Lord of the Silver Crows

As usual, leave a comment before abandoning the pit... The first is the water setting that many people talk about. Actually, it's okay. Personally, I think water is fine as long as it's not completely meaningless. I don't agree or disagree, some passages can play a bigger role and be better. Rhythm control does lack a bit of firepower, but it's actually OK. Many great authors also have rhythm problems, and the impact will be less if they catch up. The main reason is that the main line is not clear. Especially the two themes of wanting to return to the original world and finding clues about friends are too secondary and outrageous (although I didn't understand whether these two were the main plot after watching half of it). Even if it is just a matter of survival, exploring secrets, or even just wanting to become stronger, the acceptance level will be much higher. The main plot is vague, and many events lack causal connections when reading. I often wonder after two chapters, why is the protagonist involved in this event? Although it is not ruled out that the author originally wanted to create an atmosphere and deliberately made the connection between events mysterious and confusing, the motivation for the protagonist's behavior still needs to be clear. This is also the point that I personally think affects the reading experience the most: the number of words is not a problem, but large sections of content are not only not written clearly but also made more complicated, which damages the readability and sense of immersion. Well, other words... The character of the protagonist is acceptable, okay; Except for the main line problem, the plot is actually pretty good, especially the switching transitions in major areas are quite comfortable, natural and smooth, and don't feel abrupt or unreasonable; The author of the battle scenes is already better than most. It's a little too hard in some places, and the combat psychology part feels a little too ideal? In fact, if you have no experience, you can skip writing some or write less; There is room for improvement in the portrayal of supporting roles. After reading about a million words, I don't think any of the supporting characters are important. It may be important in terms of plot, but the relationship with the protagonist is not portrayed enough. But again, it's better not to write than to write badly. It's not like a great writer has such high requirements. Besides, just write about the Lone Ranger and don't care about the supporting characters. There are many excellent ones; The setting is of course very careful, you can see it at a glance; …It seems like nothing? That's it. I wish you all the best.

I don't understand why we have to use the world of Night Crow and treat it as a brand new story. The one thing I want to complain about is the luck judgment. I can't understand the number at all, but it doesn't affect the reading. I just want to say that I suspect the author is cheating on the numbers but I have no evidence~

After looking at a few pictures, I will tell you my thoughts. 1 The reason for the protagonist's journey is the Mercury Game Warehouse. 2 After time travel, you will have the talent of mercury blood. 3Path is destiny. 4 Destiny Path Sequence One is the Mercury Snake. So, the protagonist is probably related to a certain sequence. The above is the conjecture of a curly-haired baboon who has seen his best friend.

Open three books at the same time NB

Quicksilver Blood... Wait? ! Could this world have evolved from the world that Art conquered? So familiar. Other time travels... Or will players appear here? It seems that some of the glory rules have been continued.

Chapter 15: The protagonist uses his power to discover that there is a mysterious material on the birdcage, and then his power is overdrawn and he faints. Then he wakes up and ignores the cage? I've read Chapter 27 and I haven't mentioned that cage again. This isn't digging a hole, it's just amnesia. It made me so uncomfortable.

Inexplicable beauty.

Why didn't anyone vote? Although I didn't vote either

This book is criticized for its extremely slow progress in the plot (it was relatively good in the early stages, but later on I often write only a few chapters with some reasoning). The protagonist thinks about this and that all day long, and doubts this and that. He thinks too much and makes his head spin. It's not like we are not If you look at detective novels, you can still feel satisfied with the reasoning and answers within at least a hundred chapters. However, it is still a mystery after hundreds of chapters. When you draw some conclusions, you feel like you are seeing the flowers in the fog at the end. Do you want to fight against the air? The main criticism of the main character of Lord of Mysteries is that she is too cool, and like Squid Girl herself, she is an internet slut. She can't write heroines, so she was liked in the early stage but not the heroine. However, she wanted to write in the later stage, but lacked experience, so she often wrote awkwardly. Negri is still pretty. Yes, Earthsea is also good, but the main character is too miserable. Do you have any books that you would recommend?

I have read almost two hundred chapters and I really can't stand it While reading, I often have many questions, such as: Who is this supporting character? What is the protagonist doing? What's going on with this plot? Why is there another supporting character whom I don't recognize? What happened? Did you just say this? Have you had this setting before? …Now that I see it, I don't even know what the protagonist wants to do or what the author wants to say.

Very interesting to write. It's just boring to watch. Don't always join the Cthulhu Running Group or something like that. Team-running board games are niche games, and they are particularly cumbersome. The character is a special character, with almost no attack power. He relies entirely on his mouth to fool him. If he makes a wrong choice, he will be in trouble. It's fine as a game for entertainment, but it might be a hit when written into a novel! The dice rolling added by the author is the biggest downfall. For those so-called data points of success and failure, I am afraid that except for the author himself, the readers have no sense of involvement at all. It's just a running account. You are not required to write an invincible article, at least there should be some ups and downs. You don't have anything like Xiao Gaochao. I couldn't stand it anymore when I reached chapter 40.

Author, your writing is so messy. You have written so many characters, but it is so confusing. To be honest, I don't remember any of them. There are so many names for various cities. At least you have a few code names. They are always for old people, middle-aged people, and young girls. . .

I read chapter 160 and became more and more fascinated as I read. Is the author planning to write more than 20 protagonists? 😅 He always writes about an inexplicable supporting character, which inexplicably leads to new events and new supporting characters. It is confusing to read, the unfolding is too big, and the people give it are too complicated. The serial nicknames and real names are mixed, and the supporting characters are independent or even interact with each other. This is not a slow start. This is completely fragmented information. How can I remember it? When I read a novel, I have to make an outline and a careful list, and then someone comes out and writes down the names and writes down what happened. . As soon as the homeless man came out, a puppet master came over there, and then interspersed some supporting characters and subplots, and some said half and half. The rhythm is very confusing

First of all, let me tell you my personal opinion: (Absolutely personal opinion!! It does not represent any suggestions) Just look at the protagonist and skip all the inexplicable things that other supporting characters do. Skip and read. This is still a relatively good novel, above the passing line. (At least there are no pretentious slaps in the face or some brainless plots) Don't have any illusions about the Cthulhu elements, just think of it as a secret novel where the protagonist is a gambler. Excellent points: The setting of the book is okay. Although the overall setting is based on Mystery, the sequence has been expanded and added with the so-called dual sequence and Cthulhu elements. It cannot be said to be more advanced than Mystery, but it is still better. A bit new to watch (Many people have said in this chapter that the settings of this book are very similar to the Mystery. There is no doubt about this. But you cannot say that a book is bad just because the settings are similar. The quality of a book and whether it is plagiarized depends on the characters, plot, rhythm, etc. >The setting of Squid is good because it integrates steampunk, tarot cards, and Cthulhu Mythos very well, thus making its own innovations. This book has its own innovations based on mystery, which is okay. I'm not saying it's bad.) (I've said all the good things, that's it. Bad words🐶) The failure of the book: 1. The advantages of his own setting are not brought out at all, or the author thinks that they are brought out, but the readers do not feel it For example, the main sequence and the secondary sequence feel that there is no connection. It's entirely up to the author to write whatever comes to his mind. Just like a detective novel, the audience doesn't know any clues, and the author won't give them to you. He will only write a little bit when the author remembers them, and they have little connection with the previous ones. There are also characteristics of the Cthulhu Running Group. The biggest characteristic of the Cthulhu Running Group is not rolling dice, but the biggest characteristic of gamblers is rolling dice. The author's reflection of the Cthulhu elements is basically about rolling dice, which is a waste of the advantages of Cthulhu. Maybe it's because it's too difficult to write a Cthulhu running team well, and it's too difficult to understand the detailed rules of the running team. It's understandable, but it's not like running a team = rolling the dice. This Cthulhu element is too perfunctory. The biggest feature of the Cthulhu Running Group is the game of survival. Rolling the dice is just a process or a game method. 2. Personally, the most fatal point: the lack of writing style forced me to write too many supporting characters. It is particularly difficult to come up with novels with many supporting characters, because online novels are now very fast-food, and a character is almost forgotten if he does not appear in more than ten chapters. When I watched Mystery, apart from the protagonist, I could remember at most what four or five characters were doing. Moreover, one thing in Mystery basically ends in ten or twenty chapters, so it does not increase the burden on my memory. Judging from the number of statues in this book, there are more supporting characters than secrets, which places higher demands on the author's writing style. From what I have read so far, there are more than 200 chapters, which is worrying. Maybe the author wants to write too many characters, which makes the plot very confusing. Some of the things that the supporting characters do in more than ten chapters, I don't know what the use is after more than 200 chapters. Personally, I still like Western fantasy novels very much. From the dancing "Devil's Law" to "The Coiling Dragon" where I eat tomatoes, I feel that Western fantasy novels are slowly developing, and more and more excellent works are appearing. Although they were killed by Guo Jingming (wry smile) But later I still saw Cuttlefish's "Arcane Throne" and "Lord of the Mystery", which was very happy. I hope the author will work hard.

I have a suggestion for the author, that is, I don't understand it. I just watched it and saw that the protagonist has the gambler's ability and then casts Zheng. But the Zheng check is 64, why is it 49/25, and then 49/25, how come it failed? Why, the author doesn't explain it? Not everyone has played group running, irritability jpg,,,,

It seemed too chaotic, unclear, and the main line was unclear. I kept moving here and there without knowing what it was about, which made me confused.

I have a question why this kind of books always start with a profession with no attack power, and use intelligence or other means to survive the difficulties for a long time. Is the enemy really that stupid? Is it a lie that a scholar can't explain clearly when he encounters a soldier?

Emm... The author probably wants to create a world where every character has a soul, right? However, I don't have enough writing skills, so I crammed together a lot of things I wanted to express. If we say, Cuttlefish's writing is like a city wall built up piece by piece, it is orderly and the context can be seen clearly. The author is like a pile of rocks, with an inexplicable introduction, an inexplicable setting, an inexplicable change of perspective, and an inexplicable appearance of characters.

The beginning is very good, but then it gives the impression that everyone except the protagonist is in a good state, but the protagonist has no idea what he is doing. The plot is all about following the crowd. It is okay for the protagonist to join an official organization, but this official organization does not provide much help to the male protagonist's strength. Anyway, the male protagonist is chained like a social animal by the Rose Church and has no feeling of freedom.

It is indeed a common problem in writing this kind of novels. I like to pretend to be mysterious. The author is not that good in writing. The writing is different. I don't know what to write at all. It is like a mental illness. There is no logic in doing things. If you don't know, it feels very mysterious. But there is no story. In extraordinary novels, you must have the ability to be mysterious. The world view is not laid out well.

I can't stand it anymore. The setting and background of the book are quite grand. The background looks interesting and the characters are acceptable. But I don't know what I'm looking at. The whole process is incomprehensible. I don't see a clear main line. The main line at the beginning should be that I want to go offline and go home. What happens next? I didn't see the protagonist's plan for this. He was just "messing around" and was constantly involved in mysterious events. From wanting to go home to being found out and being forced to join the Thorn Tree, various settings began to unfold, such as blue blood and the church. They kept opening up various settings and adding world backgrounds. I didn't see a main line that could carry through a large stage and connect them together. It was very fragmented, complicated and boring to watch. It also gives people an inexplicable feeling when written. I don't think the author has the writing power to control everything. He can do whatever he can. It would be better to give a clear main line and then slowly expand around the main line. Then, the descriptions of some of the characters who will appear in the future are also very general, there are many, or they have no impression, and even if they remember this person, they are often confused. Wouldn't it be nice to focus on describing the core villain boss in the missions that will appear in the future, and then intersperse a few minor bosses? I feel like I don't have much reading experience. The writing is really not good enough for the settings of this book. The main line is not clear. I pull out a series of settings in a hurry but the pace is too slow. It's as long and smelly as twisting toothpaste. After reading more than ten chapters after entering V, I still feel like I am half-dead. I really can't stand it anymore. Not recommended to watch. Farewell

I feel that the author's writing is good, and the writing style is also good. Generally speaking, it is better than the Night Crow period, but why is the performance so low, and there is not even a helmsman.

Originally, I was quite happy to see a spin-off of Lord of Mysteries. Although it is just the professional system of the Lord of Mysteries, and everything else is original, the imagination is still quite big. In the end, I saw more than a dozen pictures. Two problems were discovered. The first problem is procrastination. After reading more than a dozen chapters, I feel that I haven't really entered the topic yet. They are all recording trivial and insignificant things. His sister's clothing store. It can be described in one sentence, but I have to use such a long paragraph to describe what kind of clothes are sold in the store. And then it doesn't make sense anymore. The word count is totally over the top. The second problem is disconnection. The author seems to like to write the kind of paragraphs where I give you a wink and you should understand. There are many things that were not written before, but then suddenly appeared later. In other words, I've written half of it, and I'll figure out the rest by myself. Based on the context, you can guess what the unwritten content is. But you are the author and the story is in your mind, so you can make up for it subconsciously. But we are readers who have read this thing for the first time and have reached this point, and then the next paragraph suddenly has little to do with the previous paragraph. It gave me the feeling that something was missing, and the reading experience was extremely poor. You have to read the entire paragraph and then guess based on the context to know what is roughly written.

I feel like this picture has a more internal flavor.

What can I say about this book... Boring and interesting...

I saw it on the shelves. The protagonist doesn't have any attack power. You can slowly warm up, but I didn't see the excitement. Why should I pay to continue watching? If you still watch such a trashy protagonist after paying, won't your money be in vain? And most importantly, what is this novel mainly about? What does the protagonist want to do? You can't see the protagonist's independent mobility at all. He is completely driven by various events. If it weren't for the author, the protagonist would have died after Chapter 10.

The setting is huge, but I feel like the author can't handle it. Moreover, I feel that the running group system is just a foil. I even doubt whether the numbers cast are really cast. Also, wouldn't it be possible to throw dice without the Gambler ability? Then this running group system is really unbearable. Might as well go directly and leave only the gambler ability.

? To be honest, the writing is a bit messy. For a book with a complicated setting like this, there shouldn't be too many lines in the early stages, otherwise people who are unfamiliar with it will be confused, like me 0 0

Regarding the protagonist's sequence abilities, I feel that there is a big problem with the settings. His abilities such as reconnaissance and speech skills are included in the beginning, not the gambler sequence. Other sequences are equipped with normal attack or auxiliary abilities after promotion, and there is no chance of failure when released. The protagonist's sequence does not come with any normal abilities. It only gives you a chance of success or failure by tossing a coin first. Co-authoring is of no use to the enemy or the target, and will only increase the difficulty for yourself? Is this ability only used to trick yourself?

The original description of this ability is concentrated in Chapters 15 and 17. Please check it out by yourself. The following is my personal understanding and is only for better understanding of the use of the ability. Please correct me. First set a concept: the skill use stage. From "using the gambler's ability (tossing a coin)" until the opposite result occurs (the successful side of the coin until the skill fails, the failed side of the coin until the skill succeeds), this process is defined as the "skill use stage". Secondly, after using the "gambler's ability", whether it is the "successful" side or the "failure" side, both represent the qualifications to use the skill: ① The "successful" side means that the successful use of the next skill will increase the failure rate of the next skill use (that is, the success rate of using the skill). The failure rate is accumulated until the skill use fails. At this time, a skill use phase ends. If you want to use the skill again, you need to flip a coin to start the next round of skill use phase. (This means that if the successful side is thrown, there may be multiple successful uses of the skill in the subsequent skill use phase, but there may also be situations where the subsequent skill use fails directly and no skill is used successfully) ② The "failure" side means that the subsequent failed use of the skill will increase the success rate of the next skill use (i. E., The failure rate of skill use consumption). The success rate is accumulated until the skill is used successfully. At this time, a skill use phase ends. If you want to use the skill again, you need to flip a coin to start the next round of skill use phase. (This means that if a failure is thrown, there will only be one successful use of the skill in the next skill use stage, but at least it can be guaranteed that there will definitely be a successful use of the skill)