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This book is a collection of dialogues and philosophical essays by fifteen outstanding contemporary figures. In an era of great changes characterized by the ebbing tide of globalization, technological disruption, and diverse values, how do individuals move forward? This book focuses on contemporary scholars, artists, and entrepreneurs, exploring their choices and breakthroughs in professional pursuits and self-realization. Literary professor Liang Yong'an analyzed young people's anxiety about work and love, believing that "resources are everywhere, but you have to learn to think and choose"; scholar Liu Qing faced the dilemma of modern people and discussed how to find "self" in confusion; law professor Luo Xiang suggested "building real links with real people around you"; historian Xu Zhuoyun believed that "you must have a vision, beyond what you have never seen", and scholar Fan Jinshi interpreted "a lifetime The ultimate purity of "One Thing" tells how to achieve the sustainable preservation of the cultural relics of the Mogao Grottoes; Wei Qing, CTO and Chief Technology Officer of Microsoft (China), an entrepreneur, summarizes from actual combat, proposes evaluation standards for the practicality of AI technology, and further thinks about whether humans can "preserve the Earth's planet"... This book is a masterpiece with both ideological depth and narrative tension. It thinks about various issues of the times and provides enlightenment based on personal experience and the forefront of the times.

It took a hundred years for the Ming and Qing dynasties to reform and reform the old. The series "One Hundred Years of Revolutions between the Ming and Qing Dynasties" is a series of eight popular works about the late Ming and early Qing dynasties. Based on historical materials, with a broad historical perspective and vivid narrative techniques, starting from the Warring States Period in Japan, it comprehensively analyzes the historical puzzle of the past hundred years of the late Ming and early Qing dynasties (1583-1683), as well as the entangled relations between Korea, Japan, Burma, Tsarist Russia, the Netherlands, Portugal and other countries and the Ming and Qing Dynasties. It can be said to be a set of East Asian history from the Ming and Qing perspectives. This book is the first "Imjin War", which mainly tells the story of the Ming Dynasty's maritime ban, Toyotomi Hideyoshi's domination of Japan, the invasion of North Korea, and the Ming Dynasty's two wars to aid Korea.

It took a hundred years for the Ming and Qing dynasties to reform and reform the old. The series "One Hundred Years of Revolutions between the Ming and Qing Dynasties" is a set of eight popular historical works about the late Ming and early Qing dynasties. It is based on historical materials, uses a broad historical perspective, and vivid narrative techniques. Starting from the Warring States Period in Japan, it comprehensively analyzes the historical puzzles of the past century (1583-1683) in the late Ming and early Qing dynasties and the entangled relations between Korea, Japan, Burma, Tsarist Russia, the Netherlands, Portugal and other countries and the Ming and Qing Dynasties. It can be said to be the history of East Asia from the perspective of the Ming and Qing Dynasties. This book is the second volume, "Liaodong Storm", which mainly tells the story of Nurhachi's unification of the Jurchens, the replacement of rulers in the Ming Dynasty, Huang Taiji's inheritance of the Later Jin Dynasty, and the many battles between the Later Jin Dynasty and the Ming Dynasty.

The Tang Dynasty was the heyday of poetry development. Tang poetry profoundly reflects the core spirit of the Tang Dynasty and has become an important mirror image of historical evolution, reflecting the trajectory of social change. Almost all major historical events in the Tang Dynasty were clearly recorded in official historical documents, and were vividly and artistically presented in poetic texts, which served as "mutual evidence between poetry and history." This book uses 530 Tang poems with wide social recognition as narrative clues. Through in-depth analysis of poetic texts and restoration and reconstruction of historical context, this book systematically sorts out the historical development of the Tang Dynasty in the past 300 years. The book uses poetry to testify to history, showing in sequence the majestic founding of the Tang Dynasty, the glory of Zhenguan rule, the exploration of Emperor Gaozong and Wuzhou, Zhongzong Ruizong's efforts to bring chaos, the heyday of the Kaiyuan era, the changes in the Anshi Rebellion, the chaos of feudal rule, the unfulfilled ambitions of the reform of the two kings and eight Sima, the reappearance of the Yuanhe Zhongxing, the inability to recover from the Ganlu Incident, The ups and downs of the poets in the Niu-Li Party Struggle, the reflection of the ZTE in Huichang, the afterglow of the Dazhong Reign, and the final impact of the Huangchao Uprising are all familiar Tang historical events and the fate of characters.

This book is the second chapter of "Rogues, Rich Tribes and Celebrities - The Power Structure in the Three Kingdoms Era". It is an excellent historical work that comprehensively observes the changes from the Three Kingdoms era to the Wei and Jin dynasties from the perspective of history and sociology. The whole book mainly describes the political power structure, ideological and cultural structure, and social and economic structure from the Three Kingdoms period to the Wei and Jin Dynasties, and uses the evolution of these three structures to analyze the underlying logic of social changes in this period. In the book, the author especially deeply discusses the development and evolution of aristocratic families, the development and changes of the monarchy, the evolution of politics and thought, and the development and changes of Confucianism, Buddhism and Taoism, etc., Thereby explaining this period of history to readers from multiple angles and levels.

This book is a popular history book that details the nearly two hundred years of the Eastern Han Dynasty. The Eastern Han Dynasty was another unified Central Plains dynasty in Chinese history after the Western Han Dynasty. It lasted for 195 years and was collectively referred to as the Two Han Dynasties together with the Western Han Dynasty. This book begins with the Green Forest Red Eyebrow Uprising that broke out at the end of the Western Han Dynasty. Liu Xiu of the clan took advantage of the situation to eliminate warlords from all over the country, unify the world, establish the Eastern Han Dynasty, and then create the famous Guangwu Zhongxing in Chinese history, until the Eastern Han Dynasty. At the end of the year, Dong Zhuo took Emperor Xian to move the capital to Chang'an, Cao Cao took Emperor Xian to move the capital to Xu County, Cao Pi usurped the Han Dynasty, and the Eastern Han Dynasty fell. It depicts for readers a historical picture of the ups and downs of the Eastern Han Dynasty regime in the past two hundred years.

This is a book about searching. Without the unremitting searching of the martyrs' families for generations, we would not be able to read it. During the Anti-Japanese War and other critical periods for the country, countless Chinese people devoted themselves to the great torrent of national salvation with lofty beliefs. After the war, relatives who could not wait for them to return home used a pious heart to piece together the voices and smiles of the martyrs from the long river of history and fragments of time. They teamed up with experts and scholars to verify their places of sacrifice and burial. After several generations of persistent pursuit, the martyrs were finally allowed to return to the army, the heroes returned home, and the image of the martyrs was revived. They are not only the families of martyrs, but also witnesses and guardians of history. During the journey to honor the martyrs and find their relatives, every discovery is a reaffirmation of the heroic deeds, and every reunion is a profound understanding of the feelings of family and country. The meaning of this pursuit has long transcended blood ties and has become the inheritance and continuation of the martyr spirit. Their story is not only a family matter, but also a national history.

This series focuses on depicting various swordsman masters, showing their unique swordsmanship, status and personal destiny. The core lies in the perfect combination of "sword" and "people" and the peak showdown between masters. "Bashan Swordsman" tells the story of a master of Bashan swordsmanship who lived in seclusion and escaped from the world. His Bashan swordsmanship was extremely fierce, but he returned to the world because of past grudges and careerists who were looking for secrets. He faced powerful enemies from all directions alone and cut his way through numerous obstacles. Not only did he demonstrate his amazing swordsmanship, but he also profoundly interpreted the arrogance and responsibility of a peerless swordsman between the bonds of friendship and the pursuit of martial arts.

This series focuses on depicting various swordsman masters, showing their unique swordsmanship, status and personal destiny. The core lies in the perfect combination of "sword" and "people" and the peak showdown between masters. "Arc Sword" tells the story of a mysterious swordsman who appears in the world with a strange curved sword. His sword skills are unpredictable and he challenges famous masters everywhere, causing countless disturbances. A young knight conducts an in-depth investigation and gradually uncovers the martial arts heritage of the Western Regions and a painful blood feud hidden behind the curved sword. The story centers on Qi Men Weapons, and the suspense builds up layer by layer.

This series focuses on depicting various swordsman masters, showing their unique swordsmanship, status and personal destiny. The core lies in the perfect combination of "sword" and "people" and the peak showdown between masters. "The Golden Eagle Fights the Flying Dragon" tells the story of the ultimate showdown between the masters of the two sword sects, good and evil. Wang Daolong (Golden Eagle), the "Eagle Claw King" of the Huaiyang faction, and Wu Weiyang (Flying Dragon), the leader of the Fengwei Gang, fight for hegemony in the world and long-standing grievances at the top of Mount Tai. This battle is related to the life and death of the sect. The dangerous moves, the competition of temperament, and the competition of strategies are all at the extreme. It is a model of the pinnacle showdown in the Swordsmen Heroes series.

This series focuses on depicting various swordsman masters, showing their unique swordsmanship, status and personal destiny. The core lies in the perfect combination of "sword" and "people" and the peak showdown between masters. "Southern Wilderness Swordsman" tells the story of a famous swordsman from the Central Plains who traveled far away to the wilderness of Lingnan for some reason, and encountered martial arts schools and poisonous miasma techniques that were completely different from those in the Central Plains. He must adapt to the strange environment, deal with the strange swordsmanship and methods of the local evil sect "Baidi Sect", and complete self-breakthrough and martial arts verification in an unfamiliar field. It is an exotic swordsman growth legend.

This series focuses on depicting various swordsman masters, showing their unique swordsmanship, status and personal destiny. The core lies in the perfect combination of "sword" and "people" and the peak showdown between masters. "Seven Swords of Liaodong" tells the story of seven chivalrous warriors from the Central Plains with superb swordsmanship and heroic spirit. They join forces to fight against the "White Wolf Society" who is raging outside the customs and colluding with the Japanese invaders. Each of the seven swordsmen showed their unique skills, went deep into the ice and snow, and launched a series of thrilling battles with powerful enemies. They were majestic and full of family and country feelings and heroic and tragic swordsman portraits.

"Spring Breeze Returns to Dreams" is one of Liu Yunruo's masterpieces. It tells the story of a lingering and pathos love tragedy that eventually became a mirror image. The protagonist Jinghuan and the girl Rulian truly love each other, but they are unable to get married due to family obstruction and fate's tricks. Jinghuan was forced to marry another person under pressure, while Rulian fell into love. The two struggled under the pressure of the ethics and reality of the old society. The novel is named "Returning to Dreams", which profoundly reveals the powerlessness and helplessness of personal emotions in the face of family and social disciplines in that era of alternation between old and new. The characters in the book are vivid and the plot is twists and turns. It contains not only the deep feelings of obsessed men and women, but also the sharp portrayal of the bleak world. It makes people sigh when reading it. It is an excellent work to appreciate Liu Yunruo's melancholy and frustrating style.

"Hate to Meet Before Married" explores the eternal propositions between love, morality and responsibility with a highly tense emotional dilemma. The story revolves around the protagonist who has a family and meets his ideal true love. When the regret of "I wish we had met before we were married" becomes a reality, the characters fall into a violent torn between reason and emotion. Liu Yunruo did not simply make moral judgments, but used delicate and profound writing to analyze the characters' complex psychology layer by layer under the pressure of passion, guilt, and public opinion. The novel is not only a touching love story, but also a mirror that reflects human nature, revealing the difficulties and costs of individuals pursuing emotional happiness under the constraints of traditional ethical concepts, and triggering readers' deep thinking about marriage, love and responsibility.

This book is Zhang Henshui's masterpiece of satire and criticism during the Anti-Japanese War, and is known as the pinnacle of "national crisis novels". The author uses the writing method of "Nineteen fables, entrusted to dreams" to construct more than a dozen bizarre dreams, such as "I am Sun Wukong", "Journey to Heaven", etc., Matching the gods and ancient figures in the sky with the corrupt officials, speculators and corrupt elements in reality, making him laugh and curse at his best. The work profoundly exposes the dark reality of bureaucratic corruption and extravagance in the "Fog Chongqing" in the rear area in the late Anti-Japanese War. It was even banned by the authorities for its intrusiveness. It is not only a turning point in Zhang Henshui's creative career, but also a strange book in the history of modern Chinese literature that directly addresses the current ills.

This is Zhang Henshui's later novel with a strong autobiographical color and summary meaning. The story is set in Chongqing during the Anti-Japanese War. Through the life of the protagonist Li Nanquan's family and his neighbors taking refuge in a mountain village, the story describes the living conditions, inner depression and tenacity of ordinary intellectuals in the war and chaos. The title of the book is taken from Li Shangyin's poem "How can we cut candles from the western window together and talk about the night rain in Bashan?" The book is full of deep thoughts on life, family, and country in the continuous night rain. The writing is concise, the artistic conception is desolate, and the art is mature. It is considered one of his best works.

The novel is set in the late Qing Dynasty and the early Republic of China, and tells a love tragedy that took place in an old school. Young teacher Li Xiaoxia fell in love with female student Xiaoqiu (Yao Chunhua), but was cruelly obstructed by feudal ethics and family. The work profoundly criticizes the destruction of the beautiful emotions of young men and women by arranged marriages, the feudal imperial examination system, and such stereotypes as "men and women are not intimate with each other". The title of the book "Northern Wild Geese Flying South" symbolizes farewell and lovesickness, and is full of sadness. The story is delicate and touching, and the depiction of the old education system and rural customs is very realistic. It is one of Zhang Henshui's social romance novels with a stronger color of critical realism.

The novel takes "Danfeng Street", a famous old street in Nanjing, as the stage, and vividly depicts the ordinary people living here - shop assistants, vendors, craftsmen, old artists, etc. The story centers on the tragic experience of Lao Wu, a girl who sells vegetables, and shows the simple feelings of these lower-class civilians who help each other and are heroic and courageous in suffering. The "Civilian Mutual Aid Association" they formed is a symbol of their solidarity and mutual assistance. The work is full of rich local color and flavor of life, praising the kindness, integrity and generous character of the working people, and is known as a "biography of a market hero".

"Happy Enemies" is a social romance novel with a light comedy color. It tells the tortuous and interesting love story between young men and women He Shuchun and Bai Guiying. The male protagonist He Shuchun was once prejudiced against the heroine due to misunderstandings and regarded her as an "enemy". However, through repeated contacts and collisions, the misunderstandings were gradually eliminated, the beautiful qualities of the other party were discovered, and the lovers finally got married. Through the interaction of this pair of "happy enemies", the work shows the living conditions, emotional concepts and social outlook of urban youth at that time. The plot is vivid and the language is humorous, which reflects Zhang Henshui's skill in controlling worldly affairs and romance themes.

This is a novel about ordinary family life and emotional changes during the Republic of China. The title of the book is full of poetic and symbolic meaning. The "open door" faces the "still falling" snow, which hints at the coldness and difficulties faced by the protagonist in a new stage of life. The story may revolve around a family's troubles in the changing times, such as economic pressure, ethical relationships, children's education and other issues. Through delicate brushstrokes, it depicts the tenacity and warmth of ordinary people maintaining families and working hard to live in troubled times, reflecting Zhang Henshui's deep concern and insight into urban life.

This novel tells the tortuous love story between Luoxia, a woman with a new education, and Jiang Qiuyu, a revolutionary young man, in the early years of the Republic of China. Although Luoxia has a rough life, she pursues independence and happiness. Her union with Jiang Qiuyu breaks the traditional concept of family status. The title of the book is taken from Wang Bo's "Preface to Prince Teng's Pavilion" "The falling clouds and the solitary owl fly together, the autumn water is the same color as the sky". The artistic conception is beautiful and slightly sentimental, hinting at the fate and emotions of the protagonist. The work reflects the changes in social concepts after the Revolution of 1911, and praises the hero and heroine's pursuit of free love and revolutionary ideals. It is one of the representative works of Zhang Henshui's early social romance novels.

The novel explores the complex relationship between "favor" and "love", as well as the test of money on human nature. The protagonist is a kind-hearted young man who once rescued a woman (beauty) in distress and showed kindness to her. However, when circumstances change, this kindness becomes fragile in the face of real interests. Through the evolution of the relationship between the male and female protagonists, the work profoundly reveals how vulnerable emotions based solely on gratitude are in the material society, and tactfully satirizes the harshness of the world and the snobbery of people.

The novel is set on the banks of the Qinhuai River in Nanjing, and depicts the grievances, resentments, and ups and downs of fate between three families and two generations. The core of the story is the choices and struggles of the three Tang sisters (Sister Tang, Erchun, and Sanhua) on different life paths. Through the joys and sorrows of these families, the work vividly outlines a broad picture of Nanjing's civil society before and after the Anti-Japanese War, and the images of people from three religions and nine circles emerge vividly on the page. The sound of oars, lights and shadows on the Qinhuai River are intertwined with the bloody storms of the changing times. It contains both a delicate depiction of the world and a deep lamentation about war and destiny.

This novel explores the themes of time, life and destiny through an allegorical story. Due to chance, the protagonist is able to "borrow" other people's future time and advance the success and enjoyment of life in advance, but the price must be repaid in the end. Within the framework of a romantic story, the work contains profound philosophical thinking: about the irreversibility of time, the choices and costs of life, and the exploration of the true meaning of happiness. The concept was quite innovative at the time, and it reflected Zhang Henshui's courage to explore art without being limited to clichéd romances in his creations.

This book, also known as "The Cows and Horses Walk", is Zhang Henshui's masterpiece that deeply analyzes the social mentality of the rear areas during the war. The novel uses the activities of Mr. And Mrs. Ximende, a doctor of psychology, as clues to describe the bizarre social scene of Chongqing, the "accompanying capital" during the stalemate period of the Anti-Japanese War: bureaucratic corruption, rampant profiteers, the struggle of intellectuals, and the hardship of ordinary people. The title of the book "Monster" means ghost, which refers to the distortion of human nature, moral decay and the chaos of demons in that special environment. The work provides sharp criticism and realistic records of the social and economic contradictions in the Kuomintang-controlled areas and the survival philosophies of various people, and is of high cognitive value.

The novel is set in the society after the "May 4th" Movement, focusing on the thoughts and life dilemmas of the generation of "modern youth" at that time. The protagonists have accepted the influence of new education and ideological trends, and pursue the liberation of personality and freedom of love. However, when faced with the constraints of the old family, old ethics and the cruelty of social reality, they are full of confusion, struggle and compromise. The work profoundly reflects the anguish and exploration of young intellectuals in the transition period between the old and new eras. It is an artistic response to the contemporary proposition "What happens after Nora leaves?" And has distinctive characteristics of the times.

This work depicts life on the battlefield from a unique perspective. The title of the book, "The Setting Sun on the Battlefield," has a desolate and magnificent artistic conception. It not only refers to the setting sun on the battlefield, but also a metaphor for how humanity and emotions still shine like the setting sun amidst the test of blood and fire. The story may revolve around the experiences of war reporters, medical staff or ordinary soldiers. Through what they see, hear, think and feel in the smoke of gunfire, it shows the true face of war and praises the brilliance of humanity and the feelings of family and country that have not been lost in extreme environments.

The story revolves around Su Ke, captain of the Tibetan aid medical team, and Chang Zheng, a poverty alleviation cadre, leading a youth team, teaming up with Tibetan doctor Jebu, entrepreneur He Wei and others to overcome problems such as backward medical technology and poverty due to illness in plateau Tibetan areas. Through measures such as establishing a Tibetan medicinal material planting base and developing cultural industries, we explore green paths to wealth, present the process of coordinated advancement of medical assistance and targeted poverty alleviation, and convey the spirit of perseverance and dedication of the times.

The story takes place on a rare snowstorm night. The only inn in a border town, "Yingbinju", is forced to welcome several seemingly unrelated travelers: a wealthy businessman, a bodyguard, a scholar, an old man, etc. However, the brief calm was completely broken when a seriously injured officer carrying an important military secret broke in and risked his life. Outside the inn is a desperate situation blocked by wind and snow, and inside the inn is a sudden murderous intention. Everyone seems to have evil intentions and is suspicious of each other. A knight who is always silent and whose identity is unknown (the man in the snow) becomes the key to breaking the situation. The novel is extremely well-conceived, much like a secret room suspense drama. Through character dialogue, detailed reasoning and sudden fights in a small space, it vividly demonstrates the suspicion, fear, courage and wisdom of human nature in extreme environments.

The work eulogizes the Taihang elders, represented by Cui Laoguo's family, for their indomitable national character and awe-inspiring righteousness, who fought tooth and nail against the bullies. It focuses on shaping Cui Luotang, a young hero with extraordinary talent and iron-blooded spirit, and shows us a passionate legend that promotes the Taihang character and inspires the national spirit.

From the perspective of the grandmother, the novel meticulously records the growth trajectory of grandson Gumi from birth to preschool: the twists and turns at birth, the attempt to combine Chinese and Western food in feeding, the progress in learning to crawl and walk, the anxiety and breakthrough of delayed language development, and the adaptation and growth after entering kindergarten. The love, worry and tolerance of family members are interspersed between the lines, showing the warmth of blood and the power of life growth in the trivial daily life.

The work revolves around a series of mysterious events. By solving the secrets of the sword, we explore the hidden truth behind it. This is not only a battle between justice and evil, loyalty and betrayal, but also a profound discussion of human nature. The book involves complex character relationships, exciting fighting scenes and exciting plot developments, showing the unique charm of the martial arts world.

The core of this series lies in the fierce conflicts and struggles between martial arts sects and gang organizations due to interests, ideas, and grudges. It depicts the evolution of the power structure of the rivers and lakes and the complex ecology within the gangs. "Iron Lion Banner" tells the story of the "Iron Lion Escort Agency", a leader of the northern escort agency, who takes over heavy escorts and escorts important supplies to the border. When the news leaked out, gangsters and foreign warriors robbed the escorts along the way. The chief escort leader led the troops in a bloody battle to defend the honor of the Iron Lion Flag. It vividly demonstrates the hardships, rules, risks and friendship of the escort industry, and is a model of martial arts in the escort industry.

The core of this series lies in the fierce conflicts and struggles between martial arts sects and gang organizations due to interests, ideas, and grudges. It depicts the evolution of the power structure of the rivers and lakes and the complex ecology within the gangs. ??"The Traces of the Martial Arts Heroes" looks back at what he has seen and heard during his decades of martial arts career from the perspective of an elderly warrior. It records the martial arts sects, strange people and strange things, the rules of the martial arts world, and the changes in grievances and grievances in various places. It is like an encyclopedia-style personal experience record of the martial arts world, systematically showing the macro picture and subtle ecology of the martial arts world.

This novel cleverly reflects on and satirizes the phenomenon of "idol worship" in society. The story may revolve around an "idol" figure (such as a cultural celebrity, a knight, etc.) Who is held up by the public, revealing that the true face behind his halo may not be so glorious, or exploring the distortion caused by blind worship to individuals and society. The work goes beyond mere romance and explores issues such as fame, vanity, and social psychology in depth, demonstrating Zhang Henshui's critical edge as a social novelist.

This novel is another satirical masterpiece by Zhang Henshui after "The Eighty-One Dream". It focuses on the ugly behavior of the Kuomintang's "recruitment of senior officials" after the victory of the Anti-Japanese War. The "Five Sons" in the title of the book cleverly represent the goals that corrupt officials were madly chasing at that time: gold, houses, cars, money, and women. The story revolves around the activities of the receptionist Jin Ziyuan after he flew to Peking. It describes how he used his power to enrich himself, took bribes and perverted the law, and dealt with many women. The work sharply criticizes that what the so-called "victory" brings is not light and reconstruction, but a new round of robbery and corruption. It is a mirror that reveals the chaos of post-war society.

This is not the mythical novel "Journey to the West", but a travelogue written by Zhang Henshui, which records his travel experience in northwest China (such as Shaanxi, Gansu and other places). The book describes in detail the natural scenery, historical relics (such as Xi'an Forest of Steles), folk customs, and the poverty and isolation of Northwest society at that time. The author incorporates deep historical sentiments and concern for the country's development of the northwest into his travel notes. His writing style is concise and record-keeping, demonstrating his dual qualities as a reporter and a writer.

The work is a collection of short and medium-sized stories, focusing on the survival and growth dilemmas of the lower class people in the urban and rural changes. It integrates narrative elements such as the countryside and the lower class, and uses realistic techniques to present the original ecology of life. It takes the identity wandering and survival struggle of rural youth between urban and rural areas as the core, integrates the rural and the lower class and other multiple elements, and shows the life picture and spiritual dilemma of the marginalized groups in the social change.

"Dream of Qinghe" is a collection of short growth stories. In the critical stage of our growth, young people aged 17-21 are often active in thinking and have wild thoughts. The book uses the transformation and reconstruction of residence as the entry point to vividly show the ups and downs of human relations and sophistication under the tide of the times, and deeply reveals the uncertainty of personal destiny under the fate of the times. This not only reflects the first generation of the 21st century's deep reflection on the times they live in and their exploration of complex human nature, but it is also full of memories of the lost beauty.

"Warmth in the Wrinkles of Time" takes "memory and growth" as the main thread to connect life narratives spanning decades. Each piece of content is like a meticulous painting, delicately outlining the outlines of family affection, responsibility, nostalgia and philosophy. There are not only the belief in "serving the people", but also the reflection on life of "being prepared for danger in times of peace", and the affectionate interpretation of "family tradition and upbringing".

It tells the story of "I" getting lost due to heavy fog in a dream and accidentally entering W town. "I" later met Mr. Zhang and Feng'er, and tried to find a way home with their help, but was entangled in various bizarre stories that happened in W Town. Before "I" arrived in W town, a strange black bird also broke into W town, so a series of unspeakable entanglements occurred between "I" and the black bird. Especially after entering W town, "I" kept dreaming, and this dream overlapped with the black bird's experience. "I" could not know for sure. Did I dream that I became that black bird, or was all these things just a dream of "me" as a black bird? When you wake up, it feels like you are dreaming, and when you dream, it feels like you are awake. Which one is real? "I" could no longer tell which one was a dream, and eventually I fell into trouble...

This is a wonderful spin-off in the "Eagle Claw King" series. When a disciple of the Huaiyang sect was captured by the Fengwei Gang and imprisoned, a strange man wearing a strange golden raincoat, who was as agile as an iron swallow plundering water, quietly appeared to help. His identity is mysterious, and his martial arts methods are completely different from those of the Central Plains. However, he upholds a chivalrous heart and resolutely fights side by side with Wang Daolong's heroes. The story revolves around his thrilling journey of going deep into the core hinterland of the Fengwei Gang's water village alone, including climactic scenes such as rescuing trapped companions, outsmarting the gang members, and challenging the helmsman. The plot is full of ups and downs and full of suspense. The unique appearance and extraordinary superb skills of this "Iron Swallow and Golden Coop" hero have become the biggest highlights of the book, fully demonstrating Zheng Zhengyin's profound skills and imagination in shaping strange people and heroes.

This book tells the story of four heroes with completely different origins, temperaments, and martial arts skills - the calm eldest brother, the resourceful second brother, the brave and fearless third brother, and the nimble and swift fourth sister - who became sworn brothers under the witness of the ice and snow in the Tianshan Mountains and vowed to support justice together. Based on the Tianshan Mountains, they crisscross the vast and mysterious Western Region. Not only do they have to deal with the ruthless local evil sect "Tianshan Sect" that has been entrenched for many years, they also have to deal with the intricate forces on the Silk Road. The story is rich in regional flavor from the Western Regions. The plot revolves around how the four brothers relied on their absolute trust in each other and their complementary strengths to cooperate in many battles and overcome many dangers. It perfectly interprets the martial arts team spirit and deep friendship of "brothers working together can break gold".

The "Little Rooftop" is a mountain with dangerous terrain, easy to defend and difficult to attack. The owner of the mountain villa on it posted a hero post and invited the martial arts heroes to attend the meeting, claiming to share important martial arts secrets. All the knights were invited to gather together, but suddenly found that the villa had been secretly controlled by a mysterious force, and all escape routes were cut off, turning it into an isolated and dangerous island. There are hidden dragons and crouching tigers among the guests, but they also have their own agendas. They must temporarily put aside their disputes and work together to find out the true intentions of the owner and the terrifying purpose of the controller within limited resources and time. They must also break through the numerous mechanisms and force blockades set by the enemy in order to have any hope of escaping. The novel is exquisitely conceived, has a compact plot, has a strong sense of suspense, and is full of a tense game in a confined space.

"I Deal with Me, I'd Rather Be Me" is a book of self-analysis disguised as an emotional novel. It not only records several important emotional experiences, but also a long monologue about growth, wrong love and self-salvation. In the tug of love and being loved, "I" gradually learned to reconcile with my own heart. The story begins with a campus romance in Melbourne. "I" and L experienced a short but intense cohabitation life. They fell in love so deeply and were so painful that they sobered up. When real problems such as pressure to buy a house and unequal contributions come to the fore, love begins to break down; later, "I" and A get closer in the gentle transition of mutual friends, but gradually drift apart due to the afterimage of each other's emotions and the uncertain future; and C appears like a glimmer of light. She understands "my" emotions and pain, but cannot arouse the throbbing deep in "her" heart. "I" understand that not every soul resonance will trigger the spark of love. Multiple relationships are like fleeting moments, leaving traces and confusion. In the repeated indulgence and withdrawal, desire and restraint, "I" gradually realized: love is never about looking for substitutes to fill the hole, nor is it about projecting the regrets of the predecessors on the latecomers. True love is an honest response, daily companionship, and someone standing by your side unspokenly in the deepest loneliness. This is not a story about "getting", but a slow but firm "understanding".

This collection of poems compiles the main works from 2011 to 2022, divided into seven movements according to theme: "Bi" (harmony), "Love" (love), "Jane" (nature), "Tao" (philosophy), "I" (self), "To" (tribute), and "Song" (lyrics). The eighth chapter, "Evening", is a modern collection of ancient poetry. This collection is named "Dawn", which is both a summary of yesterday and a hope for tomorrow. It contains different explorations over more than ten years, always seeking the convergence between different cultures, and pursuing the unity of form, rhythmic beauty and ideological unity.

This book begins with Qin Shihuang's unification of the six kingdoms and ends with Wang Mang's usurpation of the Han Dynasty. It brilliantly interprets the rise and fall of the Han Dynasty over more than two hundred years. The author vividly describes the magnificent conflict between Chu and Han, the recuperating Wenjing rule in the early Han Dynasty, the heroic strategy of Emperor Wu of the Han Dynasty in opening up territories, and the political darkness of the autocratic power of foreign relatives in the later period. Among them, the depictions of historical figures such as Liu Bang, Han Xin, Zhang Liang, Emperor Wu of the Han Dynasty, and Sima Qian are particularly vivid. This book not only tells the story of the merits and demerits of the emperors, generals and ministers, but also incorporates rich regulations and social customs, providing readers with a comprehensive understanding of the strength and hidden worries of the Han Dynasty. This is the next volume.

This book begins with Qin Shihuang's unification of the six kingdoms and ends with Wang Mang's usurpation of the Han Dynasty. It brilliantly interprets the rise and fall of the Han Dynasty over more than two hundred years. The author vividly describes the magnificent conflict between Chu and Han, the recuperating Wenjing rule in the early Han Dynasty, the heroic strategy of Emperor Wu of the Han Dynasty in opening up territories, and the political darkness of the autocratic power of foreign relatives in the later period. Among them, the depictions of historical figures such as Liu Bang, Han Xin, Zhang Liang, Emperor Wu of the Han Dynasty, and Sima Qian are particularly vivid. This book not only tells the story of the merits and demerits of the emperors, generals and ministers, but also incorporates rich regulations and social customs, providing readers with a comprehensive understanding of the strength and hidden worries of the Han Dynasty. This is the middle volume.

This book narrates the complete history of the Qing Dynasty from the beginning of Nurhachi's Thirteen Relics to the abdication of Emperor Xuantong. The works cover a series of major events such as the entry of Qing troops into the country, the heyday of Kangxi and Qianlong, the Literary Prison, the Opium War, the Taiping Rebellion, the Westernization Movement, the Sino-Japanese War of 1888-1898, the Reform Movement of 1898, and the Revolution of 1911. The author lived in the Republic of China and was particularly touched by the historical events of the late Qing Dynasty. While describing the martial arts and prosperity of the Qing Dynasty, he also used a lot of pen and ink to deeply expose the national crisis caused by the political corruption and isolation of the country in the late Qing Dynasty. It showed the process of modern China's difficult change under the impact of the West, which has a strong warning significance. This is the next volume.