The Movie Emperor's Reincarnation Across the Heavens

Some people like it and some don't. I liked the first one very much. After Infernal Affairs ended, I decided to finish it. Because I personally don't like big changes in the real world, secondly I don't like multiplayer copies, and finally I don't like too many restrictions. Of course this is all my personal opinion, if you like it just pretend I didn't say it. I've watched a lot of Hong Kong dramas and a lot of police and gangster fusion worlds, some of them dressed as police officers, some of them as Young and Dangerous. I've seen too many. But the author's ingenuity has created a personal style, which is not clichéd, full of intrigues and intrigues, and does not resemble the stereotype of using force to conquer the world. It makes me feel very happy and I am looking forward to the next copy. But as soon as I returned to reality and saw that some people were going crazy and there were multiple copies, I felt like I was back to the outdated main god. It affects reality and is like spiritual energy reviving. I prefer simplicity, freshness and conciseness. For example, the dungeon world has never strengthened the force, but the dungeons you visit are sometimes very dangerous. I personally prefer this situation. After it is over, I can return to reality, relax, adjust my mentality, and sleep peacefully. Survive in the dungeon and return to real-life defense. My nerves are always tense, even if I am not crazy, I am extreme. And it's uncomfortable for readers to watch (I only speak for myself). I prefer relaxation and a combination of work and rest. It's not an opinion or a black font. It's just that I love it, but it doesn't develop in the direction I like, so I'm complaining. There are those who agree and those who refute, Wanwang Qingqing.

The author's last book was really good in the early stages, except for the foreign copies, but I personally was fighting against Goldfinger for that discarded book because it was too annoying and too dense. I just finished solving a Goldfinger's mastermind, but I didn't expect that there was a mastermind behind the mastermind, and the plots together are overwhelming and give readers the illusion that this author will not want to have infinite matryoshka dolls, and a mastermind will pop up later 😅

There are some things I cannot say without saying anything. The protagonist of this book, Su Yi, is my favorite in the ten years I have been reading novels, and he is also the best character among the novels I have read. From walking on thin ice when he first traveled to now, the protagonist feels that he is growing up every time he travels through a world. Bai Xiaonian in the wind is thoughtful and struggling for survival, walking on thin ice. In the arena of the Republic of China, he was affectionate, righteous, and chivalrous. In just a few dozen chapters, he created a hero who struggled to survive from the bottom to become a hero known to the whole country. The image is three-dimensional and not at all outlandish. Wu; Let's look at Su Yuanchao in Siheyuan. He understands the world, is neither a saint nor a compassionate person, and is good at interpersonal communication. The protagonist in this work is the only one I can't find a fan of. He is really well-shaped. You can intuitively see that the protagonist has been growing up. Unlike the protagonists in other online novels who rely on the system and golden fingers to pretend to be cool, they are all the same and disgusting for those who read them. It's a pity that the author doesn't seem to be very good at writing plots in the martial arts world. If it weren't for the plots of Love Apartment, Ode to Joy and the martial arts world, this book would be a god. These three plots lowered the rating of this novel. The most important thing is that the author's treatment of the protagonist's golden finger is my favorite. The protagonist has a golden finger, but his sense of existence is not strong. The protagonist's ability relies on his own efforts, little by little. It is obtained through hard work, rather than directly giving the protagonist awesome skills like other novels. I am quite disgusted with this kind of ability that is obtained for nothing. I would also like to comment on the characteristics of the protagonists in many novels from the starting point: crazy to die, but not to die, and will not take any risks. The protagonist's abilities are signed in, or the system directly gives them the next day. The protagonist's skills are awesome, and the supporting character is mentally retarded.

I just finished reading "Qiu Xian", let me talk about my feelings, just talk about the more controversial volumes The first time I entered the love apartment was a bit too long as it was overly written. Although I quite liked it, I was a little tired after reading it, so I felt it would be better to write it in two times. Ode to Joy is indeed written in a mediocre way, with nothing to comment on. Swordsman is okay, but the starting point for the protagonist is too high. It is basically a crushing game. There is no sense of oppression like one against ten, and there is no feeling of a battle of wits and courage between the two sides. It feels like all ten people are serving food. Yitian is too ink-blank. The protagonist goes in and does things here and there, and the purpose is not very clear. But the idea of ​​killing Emperor Meng and blaming Zhao Min is good. I feel that if the plot is refined and not so watery, it will be okay. Although there are some volumes that are quite controversial, the faults cannot be concealed. This is the best unlimited flow novel I have read recently. I have saved a few monthly tickets and will double them for you at the end of the month. Come on, author, please update soon.

The setting in the first three chapters is good, and the plot of the first dungeon is exciting. It must be said that the author's control over the plot characters is top-notch, from the previous book to the new one. If I look at the supporting characters in other books, they are too dull and tasteless. Treasure author! In addition, I would like to appeal to the "First Commandment"

The book starts with a courageous ordinary person, and then moves forward on the set (traveling through the world) (yes, shit brother, who would be so bold and unrestrained if there is no way out, everything is for survival). Many of the story worlds in the middle are written with the colors of the characters. Each big and small character has its own style of behavior and ideological consciousness (during the period of the Republic of China, basically as a spy, he had the consciousness of nothing more than death. In the courtyard, Qin Huairu has a vampire mother-in-law above, and a stubborn evil son below. Hua, she has two daughters who are not favored by her mother-in-law, and the people around her are secular. It is not easy for her to behave like this. As for Silly Zhu, Su Yi found a good ending for him. As for Qin Huairu's mother-in-law, the writing was so profound that when I was reading the article, I once wanted to go to the set and kill it. When she was imprisoned, she locked up Qin Huairu like crazy, and the two of them were buried in the sea of fire! The writing was really thrilling... If it were not a sensitive article in a special era, it would be easy to lock up a small dark room after writing it. This is the climax of the book, and it can definitely put Su Yi in the sea. The spiritual sparks tempered by the studio and reality spread out, allowing us to see more exciting humanistic chapters...) In the martial arts world, the supernatural world, the world of cultivation... What we see is the story world of the protagonist and a group of protagonists who come into contact with all kinds of people. It is the world, inside People are not static, and everyone's position will change subtly as the environment changes over time. It is difficult to decide whether they are friends or enemies until the end. This is the highlight of this book. Everyone is not mentally retarded or imbecile. The protagonist is not invincible, because although the characters in the original book grow slowly, they are still. Their routes are also different from the protagonists. The supporting characters who are all actors also have different thoughts and methods. The protagonist's way of breaking the situation is unique and refreshing... We saw that as Su Yi's perspective entered the reincarnation of the actor, we saw a wonderful scene In the diverse world of the heavens, there is the tenderness of chivalry, the feelings of family and country, the magic of Taoism, the magic of supernatural beings... The protagonist here has no aura, but every reader hopes to give him an aura. It's time to decide, and the answer is that I am indeed not as good as Su Yi, not as flexible as Su Yi, not as decisive as Su Yi... I saw a good article and understood its connotation. I couldn't suppress the sense of harvest, so I thought of writing some thoughts after reading it to remember my feelings at that time and comfort myself.

It's such a pity that this book was dragged down by the bullshit director system. Otherwise, such good writing and plot would not be great but it would be a masterpiece. Every time the plot comes out, the director would be disgusted.

I found that this author has a very high level of writing about the ordinary world, but when it comes to the extraordinary, he is a bit stretched. The national martial arts is a dividing line, and the national martial arts is not enough. Random pictures

Could it be that the author has really changed? I feel that Yi Tianjuan is very strange. Let's not talk about opening a harem. Before, the protagonist did everything aboveboard and with a clear conscience. Where is Yitian Juan? Take a look at what the protagonist did: First, in order to obtain the Nine Yang Magic Power, he lied to others that he was from the Xiaoyao sect, and then when he met Zhu Yuanzhang, he said that he was from the Xiaoyao sect. This is very disgusting, and it is completely inconsistent with his previous character. You said you want to open a harem, be an emperor, be the supreme martial arts master, etc. There is a better way that is more in line with your true intentions, right? Do you have to engage in this kind of deception? Where has your grandmaster demeanor gone?

There are many controversial aspects in the courtyard, but I don't feel much about it. It's just that I help this, care about this, and let this go? Questions like this, the protagonist has the ability, who is willing to help whom, who is willing to let whom, but it can be put back and forth, letting Zhang Chunmei die, pretending to be a bad boy, saying that he feels that Ding Shangdong and Zhang Shangdong are gone, and also feels that Liu Haizhong's family has jumped into the trap. The clown is not a threat, and I think it's okay to have a super power at the bottom. In the end, the whole story only has a few outstanding and lovable characters, Wen Hui Chunmei and two little girls. You sacrifice one of them just to beat someone next. Do you think others will enjoy it? You keep so many beasts on your hands. You have so much confidence and you finally get rid of them. Isn't it more satisfying? You still retain your sense. Originally, the courtyard is full of animals and is full of sense for animals. Do you think that what you said is to see you suffering from the disease of youth?