Japanese Entertainment: A Glorious Comeback

I feel like being an author is better than being an idol. Japanese idols are really worthless. They prefer entrepreneurs, writers, and social celebrities. Idols are basically just for entertainment. Look at those variety shows that mess with Japanese idols, they can do whatever they want with them and they don't care about their opinions at all!

Just popping in to say hi, definitely gotta come back from somewhere.

Isn't Sister Quanshui nice?

Whether the protagonist is a renowned writer, an internet upstart, or a table tennis champion, their combined identities in Japan are not something just anyone can easily pull off. However, when the protagonist interacts with Johnny & Associates and other companies, it's difficult to discern any change in his status or position.

You want the male lead to pursue her? Author, are you serious?

When writing about South Korea and Japan, it's best not to make the protagonist an idol actor or singer, as these people have very low mainstream status in these two countries, even lower than some bank or multinational company executives.

Is the author considering Akina Nakamori and Shizuka Kudo for their next book?

You'll know how toxic it is when you write "Journey Under the Midnight Sun" at 14.

Why does the protagonist compromise at every turn? He's already developed, with all sorts of status and prestige, fame and fortune—he's a writer, an internet mogul—yet he's still being bullied, still compromising. Then he uses the excuse of not wanting to waste his creative ideas, which is disgusting. Isn't all this hard work just for a comfortable life?

The protagonist's father character really toxicated me; is it even edible? If you're going to write about Japanese entertainment, just write it properly. Why add all this melodramatic plot?