Transmigrating to Tokyo’s Bubble Era

Here's a suggestion: readers would rather read about a scumbag who builds a harem and keeps mistresses than read about an author who, while claiming to be a scumbag, pretends to be one, datees two women simultaneously, and then inexplicably lets the women leave, leaving the author as a cuckold... It feels like the author has a self-inflicted cuckoldry complex...

The images of Hitomi Kuroki in the book's timeline are mostly photos of her after she left the group, when she was older; these are her younger photos.

I don't understand the meaning of the Chinese soul that the author keeps reminding himself of. It feels like overdoing it; this awkward flattery... Can't he just be a proper capitalist?

After writing more than 400 chapters, Yunshang Entertainment and Elf Entertainment have stabilized. The author has nothing to write about, so he just keeps on talking and flies around. Everywhere he goes, he meets one or two women, and then introduces them like Baidu, and then they have a relationship, buys them a house or a car, and it just keeps repeating.

The entertainment industry is better with more female leads; writers need to be more philandering, and reality is often more exaggerated than fiction.

Energetic girls, as I wrote, I felt like they came alive (/_\)

One major reason for the book's poor character development is that the other characters aren't afraid of the protagonist, despite his supposed importance. However, powerful figures always order others around for free; the protagonist typically operates on the principle of equal reward. This equal-reward mentality stems from a model of equality.

Because the protagonist is written as too lofty and perfect, he feels no sense of accomplishment in seducing beautiful women. The author's understanding is also flawed; having such a high-status character constantly mingling with actors whom high society looks down upon creates a huge sense of displacedness, making it utterly unsatisfying.

The protagonist seems like a junk collector. He treats other people's past works like Rosamund Kwan's works as treasures, even buying her a big villa to live in. It's really low-class.

What a great book! The author writes it really well. Unlike other entertainment novel authors, whose typical path is to write a best-selling book or song → produce a hit TV series → produce a hit movie → establish a company and have its TV series and movies become huge hits. This book is different. Rather than an entertainment novel, it's more like an entertainment entrepreneurship story.