Adventures in the World of American TV

None of the Ice and Fire fanfics I've read are as good as this one.

The recent storyline of the main character being cut off and re-trained is very good. I have almost finished reading the Lord of the Rings series, and analyzing the plot from another angle is something I have never thought of. But the author should be careful not to write too much about the main plot, how many years later, what will happen to the protagonist... In the world of The Lord of the Rings, I personally like this kind of writing. After all, traditional fantasy will enhance the epic feeling. But if it were written in a world after the Lord of the Rings, it would become a poisonous point.

Finally another novel about an American drama. The beginning is not bad, I hope it's not too censorship

A few comments after watching it for so long: 1. Personally, the biggest problem is that there are too many cheats, so many that they have already overwhelmed the plot characters, and this is only the third ring? I don't remember much. I'll upgrade and add some abilities later. I probably don't even remember what abilities the protagonist has. I might consider integrating some abilities or something. 2. I feel that the main world is the focus. After all, it is considered a world of high magic. I still hope to see the protagonist gain something in the dungeon, show off in the main world, develop and so on. I can't say that some people won't write if they don't want to read it. Many readers just read the book silently without comment. I think the main world is better than the dungeon. For me who have never watched these two American TV series. 3. When choosing a dungeon, you should consider the readers. You still hope to see a familiar dungeon, similar to Marvel. After all, I have seen the movie and have some impressions. To be honest, I was confused when I watched A Song of Ice and Fire. I had no idea about the relationship between the characters in it. The evil force is okay, after all, there are only a few people. Anyway, having said so much, these are just my personal suggestions after reading it for so long. I still hope that I can write better and better. After all, it is so difficult to find a book that I can read now.

By the way, author, why don't you improve your posts? Otherwise, it will look like there are no comments in the comment area. It's so miserable.

Let's discuss the Silmarillion: the War of Tears in the First Age and the Battle of the Last Alliance in the Second Age. What was the reason why the Order side was defeated miserably in the former and the Order side was victorious in the latter? I hope readers can express their opinions, thank you😜

The new beginning is very surprising The flying green leaves and tears are beautiful, very beautiful Books need flesh-and-blood protagonists Whether he is cold or gentle, he first needs to be a person with self-thinking and feelings A free soul will never be "Oh, okay" to everything "Just like that" attitude The shining soul must have something to ask for, and that "quest" is pursuit I hate eternity and immortality, I rush to the glory without hesitation I think this is the real life Thank you very much to the author, Charles finally "came alive" from that numbness! (In addition, I really want to know what happened in the main world. It has been a long time.

I don't understand, the power system is too rubbish, not to mention destroying the world, and throwing a fireball will probably not hurt. He can control the world but is still a noob. I skipped a few hundred and watched Pirates of the Caribbean. What's outrageous is that he killed a giant octopus and still stumbled. I thought that everyone in front of me seemed to be a god. Why can't he be as intimidating as a missile? I should be responsible for my own wallet.

The author's setting is simply anti-human. In order to force the protagonist to only practice undead magic, the setting for a formal Holy See organization actually requires contributions in exchange for skills. The threshold for joining the Holy See is exaggerated enough. It has been said that there is a shortage of people, but there is no shortage of talents. The entry threshold is extremely high, and there is no training? Not bringing in the old and bringing in the new? No inheritance? There is nothing, just go and do the mission. There is no difference between newcomers and cannon fodder. These old people are the sons of destiny who can climb up. I am really grateful to their gods that the organization of this system is not extinct!

In the free chapter, I saw two pitfalls that shouldn't be stepped on. First·Back and forth The protagonist travels to another world, and then travels back and forth between the other world and the film and television world. I don't know who invented this writing method first, but there is no doubt that this will create a situation where the author needs to spend two efforts to make readers interested in the two separated story lines. From what I observed at the starting point, most people are not very interested in the "main world" set by the author in this routine. My personal opinion on this is that you need to be able to write original plots of the main world, and just write original ones. This kind of mixed writing method is really unnecessary. Like the main world of this book, every time I patiently want to be directly involved and try to accept the plot of the main world, the protagonist will travel through time. Please, your original plot part lacks a sense of immersion, but it is cut into so many pieces. How can you let readers understand it? Second: Unintuitive pretense system Why are the superpowers in film and television works very intuitively destructive and survivable? Because this resonates most with readers. I have read dozens of chapters in this book, and the protagonist's cheating is really fucking annoying. The protagonist can learn magic. The first one is to summon skeletons. There are language and corpse freshness restrictions. The skeletons are weak and attack indiscriminately. The second one is the Curse of Pain, which involves tying the target's hair on the villain, and then torturing the puppet, the target will also feel pain. I haven't seen the protagonist develop the next few spells, but judging from the names, they are the kind of skills that have a lot of restrictions and are not enough. I don't know what the author thinks. If you want to control the plot by suppressing the protagonist's strength, then what you should do is reduce the intensity of the superpower, rather than make the superpower like drinking water and sitting on the toilet waiting to pee. Can't Iron Man develop a remote-controlled robot? Why does he wear armor and fight alone most of the time? Because it's direct and cool! Thanos has to come to Earth to fight the heroes in a star battleship, does it affect the box office?