The First Evolution

Ahhhhhhhhhhhhhhhhh! Ahhhhhhhhhhhhhhhhhhhhhhh! The coffin is unveiled! Six years! I've been waiting for six years! Since the decline of Infinite Streaming, you have been able to survive under the trap of all the gods. The science fiction area is in a state of depression and now you actually stand up. How touching! What? Is this book fantasy? (Cover the coffin board and continue sleeping)

Let's talk about my views on Initial Evolution To sum up the book Initial Evolution in one sentence, success is also original, and failure is also original. It can be seen that TU is trying its best to create wonderful original scripts, which are at least half borrowed and semi-original. However, I personally think that TU has made a very fatal mistake and misunderstood the concept of Infinite Flow original world Let me talk about a big concept first. Why Infinite Flow novels can appear and become so popular? One of the reasons is the collision between different characters in different worlds and different civilizations, and the other is the sense of substitution between readers in these different worlds. The biggest problem with the initial evolution is that readers cannot feel the sense of immersion in each dungeon. As for the lack of tension in the supporting characters and the frequent driving of oil tankers in the book, in my opinion, these problems are not so fatal. Why do readers have no sense of involvement? This involves a question: How should an original world be defined? Is it a world that is completely original to oneself from world view to development history to characters? I don't think so at all. Take Beginning with Ku Ho Bird, which I think is one of the most exciting original world infinite novels, is an example. Ku Ho Bird is also an original world plot, but readers can get a sense of immersion in every world. The reason is that the original world of Ku Ho Bird is not entirely original. Whether it is Kowloon Walled City, Dragon Tiger Ming Dynasty or Ao Xiao Nanyang, they are all based on real historical plots. Readers can have the first impression when they get this script. What was Hong Kong like in the 1980s and 1990s? Celebrities, gangsters, horse racing, and big money men, what was the Korean War like during the Wanli period? Ming army, Japanese army, monsters, Longhudao, what are the Nanyang pirates like? Government, pirates, foreigners, Mazu. At the very least, you have to let readers have a first impression when they get the plot, so that they can attract readers to continue reading. You have to let readers know what the world you are talking about is like, so that you can be less abrupt when designing the protagonist to delve into the background. Looking back at the initial evolution, I will not mention the first few copies, but the most recent ones, what is the Five-faced Monster Box? I have no idea, what does an interstellar pirate look like? I have no idea, Dinosaur World is linked with Transformers? There is no concept at all. The reader has no concept of the world. You are here to dig into the background story and world view based on clues that only the author knows. The reader is confused. What is the clue? How come there are Transformers in the dinosaur world? With this kind of writing, it is normal to rush into the street, and it is unreasonable not to rush into the street. Bara Bala said a lot, but in the final analysis, there is only one problem. You have to let the reader know what the copy you designed looks like and what he should have, so that he can dig deep into the script and unlock the hidden tasks. Otherwise, it will all be the halo of the protagonist in the mission from the sky. It is tiring to write and read.

The only regret about Ruitu is the official account. I remember that looking at the WeChat official account of Ruitu was like driving to Japan. However. He has been banned!

I watched Ace Evolution six times, and the final evolution got stuck seven times. I almost knew how to memorize it, just to wait for you to finally evolve. Tu Da, come on!

The high-carbon steel snowflake pattern and black walnut handle boning knife in my hand has been sharpened. The blade scrapes the thumb and makes a trembling steel sound. Turn around and look at the fat man slumped in the computer chair. "My knife is very fast, I don't know if you are faster or not."

The feeling after reading the whole book is that the layout is very big. If I write normally, I will reach the Awakener and then finish the Abyss Lord and merge with Mobius Space. But being single-killed by the Abyss Lord made me feel that I have improved to a higher level. The layout is very long-term. If I follow this layout, I feel that I can write 10 million words. As for the too many water places, I also want to criticize, but it also enriches a little NPC plot and so on. Slow. The pace of the book is still very comfortable to read. Except for the slow update, I have read all three parts. I feel that the first evolution is the best. The final evolution is only the copy of Pirates of the Caribbean that impressed me. The first evolution impressed me most, including Dinosaur Island, Tang Jinchan, and Garden of Eden. In summary, my feeling is that I should either quit and write more plots in one go, or write slowly to make the plot more ups and downs and more complete.

I have read nearly 10 Mugenliu novels. The most attractive thing about Mugenliu is the adventure in various worlds and the strengthening of one's own strength. I haven't read the first few books by Tsuki, mainly because the introduction mentioned some arcade games. I haven't played arcade games, so they don't appeal to me. Recently, I happened to have a new book by Tsuki, so I wanted to read it. However, the beginning of this book feels very discouraging to new readers who have never read Tsuki novels. From the beginning, the protagonist seems to be controlled by the mastermind behind the scenes to move forward. Some worldviews have to be completed from book reviews, which gives a very bad impression. But I have to admit that I still put my heart into it and wrote a different opening for the infinite flow. Although I was confused when I watched it, I felt that the plot was too slow to advance, saying why it didn't enter the space, and it didn't enter the plot world to fight monsters and upgrade.

I gave up the book after reading the special copy of The Sino-Japanese War of 1884-1895. When writing a book, write it well. Why do you keep mixing in nationalism? And this copy is particularly awkward. Sensational at every turn. He always has feelings for his family and country, and always sacrifices his life for others. If I had known, your last copy would have killed tens of thousands of civilians in the capital city of the daughter country. There are countless innocent people included. Will the next dungeon talk about the common people of Dawn? It's really abstract. The main character seems to be schizophrenic. I couldn't bear to see more than half of it. I don't know how much the level has dropped compared to the first book. At least the main character's personality from the first book hasn't changed.

Finally waiting for you, the first evolution! ! !

I can't imagine that this book was written by the same author who was able to write about Final Evolution. The plot is confusing, the heroine is forgettable after watching it once, the teammate is as featureless as the public, the plot world just wants to turn the page quickly, and the embarrassing pornographic accent is all the time. After reading the previous content, I can't even leave an impression on him. So many worlds and the number of words are not as impressive as the final evolved Pirates of the Caribbean world. Finally evolved the second world experienced by the male protagonist, Pirates of the Caribbean. From the introduction of the world view of the three legendary battleships and the Little Lord, to the subsequent naval battles, riots, and the seven pirate kings, the male protagonist is surrounded by dangers step by step, with layers of calculations, killing Armand's assistant, and then blowing up the ship, all in one go. At the same time that the secret of Davy Jones is revealed, Zi appears, the curse spreads, the male protagonist saves himself, and a famous quote from "The Merchant of Venice" brings the whole story to a climax. This one world thing alone can instantly kill more than ten worlds that were initially evolved.