okay logic, large amount of food I have read many novels, so I am more selective. It is a good novel that I can read.

It's a pretty good novel. I personally don't think it's very good-looking, but it's okay. In terms of character design, I personally think that everyone except the master can be read as a tool. You may not necessarily hate it, but you won't like it too much. The villain's IQ is not very high, and he can only read it. It's average, some are on the low side. The protagonist's IQ is very high, but most of the performance is in learning skills. Don't expect any scenes of battles of wits and courage between the two sides. The plot starts very well, and after 100 chapters, it becomes a well-written and invincible novel.

Under the soft light, the delivery room was filled with a faint smell of disinfectant. Li Lan slowly woke up from the pain of childbirth, her heart filled with anticipation and anxiety. That man, her husband, was half-kneeling by the bed with tears in his eyes, opening and closing his mouth as if he had lost his voice. In an instant, her consciousness returned, and the special pain and fatigue seemed to become insignificant. With the nurse's gentle movements, the soft sound of a baby crying sounded in the room. It was a crisp and vital voice, like the sound of nature, which instantly filled her heart with warmth. Tears shone in her eyes, and her heartbeat became faster, as if every beat was welcoming the arrival of this new life. The nurse carefully held the newborn to her side, with the small, pink figure in front of her eyes. Her hands trembled slightly, and she gently stretched out her fingers to touch the soft cheek. The child's skin was so delicate that it melted her heart inadvertently. "I finally see you." She whispered, with trembling joy in her voice. Love surged in her heart like never before, and all the hard work and waiting paid off at this moment. There was a faint blush on the child's face. Hearing her soft words, he stopped crying, then turned his head upward, opened his clear eyes, and looked at her with an expressionless face. "No! It's impossible! It won't happen!" A second ago, Li Lan's heart was still full of longing and hope for the future, but at the moment when mother and son looked at each other, she seemed to have fallen into an abyss. The sunlight outside the window casts mottled light and shadow through the curtains, like ghosts. "Lan, Lan!" The man woke her up from the daze, "The name of the child has not been decided yet. I had always thought of a girl before, but now it is a boy. What do you think it should be called?" "Child... Name... Ah... Fallen... Abyss..." "Chasing... Far?... Good name, chase far!"

Big brother! Jiujiang Zhao kicked me in the face after finishing the dungeon. After finishing my daily reading, I started to accumulate dungeons.

I saw the part where Brother Liangliang disappeared after beating the turtle. It can only be said that there are many flaws. It is a waste of creativity to be unhappy with something as obvious as beating a turtle. It is too long and the writing is too watery. The second is that the author has written the so-called Dragon King too high, and written the other forces too low. It has become an urban immortality novel without special classification. When writing about Jianghu, write about Jianghu carefully, and don't bring in anything related to the Guojia level. I guess the so-called Dragon King is just a white glove, like a tool for high officials to make money. I can't stand it anymore. Bless it

A group of friends were having dinner in a remote restaurant. There were six people in total, but the waitress brought seven pairs of chopsticks. The colleague joked: "This is really a good beginning for a ghost story!" Everyone laughed. The waiter counted the chopsticks awkwardly, said embarrassedly: "I counted wrong, I'm sorry," and then removed the two pairs of chopsticks. There was silence on the table.

Looking at it now, I feel that the small stories are well written, and the main plot is strange. It's not that it's not well written, or that it's unpleasant to watch, it's just that it's confusing to watch. Similar to not being able to understand the way a mentally ill person thinks. Maybe this kind of main story will have to be written for hundreds of chapters before it can be explained clearly. If it is a complete novel, I may just pick out the main story and read it, but it is very uncomfortable to follow up. I can't figure out whether the author didn't sort out the clues clearly, or simply didn't write it... And , I'm a little less curious about the follow-up now... I just feel like nothing can be connected... This story is not the kind of story that writes a foreshadowing to let you guess the outcome, or a question to ask why, but to write a completely illogical story first, and then make everything logical. But it's easy to give up when you catch up to the illogical part. Anyway, I gave up first... If you see this book in the monthly ticket list one day, it means that the circle is back, and I will come back to make up for it when the time comes.

I haven't read many novels at Qidian, and I have never read this author's works before. Currently, I am basically reading them on QQ and expressing my opinions objectively. The advantages and disadvantages are obvious, and success is also a failure. Advantages: 1. The comfort level is very good. It doesn't matter whether it's a pig or a tiger, a grudge or a tooth for a tooth. 2. The author will break it down and explain to you the character's behavioral logic and mental journey. If you don't think about it in detail, you won't be able to get it right. It doesn't seem to be a burden on your brain to just glance at it. 3. The love scenes are well written. Personally, I think they are above the passing level compared to the several Qidian works I have watched. Most of the cp writing is very vulgar, but it is okay and not particularly objectionable. A few of them are quite annoying. 4. Be good at capturing small scenes and short dialogues. There are a lot of interesting dialogues, the kind of dialogue that is willing to fight and endure, not only makes the characters laugh out loud, but also the readers. 5. He is good at putting clear labels on characters in a few words. With the help of writing and ink, supporting characters can be written in a few chapters with full images. Even NPCs who die in one chapter can be written with flavor. 6. It's very interesting to complain. I feel like the characters are better at surfing than netizens. The early stage writing has a strong sense of rural atmosphere, which makes it very immersive. Disadvantages: 1. The pretentiousness in the later stage is a bit too harsh. It is almost 500 chapters. As a result, Tiandao and other Dragon King clan, who are half villains, have basically been frustrated and incompetent. The feeling of death and oppression in the large dungeon has not appeared for a long time. The volume is large but the pace is slow. After watching it for a long time, it is a bit lacking in motivation. 2. After two or three hundred chapters, the character's growth arc is very slow or basically stagnant, and the people around the protagonist basically fall into an endless cycle of "those who follow the protagonist prosper, and those who go against the protagonist die." Those who survive always repeat the label's character after finishing the label, and they are not particularly disgusted. The main reason is that it is really boring to keep doing it. Among the protagonists, Qin Li (after leaving the river), Lin Shuyou, Runsheng, and Yinmeng performed more prominently. Among the supporting actors, Chen Xiyuan, Liu Yumei, Uncle Qin, Aunt Liu, and Chen Jing performed more prominently. 3. This is more subjective. I think this book has serious double standards. It not only emphasizes the fighting between the rivers and lakes, the foundation of Xuanmen, the aristocratic family, and intrigues, but also the selflessness and feelings of family and country. Each time the two sides are written, it is an extreme, giving people a sense of extreme double standards. The protagonist wants to kill people and seize treasures, which means fighting in the world, willing to admit defeat, and cheating; the protagonist wants to show off, which means Taoist background, feudal dogma, and gang boss; the protagonist wants to mess with the national destiny of the public, and that means being selfless and serving the people. In fact, the starting point of the protagonist has always been self-interest, and all the methods of punishing evil and eradicating evil are basically patches made later. The Dragon King and the Dragon King's court are engaged in cutting against the heavens, and the Dragon King is like a bad bamboo producing good bamboo shoots. To praise the Dragon King's morals so highly, he also belittles the Chen family as a feeder of heaven. The Dragon King of the Chen family is the unofficial insider champion... Every time, the protagonist first wants to kill people and seize treasures, and then applies extremely heinous patches to the opponent. In the early stage, it feels okay to use this trick to defeat the strong, but in the later stage, the male protagonist is so strong and he keeps using this trick. It is really bad. Why not just go to the 9 major dungeons to fight evil spirits and seize treasures, instead of always writing about suppressing the Jianghu forces? These added settings are all to endorse the behavior of the protagonist group. If you think about it carefully, you will find that the three views are quite explosive.

It's really good-looking at the beginning, but it's a bit hard to watch when it's more than 200 years old. It's really tasteless, and it's a pity to abandon it, ugh

From "Zhu Xian" to "My Healing Game" to "The Corpse Recoverer", I saw a path of exploration of "becoming a human" in the update. Written before Recently I am following the update of "The Corpse Recoverer" (author "Chen Di Xiaolong", serialized since 2022, supernatural suspense + special career setting), a novel that is still being updated. Observed from the theoretical perspective of NPD (Narcissistic Personality Disorder), some of the protagonist's behavioral patterns (such as instrumentalizing others, lack of empathy) echo it, but the literary image is not equivalent to the real case - he is not a "patient", but an explorer at a incomplete starting point. The contrast between him and his master Wei Zhengdao especially touched me: the master also had NPD tendencies, but because he was not fully accepted as a child, he wore a mask all his life and regarded others as tools, and only later did he understand emotions; while the protagonist, with the unconditional acceptance of his grandfather and father, and the pure companionship of the autistic girl, actively chose to "bear the weight of humanity" - not to pretend, but to learn to become a "complete person". When I was catching up on updates, I suddenly thought: Are these works that have been at the top of the list for a long time like a mirror, reflecting the "discovery" and "awakening" of collective consciousness in different eras? After re-reading "Zhu Xian" and "My Healing Game", a thread gradually became clear. 1. "Zhu Xian" (2003-2007): Confirming who "I" am in the fog of identity "A person, a burning stick, facing the whole world." - Zhang Xiaofan This work, which some readers call "a fairy classic in the post-Jin Yong era", has the core contradiction between the binary opposition between good and evil and individual moral choices. The protagonist Zhang Xiaofan was born in Caomiao Village. After losing his relatives overnight, he was involved in a dispute between Buddhism, Taoism and Demons, and struggled repeatedly between good and evil. It reflects the collective unconsciousness of the early 21st century (post-80s/early 90s) In the early 2000s, market-oriented reforms accelerated, the work unit system collapsed, and traditional collective identities (work units, families, regions) were loosened. Young people are thrown into a world with "no coordinate system" - the rules of "what should be done" in the past suddenly become invalid, leaving only the question of "who am I". Zhang Xiaofan's struggle is the epitome of this generation: • I don't belong to any sect, where should I go? • Who determines the standards of good and evil? Why are people in demonic religions more real than the "right path"? • "What does the world have to do with me? I just want to live an ordinary life." His awakening is an "individualized awakening": stripping away collective labels in loneliness and confirming that "I" is independent of any camp. The final return to Caomiao Village is not to retreat, but to return to the starting point to redefine "who I am" after experiencing everything. This generation is beginning to ask: The meaning of my life should not be defined by the collective. 2. "My Healing Game" (2018-2021): Guarding the cleanliness of the "heart" amidst mental toxins The protagonist is in a horror game world, surrounded by fear, distortion, and loss of control, but his weapon is "healing"-understanding, repair, and protection. It reflects the collective unconsciousness of the post-90s/post-95s generation during the 2020 epidemic This work, serialized from January 2018 to October 2021 (by the author "I Can Fix Air Conditioning"), has aroused widespread resonance during the 2020 epidemic period. At that time, we suddenly realized: "going crazy" is not a personal problem. Anger, opposition, and information cocoon are like "spiritual pollution" and can be contagious. The dilemma of this generation is: the external environment is full of toxins, how to protect the psychology from being eroded? The core contradiction in the novel is the spiritual salvation between reality and virtuality - the protagonist uses his healing power to fight "indescribable fear", which is just like people's desire for an "emotional safe island" during the epidemic. His awakening is the "awakening of psychological boundaries": he does not try to eliminate sources of pollution, but only creates a clean space for those around him. Know that you cannot change the world, but you can protect the inner order of the people you love. This generation no longer only asks "who am I", but also asks: In an environment where everyone may be "out of control", how can I maintain goodwill and protect the light in my heart? 3. "The Corpse Hunter" (2022 to present): Taking the initiative to "become" a complete person from an incomplete starting point The protagonist appears with the regret of "factory settings" (original imprint, character limitations), but through the inheritance of the grandfather's "indifferent attitude towards life and death", the acceptance of the father's "silent cover", and the company of the autistic girl who "sees without distinction", he has gained a precious thing: a "safe space" that does not need to be disguised. Here, he can face his shortcomings without breaking down, observe patterns without self-loathing, and finally choose to "bear the weight of humanity" on his own initiative - not pretending to be perfect, but "growing" empathy bit by bit in acceptance. It illuminates the collective unconsciousness of Generation Z (post-2000s) This generation grew up under the high pressure of "involution" and "perfectionism" and realized earlier that "the starting point may be incomplete": the wounds of the original family, the shortcomings of character, and the situation that cannot be chosen. The core contradiction in the novel is "innate limitations and self-construction" - the protagonist's "putting on human skin" is actually "planting flowers in the cracks". His awakening is a "personalized awakening": acknowledging that "factory settings" are not destiny, and taking the initiative to become the person he wants to be through acceptance. The tragedy of the master (not being accepted → lifelong disguise → regretting at the end of his life) reflects that acceptance is not a compromise, but the foundation for construction. This generation asks: If the starting point is incomplete, can I still become a complete person? The answer is not "can't" (fate), not "pretend" (mask), but "active growth in acceptance." Four and three paths to awakening: from "finding oneself" to "protecting oneself" and then "building oneself" Works Era Node Intergenerational Groups The Dilemma of the Collective Unconscious (Core Conflict) Ways of Awakening "Zhu Xian" 2000s Post-80s/Early 90s Identity anxiety, value disintegration (collapse of standards of good and evil) Individualized awakening: Confirming "I" in loneliness "My Healing Game" 2018-2021 (resonance in 2020) Post-90s/Post-95s Mental pollution, psychological crisis (hostility and information overload) Awakening of psychological boundaries: Protecting the "heart" in toxins "The Corpse Hunter" 2022 to present Generation Z (post-00s) Congenital defects/trauma (original and character limitations) Awakening of individuality: "Building" oneself in acceptance This is not a linear progress, but an intergenerational "deep cultivation" • The generation of "Zhu Xian" explores the outline of "I" in "No Coordinates"; • The generation of "Healing Game" learns to build walls for "me" in a "toxic environment"; • The generation of "Corpse Raider" asks in "Incomplete Starting Point": How to make "I" grow out of the cracks? Each generation is answering the confusion of the previous generation, but the dilemma is becoming more and more "inward" - from "finding a position" to "protecting the core" to "building oneself", reaching the root of "how people become people". 5. Why I wrote this article: Seeing the possibility of "becoming a human being" in the story I paid to follow "The Corpse Man" not only for its beauty, but also because the protagonist has found a path: with the regret of "factory setting", he can still become a complete human being. He is like a mirror that reflects our common struggles - native imprints, character shortcomings, and unchosen starting points. But it also reflects hope: these can be seen, accepted, and even become material for "self-building." The master who was not accepted only understood emotions when he was dying, which made people feel heartbroken. The protagonist took the initiative to "grow" humanity in the process of acceptance, which made people see his strength. These three works, like three road signs, mark how our understanding of "becoming a human being" changes from "seeking outwards" to "looking inward" to "taking root deep down." Written at the end "Zhu Xian" said: In loneliness, you can find "I". "My Healing Game" says: You can protect your "heart" from toxins. "The Corpse Raider" said: You can "build" a complete self out of the incomplete parts. These three starting-point phenomenal works reflect the collective awakening of three generations - and the end point of the awakening is the answer to "how do people become human". Note: The concept of "collective unconscious" in this article is borrowed from Jungian psychology and refers to the spiritual imprint shared by groups of a specific era; "NPD" is only a literary analysis perspective, not a clinical diagnosis.

In the article, the author himself mentioned leading by example, so the children of Mrs. Cat will also be treated in this way by their children. But since we know the importance of parents setting an example, we should also know that Mrs. Cat leads by example, and there will be no children like this. Children are the mirror of their parents, unless the parents are absent during the child's growth. There is basically only one possibility for a similar situation in reality, that is, the parents work outside and the child is a left-behind child. All the income is used for the child to go to school and get married, but the participation in the child's growth is zero, and the child will eventually be treated like this in his later years.

I really like the folklore and supernatural content in the village in the early stage. The horror atmosphere + the readability of the story are perfect. It is a pity that the focus of the plot was changed to urban Long Aotian Shuangwen in the middle and later stages. There were not many folklore and supernatural novels that could have been read.

This book is already very embarrassing. Just by reading the book, I can develop skills that others cannot develop in a lifetime. It made me feel like my feet were on the ground.

This wave is too ink-painted. There are five or six chapters, all of which are ink-written words from Che Lunluo, and the plot is too clichéd. All kinds of psychological activities of everyone are dismissed, and everyone comes back to fight monsters later. I originally prepared 10 monthly tickets for this exciting wave, but I saw that I might as well save it for other books 😰

The more I read, the more outrageous I feel Together with the evil spirits, it depends on the powerful people in the world to suppress and kill them When the evil spirits escape, the people will suffer The violent machines are just for food The safety of the people depends on a very small number of people What should be normal is that all the rivers and lakes are included

There has always been a bold guess about Wei Zhengdao's identity and the reason for his illness, as well as the identity of Uncle Li: Wei Zhengdao should be from the Wei and Jin Dynasties. After all, Qing'an's usual state fits the description of that time. Combined with Wei Zhengdao's illness, I have an idea. The cause of the Three Kingdoms is that Zhang Jiao's Cang Tian is dead and Huang Tiandang is standing. Old Wei may have been born with a strong will under the torrent of humanity at that time to take the old way of heaven. Therefore, Old Wei had a ruthless disease and still wanted to eat it. The final step was planned to swallow the old way of heaven and become a new way of heaven. However, just like the failure of the Yellow Turban Uprising, the idea that supported Old Wei to swallow up the way of heaven also failed and only created Old Wei. However, Old Wei finally fed a bite of heaven. Heaven was fed a mouthful and his will was infected, so the troubled times of the Southern and Northern Dynasties appeared. The will of Heaven and Wei Zhengdao infected each other, and Old Wei became part of Heaven. Heaven acquiesced that Old Wei was no longer the Dragon King, so there was a subsequent Dragon King. Otherwise, according to the setting, Old Wei had never died, and there would be no Dragon King in the future. In this way, the two wills were entangled until the end of the Qing Dynasty. Tiandao gave up part of himself, including the bite that Old Wei fed him, and reincarnated into Uncle Li. At the same time, the world situation changed drastically, and the torrent of humanity began to fight against the old way of heaven. Therefore, Uncle Li had a hard time at the beginning. He carried corpses, was captured as a young man, and was driven from north to south by the torrent of humanity. This is because Uncle Li has the aura of the old way of heaven and the aura of the torrent of humanity from the Three Kingdoms period. So when he was once a part of Old Wei, Uncle Li wanted to save him when he first met him, but by some strange combination of circumstances he killed Old Wei (physical level) The change should have occurred during the Battle of Crossing the River, when Qin Lao Gou took Qin with him in the form of a dragon king. The Liu family has many dragon king spirits participating in the war. I guess the only one with this kind of strength to deal with is the old Heavenly Way. Although they did not completely defeat the Old Heavenly Way in the end, they formed something like a seal, sealing away the evil side of the Old Heavenly Way. , But Qin Laogou had to guard the seal to prevent the counterattack of the old Heavenly Way, so he could not come back. Moreover, because of the fight against the old Heavenly Way, the position of the Dragon King was automatically lifted, and he started walking across the river again. The old forces were worried that Uncle Qin could become the Dragon King, so they joined forces to kill him, and finally King Qilong was born. As the Grassy Dragon King, King Qi Long is still at the bottom. He should be dissatisfied with some old bad habits and started to fight against the old way of heaven. Therefore, after sealing Han Bao, he also went to the same place as Qin Laogou to guard. The position of Dragon King was lifted, and this time the struggle for Dragon King on the river started. There is also the final idea, walk the river, walk the river, what is the end of the river, go to the sea and become the Dragon King, so the big turtle predicts that the ape will bring the Dragon King team to come to him. In fact, it is not to come to him, but to become the Dragon King to fight through his window of heaven. God's way, the reason why the ape has similar diseases is not only the scholar's calculation but also his own will, which is also a torrent of humanity. Otherwise, Li Lan, who was the scholar's first scheming, would have been stopped by Uncle Li and refused to enter the Xuanmen. Instead, the ape himself entered the Xuanmen with Wei Zhengdao's recipe. And I guess in the end, the inner demon ape succeeded in putting on human skin. The main ape competed with Li Lan to become the new way of heaven, but because the main ape had the support of the torrent of humanity (the country, Grandpa Bei), it finally succeeded. The reason why Li Lan found the ape father was because he wanted to rely on the country to devour the old way of heaven, but he failed because he had no humanity.

This book can only have that flavor and energy if you read a hundred chapters at a time or follow it non-stop every day. Broken chapters or skipped reading may not be authentic. However, from Menggui (excluding Menggui), almost all the way to Little Hell, it can be said that it is accumulated in the early stage, but it is also a real template of the routine. It looks good, but you have to eat large pieces of meat; it looks like my prostate is dripping, but it tastes like chewing wax. These hundred and ten chapters, apart from being a drag on the Mie Ling family, are still very interesting. Like👍🏻

Stud

Seriously, is there anyone in the world who doesn't want to have the ability to return to youth with cicadas chirping in the Spring and Autumn Period? Flowers can only be broken when they bloom, but branches should be broken when there are no flowers left.

Langshan has arrived. Where is Qinglong Temple?

After reading more than half of it, I decided to review it. After starting to go to the river, it inevitably became more step-by-step and less random. However, I like the configuration of the protagonist group, so I will keep reading it. However, the biggest reason why I chose to dote on this book is probably because Xiao Yuanhou and I have birthdays! This is the first time I have encountered this kind of thing, so amazing!