I’m Done Being an Onmyoji

I want to tell the author one thing. I don't know if you have noticed it. The most important element in writing novels with a Japanese atmosphere is the name. I don't know what other people think. I feel that whether it is a Western or Japanese novel, the protagonist has a Chinese name. I really can't stand the jump every minute. Don't think I'm a lackey. I've also served the country on the border for 5 years. I like Japanese animation but I won't be vague about national issues. I hope the author's name in future works will be as local as the Romans do. There is no need to promote patriotism in this area. It's not necessary.

In fact, as an Onmyoji type, I have always had a question about the status of the US military stationed in Japan among monsters. You must know that the US military stationed in Japan is enough to suppress the entire Japan, and Japan is enough to suppress all monsters. So what is the status of the U. S. Military stationed in Japan in the eyes of monsters?

Can I write Toyama Kinji without Aria? Anyone who has read the novel knows that Aria is just a scumbag. He really treats Toyama Kinji as a slave, asking him to block the gun when he has something to do, and throwing aside the seriously ill and injured Kinji when nothing happens. They help each other one by one, and then they don't even lend a small amount of money. Kinci offended all the major powers, including Britain, for her, and then left Kinci to fend for himself happily, while he happily swore allegiance to Britain.

Love it, love it! Is this the beginning of Tokyo Ravens? One of the worlds transformed by Super Dimension Office? Then Director Yuan came out to lead the way Plan √ I feel like we can pull together a big team to save the world Li En/Shen Zhong/Yuan Man/Guan Junyan Nice∝

I can't stand it anymore. I personally feel that only senior anime fans can understand the plot after it is released. Too many elements. I came in after reading the introduction. I originally wanted to see the Onmyoji system, but I didn't expect that it would become Kendo later on. It's okay and I can accept it. As for Naraku, it's quite good. The combination of technology and mystery is interesting. The follow-up really contains too many elements and the writing is confusing. From time to time, new characters appear that I don't know, and the settings are not clearly explained, and the long dialogues between the bosses are not attractive. After reading it, I feel that the author has too much personal stuff, and the subsequent plot turns into a mysterious Japanese history, which is difficult to watch or not.

Nowadays, many authors like to add funny attributes to the protagonists or story characters when writing books. They think they are funny, but in fact they look very mentally retarded.

Well, yes, this is Guan Junyan😂(If there is any infringement, the private message will be deleted immediately)

I feel a little confused about the combat power, as the protagonist can break concrete walls at the beginning. Then I felt that I could fight Naraku without adding much strength, and there was also a description that the sword-wielding miko borrowed the power of the gods. Thunder and lightning enveloped a hill, but Naraku was not hacked to death. What is puzzling is that a physical protagonist with a physical strength of one or two tons with a sword can chop Naraku into poi, who cannot be dealt with by lightning?

If the body is intact, you can personally refine me into a shikigami puppet using the same method as shikigami refining. Don't have any thoughts such as disrespect or blasphemy. That is my brother's wish.

This novel is really depressing to read. The protagonist has no memory of his previous life and has been cautious. He finally managed to get through and there are external enemies who are eyeing him. After that, he was tested by others in various ways, but he still couldn't retaliate. Well