I'm Really Not Ragnarok

I have read over one hundred and ninety chapters, and the first few chapters were pretty good, but these chapters are so disgusting that I can't stand it anymore. If you say you can't beat me, forget it. You have obviously beaten me, but you insist on having a princess put under house arrest and forced to be engaged. It seems that you suppress your desire first, but in fact it is equivalent to being ntr, and then pretending to be a slap in the face later. I am no longer in the mood to watch it, bye.

I have read four hundred and twenty-five chapters so far, and there are about a hundred chapters left to finish, but I can't watch anymore. When I see it now, I feel that some parts are too sloppy and not as good as it was at the beginning. I feel that the author has lost control of the plot from the second or third copy. The protagonist is very good at fighting mobs. Whether from the NPC perspective or the perspective of the protagonist himself, you will feel that the protagonist is very strong and invincible. However, the secret is exposed as soon as you fight the BOSS. There is no strategizing in defeating mobs, and you start to be reckless! All the previous wisdom is thrown away, and it is very fragmented.        ，                             ！ ! ! ! Suspected spoilers, please be careful! ! ! ! ! The identity of the protagonist is getting bigger and bigger, but the lack of ability makes people feel that there is no progress, and it still feels like a weak feeling at the beginning of the novel. Especially after writing that Alicia is Nuwa, the feeling... Is too strange. If the author writes about a completely fictional alternate world, and then writes that a person with a similar identity as Nuwa is the wife of the male protagonist, then I don't have any feelings. But using Chinese mythology as the background, the subjective feeling is too strange and very fragmented. Regarding the protagonist's ability, it is said that the protagonist is a Chinese demigod, but the "gifts" are basically not from the Chinese type, and the people who work with the protagonist are all from other myths. I also think that the Chinese demigods are not that good, but the difference between the protagonist and these NPCs is too big and I still feel uncomfortable.                                                   Every time the dungeon opens, it is a routine, the human race destroys itself, and "Noah" comes to the rescue. After reading a few more dungeons, it feels like the author is copying and pasting, which is a bit confusing.               ，，！ ! ! ! The only female protagonists are Scathach and Alicia, where did the saint go? ? ? The protagonist has absolutely no intention of looking for the saint! When Scathach sealed the saint, didn't all the NPCs next to him see it? The protagonist didn't even ask, and he didn't know if the next hundred people would give an explanation. It was uncomfortable!

"NO GAME NO LIFE" "FGO" "2B" "Percy Jackson" gives me a familiar impression now.

Speaking of seeing this book, I discovered it by chance, and the more I read it, the more addicted I became. I hope the writing is better 😁

I open a forum every day. If you have any comments, you are welcome to comment. Recently someone questioned what the character of the protagonist should be like after living for more than two hundred years. What do you think of a long-lived person? Calm, calm, and wise, why can't you lose sight of yourself when Mount Tai collapses? The famous developmental psychologist Erikson divided human psychological development into eight stages. The last stage Maturity (over 65 years old): It is a conflict between self-adjustment and despair Due to the aging process, the physical strength, mental capacity and health of the elderly deteriorate, for which they must make corresponding adjustments and adaptations, so it is called the psychological conflict between self-adjustment and despair. When old people look back on the past, they may say goodbye to the world with full feelings, or they may go to death with despair. Self-adjustment is a feeling of accepting oneself and acknowledging reality; a sense of transcendent wisdom. If a person's self-adjustment is greater than despair, he will acquire the quality of wisdom, which Erikson defines as: "treating life and death with a detached attitude." This is what you think of an old man with great wisdom. It is a kind of compromise and acceptance of life due to the decline of physical strength and spirit, looking back on life because life is approaching. But Char is an immortal species. Compared to normal humans, he is only in his twenties. He still has a long time before he needs to review his life, think about saying goodbye to the world, and there is no need to spend time accepting death. It would be the biggest unreasonable to set Char at this moment as a mature stage! It completely goes against the character of the immortal species I set! ! In fact, there are not many old people with great wisdom. In this world, the vast majority of old people are more desperate than self-adjustment. Looking back on their lives, they feel that this life was a failure. They did not enjoy what they should have enjoyed, and they experienced a lifetime of suffering and setbacks. Reluctance and pain will make their hearts choose to give up their restraints and choose to enjoy things they could not enjoy in the past. That's why there is a saying that the older you get, the more crooked you become, and that you are an old naughty boy. These old people are very receptive to new things and very active. Psychologically speaking, once a person's personality is formed, it will remain stable for a long time. So there is an old saying that it is easy to change on the river, but hard to change the nature. The role and significance of experience in the process of character formation is mostly to increase the success rate and reduce the error rate -Experience refers to the historical information that an individual has personally seen, done, or encountered certain types of events and stored in the memory. The human brain organizes this historical information and mainly forms it into knowledge, experience and lessons. Knowledge and experience can improve personal abilities, and lessons can always remind people not to repeat the same mistakes, thereby reducing the probability of making mistakes again; The experience of changing a person's personality is mostly due to suffering from one's own personality, and self-awareness deliberately corrects the personality. However, from a psychological point of view, most experiences that can be corrected are major events that are enough to collapse one's worldview. Moreover, a person's psychological endurance is also a crucial factor in changing his personality. But experience allows him to make relatively correct choices. This is also the reason why I set the protagonist as an immortal species. A social animal living in the city becomes decisive, calm and calm as soon as he enters the infinite world, and he knows how to scheming with others. Don't you think it's ridiculous?

Let me make it clear first that although the name of the protagonist is the same as the book, it is actually an independent world view. I don't like to write sequels, so many world views are independent, and some settings may overlap. The reason why I am called Xiaya is also the result of careful consideration. Because in this book, there may be Eastern and Western worldviews, such as steampunk or ancient style. If you give a name with a strong oriental flavor, it will be very embarrassing, and vice versa. So I thought of a name that looked both Eastern and Western. For example, Annie, Nancy, Joey. After much deliberation, Xia is the most suitable one.

. . . I really want to say that the author wrote the first two worlds very well, but I don't know why the third world was very closed. The author wrote a sentence for the protagonist, "With resurrection, I swelled up." Then he started to make the protagonist suffer in various ways, and also wrote a standard death The plot of "The Heroine is forced to marry someone else". I have been reading the book for more than ten years, and it has been at least five years since I have seen anyone dare to write this kind of content. The main reason is that the people who read this novel are the creation, behind-the-scenes, and pseudo-invincible audience that you paved the way for. How did you come up with this plot? . ?

What we want to read is a novel, not the Passion of the Christ

I just can't figure it out. The protagonist, a demigod born from an Eastern god, is mostly in the world of foreign gods. Don't you think it's strange? So is the protagonist a demigod born from a Chinese god? The gifts are all belonging to foreign gods.

After reading twenty chapters, I couldn't stand it anymore from the time the author started discussing humanity and divinity, reality and illusion. It's not that the author's writing is not good. It seems that the writing is good so far. It's just that my initial purpose was to read a refreshing novel where the protagonist pretends to be awesome, because the name of the book gave me the illusion of a pretend novel. When I saw the author seriously discussing philosophy in Chapter 20, I realized that I was wrong. Did he really want us to think? ? ? I think most people read novels because they want to have some mindless fun. They just want superficial and straightforward excitement and don't want to think about it. Otherwise, they would have read classics instead of reading online articles. The above is because the author Wen Qing is suffering from illness. This book is destined to be a niche reading. It is so long-winded that I really am not in the mood to read carefully what he said.

I saw more than 200 chapters, about the way of humanity and the way of heaven. If you don't know how to write about enlightened beings, just don't write about it. Sakyamuni cut off his meat and fed it to eagles. The protagonist in your story cuts rabbit meat and feeds it to eagles, expressing his gratitude for the generosity of others.

I really didn't expect that this book would be so different from before and after, which bit by bit eroded my expectations for this book. The most important thing is the protagonist's final B-frame? It's like a joke. Both frustrated and unhappy. If you can't write about daily life well, just let it go. If you can't write about real life, don't write about real life. If you can't create a B-square, then write more seriously. Sometimes he talks about human nature, and sometimes he talks nonsense. He also writes a bunch of Western myths that I don't know the so-called. In the beginning, the fairy grass, the second world is about food and grass, and then there is a tendency to veer towards poisonous weeds. I was recommended to watch it by a friend, but it double killed me. I sincerely hope that the author can absorb the lessons of this book and write better in the future.

This book is really good. I think it can definitely be ranked among the top ten in monthly votes. But it's not well-known enough.

Um, to be honest, I'm a little tired of watching updates now. Let's talk about the reason. The first thing I noticed when reading this book was that the protagonist, as a person who traveled through time and space, pretended to be forced to go back to the real world to die, and the follow-up of the protagonist's development and the protagonist's impact on the real world. However, due to the length problem of the current Empire War, the protagonist's hidden life is too long and not interesting. After all, the protagonist cannot stay in this era forever, so it seems too long-winded. In fact, most of the plot in the process is briefly mentioned without affecting the plot at all. It seems too watery, and as a novel, there is no need to discuss things like human nature too much. (After all, it is easy to check the water meter and get reported) In addition, the influence of divinity that the protagonist calls is actually unnecessary (I feel broken). First of all, we must understand that divinity often appears in Western mythology, but for us in the East, that thing does not exist (after all, the background is the heir in Eastern mythology). Moreover, it is very awkward, the system is also messed up, and there is no general idea of ​​the protagonist's strength and ability. And it's too long, almost forgetting the protagonist's mission. Coupled with the pitfalls of the real world, it is too easy to collapse.

This book feels like it talks about too many truths and various things. Every time it is said that human beings have to control their own destiny, but in the end, it is the protagonist who turns the tide. It feels like one thing is said, but the story is another. The ending of the story is so touching. As a result, another copy is opened, and it is about how human beings seek death, and then comes back to this one. It looks very passionate, but in fact After reading it, I felt quite speechless And the protagonist's strength is really good compared to the boss, but he can win every time, either because his own blood suddenly explodes, or he relies on luck, and various things assist him before the decisive battle, and then he wins. It's just like watching the protagonist of Japanese comics. To beat the BOSS, you all rely on shouting, various explosions, and gifts. It feels weird when reading.

It started off wonderfully. But it may be due to the author's experience. Soon this beauty was submerged in the so-called frivolity. I feel that the author's talent is not in comedy and flirting, but in imagination. What a pity.

Omniscient and omnipotent, he said he was omnipotent and refuted the argument. Then a little genius said that God can create a stone that cannot be lifted, but the moment he creates it, he can lift it. Is God a magic stick?

"On how a novel can bring down the most powerful existence to the bottom within one chapter"

Using someone else's power to give it away and then calling someone else rubbish and looking down on them is not the God of La, Fafnir, how many times would he have died long ago?

I feel that the world view of the work incorporates many anime settings that the author likes, which makes it feel a bit chaotic. Many settings are confusing when you think about them carefully. In the world view, there are interstellar civilizations and gods. So, are the scales of the "Creation God" and the "Underworld" planet-level or universe-level? Judging from the first trial world, the gods should all be cosmic-level, because there are aliens who also have Nordic beliefs, and the heaven system is also found on other planets. The solar ship can use compressed stars as a power source, which can also be supported by side evidence. Then the huge underworld should be like the mother river system of the beast, which runs through the entire universe and even many universes. But then I took a closer look and it was wrong. The underworld is actually divided according to the various continents and civilization regions of the earth. So are the gods indigenous to the earth? Can authority not extend beyond the solar system? Or is it that a group of big guys who can explode stars are locked in the high-dimensional space of a planet by a civilization of 6 billion humanoids 😰😰.

The first three worlds have always been the timeline of "history", but none of the current gods have appeared from the beginning to the end. It was mentioned before that when killing dragons in the United States, there was a statue of him 300,000 years ago. Since the trial system can send him back to the past, why are there no gods at all in the past timeline? It's completely like playing a game on a stand-alone computer It's always the savior who saves the world. As a book friend commented, what we want to read is a novel, not the story of Jesus' rescue. Over and over again, you are destroying and saving the world in one world. It is said to let humans develop on their own, but it is still the same as raising pets I got tired of it after reading less than 200 chapters. The first world is saved, okay, the second world is still saved, and the third world is still saved Time and again, you still save a group of people in the same world

The book is a good book, and the idea is a good idea. However, the main line of myths and legends of the northwest is too much for me (personal preference). Such myths and legends are too illogical and illogical. I have always read them as jokes, so it is too easy to make me laugh while reading this article.

Hadari is really gone. I feel nothing after turning into Scathach.

There is a group account in the profile. If you want to join, you can join.

It's anticlimactic, and the opening chapter is too exaggerated. My expectations were shattered. I thought you could expand the world view, slowly set the outcome and write about everyday and extraordinary things, but the story couldn't be told well. The image of the protagonist is not full-bodied, just like a gangster who makes jokes

The setting is pretty good, but your book makes people feel tired and can't stand it.

Suddenly I remembered that the second world is just like the world view of Xenoblade Chronicles 2. The truth lies in the World Tree. The Pope is desperate for mankind and wants to destroy mankind. The old humans fought against each other and were destroyed

Are there any novels similar to Pretending to Be the Creator at the Beginning, I Am Really Not Ragnarok, and Myth: I Am a Legend, in which the protagonist goes back in time to create mythical history and then is discovered by modern people.

The 4 recommendation votes in the October vote have been voted. Please don't write down the Eastern pantheon. For example, be more peaceful? Ask for a sperm

The author has opened a new book